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    clayv
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    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

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  • daverock
    Joined:
    ABB box

    I'm really tempted by this. I have quite a few recordings of them with Duane in the driving seat, but none others apart from one called "Hiitin' the Note" with Warren Haynes and Derek Trucks. I ordered one called "Second Set" a few days ago, too. I always assumed they went off somewhat after Duane died, and then were rejuvenated when Warren and Derek joined. But looking on here it seems I have much to learn.

  • Dennis
    Joined:
    Garcialive 13

    has hit the Garcia site,,, not on amazon yet, but they're saying a buck cheaper in their email.

  • hendrixfreak
    Joined:
    "Hedrix" Freak lurking, always lurking

    I'm sure longtime posters are familiar with my "lifetime worst GD mistake" -- which was attending 6-9-73 at RFK, then missing 6-10-73 because ... we were 15 years old and had tripped all day in 100 degree heat and had no money, no food, no nothin'.........

    Well, one mistake I did NOT make was staying at Watkins Glen for the "jam." We left after the last band -- was that The Band or the ABB? We could hear the jam starting up from somewhere far away, like the "parking lot" (i.e., another part of the disaster zone). And we were SO glad to be outta there.

    Sequence: we get there in the middle of the night on a backroad while everyone else is stuck in traffic. Sleep on the ground. Enter concert area bright and early on the 27th. Get setup near the stage and break out the smoke. At that point, all was mellow and I wandered among the heads, checking out the scene near the soundboard. Then Bill Graham (I think) comes out and announces that each band will do a one-hour soundcheck. ABB up first, everyone races back to their spreads and party gets going. Relatively small crowd goes wild. (Hard to say, but maybe there were only 10,000 spread out in front of the stage?) The Band come out. Short killer set. The GD come out and play for two hours as we recline on our sleeping bags, snort a little mescaline and relax as the boys crank out some good music. Most idyllic GD setting ever.

    Next morning, wake up, snort, drop, smoke, GD on at NOON! Long day, multi-hour sets all around. I recall a massive thunderstorm during The Band that made them take a break, which is why I think they went second that day. ABB probably towards nightfall? By the time they were done, we were cooked as well. (Edit: As I recall, we had water but no food -- just drugs. Smart "thinking"...) No way we could have absorbed any more music. With the two-night, GD/Band double-bill at Roosevelt Stadium only days away, we had to boogie.

    Gregg in the book, One Way Out, said they heard the jam tapes and they sucked, cuz everyone was so out of it.

    So we made an excellent decision to cut our losses. Oh, so we return to the spot where the van that brought us was parked -- gone! With my backpack, change of clothes, the works. I recall nothing of the several hundred mile hitchhike home, including no memory of how we escaped the concert site. We must have slept on the ground and ridden out with some hippies. There were plenty of them and, although 15, we all had long hair, too.

    Just a brief story whose details are mostly missing!

  • Dennis
    Joined:
    stoltzfus

    BUT, Jerry did get me backstage passes, weed and allowed me to hang with the boys. (phil wasn't happy about it) You're right, no tape, but, he did drive me home. What a guy. (between me and you Stolie,,, he showed me some naked pictures of Mountain Girl also)

    Jerry was into photography, know what I mean :-)

  • Sixtus_
    Joined:
    Mountain Jam / The Grog

    Good to know about the Watkins Glen Mountain Jam being released officially in some form or fashion; in this case it sounds like the Allmans actually let it out. I have a decent copy of it but would be interested in finding an upgraded version. The Soundcheck jam from the day before we all know and love from the So Many Roads box released way back when....that's a good one and always had this sort of proto-Franklin's Tower jam in there to my ears....happy sounds.

    All this Allmans/Dead talk makes me nostalgic for 6/10/73.....someone should relent here and let this slip out into the masses.

    Itsburnsy - I am familiar with the old Grog & Tankard from my long gone DC days. Your post threw me off and triggered some old school memories. Definitely had caught The Next Step back then too, although now all of that recall is a bit fuzzy around the edges if you catch my drift.

    T-Minus how many days til this box lands? I'm getting giddier by the day in anticipation.

    -Seventy-Sixtus

  • stoltzfus
    Joined:
    Jerry, Bob Dylan, ABB, and cables

    Jerry performed Dylan's Senor a bunch

    "let's overturn these tables
    disconnect these cables"

    Jerry pulling plugs? Sounds like a bogus story.

    Sounds like one of those "Jerry gave me a backstage pass and smoked me out and let me hang with the band at the hotel and gave me a tape of the show..." stories.

  • fourwindsblow
    Joined:
    Re: Jerry & Bob jam with ABB at Watkins Glen

    Not Fade Away (w/Dead/Band),
    Mountain Jam ((w/Dead/Band),
    Johnny B. Goode (w/Dead/Band)

    Looks like this was all the songs that they played with Dead and The Band.

    Full Set,

    Intro/Wasted Words,
    Bill Graham Intro,
    Done Somebody Wrong,
    Southbound,
    Stormy Monday,
    Eliz Reed,
    Come and Go Blues,
    Trouble No More,
    Blue Sky,
    One Way Out
    disc 2 63:52
    Statesboro Blues,
    Ramblin' Man,
    Jessica,
    Midnight Rider,
    You Don't Love Me,
    Les Brers in A Minor >,
    Les Brers in A minor drums >,
    Les Brers in A Minor >
    disc 3 67:18
    Whipping Post,
    Not Fade Away (w/Dead/Band),
    Mountain Jam (Capt Skipper remaster) (w/Dead/Band),
    Johnny B. Goode (w/Dead/Band)

  • HaGizMo
    Joined:
    Jerry & Bob jam with ABB at Watkins Glen

    Regarding a couple recent comments about the Dead playing at Watkins Glen ('73): In the ABB 50th anniversary box set release about a week ago, there's 2 track on it from Watkins Glen: Come & Go Blues, & Mountain Jam. After the listing of these 2 tracks in the really nice 88 page book that comes with the box set it says:

    "with special friends:
    Jerry Garcia - guitar
    Bob Weir - guitar
    Robbie Robertson - guitar"

    For one wanted to make sure the good folks here were aware of this. Second, have a question: Did Jerry, Bob & Robbie play on both songs or just Mountain Jam? The way it's written in the book, it's not clear. Thought someone out there may know.

    Have only made my way through about half of this ABB box set, but so far really enjoying it. A good investment for the ABB curious, which includes myself.

  • Dennis
    Joined:
    Billy the Kid and Dylan

    I watched the Dylan at the 65 folk festival. In the comments below someone said, that Dylan said "He electrified one half of his audience, and electrocuted the other."

    I laughed!

  • JimInMD
    Joined:
    Yanking Cables

    Doubtful it's Jerry.. HedrixFreak was at this show....

    There's little doubt in my mind it was him. ... yes, it was him.

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During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

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That's not a bad idea. I can walk for miles at a time and love dogs. Ha. Thanks for the idea. Bob T I would keep the empty box and find out who has not received their box set and send it to their house as an experiment to see what the person posts. Ha. I would have said send it to jim but he just got his. Ha.

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Agree with JIMINMD... Either the spine is intentional or the manufacturer took a short cut. The book is held together with twine so I think it's sturdy, but unfortunately the appearance is not that good. It should have a similar look as the CD cases in the set. It's good to know that I did not get a defect copy. The overall design of this box is sweet and the recordings themselves are incredible.

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Did Dave say 7-18-76 was recorded in multi track and there were plans to release it. Maybe with Roosevelt stadium and the Duke show in a box.

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10 years 2 months
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Listening to the first show, love the vibe of this month. Like a good smoothie.

So this has finally pushed me over the edge on something I am apprehensive of and has been debated here ad nauseum. I have all bootlegs for full shows by date in my iTunes library, plus most boxed set shows with the name of the box in brackets: 1974-05-19 Portland Memorial Coliseum, Portland, OR [Pacific Northwest '73-'74]

However, the Dave's and Dick's Picks are still by name: Dave's Picks, Volume 17: July 19, 1974, Selland Arena, Fresno, CA, given to the nature of them being a 'series'.

But they're not really a series by any genus or cognation, are they...

I think those need to become date driven. Most are easy, but what do with Bonus Discs and other Compilations?? Think of Dave's Bonus 2015, A Frankenstein's Monster for a date-driven taxonomy. HELP.

And does the same apply for standalone releases? Where do you stop? Does it ever make you wonder about the existentialism of the difference between today's 'archival' releases and contemporaneous releases such as Live / Dead? What makes L/D an 'album', deserving of it's artistic name, vs. a mere carbon stamped artifact?

Beauty walks a razor's edge, some day I'll make it mine..

Signed....Noise Maker

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In reply to by muleskinner_blues

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I too store almost everything by date, and I too have put (probably too much) thought into this.
For a compilation like Skull & Roses, I just go with the year. Its not a 71 show, per se, but it slots in with 71 shows when thats what you're in the mood for.

If its a multi year mix, like Ready or Not from last year, I go with "1990s". It sorts right after 1990 in my list.

Now, take Dave's 6. 12-20-69 and 2-2-70 ? It breaks the algorithm completely. So that one goes into two different folders. Its like two independent shows that just happened to come in the same box.

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In reply to by Roguedeadguy

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#1-Fillmore West 69. The Old Testament.
#2-Europe 72 Complete. The New Testament.
You can rank the rest wherever suits you at the moment. Right now I'd go with...
#3 PNW
#4 Winterland 73 but I've always had trouble with the sound quality.
#5 July 78. I didn't think this one would rate this high but it's turned out to be a guilty pleasure that gets a lot of listens.
#6 Both May 77 boxes.

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In reply to by muleskinner_blues

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Too late to change your iTunes library, but here’s how I do it just for discussion and/or amusement.

Playlist Folder: Grateful Dead (each band gets a playlist folder)
-> Playlist Folder: for GD each year gets a playlist folder (other bands don’t have enough releases for years to need separate folders)
-> -> Playlist: each show is a separate playlist

Info for each track:
Band: Grateful Dead
Album: the venue the show was at
Album Artist: name of the commercial release - DP#, DaP#, GSTL, S90, S90TOO, E72, FW69, etc.

I then highlight all the tracks of a show and drag the tracks to a folder on another HD. The track info I entered comes along as metadata and is displayed on the screen of my music players (ALAC) and on the dashboard screen in my car (AAC 320 kbps). I use 2 Mac Mini’s and have different audio formats in separate iTunes so they don’t get mixed together (lossless and lossy, a mixup could be a travesty. When riding in the car AAC is good enough due to road noise, and my car only plays lossy mp3).

I use iTunes to manage my iPod Classic which I upgraded to 1 TB with an iFlash Quad adapter (that story has been posted a few time before). The iPod uses ALAC.

Track names are made so that a computer will always order the files chronologically:

GD 1976-06-14 T10 TN Jed (that’s what’s playing right now)

OCD?
What you talkin’ ‘bout Willis?
That’s called organization.

Edit:
Every show gets its own folder and songs from different shows that are released together get broken up into their respective show.

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My better half recently purchased a new and highly functional desktop. Of course these new desktops do not come with CD ROMs so I actually have to buy that separately now. Once I do that my entire collection of music is getting ripped on to the computer and also to back up external hard drive. Up until this point I have been putting music on my work computer. Since work is on hiatus and time at home is plentiful, I can certainly get on this.

I think will follow suit with all GD music and by year. As a matter of fact I will probably upload each sequentially by year. Then I will further organize them into playlists by date. Coincidentally, about 2 years ago, I put together a list of shows that were officially released but are pulled from multiple releases. For example 10/11/77 (although not complete) is pulled from DP 29 hidden tracks and for RT Vol. 1 N. 2. so all of those tracks along with other shows similar to this will go into a playlist in order. This is something I have wanted to do for a while so it will be fun.

I think this has already been mentioned but for those that are interested, that Aquatic Band from Vermont is streaming their show from 8/31/12 for free on their YouTube channel. I am listening to it now - its good stuff.

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"Due to global health events beyond our control, your package is being held for delivery at a later date."

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I broke out my Panasonic portable tape player and played broome county 11/6/77 and now realize how grateful we are to have any of these boxes and Daps. The difference is night and day for the most part. How sweet it is. I think of the days we compared tape quality from show to show. The only drawback was most tapes were traded and never purchased. Sometimes a joint or two for transaction fees. Peace. P.S. Billy the kid--that blows my friend.

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Currently jamming Dinner and a Movie with Phish. Sounds great. I missed the Billy Martin John Medeski live stream the other night. Anyone catch that one?

I'm loving the box. Setlist are a bit repetitive, but its holding my interest fine. Of particular mention tonight were the segues between Let it Grow to Dancing in the Streets and then the segue from Dancing to Cosmic Charlie on the Capital Theater show. Very nice.

Also, the Help Slip Franklin on the 1st show at Boston Music Hall has one of the finest transitions from Help into Slip and then Slip in Franklins that i've ever heard. Thats a spot they rarely nailed past '77 and they really drill it here. Cosmic.

Sorry to hear about losing the job Carlo. I feel very fortunate to be able to continue to work from home but i haven't lost sight of the fact that we're all a circumstance or two removed from losing the stability we so cherish. Once this is over we should be able to bounce back well and I hope you find a situation that you're excited about, whatever that may be.

Ranking box sets is tough. I wasn't able to pick up the Fillmore West set, and its not worth to me the current asking prices. Since '73 is my jam I find myself going to PNW quite often. 6-22-73 is a top 5 all-time show for me and worth the price of admission alone. I think the sound of these shows is among the best ever released.

1. 30 trips - something for everyone
2. Winterland '73 - three amazing shows from peak dead
3. PNW '73 and '74 - sound quality and 6-22-73 show make this box special
4. Spring '90 - The Other One - Sounds quality and varied set-lists make this one special. I also love Bobby's sound in this era.
5. Spring '77 (1st Box) - 5-12-77 is a serious sleeper, Tuscaloosa is a top 10 show and St. Louis is so great - Brokedown encore
6. July '78 - Arrowhead is a little gem. Both Red Rocks shows are tops. The middle two lag a bit.
7. Giant's Stadium - the '87 show changed the way I look at '87. What if all '87 was recorded in multitrack? Both '89 shows rip. The Eyes '91 show is great but past my wheelhouse.
8. Get Shown the Light - The buffalo show steals the box. Cornell is hyped but Dancing is best all-time. I can't get into the New Haven show. There' so much '77 out there its tough for this box to shine for me.

Somebody asked about the outside cardboard box on the new box. I save them all, but agree, the way they packaged this one doesn't lend itself to saving it, since you have to cut it down the middle. I'll probably force the issue and save it though.

Thinking about getting a 35th anniversary PRS Custom 24. Anybody have anything to say about Custom 24 vs McCarty 594?

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I forgot Europe '72. Probably in there before Spring '90 TOO. As Jim mentioned, 1st sets are very similar. I also tire of Pig's 20 minute rants in Lovelight and Good Lovin'. They haven't aged well. There is some absolutely killer stuff in there though. The Dark Stars and Other Ones are amazing on the whole. I also love Two Souls in Communion and Chinatown Shuffle from the Pig.

Too early to rank in the '76 box. It needs to age like a good cheese.

Like a hamster on a tread wheel is Try going crazy in The Round Room? That might be my favorite Phish disc. I love everything on Round Room except, oh the irony, the title track : Round Room. The Round Room song reminds me of the lameness of John Lennon's Beautiful Boy. Just my opinion -- no offense.

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17 years 4 months

In reply to by DeadVikes

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....Chalkdust is the C.
Every man returns to dust.
Mikes rig is impressive and daunting.
No skips on mine Deadvikes. Unsure if that makes you feel any better or not. Just saying.

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In reply to by DeadVikes

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Though one disc was dislodged from its cradle a bit when I opened it. Played fine though.

Finished 2nd listen of 6/11. Good Dead is always better when you pay closer attention. And also at higher volume. Lovely IMHBTR here. Both Boston's have a ballad portion in the first set. Bob = LLR, Jerry = Mission & Roses. Sugar Mag into Eyes is epic & Eyes is at the right tempo. Enjoyed the glacial Stella as well.

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In reply to by Jason Wilder

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I liked the tourney idea expressed earlier. So I will go brackets. Top seeds and lower seeds are easy for me, and YMMV on what is/not considered a Box. 19 team tourney. Some play-in games.

#1 Seeds: 30 Trips, Europe '72, FW '69, Get Shown the Light '77. Two biggest boxes & the three highest peaks (in my view). And the best variety.

Play in games: (Boxes 14-19):
1) Not much new match: #4 seed All the Years Combine (video) vs #5 seed Beyond Description
2) Road match: #4 So Many Roads vs #5 Golden Road.
3) '89 Two show match: #4 Warlocks vs #5 RFK.

#4 Seed with no play in: Spring '90.

#2 Seeds: Winterland '73, June '76, May '77, Spring '90 TOO.

#3 Seeds: PNW, Winterland '77, July '78, Giants.

Winterland '73 is a firm #2 seed. Really tight after that. If one threw out the mega boxes, I have no clue which would be #4. Including ATYC, but only if you don't already have most of the videos.

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In reply to by Jason Wilder

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I will try to keep it brief..

First, got my box today, beautiful, but just now finished ripping and cleaning up the metadata. If you think Cone Kid is OCD, well.. he likely is but he's got nothing on me. ..but alas, it's so late, my first listen won't happen till tomorrow.

I store by year (YYYY-MM-DD so or sorts as expected) but only for complete shows, compilations and 'albums' mostly get stored by title, thus Aoxomoxoa is stored as such. The default metadata is typically almost unusable. Then you have to put the show in the same folder and name it, and the songs the way they should be. Which usually makes the connection to your software non-existent so you have to connect it again. ..then it's almost exactly perfect.

Did someone mention brackets and March Madness? With perhaps the exception of hockey (which I'm not even into) I almost loath professional sports too much damned money and it's no longer about the fans who fund it all.., but the NCAA tourney is still alright in my book. WTF.. it'd be peaking now. Damned virus.

MHammond. Well said.

Carlo, take the job.. Huge tips await so long as I get my releases at least within the same week as the non-mortals that always seem to get them earlier.

Muleskinner, always a pleasure.

Kate C. Thanks as always for humor and perspective.

Zuckfun.. Glad to see Operation Jalapeno Blues completed on time and under budget.

Box in hand. Let me be first to day, "We need a new release"

Be good, hard times are coming but in times like this, the world needs clear thinking, red eyed deadheads to delineate reality from insanity, hallucinations and facebook.

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Playin; Eyes Jam in the Jam

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I have a folder under Grateful Dead, called "Shows". All shows are in date order "yyyy-mm-dd - venue - location". I have a fold called "Live Albums", box sets are here by name. A Dave's & Dick's folder contain the usual labeling job with "Vol 01 - " added. Back in the "shows" folder I make a note at the end of the show that it can also be found in 'live albums by name (or dave's/Dicks". So I will have two copies of these, the best of the archive and the "official" release.

I think the most important thing about a method of storing is consistency. Shit, at bare minimum something better than "AudioTrack01, AudioTrack02.....

In the end, I have the BEST method!! (God says so, so there!)

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16 years 1 month
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Every time it seems to be going down Jerry says no I got this.

Cosmic Charlie shines like gold!

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4 years 11 months
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I want to thank you both for the offer. The generosity, thoughtfulness , and kindness that you both have shown toward me, is far better than any box set. I will pass on the offer at this time. Again, thank you both, you've both made my day.

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My box arrived Monday as scheduled. I love the size of the box. For you that are still waiting, it is very similar to the 2nd May '77 & July '78 boxes. This allows for a nice size book without being too large. (The smaller cd size boxes, Winterland '73 & '77, July '89 D.C., etc. are also good but don't allow for a larger book) The covers & colors here are brilliantly bright and perky.

I am only on the 2nd show so far, I always listen to them in order, and the sound is incredible! How they can take these 44 year old tapes, that were not stored properly at all, and bake them and coax them back to this sound is just incomprehensible to me. I guess it all starts with our queen, Betty Cantor-Jackson. What a magical touch & ear she had / has. Kudos to her. Then Jeffrey Norman, the modern day wizard, has once again worked his magic through all means of modern technology to give us this amazing sounding box. I really don't see how I could be much happier then I am right now!

Sometimes our good friend Mr. Lemieux tends to be a bit hyperbolic, but based on the last two boxes, he was right on! These are not just home runs, but grand slams for sure!

Rock on

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17 years 5 months
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Enjoying my 1976 boxed set. The music is great as is the packaging and artwork.

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7 years 6 months
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I never heard this before. Wow. The jam!!!

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13 years 1 month

In reply to by fourwindsblow

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That is what it sounded like to me, especially at the beginning. Without the lyrics, of course.

Anyone else get that vibe?

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I’m truly enjoying all the conversations and enjoying the box, but only vicariously, through all of your comments. I’m using my non-work time to catch up on other music: Last 5......
Bill Frisell, featuring Dave Holland & Elvin Jones
GOGD-12/20/69
-12/21/69 } yes, Dave’s 6 one at a time
-2/2/70
Bad Company-Desolation Angels

When I rank things, the order ALWAYS changes

Book bindings look like this, we just don’t usually see it because of the book cover. (Don’t watch how the sausage gets made)!!

Boxes & Dave’s are packed in 20-25 count boxes, possibly in numerical order, but after that, they are shipped to warehouse and mixed up, then picked & shipped in a totally random fashion.

We are getting better at accepting each other’s opinions(re:repetition of set lists).

The US will survive Coronavirus.

If I were to pick a favorite version of any Dead song, it would invariably change.

Having said that, any picks for favorite version of China Cat Sunflower?? Most of my faves are pre-China/Rider

Here’s something I saw today that gave me Goosebumps......

https://www.youtube.com/watch?v=ph1GU1qQ1zQ&list=RDph1GU1qQ1zQ

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I like the version from 3/16/68 (So Many Roads box set) from the Carousel Ballroom. It comes out of Dark Star, very cool.

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This show was the only tapes that I had on Memorex cassettes... Yellow reels and clear cassettes... I can't remember why, yes I can I was in college and had no money!! I am such a fan of 6/14/76 i kept listening to it for a few days... P.S. Jai-Alai Fronton right around the corner.. sorry couldn't resist... bob t

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01162 arrived apparently pathogen-free late Monday. Sorry it's taking me so long to get Justin Helton's artwork on this box scanned – the extremely cool reflective printing on the actual box is a bitch to scan or photograph. Anyway, altho I just finished correcting the cover art from each show, I'm still working on the actual box and book. Instead of waiting any longer, here's a link each show's cover art (including square versions with titles).
https://www.dropbox.com/sh/uwfam4nud0ttbv0/AACPr9g_hY-wklEMfwor73mua?dl…

Bon appétit y'all! This music is magic! Onward.

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My box set was in today's mail. Just the thing to help pass the time while hunkered down here in Seattle for the next two weeks.

A special thank you to the packers, shippers, truckers, mail people, and others who got it to me. There are so many more important things right now than getting this box set to me and I do appreciate it.

White light to the medical personnel and first responders around the world.

Stay safe and healthy my friends and fellow intrepid travelers. We will get by... We will survive.

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I always enjoy the pro scans you send our way. Like Jim, ripping these CDs was the first action I took when the box arrived. Of course I had to have artwork associated with it before I uploaded it to my phone. Your scans sure look better than the method I used up until now: download of the main cover art, and then use of my cell phone to change the hue five different times. Mine looked like a bunch of Easter eggs until I added the cartoon effect. Bottom line is I'm all set now, thanks.

I've listened to this box about four times now. Unbelievably good, but I do need to move to a different year for a little bit. As somebody mentioned already it is absolutely incredible that the tapes sound this good after all this time.

So I switched over to 1972. It always bothered me that the 30 Trips show have Jerry very low in the mix. No problem, just shift the balance to the left a little bit and everything works out just fine. I can't even hear an imbalance now - sounds just exactly perfect. It's an otherwise was perfectly recorded and mastered show. The blistering opening riff of Big Railroad Blues is great start to a show. The Bird Song keeps getting higher and higher in the ranks of Bird Songs.

Digitally I store mine in chronological order by show. There are one or two exceptions. For example I kept this box set together instead of putting the show from the 17th that was released as Dave's Picks something amongst it. I tried doing it the other way a few years ago, where I kept all of the Dick's Picks together, all the Dave's Picks together, all of the Road Trips together, etc. I DO keep the soundboard shows separated from the official releases. I just restart in chronological order after the official releases are done.

Speaking of soundboards... I've only ever heard bits and pieces of RFK 6/10/73. I felt it this was one that deserve to be listened to for the first time and its virgin state; but there was no way I could ignore the Dark Star, the Bird Song, the Playing in the Band, etc. Freewill broke down and I listened to it last week. I knew that was going to happen oh, but it did it anyway. It's like sitting at the bar of a strip club for too long. Eventually you're going back to the champagne room no matter what your original intentions were. The show is just amazing. I think it's just about time to pay whoever needs to be paid and get that released nationally. The tapes are really really good. The only problem I had was Jerry coming out of the wrong ear, but just flip your headphones and you're good. What a Dark Star.

It's difficult to rank box sets, not even going to try.

Take care everyone.

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Golly, I'm shocked! This is such a great set! Familiar Songs with unfamiliar arrangements, so much energy radiating from the Band, great Sound Quality-- what the heck are folks waiting for? A must-have.

I also like the early China Cats, and the way it snakes into The Eleven. After 1968, the China Cat-Riders from 1972 stand out and the ones fromm 1974 are epic.

Thinking of the boxes, I would agree with mhammond, the top two for me, by some margin, are FW 1969 and Europe 72. And I haven't even got FW69. But thanks to the vinyl releases and the kindness of an irregular poster on here, I have all the music. After that, it varies. Probably Winterland Fall 73.

After listening to the Band, I decided to check out some of the Dylan ones I have had for a while, but have never got round to listening to much. I started with "Modern Times" from 2006, and I was well impressed. Several of the songs have very similar arrangements to pre existing blues themes, but they are beautifully reworked by the superb band ( with a little "b"), and the lyrics add to and develop the originals. Inspired by, and in the spirit of the blues. Great album.

Nice aside form Mr Ones about how we are getting better at accepting each others opinions. I have always enjoyed discussing things, and sometimes it doesn't actually matter to me that much whether someone agree with my opinion or not. It interests me reading how people see things differently from myself. So long as we respect each other, we are doing alright.

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In reply to by Mr. Ones

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Thanks Mr Ones,
The weight a great song, so good vocals & music from human from earth!
Manu Dibongo died in Paris from covid 2 days ago at the age of 86 RIP Manu.
playlist of yesterday
Dicks picks 20 to get a taste of 76
Soft Machine 6
Peter Grenn Splinter group Blues don't change
Al di meola All your life
Miles Davis we want Miles
and afrijazzy Manu Dibango.
Today a bit Road trip Boston June 9 , one of my favourite.
You likely already have a look at this saynete from LoloYodel, I warmly recommand; may someone recognize all the dancers?
https://www.youtube.com/watch?v=rmz_PL8t1rU
stayswise@home

JeffSmith coming thru with the major WIN (once again!).

Thanks dude - for everyone's benefit!

Sixtus

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Under-rated in my opinion. Listen to the ferocious guitar playing in Supplication for example.. and don't forget to turn it up.

Good reminder, Sheik.

Mr. Ones, I also very much enjoyed The Weight. Thank you. I don't have a great answer to a spellbinding pre-rider China Cat. I'm a big fan of the Big Rock Pow Wow road trips, so I have to toss 5/24/69 out there, I also liked the one on Dicks Picks 22 from Kings Beach Bowl, Tahoe 2/23/68.

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Jeff! Thanks very much once again for your hard work. My downloads are now looking much nicer!

Rock on

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Everybody is playing well tonight. IMHBTR WoW!! Let It Grow!!

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