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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #2371
    JimInMD
    Joined:
    Do you have any '74 Dijon?

    Neanderthal's use chain saws.. a sophisticated audiophile attacks their living rooms delicately with a sawzaw.

    I'm totally jealous.. I am blasting with my 20 year old Denon, similar age speakers with no intents on upgrading anytime soon. Budgets be budgets..

  • #2372
    Gary Farseer
    Joined:
    Yeah

    Can you imagine writing the real equipment book? With the constant upgrading of the system, that book would be multiple enormous volumes. Hope the Meyers have logged a lot of their research.

    No 18's here. Of course not needed.

    Back last year, Oro, you asked if I was running multiple subs. I am not. I have a 12" SVS Systems sub with built in Sledge D amp. It is like the rabbit, it is a thumper. Goes down to 13 or 15hz, so below the 20hz of human hearing. That is, if all memories about frequency response are still good. Starting to get the old enough to question my own thoughts at times.

    I am still hoping for the day when we can listen to WoS through a system that takes us to the "Fare the Well" P.A.. Would have to be software based, but I look at it like 4K upcoding an HDTV signal.

    Wow, FTW PA is now 7 years ago. Bet the Meyers' have gone way beyond that. I almost applied for a job at Meyer 7 years ago. Was in my career field. POTHead.

    That 2015 system had multiple flying 18's. It also had a load balancing system. This was done by having 2 systems, intake and outake. That is, they had 100 microphones throughout the stadium to push into the analytics software. Of course, the output systems was not connected except thru analytics, to the input system to avoid feedback. Brilliant. The analytic input system could then be used to balance the PA by section of the of the stadium.

    Sorry for interruption but I wanted find the article on pro sound web about 2015 FTW PA.

    I did actually find it, but not by searching pro sound web, but by searching internet at large and it found it on the pro sound web site, even though pro sound web could not find it in its own search.

    Let me know, maybe I can send lynk thru PM here, not sure if they cut that off.

    Any way need to do a little work after lunch. I mean a little work.

    G

  • #2373
    Oroborous
    Joined:
    Ha

    That’s what chain saws are for!

    Gary, I think besides trying to keep up with Garcia, Phil was using that big system on stage to help fill in those near field areas (up front etc) we were discussing, the areas that didn’t get proper coverage from the PA?
    What some refer to as the Phil Zone, though to me that’s was where both his stage sound and the PA sound merged and acoustically coupled.
    But yeah, My spine tingles and can still feel rather than hear those sub frequencies in my DNA. (By sub I mean below the threshold of hearing, not a subwoofer). Those Meyers 18”s in the PA were ridiculous in the right spot, in the right venue etc.
    Plus, it’s the Grateful Fucking Dead so why not go big!

    PS, that Grateful Dead gear book is great, though a little dialed down.

  • #2374
    JimInMD
    Joined:
    I want what Phil's having...

    Home version. 18"'s and 4"'s. If I move some things around, they should fit.

  • #2375
    Gary Farseer
    Joined:
    Oro

    thanks for the write-up, input. Need a little time to read again and ponder. Think again we are speaking the same language but as 90% of communication is non verbal, some times the written language let's us down.

    It seems I have the dead's equipment book, need to track that down. Not necessarily for this discussion but just to find it again...

    Should have figured Phil would use Meyer systems. Using 18's onstage, wow!

    Hope all well your way!

    G

  • #2376
    Oroborous
    Joined:
    Phil’s Rig

    As of late 82 or early 83 Phil was using 4 Meyers cabinets: (4 -18”, 4 -15”), 2 per cabinet powered by custom PIE amps, until they started not using speakers on stage in 92. (Which I didn’t like).

    Not sure I get all what your saying? I agree that Soundboards do not sound natural for many reasons.
    Perhaps your referring to the phenomena of Microphones not having frequency response to accurately record bass waves combing sub sonic frequencies at those kind of SPL levels?
    Mic location can also make a big difference and was partly why Dan started the tapers section. Unless you have the right knowledge and equipment chances are a recording made too close will mot sound good.
    Plus you have the physics: the lower the frequency, the longer the sound wave. If your too close you’ll not hear the fully formed bass note etc.
    In fact if your too close much of the PA sound will blow right by you. You’ll also not properly experience stereo imaging. That’s why usually, the sound board or just before it was THE place to be. It was a trade off going up front: yeah you were up close and could see and hear their stage sound, but the PA mix was so above and beyond you that you missed a lot of info. Eventually they added little Meyers boxes, usually sitting on the front of the stage to add some vocals etc for those up close.
    Nothing comes for free! Personally, like Bear, I didn’t like the stereo set up because of this. Unless you were in the right spot, you missed a lot of info, especially if you were sitting on the side!
    This was the main reason Reserved seating sucked: nobody could sit where they wanted so if you were a sound nut like us, you often had to endure less than perfect sound/mixes.

  • #2377
    Gary Farseer
    Joined:
    Fall Out from the Phil Zone

    I listened to 1988-10-15. Once Friday, Second Saturday. Two different sources although both said the Ultramatrix board, the first was much muddier than the second. Best highlight was the deep garbled voices toward the end of drums. Really bizarre, and reminds me of garbled voices during latter Star Wars during broken transmissions, and reminds me of the fellas ties to Lucas, the lightgiver.

    I was very disappointed in both versions as the show is missing a whole lot of data/music. What I mean by this is, I am wondering if there is fallout from the phil zone? I am positing that as the Phil Zone expanded, Healy lost control of the overall sound. If memory serves at some point it seems I remember maybe Phil using 18" woofers onstage. For sure he was using 15's (plus 12's and 10's). Now I loved my bit of time I spent in the Phil zone, but generally when I got up close, it was Jerry side. As Phil blasts his horn, this means Healy had to bring Phil down in the overall P.A. mix. In my humble opinion, I believe this led to the bad tape sound, lots of data/music missing. When I focus my ears, I can tell that much of the overall lower sound waves are missing or nonexistent. Even worse, the frequencies that are there are very muddled and indiscernible.

    Now as a way to test my theory, I listened to 1988-03-27, Hampton. Another group of shows I saw in 1988. I did see 8 Dead shows there and fully know the quality of the sound that can be obtained within the mothership. (Also saw the shows that make up "Hampton Comes Alive..") When I listened to March 27, the sound is very good. However, although not as bad a St.Pete, there is again a large amount of data/music missing as well. The imaging is excellent but that is because the imaging comes from the higher frequencies. Bass frequencies are much more omni- directional, whereas high frequencies are unidirectional. (Want to press on these concepts furthur, later on. I want to go back to some discussions back in October regarding HDCD.) If my hypothesis is correct, then the tape anomalies concerning extremely muddled low frequencies will test out thru other 1988 shows. Had not heard or noticed this until this past weekend. So for St. Pete, it not only causes Phil to be muddled (deep booming bass with no clarity to individual notes played), it also means some muddleness from other players/instruments. I believe this may be the reason why 1988 recordings may all need matrix recording.

    Just one man's opinion, would like to know what others thought.

    Both Hampton and St. Pete were excellent shows when you factor other aspects than just the quality of the reproduced sound on tape. One reason I love the later shows is because the P.A. quality produces a much more full bodied, across frequencies, sound than do earlier performances. Early performances are fire from perfomance, latter shows have more depth and clarity in the frequency spectrum, hence DaP#40.

    Ok enough for now.

    G

  • #2378
    bob t
    Joined:
    Sandstone Amphitheatre 7/4/90

    I was there.. It was so hot at the start of the show... Close to 100... Really enjoyed the long scarlet>fire popping up in the 4th slot.... Drove straight to Louisville after the show... why oh why.

  • #2379
    Gary Farseer
    Joined:
    Congrats Jim!!!

    Knew we were getting close. Still love the Raven show. I am a huge '82 fan.

    This was the same time as my first drop, April 1982, what a life changing event, as I know 4/19 was for you.

    First 2 drops were Orange Sunshine and Purple Haze. Not too bad for first 2. Man, there is a lot to write about with those 2.

    Thanks Jim for being such a solid rock of posting here, and again, Congrats.

    G

  • #2380
    JimInMD
    Joined:
    4/19 - Why take one when two will do?

    I can't say no to that. A pivotal moment in the life of Jim.

    The drive home (including the arduous task of finding the car) was perhaps scarier than that moment when they derailed into discord and mayhem shortly after drums. The driver, the older brother of the friend I went with, was totally straight and a taper. The two of us had never seen the dead before and we both indulged - two each. Making it through space intact was the first challenge.. then we had to live through it again on the drive home. I was given very strict instructions which I followed as if my life depended on it, "He cannot know." So we hop in the car, he takes out his newly recorded master and fast forwards to that very moment it all began.

    "Quoth the Raven Nevermore. ....It was a dark and stormy night.... Wasn't it?" and the laughing and the sounds of nitrous.

    Listening to this again for the first time in a while, that laugh at the beginning of space that sounds remarkably like the laugh repeated over and over again on a loop cycle during the excellent Space from Dave's Picks 40, Deer Creek 6/18/90. It's the same laugh whether recreated or brought back to life from this recording? Not sure.

    Looking back on this 40 years later, I have to think maybe Larry wasn't as straight as he was purported to be. How could he not have known we were holding on for dear life on that fateful drive home? Perhaps he fast forwarded to that space because he knew and approved? A test? Questions that will likely remain unanswered.

    If you haven't heard this check it out, there's a brand spanking new Miller on the archive that reeks of an upgrade. On a similar note, Lemieux has been playing stuff from this tour this year. I recall him referring to it as "a most excellent tour", perhaps foreshadowing things to come?

    To me, the sound is better than some of the 82 that's found it's way to CD.. When the sweet chords of the Wheel finally broke through the madness that came before it.. I realized things were going to be ok after all. And they were. But the half hour before that and the half hour drive home took some time to make sense out of. Thankfully the Wheel and Stella Blue were there to provide support and ground us after our travels.

    I'd like to think we both passed the test. ahh.. well, onward.

    Edit: Two additional comments.. the discord probably started with Feel Like a Stranger, also that Brokedown Palace was sweet. 81 and 82 have some really nice versions of these songs, Jerry's voice was in good shape during this period. a real highlight.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Submitted by icecrmcnkd on Thu, 04/09/2020 - 18:46

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Please give the date of the show, not just the release identifier.
My shows are organized by date.
Thanks.

Edit:
Just figured out what DP22 is. I listened to those shows a few weeks ago and so will pass.

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Submitted by wilfredtjones on Thu, 04/09/2020 - 19:07

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Snowed here in WI, too. Yet, I finished the lawn raking. Go figure. Are you sure it wasn't Graupel (snow pellets)?

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Submitted by Vguy72 on Thu, 04/09/2020 - 21:24

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....got the Galaxy S20+ at the beginning of March. My old phone was circa 2014. Was time for an upgrade. Came with an early order credit of $150. Used that towards Buds+'s. Testing them now during 2.23/24.68 Tahoe. Not bad.
Then I heard about all the 5G shit. Can't win for losing i guess.

RT 3.1. Fun to revisit this one - been a long long time. Totally forgot that it had that awesome Terrapin > Playing. BITD I had a cassette from a friend who labeled it "Terrapin > Playing > Jam > Yikes!!" At one point it seems like Brent was channeling his inner Ned Lagin (fully approve!)

Looking forward to visiting Santa Fe later today. Never given that legendary show a deep listen. Anybody got rec as to what source? Notice that there's an Usborne matrix.

Pick of the day reminds me of a college literature class - 4 days in and it feels like already a week behind. Tahoe is gonna have to wait.

Wichita - real bounce in their step whole show. I think '72 is my favorite "era" for Other One. Some really great Keith piano in there. Always sweet when they drop from one of these into some slow heartfelt beauty like Brokedown. When are we gonna get 9-28-72?

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Submitted by fourwindsblow on Fri, 04/10/2020 - 07:41

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If I told you all that went down it would burn off both of your ears.

Viola Lee Blues 19:15 pure bliss
Hurts Me Too 4:13
Dark Star 6:49 nice transition>
China Cat Sunflower 4:38 best ever?
The Eleven 10:33 fantastic
Turn On Your Lovelight 12:40 nice little boogie
Born Cross-Eyed 2:32 yes
Spanish Jam 7:23 wow
Morning Dew 8:10 nice
Good Morning Little Schoolgirl 14:39 sweet blues jam
That's It For The Other One 8:13 okay
New Potato Caboose 9:08 Heavenly
Alligator 3:45 okay
China Cat Sunflower 4:14
The Eleven 7:17
Alligator 6:39 oh yeah, an 11 jam
Caution (Do Not Stop On Tracks) 11:49 see that train a comin', wow excellent!!
Feedback 4:55

Feb 1968 Jerry played a - Gold-top Les Paul with P-90 single coil p/u's. 3 Twin Reverbs, 2 Fender 4x12 cabinets, JBL D120 speakers

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Submitted by Oroborous on Fri, 04/10/2020 - 10:47

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Stoked, unfortunately have to make a death run first; ACE for varnish, and PO. Don’t ya know almost finished with more book shelves for Lovey and I’m out of Varnish, Doooaahh! At least it’s pre-order curb side. PO I’m afraid I might have to go in and stand in line for a package (clothes for her, to go to a wedding, that we already dropped non refundable mucho dineros, that were probably not going to be able to attend).....
But I’ll be firing that up this afternoon once I have the goods....going to try the Siemens matrix. Never been as enamored with SB recordings as most. I feel there is nothing like a good matrix, more natural sounding....

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Submitted by Vguy72 on Fri, 04/10/2020 - 11:39

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....actually does sound better boros. Thanks!✌
https://archive.org/details/gd1983-09-10.139379.mtx.seamons.ht112.flac16
Opens with Music Never Stopped. Bobby botches half the lyrics, but, as usual, the boyz make up for it with a smoking end jam.
TLEO follows. Jerry and Brent in SYNC!! Thats my wedding song btw. 20 years strong!
I really, really dig these two shows.

....to end the first. Storm clouds were rolling in and rumor has it, this show had one of the longest set breaks of all time. Waiting for the weather. Pics show that they didn't have a covering over the stage, just the rigging (see my avatar). The China Rider segue is bopping!! Nothing left to do but smile, smile, smile.

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Submitted by fourwindsblow on Fri, 04/10/2020 - 12:49

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Music, holy crap, energy of a set 2 opener; TLEO, nice pace mellow and jammy; Esau, it's nice; Big RR and BIODTL fast songs didn't work here(maybe a Bird Song or Row J.); Tenn Jed back on track; Minglewood, smoking; China>Rider rockin' nice transition, wish I was a headlight...

Woman R, nice energy; Cumberland, foot stomping, Phil bombs; Playin, really nice jam; China Doll, beautiful; Jam Drums, Space really great; TOO, trembled and exploded; GDTRFB, OMSN, rockin'; CR&S the only time they encored with CR&S.

...."If its any comfort to anyone, on this date in 1890 in Cairo Illinois, it rained fish."
https://www.loc.gov/everyday-mysteries/item/can-it-rain-frogs-fish-and-…
Lolololol.
For the record, the fact that there is a second set Cumberland with bombs never swayed my opinion of this show. 😜

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Submitted by bolo24 on Fri, 04/10/2020 - 13:07

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Had some family issues to deal with the last couple days, so I'm behind a bit. Halfway through RT 3.1, hope to get through the rest of that one and Santa Fe by tomorrow morning. Kinda fun listening to shows that haven't been in the rotation for a few years. SO much good stuff - we are blessed indeed!

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Submitted by Vguy72 on Fri, 04/10/2020 - 13:19

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....in all good time Bolo. Hope all is well. Meanwhile, Phil is laying some serious brickwork towards the project that is PITB.

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Submitted by Vguy72 on Fri, 04/10/2020 - 13:47

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....the only ballad in the second set was China Doll. Albeit played at 1.5× speed, the outro jam is delicious. More Lost Sailor teases from Bobby during space with a dash of Heaven Help The Fool.
At the 9:10 mark they finally decide on The Other One. 9:10 mark. I still don't believe in coincidences. Cool Space.

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Submitted by Vguy72 on Fri, 04/10/2020 - 14:05

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....to be honest, I can't remember the last time I actually listened to one. Shame on me.

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Submitted by Vguy72 on Fri, 04/10/2020 - 14:17

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....and it gives me chills. Wonderful!!!
Phil steps up to Bobbys mic at 4:36.
Thanks for playing. See yall later.
9.11 up next, because why not?

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Submitted by Vguy72 on Fri, 04/10/2020 - 14:41

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....features a raucous Greatest Story and an early Hell In A Bucket that was just spreading its wings. Good stuff.
Still enjoying the ride. Kinda bumpy lately, but enjoying nonetheless.
West LA up. One of the most covered songs by them, because West LA.
Saw a picture of LA today. No smog. Actually a beautiful looking city.

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Submitted by Strider 808808 on Fri, 04/10/2020 - 15:34

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One of the high points of my life. Turbo Tom drove down from Kiowa, Montana , picked me up where I was living north of Taos and we made our way to the Santa Fe Downs. We camped next to the parking area where the Hog Farm was helping out. The Sikhs were security (Akal Security) for the Downs. Both days were amazing. And it was harvest season. The two shows were far from sold out. Many of the old guard long hairs from northern New Mexico were in attendance. Just thinking about those two concerts is like a memory from the Golden Eternity.
I’m most of the way through the first set. Earbuds , iPhone and cell tower signal up in the mountains to access this.
Great call V-guy 72!

....they played three shows there. These two, plus a one off in '82. On off as in no tour. 13 song first set if I recall correctly. Just decided to pop into Santa Fe. Plangent it and box it and ship it.
I'll pay $99.99 US dollars.
Alaska would work too. I'll pony up three moose pelts.

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Submitted by Strider 808808 on Fri, 04/10/2020 - 16:51

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When I moved down from Montana in January 1982 I lived ten miles north of Taos on north Hondo Mesa in the “kiva” in the Grow-hole. (Built by the alternative school the Taos Learning Center TLC in the early 70s) Lived in a tipi and then the “Pyramid Cube” on El Salto Mountain for the next five years. Spring of 1987 I moved to Grant County and worked trails in the Gila. Also have worked many years up in Gallup. (Trail work and Public Radio)
Another side bar on the Santa Fe Dead shows. The state penitentiary is just a couple miles from the Santa Fe Downs. Bobby Petersen (Unbroken Chain, Pride of Cucamonga) arranged with the authorities at the prison to transmit a low wattage FM signal live broadcast direct from the Downs. Bobby used to live on Lama Mountain up in Taos County not to mention Robert Hunter spent time living on Canyon Road in Santa Fe in the 60s and visited Taos at different times. And contrary to rumors , the Dead did not play at New Buffalo Commune in the 60s. I asked one of the founders last summer , Rick Klein who helped start Buffalo in 67 that very question. Not the Dead but the Eagles played at New Buffalo. Also Laird Grant (Jerry’s longest time friend) used to live at Morning Star above Arroyo Hondo.
The skies are the most consistently clear of pollution day after day for the past three weeks than for the better part of the past 40 plus years. And I’m talking the mountain west.

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Submitted by Vguy72 on Fri, 04/10/2020 - 16:54

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....northern NM does have energy. The Taos hum proves that. Gallup was always a pit stop for me.
9.11.83 has a Morning Dew.
Where have all the people gone today??

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Submitted by DeadVikes on Fri, 04/10/2020 - 23:03

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Good work Vguy.

Looking forward to the next pick.

This has been a fun week, good idea Bolo.

Be well people.

Did you catch the Shakedown Stream?
Pretty cool. Dave, can't sit still. He mentioned 50-70 or so high quality video in the Vault from 89-95. Intriguing to me, not sure if they will put any more of it out, but I would love to see it. Man, how about putting out the Spring 90 Tour on video? I would volunteer to help out on that project.

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Submitted by fourwindsblow on Sat, 04/11/2020 - 04:48

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Should not have passed this one by.

ps Feb '68 this is what I think heaven must be like.

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Submitted by Oroborous on Sat, 04/11/2020 - 10:58

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Been working in the garage last few days and the energy from both DP 22 and 9/10/83 has made things fly by!
Gave Santa Fe another listen last night because I was diggin it and wanted to give it a better listen than the first time. Great 83 show, fun, spirited show with interesting sets. Might just give the next night a spin today while I work.
Guessing perhaps partially why that China-rider is in overdrive might be due to the deluge that was obviously happening as Bob says something like “we’ll be back when it stops raining”. I might contribute the pace solely to “other” things except it’s not like all the songs were that fast and it wasn’t right after break? So to go from normal 83 tempo to warp drive just then, and since they didn’t have full canopy etc, makes me think they were trying hard to get the fug outta there lol.

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Submitted by fourwindsblow on Sat, 04/11/2020 - 11:31

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I like 9/10 a little better both are great. There are two grate audience recordings of these shows in hi-rez maybe a matrix box.

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Submitted by Strider 808808 on Sat, 04/11/2020 - 12:20

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China Cat Sunflower / I Know You Rider had me dancing in the dark last night. Gonna listen to the second set today. You know, land of manana , New Mexico stylie. Damn this is a long set break!

May I make a suggestion inspired by Bolo's idea? I think a "Pick Of The Week" is more workable. I think one person should make the selection and at the same time designate the next picker. So on Monday let's say JiminMd makes a pick and names the next picker who will announce his pick the following Monday and the next picker etc etc. Hey I know I'm in social isolation at least through May and I think Bolo's idea is great but it needs some structure. I also know I've been drinking and I have no idea if anything I've said makes any sense. Also I just finished 4/11/72 and I think it's probably the weakest show of the tour.

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Submitted by daverock on Sun, 04/12/2020 - 02:38

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That appeals to me a bit more. I am still following my own unplanned trail through shows, so the pick of the day was on top of what I was already listening to. The result was I got left behind straight away and decided to drop out. A weekly pick would obviously give us more time, and wouldn't intrude on where we feel we are supposed to go.

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Submitted by DeadAreMyDealers on Sun, 04/12/2020 - 07:43

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Another vote for Mhammonds idea. Gives us all a chance to give these the attention they deserve. Goddamn work has been interfering with my listening sessions :-)

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Submitted by Strider 808808 on Sun, 04/12/2020 - 08:43

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Maybe finish 2nd set today. 9/11/83 was amazing also.
Happy Easter! Be safe everyone.

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Submitted by icecrmcnkd on Sun, 04/12/2020 - 11:14

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I listened to 12-28-79 a day late and haven’t done the others so far.
Looks like I have 9-10,11-83 on a HD but they haven’t migrated to my music player yet. Might do that later today, but first yard work calls.

For my easy-listening, coffee-drinking routine to get today going I went with 10-10-80 Acoustic.
But that just finished.

So onward with 1-24,25,26-69 % which is compiled from the AOXOMOXOA-50th bonus disc, AOXOMOXOA-Golden Road Box filler, and a portion of Live Dead. Such things are possible with my collection because I organize by show date, not by the arbitrary order that shows are released.

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Submitted by DeadVikes on Mon, 04/13/2020 - 06:06

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I think we only had 3-4 picks last week. Now that we are through the Holiday, maybe we could get back at it. Seems like every other day is doable for most. Either way we need a new pick from someone. I already had one last week. Would like us to stick to official releases. Just my thoughts.

Be well people.

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Submitted by icecrmcnkd on Mon, 04/13/2020 - 07:34

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12-2-73, part of DP14

The remainder of DP14, 11-30-73%, can also be done as extra credit.

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Submitted by Strider 808808 on Mon, 04/13/2020 - 08:23

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Not like I’m a regular here, but did jump in at (under)ground level. 50 year anniversary , 30 Trips around the Sun. Winterland. What’s not to love. “ let me hear you say; WAAAAA!!”

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Submitted by Thats_Otis on Mon, 04/13/2020 - 08:25

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Just started :)

I've always preferred this part of the pick to the 11/30 portion (which isn't to say the first part is any slouch!) I think a part of it is that "Morning Dew" always seems to work better as a closer than an opener, at least for me. The second disc of this portion (or disc 4 of the set,) is just exactly perfect!

Happy Listening!

EDIT: Oh yeah, this is the show where Phil hassles the guy in the audience - "Who are you? The heat? Someone shine a light on this guy..." Kind of a jerk..

Peace

I had to take a break for some work related conference calls just as Weather Report was moving into Let it Grow, but I picked back up and am now into "Nobody's Fault" jam territory. This was a great release of a great show! As I mentioned, I prefer this one to 11/30, but I think I will have to def. go back and hit some of those highlights (maybe all of disc 2,) after this.

That being said, it is really hard to beat this second set, that though very short, contains some FAR OUT there stuff... Wharf Rat, Playin, He's Gone, Truckin, Stella, Dew - all heavyweights in my all-time favorite GD tunes list.

Good choice, IceCream!

Peace

(EDIT: Whoops, I forgot 1/2 Step - another gem!)

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Submitted by Thats_Otis on Mon, 04/13/2020 - 13:07

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Matrix of 12/1/73 - the show Dick forgot.

https://archive.org/details/gd1973-12-01.124132.mtx.dusborne.flac16/gd7…

It's got a "Sugaree", a "China>Rider", and a "Playin'>UJB>Playin'" - and so far, this Matrix sounds pretty darn good. I've never listened to this show, so it's a treat :)

I suppose this is for those students that not only want extra-credit, but are looking to write a master's thesis, or simply polish them apples into a 110%.

Peace

EDIT: After LLR, Phil says to the crowd "Be quiet over there, can't you see our piano players trying to tune up?" Seriously, what crawled up his %%# during this run?