• 8,100 replies
    marye
    Joined:
    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Gary Farseer
    Joined:
    Fare the Well --Thought I would send

    the Meyer sound article on fare the well. Just copy and paste instead of a lync.

    The Grateful Dead Bids "Fare Thee Well" at Levi's Stadium with Meyer Sound LEO

    Derek FeatherstoneDerek FeatherstonePhoto: Jay Blakesberg

    4 of 8
    July 3, 2015

    John Meyer's 1100-LFC loudspeakers empower the rhythmic voice and enable percussionists to manifest new ideas. They are sonic tools for reliably transmitting vibrations that affect neurologic function in a special way we are only beginning to understand, enabling us to explore healing properties embedded in low-frequency sound—a dream come true for us all.”

    Mickey HartDrummer/Percussionist, The Grateful Dead
    Featured Products
    1100‑LFC, 700-HP, CQ-1, Galileo Callisto 616, LEO, LYON, MICA, MILO, MJF-212A, UPJ‑1P

    Fifty years after forming their band at a Palo Alto music store, the surviving founders of the Grateful Dead kicked off their end-of-an-era “Fare Thee Well” mini-tour at Levi’s Stadium in Santa Clara, Calif. with a Meyer Sound LEO linear large-scale sound reinforcement system driving a quadraphonic surround setup.

    The two Silicon Valley shows were a landmark occasion with more than the 60,000 devoted Deadheads in attendance each evening. It was also a milestone in the band’s decades-long association with Meyer Sound CEO John Meyer, a relationship spawned from a shared passion for audio experimentation and audience experience. The Grateful Dead’s original sound engineer, Owsley “Bear” Stanley, first tapped Meyer to create acoustic solutions for the legendary “Wall of Sound” system in the 1970s.

    The Meyer Sound LEO system with its accompanying 1100‑LFC low-frequency control element delivered an immersive fan experience in the large football stadium and supported an experimental segment devised by drummer/percussionist Mickey Hart. Using the Meyer Sound system to transmit ultra-low frequencies in surround sound, Hart probed how the brain perceived audible and below-audible rhythms.

    “John Meyer’s 1100-LFC loudspeakers empower the rhythmic voice and enable percussionists to manifest new ideas,” says Mickey Hart. “They are sonic tools for reliably transmitting vibrations that affect neurologic function in a special way we are only beginning to understand, enabling us to explore healing properties embedded in low-frequency sound—a dream come true for us all.”

    The Meyer Sound system comprised four front arrays of 17 LEO-M and three MICA line array loudspeakers each, with dual side columns of 14-each 1100-LFC low-frequency control elements and a center column of 22 700-HP subwoofers in an end-fire pattern. Side and offstage coverage was supplied by 32 LYON and 32 MILO line array loudspeakers, respectively, with an additional 30 MICA loudspeakers providing behind-stage coverage.

    Filling in the far ends of the stadiums were four delay towers with a total of 56 MILO loudspeakers and eight 700-HP subwoofers. Two additional towers of eight LYON loudspeakers each faced the stage for quad surround effects, with six CQ-1 and four LYON loudspeakers providing front fill. A Galileo Callisto loudspeaker management system handled drive and optimization, and 16 MJF-212A stage monitors provided onstage foldback.

    Following the Levi’s Stadium shows, Grateful Dead continues its tour at Soldier Field in Chicago over 4th of July weekend, using a nearly identical LEO system for three shows. Audio requirements for the shows are handled by Martinez, Calif.-based Pro Media / UltraSound, with system design accomplished by the company’s Derek Featherstone, vice president of touring and rental and the band’s FOH engineer since 2005.

    Additional equipment support for the five shows comes from Blackhawk Audio, Rainbow Production Services, Show Systems, and Solotech.

    “The LEO and 1100-LFC system can handle everything we put into it,” says Featherstone. “We are also very impressed with the quality control of the Meyer Sound self-powered equipment. Being able to acquire 650 loudspeakers from several different vendors located in multiple states, assemble the large system on site, and have it work seamlessly is no small feat.”

    Matt Haasch, audio crew chief for Pro Media / Ultrasound adds: “I was impressed with how well the LEO system handled the physical acoustics of a big stadium. Coverage was smooth and practically seamless, with precise imaging for all seating areas.”

    John Meyer’s work with the Grateful Dead extends to the mid-1970s when the band’s concerts were heard through McCune Sound Service’s JM-10 systems designed by Meyer. The relationship continued through the band’s last tour with Jerry Garcia in 1995, supported by Meyer Sound MSL-10 loudspeakers. Meyer Sound systems have been a staple for tours of reunion and spin-off bands during the interim, including the 2005 and 2009 tours equipped with a Meyer Sound MILO system when the core members were known as The Dead. In 2011, the band’s Bob Weir installed a Meyer Sound Constellation acoustic system in his Tamalpais Research Institute (TRI).
    Copyright © 1979-2022
    Meyer Sound Laboratories, Incorporated

  • Forensicdoceleven
    Joined:
    So many great ideas come out of a misunderstanding......

    Gary----

    I think you misunderstood, you're thinking of 4/21/1972, while I think of 4/21/71. And other 71s, of course...........

    Doc
    We are infected by our own misunderstanding of how our own minds work.............

  • Gary Farseer
    Joined:
    Doc

    great write up. Guess I need to go back thru that video. Havent watched in a few years. When was the meet up with the movies for this show? Of course, going by memory may have things confused.

    Found yesterday on archive forum, then to a posted new video of 1976-08-04 Roosevelt Stadium. Posted about 3 weeks ago. It is not complete, made of form multiple sources, SB plus video. Looks like they have almost all video when I ran thru. Video goes to 3 hour plus marker but did not do but a cursory review, under 3 minutes or so.

    So youtube, then GD, then date should allow you to find. Got a lot of music building on my plate.

    G

  • Forensicdoceleven
    Joined:
    I go where the sound of thunder is......

    Hey rockers!!

    I said I wouldn't be posting about 71s for a while, but I shall make an exception for April 21, 1971. And what a fine exception it is...............

    No bells & whistles, no frills, no midi. Lacking subtlety, bacon greasy, crunchy, hard edged, a thunderous example of the "sledgehammer approach" on display in April 1971. Rock and roll, Grateful Dead.................

    Oh, the shows I missed growing up!!!

    It is not light that we need, but fire; it is not the gentle shower, but thunder; we need the storm, the whirlwind, and the earthquake.

    Doc
    I am a being of Heaven and Earth, of thunder and lightning, of rain and wind, of the galaxies...........

  • Oroborous
    Joined:
    Dust off that rusty tank

    4/19/82
    Baptism by fire?
    I forget, first dead AND ?
    Great story, I can’t imagine, well, actually I can lol.

    Pretty darn good first show eh!
    Starts out a tad slow as can be the case, but built up nice throughout the set, with a nice set list: On the Road, Roses, Women Are, Might As Well, AND! It has both a Cumberland, and a PEGGY O!
    Stranger perhaps not the beast it would become, but nice opener here directly into Franks, Nice Estimated, but then into Terrapin instead of status quo eyes. Were you familiar with the music yet?
    yeah sweet first show, but wait kids, there’s more!
    That wonderful crazy space, man I remember getting a tape of that set, and Hartford, played the hell outta em, rents probably knew for sure then we’d gone nuts lol.
    But yeah, slides back to earth on The Wheel, with a interesting Truckin’ for lack of better term, and a very nice Stella.
    Then a double shot of Bobster and a fine end of tour Brokedown.

    Sound was good except the vocals were out front a tad for my preference, and the usual splice or three, but totally enjoyable, best version I’ve heard. Also, it was nice to hear the whole space segment, I’d only ever heard it in progress, so that was cool, no tank here but some tasty, potent Golden Goat had me laughing on the inside.
    Made for a needed, very nice, relaxing afternoon after a couple weird days, including no tunes : (

  • Gary Farseer
    Joined:
    Jim

    That is another interesting story in their history. I spent a little time on archive today. Haven't done that in a long time. Amazing the amount of stuff that shows up over there. A totally different subset of heads. I am just now getting to understand that there may be more than I can image to come out yet. Got on a discussion board there and it was an eye opener.

    Any way, I plan to watch the 42 discussion. I actually prefer being hidden back here. Of course everything in public domain. We are everywhere. Or is it, we are the marketing department.

  • JimInMD
    Joined:
    More on GD/Amps/US Navy

    I was close... if you google it you will get an answer pretty quick. Here is a quick quote from my first google land.

    Rosie McGee was cracking up at her desk when Dennis "Wiz" Leonard walked in from lunch.

    "What's the story?" Wiz asked McGee, then a receptionist and bookkeeper at Alembic, a California-based custom electric guitar, bass, and pre-amp company where Wiz worked as an audio engineer.

    "Well, the Department of Defense just called me," she told him. "They were asking if we could defer the purchase of our next four 3500s, so they could get four."

    Those amps were in high demand at Alembic. The 3500s, in particular, would be used in the Wall of Sound's vocal array tweeters, drum tweeters, and for Jerry Garcia's guitars. But was it just Alembic buying them up? A rumor was going around—a "urban myth," Wiz told me—that the US military was using Mac 3500s for sonar, specifically to listen for Soviet submarines.

  • Gary Farseer
    Joined:
    Passing the Test

    Isn't the goal here to be lighthearted? I try my best to not let the craziness of the world/media not get to me here? Isn't the goal here to be a kind prankster? They ask, "Are you kind?" Most of the flamers I look like as children, either actual age or not. Many are so deep in social media and issues that result thereof, they cannot see what it is doing to them. They are being handled, manipulated, and unwittingly abused by the profiteers. I try to stay away.

    Jim, had no idea of the McIntosh amp issues. Thanks for that piece of info. As much as I love the music, it is just how they were. So real and fun which someone wrote, "creating their own iconography." The richness of their traditions and internal musical dialog that we love is an unending source of comfort as they lived it everyday for 30 years. I wish I had a shot at hearing even 50% of their music, but as I have written before, my OCD makes me wear out a great jam over and over instead of looking for the next one. Need to work on that for sure.

    So Jim and Oro and many others, thanks for passing the test.

    G

  • JimInMD
    Joined:
    GFar

    You are kind soul.. I appreciate all you provide here. Same goes to Oro. I think it would take a face to face to catch me up on all the technology (old or new) that the two of you bring for me to truly understand. As for old.. and I am sure you both know.. in either late 73 or early 74 (I think 73).. the GD got into a scuffle with DOD over equipment they were ordering that was desperately needed for national security. Apparently, the Macintosh amps they were buying in unprecedented numbers were needed both in general and more specifically by special, top secret subs that needed the clean sound and amplification to either detect enemy interference or better hear and make stealth the noise they were making. So they called the GD and tried to work out a way to either stall, postpone or barter a purchasing arrangement that would not jeopardize national security.

    I think this is well known, and I apologize in advance for going on memory and surely confusing some of the information listed above as fact. ..but what is written is pretty close, if someone can clarify and correct it would not offend me in the least.

    Hope I didn't write anything that was incorrect or in any way interpreted as insulting or offensive.

    As for chainsaws and sawzaws to clear way for our living room WOS.. what could possibly be more fun.

  • Gary Farseer
    Joined:
    Sawzaw

    Ah the sounds of my earliest fun dentist. "You dont need no gas!"

    All my stereo stuff is old, always fussy. Running all old Yamaha into JBL (plus svs). Trying to get stuff cleaned and parts replaced. When it is on, it is quite the stereo indeed. I have an old yamaha eq that I hooked up when Dave's first show was released. Goes into Pre amp, then to a yamaha mx-830. The MX-830 is powering 4 jbl g300's and 2 jbl LX 600's. Running 6 speakers means the amp is running at 550 watts at 2 ohms. It cooks. The speakers all have same tweeters and mid ranges. The 300s run 8" woofers and the 600s have 10 inch woofers. It is old but as you say "in budget." Smile.

    edit:
    Then the svs has a 550 watt continous, 850 watt peak sledge. The svs I picked up a few years back for $399. I had to have a sub with an internal crossover. So out of preamp to svs (rca cables), then back into the preamp, then to amp. Having old yamaha means older connection points. Modern amps control the crossover themself and pump sub out already crossed over. I happen to run my internal sub amp at a cutoff of 82 hz. George Lucas uses 80 hz crossover in his THX sound systems. So I am slightly above that. I did some sampling of the room using the preamp features.

    G

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by DeadVikes

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Please give the date of the show, not just the release identifier.
My shows are organized by date.
Thanks.

Edit:
Just figured out what DP22 is. I listened to those shows a few weeks ago and so will pass.

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Snowed here in WI, too. Yet, I finished the lawn raking. Go figure. Are you sure it wasn't Graupel (snow pellets)?

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....got the Galaxy S20+ at the beginning of March. My old phone was circa 2014. Was time for an upgrade. Came with an early order credit of $150. Used that towards Buds+'s. Testing them now during 2.23/24.68 Tahoe. Not bad.
Then I heard about all the 5G shit. Can't win for losing i guess.

RT 3.1. Fun to revisit this one - been a long long time. Totally forgot that it had that awesome Terrapin > Playing. BITD I had a cassette from a friend who labeled it "Terrapin > Playing > Jam > Yikes!!" At one point it seems like Brent was channeling his inner Ned Lagin (fully approve!)

Looking forward to visiting Santa Fe later today. Never given that legendary show a deep listen. Anybody got rec as to what source? Notice that there's an Usborne matrix.

Pick of the day reminds me of a college literature class - 4 days in and it feels like already a week behind. Tahoe is gonna have to wait.

Wichita - real bounce in their step whole show. I think '72 is my favorite "era" for Other One. Some really great Keith piano in there. Always sweet when they drop from one of these into some slow heartfelt beauty like Brokedown. When are we gonna get 9-28-72?

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If I told you all that went down it would burn off both of your ears.

Viola Lee Blues 19:15 pure bliss
Hurts Me Too 4:13
Dark Star 6:49 nice transition>
China Cat Sunflower 4:38 best ever?
The Eleven 10:33 fantastic
Turn On Your Lovelight 12:40 nice little boogie
Born Cross-Eyed 2:32 yes
Spanish Jam 7:23 wow
Morning Dew 8:10 nice
Good Morning Little Schoolgirl 14:39 sweet blues jam
That's It For The Other One 8:13 okay
New Potato Caboose 9:08 Heavenly
Alligator 3:45 okay
China Cat Sunflower 4:14
The Eleven 7:17
Alligator 6:39 oh yeah, an 11 jam
Caution (Do Not Stop On Tracks) 11:49 see that train a comin', wow excellent!!
Feedback 4:55

Feb 1968 Jerry played a - Gold-top Les Paul with P-90 single coil p/u's. 3 Twin Reverbs, 2 Fender 4x12 cabinets, JBL D120 speakers

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Stoked, unfortunately have to make a death run first; ACE for varnish, and PO. Don’t ya know almost finished with more book shelves for Lovey and I’m out of Varnish, Doooaahh! At least it’s pre-order curb side. PO I’m afraid I might have to go in and stand in line for a package (clothes for her, to go to a wedding, that we already dropped non refundable mucho dineros, that were probably not going to be able to attend).....
But I’ll be firing that up this afternoon once I have the goods....going to try the Siemens matrix. Never been as enamored with SB recordings as most. I feel there is nothing like a good matrix, more natural sounding....

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....actually does sound better boros. Thanks!✌
https://archive.org/details/gd1983-09-10.139379.mtx.seamons.ht112.flac16
Opens with Music Never Stopped. Bobby botches half the lyrics, but, as usual, the boyz make up for it with a smoking end jam.
TLEO follows. Jerry and Brent in SYNC!! Thats my wedding song btw. 20 years strong!
I really, really dig these two shows.

....to end the first. Storm clouds were rolling in and rumor has it, this show had one of the longest set breaks of all time. Waiting for the weather. Pics show that they didn't have a covering over the stage, just the rigging (see my avatar). The China Rider segue is bopping!! Nothing left to do but smile, smile, smile.

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Music, holy crap, energy of a set 2 opener; TLEO, nice pace mellow and jammy; Esau, it's nice; Big RR and BIODTL fast songs didn't work here(maybe a Bird Song or Row J.); Tenn Jed back on track; Minglewood, smoking; China>Rider rockin' nice transition, wish I was a headlight...

Woman R, nice energy; Cumberland, foot stomping, Phil bombs; Playin, really nice jam; China Doll, beautiful; Jam Drums, Space really great; TOO, trembled and exploded; GDTRFB, OMSN, rockin'; CR&S the only time they encored with CR&S.

...."If its any comfort to anyone, on this date in 1890 in Cairo Illinois, it rained fish."
https://www.loc.gov/everyday-mysteries/item/can-it-rain-frogs-fish-and-…
Lolololol.
For the record, the fact that there is a second set Cumberland with bombs never swayed my opinion of this show. 😜

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Had some family issues to deal with the last couple days, so I'm behind a bit. Halfway through RT 3.1, hope to get through the rest of that one and Santa Fe by tomorrow morning. Kinda fun listening to shows that haven't been in the rotation for a few years. SO much good stuff - we are blessed indeed!

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In reply to by bolo24

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....in all good time Bolo. Hope all is well. Meanwhile, Phil is laying some serious brickwork towards the project that is PITB.

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....the only ballad in the second set was China Doll. Albeit played at 1.5× speed, the outro jam is delicious. More Lost Sailor teases from Bobby during space with a dash of Heaven Help The Fool.
At the 9:10 mark they finally decide on The Other One. 9:10 mark. I still don't believe in coincidences. Cool Space.

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....to be honest, I can't remember the last time I actually listened to one. Shame on me.

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....and it gives me chills. Wonderful!!!
Phil steps up to Bobbys mic at 4:36.
Thanks for playing. See yall later.
9.11 up next, because why not?

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....features a raucous Greatest Story and an early Hell In A Bucket that was just spreading its wings. Good stuff.
Still enjoying the ride. Kinda bumpy lately, but enjoying nonetheless.
West LA up. One of the most covered songs by them, because West LA.
Saw a picture of LA today. No smog. Actually a beautiful looking city.

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One of the high points of my life. Turbo Tom drove down from Kiowa, Montana , picked me up where I was living north of Taos and we made our way to the Santa Fe Downs. We camped next to the parking area where the Hog Farm was helping out. The Sikhs were security (Akal Security) for the Downs. Both days were amazing. And it was harvest season. The two shows were far from sold out. Many of the old guard long hairs from northern New Mexico were in attendance. Just thinking about those two concerts is like a memory from the Golden Eternity.
I’m most of the way through the first set. Earbuds , iPhone and cell tower signal up in the mountains to access this.
Great call V-guy 72!

....they played three shows there. These two, plus a one off in '82. On off as in no tour. 13 song first set if I recall correctly. Just decided to pop into Santa Fe. Plangent it and box it and ship it.
I'll pay $99.99 US dollars.
Alaska would work too. I'll pony up three moose pelts.

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When I moved down from Montana in January 1982 I lived ten miles north of Taos on north Hondo Mesa in the “kiva” in the Grow-hole. (Built by the alternative school the Taos Learning Center TLC in the early 70s) Lived in a tipi and then the “Pyramid Cube” on El Salto Mountain for the next five years. Spring of 1987 I moved to Grant County and worked trails in the Gila. Also have worked many years up in Gallup. (Trail work and Public Radio)
Another side bar on the Santa Fe Dead shows. The state penitentiary is just a couple miles from the Santa Fe Downs. Bobby Petersen (Unbroken Chain, Pride of Cucamonga) arranged with the authorities at the prison to transmit a low wattage FM signal live broadcast direct from the Downs. Bobby used to live on Lama Mountain up in Taos County not to mention Robert Hunter spent time living on Canyon Road in Santa Fe in the 60s and visited Taos at different times. And contrary to rumors , the Dead did not play at New Buffalo Commune in the 60s. I asked one of the founders last summer , Rick Klein who helped start Buffalo in 67 that very question. Not the Dead but the Eagles played at New Buffalo. Also Laird Grant (Jerry’s longest time friend) used to live at Morning Star above Arroyo Hondo.
The skies are the most consistently clear of pollution day after day for the past three weeks than for the better part of the past 40 plus years. And I’m talking the mountain west.

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....northern NM does have energy. The Taos hum proves that. Gallup was always a pit stop for me.
9.11.83 has a Morning Dew.
Where have all the people gone today??

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Good work Vguy.

Looking forward to the next pick.

This has been a fun week, good idea Bolo.

Be well people.

Did you catch the Shakedown Stream?
Pretty cool. Dave, can't sit still. He mentioned 50-70 or so high quality video in the Vault from 89-95. Intriguing to me, not sure if they will put any more of it out, but I would love to see it. Man, how about putting out the Spring 90 Tour on video? I would volunteer to help out on that project.

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Should not have passed this one by.

ps Feb '68 this is what I think heaven must be like.

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Been working in the garage last few days and the energy from both DP 22 and 9/10/83 has made things fly by!
Gave Santa Fe another listen last night because I was diggin it and wanted to give it a better listen than the first time. Great 83 show, fun, spirited show with interesting sets. Might just give the next night a spin today while I work.
Guessing perhaps partially why that China-rider is in overdrive might be due to the deluge that was obviously happening as Bob says something like “we’ll be back when it stops raining”. I might contribute the pace solely to “other” things except it’s not like all the songs were that fast and it wasn’t right after break? So to go from normal 83 tempo to warp drive just then, and since they didn’t have full canopy etc, makes me think they were trying hard to get the fug outta there lol.

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I like 9/10 a little better both are great. There are two grate audience recordings of these shows in hi-rez maybe a matrix box.

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China Cat Sunflower / I Know You Rider had me dancing in the dark last night. Gonna listen to the second set today. You know, land of manana , New Mexico stylie. Damn this is a long set break!

May I make a suggestion inspired by Bolo's idea? I think a "Pick Of The Week" is more workable. I think one person should make the selection and at the same time designate the next picker. So on Monday let's say JiminMd makes a pick and names the next picker who will announce his pick the following Monday and the next picker etc etc. Hey I know I'm in social isolation at least through May and I think Bolo's idea is great but it needs some structure. I also know I've been drinking and I have no idea if anything I've said makes any sense. Also I just finished 4/11/72 and I think it's probably the weakest show of the tour.

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In reply to by mhammond12

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That appeals to me a bit more. I am still following my own unplanned trail through shows, so the pick of the day was on top of what I was already listening to. The result was I got left behind straight away and decided to drop out. A weekly pick would obviously give us more time, and wouldn't intrude on where we feel we are supposed to go.

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Another vote for Mhammonds idea. Gives us all a chance to give these the attention they deserve. Goddamn work has been interfering with my listening sessions :-)

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Maybe finish 2nd set today. 9/11/83 was amazing also.
Happy Easter! Be safe everyone.

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9 years 1 month

In reply to by Strider 808808

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I listened to 12-28-79 a day late and haven’t done the others so far.
Looks like I have 9-10,11-83 on a HD but they haven’t migrated to my music player yet. Might do that later today, but first yard work calls.

For my easy-listening, coffee-drinking routine to get today going I went with 10-10-80 Acoustic.
But that just finished.

So onward with 1-24,25,26-69 % which is compiled from the AOXOMOXOA-50th bonus disc, AOXOMOXOA-Golden Road Box filler, and a portion of Live Dead. Such things are possible with my collection because I organize by show date, not by the arbitrary order that shows are released.

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In reply to by bolo24

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I think we only had 3-4 picks last week. Now that we are through the Holiday, maybe we could get back at it. Seems like every other day is doable for most. Either way we need a new pick from someone. I already had one last week. Would like us to stick to official releases. Just my thoughts.

Be well people.

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In reply to by DeadVikes

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12-2-73, part of DP14

The remainder of DP14, 11-30-73%, can also be done as extra credit.

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Not like I’m a regular here, but did jump in at (under)ground level. 50 year anniversary , 30 Trips around the Sun. Winterland. What’s not to love. “ let me hear you say; WAAAAA!!”

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In reply to by icecrmcnkd

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Just started :)

I've always preferred this part of the pick to the 11/30 portion (which isn't to say the first part is any slouch!) I think a part of it is that "Morning Dew" always seems to work better as a closer than an opener, at least for me. The second disc of this portion (or disc 4 of the set,) is just exactly perfect!

Happy Listening!

EDIT: Oh yeah, this is the show where Phil hassles the guy in the audience - "Who are you? The heat? Someone shine a light on this guy..." Kind of a jerk..

Peace

I had to take a break for some work related conference calls just as Weather Report was moving into Let it Grow, but I picked back up and am now into "Nobody's Fault" jam territory. This was a great release of a great show! As I mentioned, I prefer this one to 11/30, but I think I will have to def. go back and hit some of those highlights (maybe all of disc 2,) after this.

That being said, it is really hard to beat this second set, that though very short, contains some FAR OUT there stuff... Wharf Rat, Playin, He's Gone, Truckin, Stella, Dew - all heavyweights in my all-time favorite GD tunes list.

Good choice, IceCream!

Peace

(EDIT: Whoops, I forgot 1/2 Step - another gem!)

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Matrix of 12/1/73 - the show Dick forgot.

https://archive.org/details/gd1973-12-01.124132.mtx.dusborne.flac16/gd7…

It's got a "Sugaree", a "China>Rider", and a "Playin'>UJB>Playin'" - and so far, this Matrix sounds pretty darn good. I've never listened to this show, so it's a treat :)

I suppose this is for those students that not only want extra-credit, but are looking to write a master's thesis, or simply polish them apples into a 110%.

Peace

EDIT: After LLR, Phil says to the crowd "Be quiet over there, can't you see our piano players trying to tune up?" Seriously, what crawled up his %%# during this run?