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    clayv
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    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

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  • #661
    Oroborous
    Joined:
    Pairings

    ...I mean like a Muai Wowie for a Hawaii show, some Humbolt for NoCo etc...I guess it might be tough for Europe shows? Perhaps find a hash that was associated with certain countries?
    YEEESSSSS love the Elephants. If you can drink a sixer of those along with what not and still function normally your definetly a pro and/or an alcoholic lol! Back in the day when we couldn’t source much, that Pepsi challenge was a badge of honor! Used to like the Hinnie Darks way back when?....feel like that’s another one that you had to have directly from the country of origin, like many Canadian beers. They say their the same but don’t feel that way. Of course being a resident Simón would know more about that. We were just border kids back then so had many opportunities to test the theory with Canadian brew...had something in France that was pretty good, at least for back then. Can’t rember name...wanna say a red label on the bottle?

    EDIT: the Elephant challenge was part of the lore of my infamous Hershey 6/28/85 story....nothing like a sixer of hephalumps and QO of veggies, vooooooo, IT does not matter anyway!

  • #662
    Oroborous
    Joined:
    Spring 71

    Well I know what I’m listening to today, lol. Cruising through FTV 3 as we speak. Then 3/18, 10/22.2, and P/O 4/7/72.2...
    Wooooo, smokestack, niiicccceee!
    Thanks to all for the dynamic look at spring 71, and especially of course The Doc, good to see ya!
    First I must reiterate that I like ALL years, and I like early 71, hell Skull Fuck was the one that got me hooked. I have FTV 3, Ladies and Gents, 30 trips, and a old poor tape to cd copy of 2/18/71.2. (Love that DS/WR/DS.)
    But it’s been one of those periods sort of in the shadows for me. Perhaps it’s all the fragmentation: since Skull and L&G are cut ups and I’ve listened to them the most. Haven’t listened so much to V3 for a Vualt release, and 3/18 I only somewhat recently acquired so not too familiar with yet....I know I’ve been somewhat a prisoner to my predilections in the past, but hanging here has worked on that. But I guess if I was going to be critical it would definetly be the lack of extended jams, and on docs spectrum number 1 repertoire. Yes new songs but much is kinda sloppy, guitar tunening, cowboy songs, pigs long....ah, I think I just figured it out. It’s because there’s a lot of repetive tunes during this era that TODAY, after many decades of repetitive listening, I’m kinda burned out on...hope that makes sense? Now ANY tune in the right time and space can still blow the ole cosmic doors off, but generally speaking, over 40 years in, there are unfortunately some tunes that I don’t always need to hear. I think others have made similar comments before...so I think that’s what I don’t like, these do have much of those type songs. But so what, there’s so much great, unique stuff too. (and yes even the occasional DS!)
    Like fundamentally I’ve always dug the smaller, swinging band versions over the big lumbering ones. Oh, now that I’m thinking about it, this is kinda like 80s Dead in that it’s balls out rocking energy. The “STYLE”, I do really dig the style! Sometimes there’s something to the dirtier sound too. They had definetly made progress from early on, and eventually got to that buttery smooth ultra clean sound. But that might understandably not be everyone’s favorite cup of tea....so here there in this unique transitional period...just the right touch o grease on that Q.
    Also, like KF mentioned, Pigs organ playing is definetly at a peak. Speaking of the Grease machine, nowadays, though I may need to be in the mood for yet another long dragged out Lovelight or Good Lovin, the rest of the Pig list does just the opposite for me. Meaning that shit I’ve not had near enough of! I guess it’s just another case of needing to spend more time with this era. Which in this case means gettin loud and greasy! Easy Wind indeed! And the river kept on calling.....I’m sure anything deemed Box worthy will be just dandy, and ya know some day it’s coming in some form/forms; ....demand is high, at least among the old hardcore guard; there’s multitracks and/or Beatty’s from I believe all the Chester’s and 4/5,6,7, and 8?, Which I believe some are ABC sourced so you know it’s coming, it’s just when, where, and how?
    I liked Billy the Kids idea of formate variations. Say two box sizes and some kind of compilation like PNW etc.
    Go limited number of the big dog (20-30 shows?) for Doc and HF etc, and perhaps a 6 show box more in line with June 76 or PNW? for others? Perhaps they’ll do something in multiple parts like spring 90 (and they should do with June/July 76 at some point). I mean Chester probably stands out as the most prime choice just cause of the tapes. So maybe that first, and perhaps later a six to ten show April box?
    Whatever, I’m sure Ill learn to love it, much like that 78 box. And though it probably won’t be first call material personally, like all dead, I’m sure when I do let it roll, I’ll always be able to find golden yummies. Proper! Like this V3 TOO, all nasty, a tad sloppy, raunchy, but fuggin smokin! And this WR, it’s like their possessed, very unlike the vibe it would turn into.
    Anyway, lol, it’s dangerous to have extra time sometimes, sorry. 😉
    But thanks again for all the good angles. Hey if nothing else we got Doc from under the rock for a spell! Ok, back to the grease....boo yah. Sold, the Brooklyn bridge!

  • #663
    simonrob
    Joined:
    Beer notes...

    Fullers is great. London Pride is a fine bitter. ESB should come with a health warning. It is a lovely beer but unpredictable things can happen if you drink too much. You have been warned. Newcastle Brown is arguably the best brown ale if brown ales are you thing. Carlsberg is nice but their Elephant beer (7%) is a killer. Highly recommended if you can find it. Heineken sucks, like most things that come out of Amsterdam. Phil should have known better. There are much better Dutch beers. I am not familiar with the others but I have always struggled to find even a half-decent beer in France while Germany has loads of good local beers.

  • #664
    bolo24
    Joined:
    Me, according to my wife

    http://www.quickmeme.com/meme/3p838b

  • #665
    hendrixfreak
    Joined:
    I'm not thinking about beer at all...

    But as it's only 2pm here in Denver, I coughed up a brief list of brewskies to aid the courageous among us who may enter into a review of all 22 Euro '72 shows. This list is easily improved, but I got a sick, beloved cat going to the vet soon. And these are brands you can get in US or what's left of it.

    London: Fuller's London Pride or Fuller's ESB
    Newcastle: Newcastle Brown Ale
    Copenhagen and other Denmark cities: Carlsberg
    Bremen, Germany: St. Pauli Girl
    Paris: 1664
    Amsterdam: Heineken (Lesh is more)
    Luxembourg: I think we flubbed this one
    Munich: Paulaner Octoberfest

    Cheers! And good luck to those intrepid souls who nab all 22.

    EDIT: To Oroborous' question: Of course a weed pairing. We would always start by vaping Sativa, cracking a beer and glowering at anyone who spoke during the music. Beginning of second set, with big jams coming up, we'd switch to vaping Indica. Vaping would give way to a few smoked hits of Indica (and maybe a shot or three of Jameson) when DS, TOO or some other monster appeared on the horizon. Okay, maybe pop a painkiller.

    This is at a cabin in the foothills here, ~8000 feet. If weather was warm, I'd sleep over in my truck. If weather was very cold, I'd, um, drive the 75-minute route home, Jer ringing in my ears.

    As Clapton's manager told the press after he collapsed on tour back in the day: "We're not 'ealth freaks ya know!"

  • #666
    deadegad
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    London Calling?

    To me London Calling can be mentioned in the same breath as The Beatles(White Album), and The Rolling Stones Exile on Mainstreet. Yes LC is that good.

    Brand New Cadillac!

  • #667
    Charlie3
    Joined:
    London Calling

    Sounds perfect, some Clash it is. Perfect song to capture the vibe, classic album. I think it should be played at high volume, but that's just me.
    The ice age is coming, the sun is zooming in
    Engines stop running, the wheat is growin' thin
    a nuclear era, but I have no fear
    'Cause London is drowning, and I, I live by the river...

  • #668
    Oroborous
    Joined:
    Miscellaneous responses

    DEADVIKES: 4 second row tix for 20 bucks, NIIICCEE! It’s so cool to see em that close eh? Aahhh, the “old” days when we used to go up front all the time, siiiigghhh

    BLUECROW: HAPPY HAPPY! And nice June 76 post

    THANKS VGUY

    HF: thanks again for continuing to make me laugh and/or smile! That 71 “prep” is perfect, lol. I’d need a seatbelt! Speaking of, where the hells KCJ been hiding? Oh, and HF, sounds like I’ve had friends with the same interior decorator as you.

    BEER/SHOW pairing, awesome! Hmmm, could you do same with weed? 😎

    Spring 71......

  • #669
    KeithFan2112
    Joined:
    Strangers In a Strange Land

    As noted, the Europe '72 Anniversary begins today. They kick off with one of the best Greatest Stories I've ever heard. Sometimes you got one, sometimes you got two "cool clear water well you can't ever tell"s. I prefer two. Donna really nails these.

    The whole show is great. The Other One Part Deux into Wharf Rat is exceptionally exceptional stuff.

    I do my best to listen to them all in sequence on their anniversary dates every year, but always seem to fall behind at the beginning of May. Oh right....that's when the Bonus Disc Dave's Picks arrives.

    Great stage quotes from 4/7:

    While trying to figure out what song they're going to do next, right before Tennessee Jed -

    BOBBY : What the fuck are we doing here?

    JERRY: What indeed...

    During the Truckin' intro. Bobby queues up the band and begins to introduce Numero Uno when Jerry cuts him off -

    JERRY: Hey that guy's got a trailer....

  • #670
    Deadheadbrewer
    Joined:
    London's Calling!

    Heading for the listening room to launch my first trip through E72. As mentioned, I've tried to do the tour a few times, but usually only make it about half-way through the first show before life derails the tour and I have to head back to the States. But with older kids and NOTHING on the calendar (plus a willingness to listen even when it's not late at night with everything Just Exactly Perfect), I feel like I might really do it this time.

    Hendrix--I had the same thought about the European beers. Just wish the boys had played a bunch in Germany! I am getting some Jai-Alai Pale Ale from Cigar City Brewing for the listening session for DaP 34. This initial E72 session has me armed with nothing but decaffeinated coffee . . .

    p.s. Blue Crow--my thoughts exactly.

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Submitted by clayv on
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Dead Store Products

During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

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Submitted by LedDed on Fri, 03/06/2020 - 16:52

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I'm blasting that new Cream live box that just dropped (on another front porch here in Denver) and it's fantastic! The first three concerts, all recorded in California in October 1968 have pristine live mix/sound. Hey, I was born in October 1968 so call me biased, but...

The last show, the actual Cream Goodbye concert from November, London, doesn't have as good of sound. Sounds more like The Who did in that era, very raw.

Some of this has been released before, but it never sounded this good. Highly recommended to Cream fans!

\m/

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Submitted by daverock on Fri, 03/06/2020 - 17:14

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I have only played the first 2 cds from the Cream box, and they are the best sounding live Cream recordings I have ever heard. The playing on both cds is superb, with much jamming - the second one, 10/19/68 is really powerful. The book and overall presentation are also excellent.

Curiously, on the Steve Hoffman Forum there is much chin stroking about DR ratings, something I have never heard of before. Apparently DR in this context refers to dynamic range, and there are ratings given on the forum for each disc this ones a 7, that ones a 9 etc. The 4th disc gets the lowest rating. Seems a bit absurd to me...some people must be able to hear better than bats.

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Submitted by deadegad on Fri, 03/06/2020 - 18:23

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I like the different shapes and sizes of these box set releases. Variety. Yet to each his own.

Having said the above, this box set is another beauty to behold and "scratches the itch" very, very well.

....nugs.net will stream the Bob Weir and Wolf Bros Nashville show tomorrow for free. Tornado relief benefit.

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13 years 4 months

Submitted by JimInMD on Fri, 03/06/2020 - 19:23

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The initial pics here were so monochromatic.. the box revel is in technicolor.

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Submitted by Vguy72 on Fri, 03/06/2020 - 19:35

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....thats what I'm gonna call it.
Size doesn't matter. Ask Mrs Vguy.

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12 years

Submitted by Dennis on Sat, 03/07/2020 - 05:39

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Sorry to hear that. One of the early Blue Note albums I had, Time for Tyner. Just had it out not long ago. Love African Village. Since I had the musical Oklahoma memorized, had to love Surrey with the Fringe. Followed by a My Fair Lady hit. The odd thing for me, since I don't know a lot of people who listen and would know his name, was years later Bob talking about Tyner's left hand

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Submitted by Dennis on Sat, 03/07/2020 - 05:49

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I'm sure it's not everyone's cup of tea, but, if you have hulu, look for Gilbert Godfried Dirty Jokes. For 50 minutes he runs thru every old dirty joke, all the old Jew jokes and jokes I knew from 4th grade. This is some sick shit, not for the faint of heart. The last marathon joke had me in tears. Like I said and be forewarned NOT FOR EVERYONE.

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Submitted by Dennis on Sat, 03/07/2020 - 07:40

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just got email from amazon on this. They have no page up for, nor does the Jerry site. Anyone have any words?

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Submitted by JimInMD on Sat, 03/07/2020 - 09:05

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You must be in a different space time Dennis.. I get all those Amazon emails for anything GD related and nothing is in my box.

What show is it supposed to be?

Nothing much going on today and the weather is in between anything optimal for outdoor activities.. but I need to get out so that leaves a simply hike up the mountain. ..now what to play?? I did the optimum part of 7/9/89 Giants Stadium over the last couple days.. I might just take the plunge into the next night 7/10. I am getting a lot more out of that box than I ever thought I would. Jeffrey Norman is a Jedi master (no disrespect meant to the other jedi masters says the guy that named all his children and all my pets Charlie Miller).

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11 years 9 months

Submitted by nappyrags on Sat, 03/07/2020 - 09:07

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Mucho thanks to Sixtus for the fine 12 volume mash ups he made and thanks to Jeff for making them available again....Frankenstein at it's best....

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Submitted by Dennis on Sat, 03/07/2020 - 09:16

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GarciaLive Volume 13: September 16th, 1989 Poplar Creek Music...

$15.98

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Submitted by JimInMD on Sat, 03/07/2020 - 09:20

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ahh.. that's right. I did get that announcement probably from someone here. I just forgot. I've got Oldandinthewaysheimers.

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Submitted by bob t on Sat, 03/07/2020 - 09:48

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Made me pull out Jerry Garcia Collection Volume 1, Legion of Mary CD.. I enjoy the combo during this time period, of Merl Saunders, Ron Tutt, Martin Fiero , and John Kahn... after this going with the Let it Rock Show, Volume 2... I like Nicky Hopkins and this November 17 and 18, 1975 CD is so much better than the new years show from 1975 when they just quit singing..... Remember when it was being released they even said it wasn't that good.... still bought it... bob t

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Submitted by bob t on Sat, 03/07/2020 - 13:11

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Really good Second that Emotion.... Detoured here instead of Let it Rock shows from November of 1975!!! Garcialive Volume 6

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17 years 4 months

Submitted by Vguy72 on Sat, 03/07/2020 - 15:12

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....into Umphreys McGee territory. Another impressive band.
Last five....
Umphreys - Its You
Marillion - Fugazi
GOGD - Denver '73 RT
BOC - The Revolution By Night
Cowboy Junkies - Lay It Down

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7 years 6 months

Submitted by carlo13 on Sat, 03/07/2020 - 17:10

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The colors and designs on the new box reminds me of the book Grimm's tales in German. I have this book and the leather back edition looks just like the 76 box. You know like "the old man and the juniper bush" or "the fox and the frog" real cool.

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9 years 1 month

Submitted by Charlie3 on Sat, 03/07/2020 - 17:31

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JGB - 5/21/76 One of my favorite JGB releases.
Frank Sinatra - Ultimate Sinatra, greatest hits, cool stuff when you're in the right mood.
Grateful Dead - DP18 2/3/78, 2/5/78, hadn't listened to his one in awhile but when JiminMD talked up the Brown Eyed Women I thought I would revisit it. That whole release is hot.
The Police - Outlandos D'Amour, when I hear Roxanne sometimes I flash on Eddie Murphy singing it in 48 hours. Good stuff.
Miles Davis - The Complete Bitches Brew Sessions. Really clicked on Great Expectations on this listen.

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Submitted by carlo13 on Sat, 03/07/2020 - 17:51

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That naked dude behind Jerry at veneta concert still gives me nightmares whenever I see it. Who ever put the link to that t-shirt with that dude dancing with the post just started the nightmares again. It would not be so bad if the dude was just standing there but the facial expressions and gyrating on the post was just over the top.

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Submitted by billy the kid on Sat, 03/07/2020 - 18:35

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Vguy, that Denver 73 show is a winner from start to finish, I really dig the Warf Rat! Thank you for all the great jokes you tell, everybody I tell them to loves them. I 've been reading on this site since day one, your jokes are the best.

Fare warning - Don't encourage him.. and whatever you do don't feed him after midnight.

Did somebody mention fall '73?

(I've recycled a few VGuy jokes.. )

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Submitted by daverock on Sun, 03/08/2020 - 04:33

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I'm still not sure about 15 cds from 1976, whatever it looks like. But my eyes lit up at the mention of Grimm's Fairy Tales. The edition illustrated by Arthur Rackham is like a portal into another world.

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Submitted by deadegad on Sun, 03/08/2020 - 07:52

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I was thinking something similar but The Book of Kells was coming to mind for me without the saintly figures. This new box is a real beauty to behold. In fact all of these releases have their charms and we are, well, blessed to have them. They really do bring me some true joy. The sound and the art!

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10 years 8 months

Submitted by hendrixfreak on Sun, 03/08/2020 - 08:51

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Thanks a lot! You had to bring up the naked pole guy, when I'd managed to bury the memory.

Aaaaaaaaaauuuuuuuggggghhhhhhhhhhhhhhhh!!!!!!!!!!!!!!!!!!!!

Ya just can't un-see that one, eh?

Now I'll have to watch it again and FACE THE MUSIC. (Or the nakedness, the expressions. Oy!)

I still love this release. Preaching to the choir I know.
I watched the bonus songs/making of the DVD recently. Interesting stuff. Dave talks about they have enough material for another release. Man, let's make that happen. Really interesting to hear Jeffrey Norman discuss his process for mixing the tapes, using one of Jerry's old amps and cleaning up the sound. Just compare this release with the original release Steal your Face. Hard to compare. Jeffrey Norman does unbelievable work to make this music sound so damn good.

Keep it coming!

Pulled out 10/8/89 yesterday and it sounded even better than the last time I listened to it.

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10 years 2 months

Submitted by KeithFan2112 on Sun, 03/08/2020 - 09:55

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Weather's great here, I am getting out and putting the headphones on and just walking until my legs fall off.

I really like the unboxing video. I think the artwork is great. I don't think we're going to have any problems with CDs coming loose during shipping. The box is reminiscent of the original May 1977 design, and those individual cases for each concert come packed tightly enough to keep everything in place I believe. This is really going to be a nice treat. All the better because there was such a short duration between announcement time and delivery time. IThis thing's going to be here in 2 weeks!

Carlo, I hear you man. "Poll Guy" is some tough competition. No doubt a sign of the times, and historical accuracy is a good thing, but I'm pretty sure there's enough space on that Blu-ray to deliver an alternate version that CGI's him out. I mean really, it's embarrassing; every time I put that video on my wife has to make a comment about how lucky his girlfriend is.

https://images.app.goo.gl/CRAbJVJHGRP93ic97

P.S. - forgot what prompted me to check into dead.net at the moment - the December 14, 1971 Big Railroad Blues. Yessir, it's a doozie. I pretty much like anything from Autumn '71, so I was pretty stoked to get back to back bonus disc shows from this period in 2017 / 2018. But even that being said, these shows continue to grow on me. And that's saying a lot for not having a Dark Star anywhere in the mix.

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Submitted by billy the kid on Sun, 03/08/2020 - 13:47

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This is the day that Pig Pen passed away on in 1973. Easy Wind and Alligator my favorite Pig Pen songs, but I dig all of his music. When my brother saw the Dead on 2/9/73, he fully expected Pig Pen to be there and he was surprised that he wasn't.

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Submitted by nappyrags on Sun, 03/08/2020 - 13:56

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we were driving down Highway 1 from Big Sur to Los Osos Ranger Station (was working for the Cal Div of Forestry) outside of San Luis Obispo when we heard the news about Pigpen on the radio...they started to play Easy Wind so we fired one up in his honor...at the time I had no idea how ill he was and that the Hollywood Bowl show we were at the previous June was his last hurrah...Sail on Brother Pig....

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Submitted by carlo13 on Sun, 03/08/2020 - 15:43

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The wife comment. Wow, now that's a kick to the teeth.
.

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Submitted by carlo13 on Sun, 03/08/2020 - 15:52

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Can't we crop him out and put a go-go dancer in....
Oh shit I just threw up in my mouth a little when I briefly thought of him as a male go-go dancer on the pole. I'm now going to kill myself. Good bye cruel world.

11 17 73 real good
2/2/70 & 12 20 69 DaP tasty
10 14 80 great

X under the big black sun
Motorhead kiss of death
Motorhead in general
Melvins in general

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16 years 11 months

Submitted by bob t on Sun, 03/08/2020 - 18:16

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I really wish they didn't edit all the banter before The Music Never Stopped to open the first set!! Here is one out of the blue, related to Deadvikes Oct 74 post... Drove to the store last night and Tomorrow is Forever popped up on Sirius from 10/19/74... For not playing that song for over 2 years it sounds amazing!!! It is my favorite version they ever did!! Never thought i would be posting my favorite version of Tomorrow is Forever on here!!!! bob t

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Submitted by JimInMD on Sun, 03/08/2020 - 19:36

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My Windows 10 machine did not like that link.. I'd stay away from those wall of sound pictures. Something seems fishy with that site.

Did anyone else have trouble with that one?

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Submitted by Mr. Ones on Sun, 03/08/2020 - 20:28

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It's been a hectic weekend here in East Central MD. Got the Cream box, but have only been able to listen to the first 2 discs. Absolutely fantastic stuff!! But a comment DAVEROCK made really pricked up my ears, concerning being so familiar with released stuff that hearing different versions was a reminder of how familiar we are with the released versions.
I was particularly thinking of my experience with the Dead. I only knew songs from the L.P.'s until almost 2 decades later. I flashed back to the first time I heard Looks Like Rain. It blew my mind, I just remember being floored with what a great song it was. Same thing with The Stranger, fantastic!! Part of it was the newness, but the performances were great also.
This applies also to covers such as It's A Man's, Man's World, It's All Over now, and the aforementioned Tomorrow Is Forever, and so many more.
As a child, I could only afford a new record maybe once a month, so I played my albums over and over and over. I was familiar with every note and scratch!!
Hearing these Cream recordings was similarly mind-blowing. I know the songs, but I've never heard them sound like this before, they're so well recorded. Brilliant!!
My favorite bit so far is about 9 minutes into Spoonful on disc 2. I was listening with headphones and thought I heard a voice(my wife maybe??). I kept hearing it and could finally make out that the announcer was trying to get people to sit down!! Hey kids, no standing or dancing at this rock 'n' roll concert!! The band goes very quiet for a few moments, finally just Clapton lightly picking. And then......they're back and blasting off again. So good.

Finally, and this is unrelated but a friend of mine passed away from cancer a few days ago. Whoever had his phone texted me just 2 words--He's Gone. These people do NOT know the Grateful Dead!!
So I was wondering if any of you could suggest your favorite version. I played the Europe '72 version, and have many, many others, but would love to hear from you guys.

Thanks, and sorry this is so long.

I'm terrible at best versions.. but I will say I like the jam out of He's Gone from Englishtown 77 a lot which I think is still considered part of He's Gone. Call it an ascension jam.

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Submitted by billy the kid on Sun, 03/08/2020 - 22:53

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Mr Ones, my favorite is 9/11/81 at the Greek Theatre. I was at this show . If I had one show and one show only to go back and see, out of all the shows I' ve seen, this would be the one. Repeat the whole evening with everything included, this is my favorite.

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Submitted by bfk118 on Sun, 03/08/2020 - 22:59

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I'm sorry for your loss....I have a friend that was just diagnosed. F--- cancer.

If you're looking for a good He's Gone, I would recommend 3/26/87. Aged Garcia laying it down, and the board mix is incredible. Fantastic matrix that keeps the instruments and vocals crisp, but includes enough audience to plant you there. Great hair-raising version from the later years.

Keep on keepin' on!

Mr Ones - I am also very sorry to read of your loss. It seems to me that the older I get, the more I have to absorb and adapt to loss. When I was younger, if someone of my generation died, it felt like a freak accident. Now it is woven into the fabric of everyday life.

I couldn't say with great confidence what my favourite version of He's Gone is...but there are a couple of beautiful ones in the 73/74 box, 6/22/73 and 6/26/73. I like these due to the jams that come out of them and on into "Truckin". It feels as though the ""He's Gone" is a gentle reflection on loss , and that this then transforms into acceptance, simply carrying on, and then moves into celebration with "Truckin". The jams go on into "The Other One" on both nights. Which take things further out again.

That Cream box is great. The sound quality dips a bit on the 4th cd at The Royal Albert Hall. But the playing is incendiary. Could any other rock group jam like this in 1968? Answers on a postcard......

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Submitted by Roguedeadguy on Mon, 03/09/2020 - 04:18

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On Sundays I normally like to catch up on my jazz. Yesterday I caught up on McCoy Tyner, one of those cats who I certainly was familiar with, but hadn't listened to enough.

Last five, McCoy Tyner edition:
1) Inception. His first LP for Impulse. Not as 'out there' as his later stuff, but one can see that he wasn't just another bop piano player. 9.9/10

2) Today and Tomorrow. His next one after Inception. More straight ahead and traditional, probably a good one to start with if you haven't listened to him much. 9.5/10

3) The Real McCoy. Probably his most well known album, and not for nothing. Freaking tremendous. 13.7 /10.

4) Tender Moments. His next one for Blue Note after The Real McCoy. 100% certain that at some point over the weekend at a gastropub in Park Slope, Brooklyn there was a beard-stroking hipster explaining to his date that "actually Tender Moments is even better than The Real McCoy" but we don't hear as much about it because the DNC hates Bernie Sanders, or something. 13.7 / 10.

(She's not going out with you again, Dylan. Can I borrow your beard trimmer?)

5) Sahara.
OMFG stop whatever you are doing and listen to this album. It is incredible. Although its named for a famous desert, in my mind it conjured images of a sea storm, with massive waves crashing into a rocky shore, over and over. Ferocious, and chaotic, but with an underlying rhythmic pulse holding things together. This is the music of the only man on Earth who could hang with Coltrane for hour long jams.
1,677,412 / 10.

Mr Ones, sorry for your loss man. Been a lot of that going around. Dicks # 1 is my definitive He's Gone, maybe just because I've heard it more times than others.

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