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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Thats_Otis
    Joined:
    Shoreline 5/12/91

    Really enjoyed this pick! Some flubs from Jerry lyrically in Terrapin, but more than makes up for it with the jam that follows. Overall good second set (GDTRFB), but I really enjoyed the first set. I love CC Rider>Train to Cry, and the Deal was HOT STUFF! Nice stuff!

    I am hoping to have a chance to listen to 4/23/77, but it is not looking likely today :( Perhaps tomorrow.

  • JimInMD
    Joined:
    Springfield

    Sounds good.. Enjoyed this one also. The Jam out of Terrapin was a treat. Jerry played his heart out in Deal too. The Althea and GDTRFB had their moments. The transition into Slipknot! was unique.. I think of the three the levels were highest in this one, perhaps a bit saturated especially for the Picasso Moon. Bob was real high in the mix too, so we got to hear his angular take on rhythm. Bruce really filled in the empty spaces nicely.. thinking a few parts in Franklins and throughout.. Looking forward to Rockthings more detailed listen, I was out and about but did fit in the whole show. Only half way through yesterdays.....

    Onward to '77 (or do we mean backwards?).

  • DeadVikes
    Joined:
    5/12/91

    This show is as good as the previous two nights at Shoreline. Man, to live in CA back than.
    Althea, CC Rider into It takes a lot to Laugh, fun great music. Black throated wind.... Nice HelpSlip Franklins. Terrapin!

    I always thought the band reached another gear in 91! Songs were definitely shorter but the music was good and they sounded great. I really didn't feel that way in fall 1990. These shows to my ears do not match what they did in 1991. I think they had to feel their way back after Brent died and had been with the band for 11 years.

    Looking at a 77 pick for tomorrow.
    I don't think we have ever hit up 4/23/77, Springfield. Let's do it.

  • rockthing
    Joined:
    Listening for the sound

    > DeadVikes

    Will do. Part of the fun for me is analyzing the various audience sources. I'm old fashioned. I still wanna download one for the home collection's virtual tape wall. ;-)

    The show is hot, hot, hot. I wrote a bunch a stuff last night, but I'm holding off to let someone else get a word in edgewise.

    I'd forgotten how much I liked this period. It's a real shame Hornsby couldn't have stuck around. He and Vince made a good team, but Bruce left a deep impression to climb out from. The "solo career" story line feels kinda odd when he could have contributed some great material to The Dead, and an even larger audience. They never did any of his tunes, did they? Can you imagine the jam they could have gotten into on Mandolin Wind?

  • DeadVikes
    Joined:
    5/12/91

    You should check out the latest Miller Rockthing. This is a Healy Pearson and it is spectacular. A+++ for sound quality. Just half through the first set. So good.

    Check it out people.

  • rockthing
    Joined:
    AUD Choices

    Ah, Shoreline. This sits right at the end of a big gap for me between September of ’90 and June of ’91. Another round of “Thank You”s.

    Nice variety of sources to keep me busy for a bit. Quick peek at the set list, and Black Throated Wind! Lookin’ forward to that! Post Space seems pretty routine, but who knows?

    To start off, I’m A/B/C/Ding the four audience sources on the Archive using Deal as the bar. They never waste any time digging into this number so it makes a good tune to evaluate the sound.

    The Gesine Lohr Audio Technica 815A source reminds me of the old tapes. A lot of mid-range frequencies. Phil is there, but you don’t really feel the bottom end. The sound is kind of nostalgic, though. Everything is perfectly clear, just not quite hi-fi. Coming back to this, I kind of appreciate the more well-defined bass guitar work with this tape. More of the various drums come through clearly as well. With more mid-range comes more piano, so Jerry’s guitar solo is somewhat falling into a wall of sound with Bobby and the keys (not Bobby Keys, though).

    The Schoeps MK4 source sacrifices a bit of sparkle from Jerry’s voice to emphasize the low end of Phil’s bass, which is something that I kind of expected from an MK4 recording. The guitar solo pops up above the band nicely, though, and on a second pass, the bass is less over-powering, and more well-defined than the other MK4 source. The position is listed as section 102. Having never been to Shoreline, well, that doesn’t help me much, but I’m guessing that is not the Official Taper’s Section, nor is it in Front of the sound Board, but maybe someone can help me out on that. I’m starting to take a liking to this source, even though I had initially switched away from it more quickly than any of the others.

    The Daweez Neumann KMF4 pull may be a little brighter than the Schoeps tape, but still has that Phil bass that you feel as much as you hear. On second (actually third or fourth) listening, The Neumann source sounds like it has the mid range frequencies scooped out. There are lots of bright highs, and Phil booms in here and there, but the drums and keys are kind of lost… which, may suit some, but there is a kind of metallic quality to the highs that feels somewhat aggressive to this ear.

    The Front of Board Schoeps MK4 take, though, I think this has the best frequency balance of the AUDs. Goes to show, you don’t ever know. Must be something about the seats, or perhaps the signal chain. The first MK4 source might have used heavier wind screens. Hard to say. Same mics, completely different sound. lol. Whoa, Phil is shaken’ the room. Deep bass in this one, but Jer’s guitar is shining, and Bobby is right there in the mix. If anything, the drums may be getting a little lost. The keys are coming in and out of the mix, as usual, really. This has both Bruce and Vince, right? The last three recordings have a lot more bass than the first, but it is much less well defined. It kind of booms. Even though the bass is kind of a puddy of low-end, it somehow does not interfere with the other instruments.

    The more I A/B the two Schoeps sources, the less I can tell them apart. lol (T_T) The second source has less info and a CDR generation in the lineage, but somehow feels more… I don’t know, “alive,” as if I can get a better audio picture of the space. I hear more of the venue, but in a good way. It feels more like I’m there, rather than listening to a recording. The similarities in these recordings are many, but the differences are almost hallucinatorily fleeting. I’m going with ID 9402 Schoeps source attributed to O’Connor. I must say, this Deal has kept me entertained throughout this comparison process. Eleven minutes of smoking’ Deal? Don’t mind if I do!

    The only disadvantage of picking up the older submission is that it isn’t Y2K-proofed, and also comes ask SHN, rather than FLAC. No audio quality difference, just a little more trouble to convert for me, and that’s all on me.

    I’ve not yet listened to the latest and greatest Miller SBD transfer.

  • DeadVikes
    Joined:
    5/12/91

    Yes! For sure Shoreline 91 sounds fantastic for tomorrow. Thanks Jim.

  • rockthing
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    > JimInMD
    "5/12/91 for…

    > JimInMD

    "5/12/91 for Tomorrow?" Sounds good.

    Just a few last impressions from 11/18/78

    The instrument/voice balance is definitely much better by It's All Over Now.

    I think the thing that seems unusual about the Scarlet/Fire, other than the clean cut which may be a result of the Archive's streaming system. There's always a short loading gap between songs.

    I was thinking that the jam at the end of Scarlet Begonias seems especially sparse, and then I started wondering where Phil was? There isn't a whole lot of deep bass in this recording, so that may be it. Not sure. I like Donna's off mic reaction to some strange noise that Bobby (presumably) made by accident. ...Ah, I got to the Fire patch. That's the cut that was mentioned. It sometimes feels a touch lackadaisical, but that sort of thing suits the transition into Fire.

    Miracle is ON, right out of the gate. No teething problems with this one. Just struck me that it sounds like Jerry's already using some kind of distortion/fuzz effect on his guitar here. I'm a bit of a gear nut. I'm gonna hafta look into that.

    Dayum. This Other One is waaay out there. Love it! The drummers totally running with it, complimenting the gooey, stretched out psychedelicized sense of time created by the guitarists with a frenzied lysergic background buzz. Still pre-Beast if I recall correctly, but plenty to keep the Rhythm Devils busy... and busy they are. Did someone say, "Go man."? "I knew you were about to come on."? This really is the beauty of the board tapes. Occasionally you get a glimpse into the verbal communication that goes on between band members. They're always talking to one another a lot more than I used to imagine. It wasn't till I started watching how much conducting Phil used to do that this aspect of their playing became evident. Things changed a lot when Phil started taking a less active role in the spontaneous orchestration during shows, I suppose.

    Ollin Arageed, what a nice treat. A little hold over from the Egyptian Vacation. 12/19 is the only post Egypt '78 show I've got in my library, and sadly I couldn't tell you anything about it right now. From there it's to the Godchaux's farewell show, and then Brent's debut or somewhere thereabouts. Again, thank you for filling in this rather sparse zone in my listening experience.

    The word I keep coming back to while listening to this show is "beautiful". I was about to use it again to describe the Wharf Rat. Keith is doing some really nice fill-in stuff between the vocals here. Certainly a sight better than his contribution at Giza (yikes!). .... oops... everybody completely missed Billy's cue to start the ending there. LOL. Oh, well. Carry on lads. :P

    Love how the transition to Sugar Mag thoroughly cross fades. That's brilliant how they kept a bit of Wharf Rat alive while slowly letting Sugar Magnolia develop. A lot of times Jer'll drop the intro of the next song and the others just stop what they're doing immediately for a couple bars instead of letting the songs blend. Sometimes it feels forced when Jerry does it that way, but this one is just about perfect, for my ears.

    One More Saturday Night was one of the more predictable Dead tunes, and I reckon if you were on tour it probably got kind of repetitive, but from a song-writing point of view, IMO this is one of Bob's best songs. It's the kind of built-to-be-a-show-stopper that I wish I could write someday.

    Ok, fast-forward a decade or so to 1991!

  • JimInMD
    Joined:
    5/12/91 for Tomorrow?

    I haven't heard this one.. but I believe the run was well recorded.

  • rockthing
    Joined:
    Sneakin' in one last Uptown Toodeloo

    Had a chance to stream the Miller sbd last night when I got home, but exhaustion prevented me from hearing it to the end. Early on the recording is so vocal heavy that I can barely make out what the band is doing without riding the volume control.

    Me and My Uncle is in full disco mode. When was it that Bobby introduced it as a Polka? Was that before or after this? I'm confused. At any rate, it sure ain't a Polka here. I like these Rhinestone Cowboy versions, perhaps knowing that they aren't forever.

    There were several comments about song placement, and that El Passo following Sugaree, and there having already been an Uncle > River seems a bit odd, but they had not yet settled into the one cowboy couplet per set routine yet, had they?

    It's All Over Now in the first set, though. That feels odd.

    From the Heart of Me is so beautifully done. I recall Jerry doing lots of really fast runs between vocal lines, but was not taking notes. This is a real gem.

    By the time Music Never Stopped rolled around, I realized that the mix seemed to have been brought to balance between the vocals and other instruments. From the Heart of Me had also benefited from an improvement in this area. Music Never Stopped, though. Wow. This is where the show really gets started. I think someone else already mentioned that. The whole first set is superbly played, but as became the norm the first set closer serves as a precursor to the second set with some nice group improv. Definitely wanna go back to check this out again.

    The Scarlet/Fire second set opener picks up right where TMNS left off. This is another track I want to return to. There seemed to be a somewhat different quality to this one, but at the moment I can't put my finger on it. Another highlight, but it's rare that this pairing is not a highlight.

    The early second set Miracle is definitely another interesting set choice, as pretty much everyone already said. I kept an ear out for the ending jam that was mentioned, and yes, why was there never more of that? I suppose once it settled into its post-space rave-up role, there wasn't much left on the table to fool around with.

    From this point on, I was drawn into the darkness of sleep. I think I'll restart this at It's All Over Now tomorrow and listen to the end again. The recording balance seemed to have improved by the end of the first set, and I missed the whole finale.

    Thanks for another interesting recommendation!

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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I remember Buffalo '90 we had motel room like right across the street from the stadium I know it was in walking distance. Anyway we went up a day ahead and went to The Anchor Bar for wings and pizza. Then we went to The Falls Canadian side my buddy had family up there. That night we got back to the room we took the bed spread off the beds and went down where they were camping and stayed up all night eating Orange Sunshine and drinking Fosters.

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I know it’s a surprise, but the Highlight = Dark Star > St. Stephen > Eleven > Lovelight

The Infamous Dark Star Suite of ’69!

Dark Star
If I waxed poetic, I’d go on and on about this Dark Star, but mostly I wanna say, it’s got the Vibraslap, and I love the Vibraslap, especially in Dark Star, and therefore I love this Dark Star.

St. Stephen!
Can’t beat a Classic Version like this. You get the Xylophone, Cannon, William Tell Bridge, it’s all there. This is a great St. Stephen of old.

The Eleven
It’s good! Crazy good you ask? Well.. Crazy good might be a bit much, but it’s good I say!

Turn On Your Lovelight
Sir Ron McKernan aka Pigpen with his blues and soul. I’ve come to feel that Pigpen is a tragic figure, and the band would forever change with his passing, but here he is young and alive and that’s how I like to remember him.
Cause she’s got Box-backed nitties… what’s he say?!?!? (Let’s leave that for the scholars)
Calm down Bobby.. it’s no time for screaming like that!

Alright, well.. that was fun.
I guess I should put on the next show and follow my bliss.
5/24/69 you’re up next…

Note:
When they rehearsed and played St. Stephen with regularity, like in 1969, it was such an amazing song.. alas Jerry would remark that he felt that the song was a cop and due to that and less time spent rehearsing, St. Stephen would leave the garden.

If you watch the Grateful Dead Movie with the director’s commentary, Susan Crutcher tells a pretty fascinating story about how, she wanted to include St. Stephen in the section with the photo montage and Jerry was like, we don’t even play that song anymore, and Susan said yeah but it’s sooo good. And while listening to the song repeatedly during the editing process, Jerry’s interest got peaked and that led to the band resurrecting the song in 1976. The story holds water as they were editing the movie in ’76 when St. Stephen came back. Not to mention Susan strikes me as a cool person who would have no reason to embellish a story like that. I found that to be pretty cool and wanted to share.

I love St. Stephen of old!

FOURWINDSBLOW: How much of that there Orange Sunshine did you eat? That's the question...

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Enough! That's all I'm saying.

There were just the three of us out of ten that went to the camping site, we were the crazed of the group. The next morning when we went back to the motel room waking everyone up with a hearty breakfast of Orange Sunshine.

Good Show! CSN and The Dead! We went in early and sat right up in front of Jerry.

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FWB - That sounds like Good Times!

You seen that Doc on Orange Sunshine? Pretty fascinating.

That and Heads by Jesse Jarnow.

So much info. Such a Taboo subject... You gotta love it!

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I just remembered that right before set 2 the band on the stage and the camera rolling a camera guy center stage got me giving the thumbs up as he panned the crowed I know he saw me cause he smiled. Hope it makes it on the official video.

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....I'll fill you in later.
I have a pick to throw into the ring. It's not official, and I'm sure most have you have heard it, although maybe not in a long time (like me). 10.16.81 Club Melk Weg. Amsterdam. Bobby's birthday. One acoustic set. One electric. Borrowed instruments. High AF on hashish. Lovelight bustout after nine years. It's a really fun show. My two sense.
https://archive.org/details/gd1981-10-16.sbd.miller.110351.flac16/gd81-…

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Not sure why this would be a taboo subject here.. the band certainly didn't try to hide it. Besides.. most of this is folklore by now, happening between 55 and 25 years ago. It could be just because I am old and in the way.. but you don't see or hear of it that much these days.

I enjoy reading peoples stories, most of which (probably all that are told on these threads) by far predate any statute of limitation. Like it or leave it, this is American and World History. Let the good times roll (deja que los buenos tiempos pasen, deixe os bons tempos rolarem, laissez le bon temps rouler).

Edit: Speaking of LSD, I finished discs 1 and 2, 3 later. Still one of my favorite 69 releases behind FW and Fillmore Auditorium. I agree with the Good Ole GD.. disc one probably delivers the goods and is the highlight, but my favorite is disc 2 simply because He Was a Friend of Mine > The Eleven speaks to me... As for disc three, I have never met a Morning Dew or an Alligator I did not like. Even the squatty little yeller one with no tail.

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There was a video of both shows on Youtube, a few years ago, don't know if it is still out there!!

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I actually was awarded this for a prize back in 2010 for the inaugural version of 30 Days of Dead. It was on the 5th day and the song was Playing in the Band from 5/20/73 UCSB. As I recall it was a totally random guess! Funny the things we remember (and what we forget!)

Had a good time listening to 5/23 & 24/69 today.

The opening Lovelight almost seems to be a prankster response to the rookie mc telling people to be seated... never trust a prankster.

All the banter is fun. The difference between the closing Lovelight & opening Lovelight was interesting as well.
The opening Lovelight seemed to be much more exploratory with different themes being introduced, especially around 14:30, Jerry gets into a cool groove. The Drums > St. Stephen transition was a trip too.

Good stuff all around.

Milkweg is cool, I like Milkweg

11/17/73 Dap 5 is calling me too, I can feel it's pull.

WILFREDTJONES - 30 Days, look forward to it every year, and that's a good prize! Thanks Dead.net for being cool.

JIMINMD - I agree! That subject should not be taboo. May the human exploration into the cosmos and beyond continue!

Alright you all, keep on rockin' looking forward to the next pick here and in my mailbox.. shipping noticed received!

Be Well

What's on tap for tomorrow?

Jimbo, good to see you over here. Time for a pick. Send us one.

Still no shipping notice here.

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Oh,.. the pressure. I am not good at this. But since we are on the best sounding of the road trips. I would humbly suggest either the WOS road trips (6/18/74) or the 5/15/70 Road Trips.

If I had my way.. I would pick Louisville 74 in honor of the eminent release (Road Trips Vol 2 No 4). One other ask.. on or about the first received date of the next Dave's Picks. Would it be possible / make sense to hold this show open for a week so both the folks that get it first have time to comment and the folks that get a day (or six) later have time to participate? Seems reasonable to me. So a week and day of 1974?

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We could do 'From Egypt With Love?' Mix it up a little.

Real great Stella Blue even with the audience patch.

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I want to pick a show Vguy saw. It was his second and it cooks!

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Good choice, let's do The RT.2.3. Shows from 6/16 and 6/18 74.

I like your idea for Dave's #34.

FourWinds, let's hit up The From Egypt with Love RT tomorrow. 10/21 and 10/22 78. I have not listened to this one in a while.

Thanks guys.

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How funny i was grilling last night and I listened to half of the first CD!! Now i have a reason to listen to the rest.. bob t

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there was orange sunshine in the 90's? I only remember it back in the 60's and early 70's and it was the bomb, 4 way hits, which meant you only needed to take a quarter of a hit and they were kinda small, so it was quite easy to take a bit too much. :o fun times indeed. Did some yellow sunshine back then too, it was suppose to be 8 way, never did more than a crumb of that stuff, talk about mind blown. They don't make it like that anymore.
Mexican quaaludes, mandrax I think they were called, not the same as 714's but still lots of fun, they had an antihistamine in the mix to help keep you awake the first 30 mins or so, then it was all fun and stumbling and falling and laughing and feeling invincible, sure wish they hadn't outlawed that drug, one on my favorites. Ever try ludes and acid together? wow, what an experience that was, add some black nepalese hash on top and you are now in heaven. Back in those days, it was ok to have a trove of drugs, like Hunter Thompson said in fear and loathing:
"We had two bags of grass, seventy-five pellets of mescaline, five sheets of high powered blotter acid, a salt shaker half full of cocaine, and a whole galaxy of multi-colored uppers, downers, screamers, laughers...and also a quart of tequila, a quart of rum, a case of Budweiser, a pint of raw ether and two dozen amyls. Not that we needed all that for the trip, but once you get locked into a serious drug collection, the tendency is to push it as far as you can." and push it we did.

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If it wasn't O S it was very good and very clean. After our first dabble we stayed up all night looking for the girl that had it bought a bunch and ate it all day. Don't want to put misinfo out there but, thats what she called it, we had a good time.

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....cueing it up now on the Archive (i don't own the physical copy). Avatar updated. Four winds says he wants top pick a show i saw? I recently listed my attended shows if you want to look. Just don't choose 5.19.95. Yuck. Vocal drop outs during the Freedom Hall Promised opener. Good ole Wall Of Sound.

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Many happy Road Trips over the years. Just finishing 5/23/69 lovelight . Amazing all the changes from live-dead era into Workingman’s era , nothing short of phenomenal creative drive.
There were a few lackluster Dead shows in the 70s ,but I never went to one back then that was less than amazing.
Would like to see a board tape of UCSB May 74 with Great American String Band set official release. Maria was real hot also. 74 was a banner year.
Seminole Powwow kicked ass. Dark Star was super improvisational . The 11 was exciting . Love-Light was also reflective of the youthful vigor of the band at that time.
Miss Indian World ,Cheyenne Kippenberger 2019-2021, is from the Hollywood , Florida Band of Seminole Tribe. Met her in Albuquerque during Gathering of Nations Powwow a year ago. She’s a real good person from one of the strongest of all the tribes in the country.
I still nominate 5/2/70 for this Saturday on its 50th anniversary .

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I suggested the 2nd ever show you saw. I thought this show had some unique Jerry playing on it especially for the time period. If we don't get to listen to it I'll understand but, maybe you can give your take on it I thought it was good for the time.

Ps. Fun fact, though I've never counted till today I got 28 of the 39 I saw on video.

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....it's View From The Vault 1. Maybe a video of the day with discussion is in order?
6.18.74's Ramble-On Rose was so good, i played it twice!!
pm checked

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Alright, firing up 6/16/74 and already WOW on Sound Quality and playing on China Cat..

My Completist OCD has prevented me from frequent listening of this & from Egypt with Love.
It might be cool to hear them both again in their compilation order... already struggling with the whole notion of rearranged songs.. Deep Breath.. they sound good.

Talking about Orange Sunshine, Mexican Quaaludes, Ludes & Acid, HST gave me a nice Contact Buzz!

Thanks UNKLE SAM & FWB for that.. Keep ‘em coming.

I was still tripping from the Great Pow Wow! Both nights rocked real good. I dug that.

He Was A Friend & Death Don't were real good too hear again, along with all the rest of that psychedelic stuff.

Good times!

Meet Up At The Movies Quarantine Style sounds Awesome!

Shake up the Shakedown Stream.. with a little bonus footage:)

This Eyes sounds real nice..

EDIT: And 5/2/70 Anniversary sounds promising as well!!

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Eyes, Playin. Nice! Nobodys Jam, now were going old school. Love it!

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VGUY - Saturday works for me! PST

And 6/16 Eyes > Stronger Than Dirt > Big River is super!

Keith's piano... is he using a pedal or what's going on there?

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If nobody has interest in the '87 Anaheim second choice would be in honor of the resident care-taker of the Vault, the man on the inside. With Dave's very first pick 'Truckin' Up To Buffalo' '89.

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FWB - 4/10/20 - Shakedown Stream was "Truckin' Up To Buffalo" but 7/7/89 "Crimson White & Indigo" might have you in the crowd somewhere? Haven't seen that in awhile.

I'm down for View From The Vault V1 or '87 or whatever, just maybe something other than "Truckin' Up To Buffalo" as I just watched that recent. Just sayin'

DL said this week Shakedown Stream would be Closing of Winterland.

Alright, stoked to hear this 6/16/74 PITB for 28 minutes, but gotta wait till later and take care of some business first...

Be Well you All

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Yeah I forgot they did the '89 show but , The one I was talking about that i could be on film was Buffalo '90. Sorry for any confusion. JFK '89 we were in the bleachers half way back Jerry, Brent side.

I have the opener and the main act on audience video from Buffalo '90.

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Had to cue this one up on archive too, (and will tomorrow's "From Egypt" pick.) I really don't know why I slept on these Road Trip releases - I guess I was put off by the cut-up nature. Oh well - LMA is a-ok with me :) Just now on "Roses."

I had to run out for my weekly grocery trip yesterday, and Sirius was playing "To Lay Me Down" from Jai-Alai - sounded very good, though I am not sure if it was the soon to be delivered version or not.

I know that many here already know this, but if not, the Freedom Hall show "Eyes" is the version that Holly Bowling does on solo piano. She apparently transcribed the whole jam. I have never directly compared them note for note, but her version is really great!

https://www.youtube.com/watch?v=voLdRQ-19dc

EDIT: She actually does her own "version" of the verses, but the jam is transcribed. On "BTW" and it looks like the WoS has settled in and is sounding better - still some vocal drops, but the band sounds incredible!

Peace

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In reply to by Thats_Otis

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Check your PM.

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17 years 5 months

In reply to by DeadVikes

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....better check it. lol.

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16 years 2 months
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It's amazing the Jams and all then you get a China Doll that just melts your heart.

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One of my favorite road trips was this one... favorite bonus disc of the road trips was 12/6/73 with the 45 minute Dark Star from Cleveland.... bob t

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In reply to by Vguy72

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Am I the only one that still doesn't have a shipping notice?

Looks like Friday isn't happening for me.

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In reply to by DeadVikes

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....no. You're not the only one.

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In reply to by Vguy72

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Yeah, I don't see Friday happening for the new pick.

Even with the shipping notice the USPS tracking is still showing awaiting package so I think we're looking at early to mid next week arrival.

But that's give us more time to pick cool shows to listen too!

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Taking a listen on the 49th anniversary of this show. Beautiful SBD recording with the Charlie Miller touch. Certainly I think easily within the cream of the Grateful Dead crop. Making it hard to focus on "work from home" at the moment.

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The best Lucy I ever heard and I think Eyes is better than the 6/16 may have to listen to it again, but WRS Jam, O1, I's a Sin, Stella maybe the best ever.