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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • daverock
    Joined:
    Heads

    I thought that Jesse Jarnow book was excellent - one of the best books I've read on the subject.
    There were a few good books on Psychedelia that came out about 5 years ago. A British equivalent to "Heads" might be "Albion Dreaming" by Andy Roberts. "Psychedelia and Other Colours" by Rob Chapman is also excellent, covering both America and Britain.

  • Oroborous
    Joined:
    Yeah

    Can you imagine: not only playing for folks who have little or no idea what your about, but also many/most who don’t speak the language! Yet after almost every set and especially at the end, you can hear the crowds love it!
    The power of music, the real language, the real form of communication!
    Amazing!

    EDIT: Heads, is that book any good?
    I have it but haven’t read it yet?

  • JimInMD
    Joined:
    Re:

    Oro.. good job, you must not sleep much.

    DRock, I'm sure you are right. Beyond the few Americans that ventured East for that tour.. most did not fully understand what their tickets brought them. SimonRob was at Bickershaw, not sure if he reads this thread though. I also wonder how prevalent the psychedelic scene was. Jessie Jarnaw speaks a bit about the travelling circus and when / how it evolved in his book, "Heads." Beyond the few that were exposed early on and could afford the travel with no work, it wasn't until a little self-sustaining economy emerged before it became widespread. By 81, a few, but 90 quite a few.. we probably all know one (Lemieux for starters.. still in college)

  • daverock
    Joined:
    No Deadheads ?

    One thing about the European tour in 1972, was that they weren't, as far as I know, playing to Deadheads. I seem to remember one of band said in print that the Newcastle crowd was the coldest one they had ever played to. I would think that most of the people who saw then that night lived in, or fairly near Newcastle itself. Didn't the crowd at one of the shows head for the exit after the first set, assuming that the gig was over? That also suggest an unfamiliarity with The band and their way of doing things.
    If this is true - it certainly didn't harm the music. It may have affected the way they played - and for the better.
    Having said that, I don't know when the Deadhead culture started in America - by which I mean when people travelled the land to see them. Up to a certain point they must have been playing to new people in The States,too. People who had no pre conceived idea of what they were like, but just went along because it was a rock gig. By 1990 everyone at Wembley seemed to be a Deadhead. I can't remember 1981 being quite like that.

  • Oroborous
    Joined:
    “Oh ooo, half way there,

    Oh ooo smell my underwear” 🎶

    Yep, just finishing 5/3 for the first time ever, and I still don’t have any damn time.
    So I’ve been listening, sometimes multiple times, in order, but I haven’t had time to keep track.
    Oh well, guess that would be more like actually being on tour.
    4/11 was a first time listen for me. Another great E72 outing but it felt like they let go of the stick a tad after perhaps grabbing it too tight at the Wembleys? I’m guessing back in 72 in some of these locations there wasn’t much media etc. But the bigger gigs, like the first ones at Wembley probably had a level of attention and possibly sales via that attention, that might have made them, aaa, not stressful, but, would definitely like to start right. Add to that the natural energy of itching to play etc, and yeah, can see how Wembley got the freight train and perhaps Newcastle received a more loose presentation? I definitely noticed more miscues, start offs like Jack Straw, Good Lovin, others. Now they all grooved past these brief moments, and delivered fine versions, but maybe they show a loosening that facilitated elsewhere?
    Like an unusual Truckin and jam that covered some cool ground including King Solomon’s teases/coincidences? and some free jazz like moments (think Phil might of been quoting some actual song too?).
    Another sweet suite, including a decent CAT, though I think the 4/26 is perhaps the bar? Nice to hear, especially as a change from the repetitiveness. Same with the even rarer Brokedown!
    4/14s a blur at this point, they start to expand out more I guess, in several ways…
    A nice DS, and a big pork fest ending. All good, but I find others more to my liking?

    4/16, yes, agree, always felt there was something just a little different about this one. Perhaps being such a small informal, perhaps totally away from the spotlight! A brief chance to vibe like the ole daze, perhaps?
    4/17 is just too much of a monster overall. Perhaps why I think this may be the first time I’ve done the whole show in one listen? I have the DVD, and Ive spent time with that 3rd set etc. So that was a treat to be sure! I’ll prolly go back and hit the dvd of there and Bremen after, but for now I want to go in order…
    First time Ive just listened to 4/21, though we saw the Shakedown stream. Actually hit this one a few times. Love the stop and restarts, another cool inside look.
    4/24 is another that feels a little more aaa, whatever the vibe I can’t name is, not stress, or pressure, their certainly having fun, but like Wembley, and the first non English speaking audience gig, that tenseness, yeah, that’s the ticket, tenseness, the good kind!
    I think Phil especially was emotionally invested a tad more in the German gigs, and man does he and the boys take care of bidness! There’s a reason this was the first complete show they released…
    And of course there’s a big reason they released parts of 4/26! Another freight train!
    But I had never down the whole show until now, and was rewarded with good versions obviously left off only due to space required for 2 disc chop job. So that was cool.
    4/29 I think I’ve heard the whole show at least once, I know I’ve heard the second set multiple times, though not the encores, until now! Another sick show and big DS, and a proper Caution Pork fest to close. I’ve really been enjoying the 2 Souls, Chinatowns, amazing Hurts Me Toos etc, but not so much the Good Lovin, Lovelights? Not dislike, just think that stuff doesn’t resonate the same to this old guy as it did the young one lol. Just burnout?
    All good, just really noticing the other goodness more. But the Cautions have always been a big draw for me on this tour, and this one’s a beast.
    5/3 was a first time for me, today. The whole damn show just sounds like the actual E72 album (streamed version)?
    Like the sound of it, it sounds like E72!
    The reverb etc. I’m sure having? 4 I think songs on the album from this show probably has something to do with it, but I kept chuckling about that reoccurring feeling. So many songs on this one could have been on the album. It’s a strong show, and by now you can feel the subtle morphing of band and songs into one that’s taking place over the tour.
    It would be cool to take all the versions of each song and listen to just them in order!
    None more so perhaps than He’s Gone! But that’s a task for another time, which I don’t have enough of to do this proper, let alone all that lol, but at least I’m finally getting to em all and enjoying the ride!
    ONWARD!

  • daverock
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    Aarhus

    1stshow - I was going to jump ahead to Paris this weekend - the shows, not the city - but I think maybe I should give Aarhus another spin after reading your comments. I can remember it's good, but I'm damned if I can remember why!

  • 1stshow70878
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    Newcastle, Tivoli, Aarhus

    Three more down, seventeen to go, lol.
    All excellent shows. It's hard to find fault in any of these mammoth first sets but Aarhus (4-16-72) hit the spot for me of the three. Had great song selection, pace, and order of the songs was more to my liking. The second sets are where the special goodies are so far in every show. I'm particularly impressed with how Keith really shines especially on Pigpen's songs. His beer barrel style just fits perfectly. Yet his jazz chops are evident too as in the Dark Stars. Donna seemed particularly "engaged" on 4-14 at Newcastle and Bob is definitely going to lose his voice by the end of the tour at this rate, lol. Aarhus had a stately smooth feel to the whole thing which I found to my liking and would put it at number two of the five I've done with 4-7 Wembley still in first place.
    Discovered I had on tapes the Stepping Out release which looks to be an odd compilation ala the road trips and I also had Hundred Year Hall on tape, which was not a complete show release BITD. Gotta look through my tapes more often! Also had burner CDs of Rockin' The Rhein which I had also completely forgotten. Has four CDs with the Academy of Music filler so likely a whole show. Can't go there, got to stay in order.
    That's the news from EU. Cheers to all

  • JimInMD
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    Re: Giving Your Right Hand

    Dennis.. tried this, it did not work for me. Kayaking is proving tricky also (I keep going in circles), but I'm working on it. Your friend Hound Dog played with six fingers.. imagine the chord work and finger picking that could be done, a 16.67% increase in productivity. Cheating to be sure, but man he could play the blues. Interesting side note, a friend of mine's wife was born with six fingers and I think toes. So was her daughter. The had the extra digit removed shortly after birth.

    Somehow Jerry got by with 9 1/2 fingers. After burning his hand, Django Reinhardt had basically two working fingers on his right hand and he more than got by and was a big influence on Jerry, especially circa 1973.

    Thanks for pointing me towards that youtube. That black and white looks more like 1923 than 1973 until you see that Fender looking guitar. Great stuff. Convinced me to get that Natural Boogie LP, but I seem to have misplaced the PIN of your wife's card. If you'd be so kind to send me a PM. I don't want it to sell out while it's still in my cart.

    As you were.. on to the second set of 9/6/80 for my afternoon hike. Life is good.

    Edit: Looks like Hound Dog played a pair of Kawai-made Kingston S4T's, so not exactly a Fender but a similar looking headstock.

  • daverock
    Joined:
    Give your right hand?

    If you were left handed you'd have nowhere to put your slide if you did that .

  • Dennis
    Joined:
    Dave & Poor Playing

    I would give my right hand to play well.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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RE: Jerry rips on people who are calling for "Dawk Staw"

I usually associate that job with Phil.
<squeaky voice> Saint Stephen. Saint Stephen. Play Saint Stephen, man<end voice>.
He can come off pretty harsh sometimes, but mostly with the house lighting crew, maybe.

Oroborous: Nice summary. I've been having a hard time just getting through the 28th and 29th, but that April '71 project sounds well worth the effort. Hearing the interplay of the guitars so clearly on the 28th board really heightens the excitement of Hard to Handle. So much good stuff happening when Tom Contstanten joins at the end. I finally know how to pronounce his name!

Feels like we've been here before, huh?

51st Anniversary of one the all time greats today.

Had a good time listening to this last year, we'll see how it sounds this year ;)

The DaP V38 bonus disc has been in heavy rotation over here.
Hot stuff!
And Strider's pal Jay wrote some great liner notes, so cool to hear stories of the '73 Dead scene.

Hope all yours find you and raise a toast to the epic Evening with the Grateful Dead that happened 51 years ago today!

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NRPS opens, Pig with a sweet " Man's World" and it's available on vinyl! Whooo Hooo

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NRPS opens, Pig with a sweet " Man's World" and it's available on vinyl! Whooo Hooo
The vinyl version updated with new remastering, plantgent process, and includes Cold Rain and Snow

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We did listen to this a year ago. Another rites of spring concert. Good choice, (bears) choice. 5/2/70 is another of the early bootleg cassette favorites.

and

Led Zeppelin IV

LZ: when I am in the mood for LZ, they sound so.fn.good.

9/8/73: I gotta listen again. I thought the Birdsong was from 9/8. Derp.

9/7: still need to hear the PITB.

Okay Proudfoot, I will get this one rolling first thing tomorrow. Thanks for the pick.

My #38 is stuck with the dreaded label created, no shipping for four days. Anyone else experiencing this?

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I couldn't get to it yesterday either.. but a bit of insomnia found me awake way before dawn checking it out. Cole Field House, University of Maryland.. this used to be their basketball stadium but was repurposed in 2015 to a multi-purpose sports and academic complex. This is an interesting show in search of a better recording. I've seen a basketball game or two there when I was a kid, the place did a good job of resonating the cheers and screams of the rowdy and sometimes rabid Terrapins (fear the turtle!). It was a loud venue, probably not the best acoustics.. but... might as well just play it loud.

A strong first set with a nice 17 minute bird song and a pretty smoking deal. The second set had an interesting almost ten minute jam out of Saint of Circumstance. A decent little show but perhaps in search of a better recording.

I have a soundboard of this one, or something labeled as a soundboard but it looks like the archive does not have any boards uploaded.. no bother, a couple of the audience tapes out there sound better anyway. The board has lots of ambient crowd noise pumped in and it and it sounds muddy and flat overall, it's not worth seeking.

Anyway.. it's the only time they played at the University of Maryland (at least that I know of), home of the Terrapins. I bet they would have blown the lid off the tin can of a stadium if they played Terrapin Station. ..what might have been...

Thanks for the memories proudfoot.. I haven't listened to this one in years. I like 1981.

(sigh).. 51 years ago today, four dead in Ohio..

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Handy tip for listening to DaP #38's bonus disc: check to make sure that the Dave's Picks sticker isn't electrostatically stuck to the recorded surface *before* inserting it into the CD player. That is all.

Has it come to an end, or is it just intermission?

I’ll throw out an anniversary listen:
5-4-77

I’m spinning an old CD-R of the show, although I’m pretty sure that I have an upgrade on a HD.

It’s got a Disco Dancing and a S/F…

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..people are just captured by spring weather and getting their yards/houses/hobo boxes ready for spring (I think).

5/4 it is.. funny, I was going to suggest 5/13 or one of the shows from the 77 box v1. It's been a long time since I listened to one of those. 5.4 scratches that itch. I did fit in the 81 show this morning a half day late. A nice little show once you adjust to the recording.

I did a little solo boating and biked my way back to my truck after the run... Gives me a good 2 1/2 hours of uninterrupted show time. I never know what is loaded on my water devices.. I just grab one and go. The one today started with some 75, some 1970 (4/15??) followed by the second set from 5/26/72. 5/26 was perfect for the outing.
I never listen to that show anymore primarily because several cuts are on E72.. but it is a sleeping dragon that wakes up and catches fire sometime in the middle of the jam out of Truckin'. What a sequence after that. It doesn't get much play but when it does and I have time to listen.. it's amazing.

I've been following proudfoot lately, he seems to be inspired.. As soon as someone posts bail for GOGD.. he will back and all will be good with the world..

Speaking of Hobo Boxes... with 38 out of the way (well, for those that have theirs).. the next seaside caffeine overdose video should be of the box set reveal. Since the last box was pulled from returned Betty Boards.. my guess is another batch of multi-tracks not sure what year.

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In reply to by JimInMD

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I enjoyed this show. Decent sounding Wise audience recording. That Bird Song is long and interesting. Give me a Lost Sailor-SOC, Truckin, Black Peter and I am really excited. More or just some 81 would be welcome from Dave.

Pick of the day is not over, some of us have still been loving it. I think the arrival of Dave's #38 is definitely taking up some of the time.

5/4/77 you say Conekid? Sounds good, will have to give it a go tomorrow.

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It ain't over. Just gotta poke around.

I agree. The weather's nice and the time is right for dancin' in the streets. Also I, for one, continue to be in a constant state of catch-up with work since April, and cannot afford to allow myself a trip down the rabbit hole every single day. In fact, even as I type this opus, I should at least be changing strings on my guitar. My listening habits generally tend toward listening to one show for several days while taking it all in... and also not always being able to get all the way through a show in one sitting a lot of times. I'm still finding things like, that Stranger from 4/20/84 to be deceptively interesting, and that was from weeks ago! I mean, I finally got 'round to 4/13 yesterday. I'm hopelessly out of sync.

DLing 5/4/77 as I type. It's the Moore source. A quick check of Deal made me think this was gonna sound nice.

5/4/79 is on deck. Seems like a toss up between Joani Walker ECM-250 and the Glassberg NAK 700s. They both have their merits and deficiencies, and sound completely different, but it's hard to say one is clearly better. I usually don't go for NAK 700 pulls, except for when I do. A/B-ing Mama Tried through Mexicali, I think the edge is going to the Walker source because the kick drums are far better defined... but the catch is that they're almost too much so....tough call... is Bobby playing Lovelight behind Jerry's solo in Mama Tried? Comments on the Archive are saying this was the first show at the Hampton Coliseum. Yeah, the Walker source has much less echo from the hall. It's as close as you're gonna get to a board for this one, I think. Oh, man, Brent sounding sweet on the Candyman harmonies already. Gonna be tough to shut this down until later. Suddenly "on deck" has come up to bat out of order! :P

5/4/72... man, I wish the Europe '72 Complete CD wasn't going for, like, four hundred bucks. The whole box is over a grand. ::shakes head:: Ended up missing the propeller press of Skull and Roses too. Pretty bummed about that, but that's how it goes. Approaching infinite consuming opportunities yet strictly finite resources to do so. I totally get how and why short run limited edition releases are the way to go, though, so can't complain (but sometimes I still do).

Did someone say Led Zeppelin? Don't get me started. IV has the most unusual sonic palette for an album that has sold a gazillion copies. Diggin' on their April 69 stuff at The Fillmore some over the past few weeks. They had a very nasty relationship with Bill Graham, so I normally consider Zeppelin as verboten in Dead circles. They were responsible for really hooking me on music, and introducing me to improvisation, though, so I can't abandon them. Getting into the Dead was in a way an evolution of from Zeppelin for me.

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I think that was the one I was listening to also.. not bad.

New Jerry Band released announced today. '91 MSG.

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after doing the whole April 71 run etc,....well, just needed to free range freak freely for a while;
a few shows from the PNW box, a couple run through of 5/2/70, dis and dat etc.
just got 38 so going to blow my day trying to get down properly and be one with the force....

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In reply to by Oroborous

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5/4/77 Half Step is really hot.

Some great complimentary interaction between Jerry and Keith. Finally got this rolling as I lay me down last night, and didn't make it very far before exhaustion led me into the arms of Morpheus. A bump of the high frequencies might really bring this Jerry Moore pull to life. Everything's there, but just slightly muffled. Stealth recording? Woke up early, so quietly skipped ahead to Brown Eyed Women, and now the funked out, but still mellow 70s, Dancin' in the Street is not really getting me in the mood to double down on some work that's getting away from me, but that's where I'm at.

Estimated to start the second set? Don't mind if I do. I gather there was a period in the 80s when they played this to death, but I wasn't around then, so it remains a favorite for me. Bobby doesn't completely lose it in these late 70s performances, either.

Peeking further ahead at the setlist, wow, they are really playing ALL the epic tunes. Playin' to end the show? WTH?! Looking forward to Comes a Time. That's one of my favorite songs.

Demon Rum! Missed the Harpur College anniversary. That show is like soul food for me. Can't count how many times that Maxell unspooled at home or in the car. In more of an exploratory mode, atm, so stickin' to these 5/4 shows this morning. 5/4/79 gig is great, btw. Passenger with Brent! As the show goes on, the B3 just seems to get louder and louder in the mix. Dan Healy must've been gettin' off on Brent's vibrant performance. I know I was.

TODO:
DL that 3/7/81 now, but I fear we'll be on to something else before I get round to it. Wise source. Check.
Since I didn't get the DaP 38 CD, a lo-fi rendering of 9/8/73 needs to be sorted.

Aren't you supposed to throw away the aluminum foil and eat the little piece of paper inside?

Have I been doing this all wrong.... some things should come with legible instructions.

Love the PITB>Comes a Time>PITB sequence. The whole second set is hot. OroB is taking a palate cleanse, it's up to us to pick some epics..

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In reply to by JimInMD

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Okay Jim, this one is for GOGD.
11/5/79. Also released as part of the Road Trips digital downloads.

Let me know.

Hang loose and feel free to mingle with others.

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For me to pick up the pace. And I’m not talking about the hot sauce. November fifth Nineteen Seventy Nine.

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In reply to by Strider 808808

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Full Show Road Trips from 1979, I'm hip.

Although, I can't even look at 11/5 without wanting to hear 11/6.
22 minute Playing In The Band from 1979... That's gonna happen for sure.

That being said.
China > Rider > Cassidy, FOTD to open a show at The Spectrum, that's a big Hot Damn right there.

Good call.

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....seems legit.

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Yes, thanks for hooking me up with this one GOGD, I really dig this show.

If anybody needs a copy, you know where to find me.

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Fuuuuugggggggddddddddeeeeeee (only I didn’t say fudge!)
Yeah, always get distracted by it’s 11/6 neighbor, probably my favorite 79 show (that I wasn’t at).
But because of that boisterous neighbor ole 11/5 doesn’t get the love it deserves, so it’s due....
I’ll have to sneak that in while I try to figure out 38? Not saying anything more on that one until furthur listening...

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In reply to by Oroborous

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CCS->IKYR to open the show.
Nice!

And then a Cassidy.
Nice indeed.

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In reply to by icecrmcnkd

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What an opener. ..they usually wait until they are warmed up for jello like that.

Still, to be honest.. I like it later in the set or into the second. It takes some of us a while to warm up too.. and they often play better later in the show (provided they don't overdue it themselves).

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In reply to by JimInMD

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Such a great example of how good 79 could be. 11/6/79, as you said GOGD, is also right up there.

79, 80 and 81, let's get more out!

Good to see the tractor Jim.

Who has a pick for tomorrow?

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Sweet! Believe that has a good Jack Straw....seemed like they always played an angry Jack there...
Was @ but haven’t heard much so I’m stoked to get reacquainted.
Don’t know what’s available, but I’d stay clear of Auds as that place sounded horrible (like most of those dome stadiums)...

11/5/79: haven’t heard that one for long time. I like it, but don’t think quite hangs with the big boys...
Definitely like 11/6 and 12/1 etc better but so what, still a fine 79!

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In reply to by DeadVikes

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I’m playing old CD-R’s, although I probably have a newer copy as a torrent.
I can hear all the instruments. I suspect that this show could be polished up and released. Sure, some people would complain about an 80’s release, but this sounds better than some of the other early 80’s shows that have already been released.

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Speaking of May 7th, it was my first show, 1977 it was, in the old Boston Garden, the night before, ahem, *that* show. We'd been at the local Sears in Bangor, Maine, looking for tickets to Santana in Portland, which turned out to be not available yet. But then we noticed that there were tickets for the Dead in Boston. Woo-hoo, we'll take those instead! Came down the night before from Orono, with a gang of friends -- none of them had been to a Dead show either -- stayed overnight at Wells Beach and hit Boston the next day. With no idea what to expect, we were hanging out at the bathrooms/concessions, when a huge roar went up in the crowd, and my friend's girlfriend grabbed my hand and we raced back to our seats, to the opening bars of Bertha (and speaking of Bertha flubs, though we couldn't hear it there, on the tapes there's a pretty good technical glitch in the beginning of Bertha, leading into some audible onstage mirth). Good times. Last time I saw them was there as well, September of '93. A different world altogether...

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In reply to by jefito

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..what a night to pick for a first show.

Any interest in picking a show on the E72 tour for a pick of the day sometime this week? We could toss in a Spring 77 for good measure too.

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In reply to by JimInMD

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Wow! Boston Garden 77 to start the ride. That must have been a wild show for your first. Did you make it to any other shows in 77?

Jim, sounds like a good idea, which shows do you want to do?

I think there are two Spring 77 shows that have not been released, those might be worth a listen.

E72-Yes!

Stay well out there.

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Or Feel Real Guilty.

Phil's bass on opening of Scarlet on 5/8/77 is killer. Why doesn't anyone ever talk about this show?

I kid, because I care.

Nice Pick on 9/24/82 ConeKidd! Rockin' The Carrier Dome.
Really good show all the way through, but that Set 2 is Hot for sure!
Brent opener followed by PITB > Crazy Fingers > PITB > Throwing Stones and it don't stop there.
Good times, I enjoyed that.

jefito 5/7/77 first show! Anymore stories / memories from that night?

And yeah folks, I'm telling ya this 5/8/77 show is really underrated ;)

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In reply to by The Good Ole G…

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I will be doing the anniversary listen tonight, possibly from vinyl, although that requires me to get up from the couch about every 20 minutes. Oh well, I’ll just make the most of it and walk over to the fridge each time and grab a beer. Well, maybe not every time, that would be a lot of beer. Not that I can’t handle that much beer, just that I probably can’t handle vinyl without scratching it after that much beer.

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13 years 5 months

In reply to by icecrmcnkd

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We are on track. Take a couple days and digest Get Shown the Light?

As for E72.. I was thinking Munich and Lille?

Two slightly off the beaten track shows. My favorite of late is Bickershaw. VGuy got me to take a deep dive a year or so ago and I found stuff in that show I had never noticed before. My favorite Lovelight of the tour and a great segue into GDTRFB, not to mention the other great stuff that came before. Concertgebouw is another off the radar gem. And then there are the monumental shows.. we can save a couple of those for next year.

Anyway.. spending some down time with classics is fun too.

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In reply to by JimInMD

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Works for me. I went back to 5/7/77 while driving today. Hard not to like this show.

Concertgebouw or Paris sounds like a plan. Monday?

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@DeadVikes -- the next show we caught was 5/28/77, in Hartford, officially released as "To Terrapin". That was fun, too. And that was it for '77, except for catching Garcia at the Orpheum in Boston in December. Had to wait until the following November of '78 and the two Boston Music Hall shows before we saw them again.

@Good Ole Grateful: not too much more to relate. We caravanned in to the Garden with several cars, and were doing well until we hit Chinatown (which was pretty sketchy at the time), and the lead car just stopped dead, a passenger door flew open, and one of our entourage flew out and disappeared. We sat, stunned, trying to figure out what had happened. After seemingly a long time (i.e. 5 minutes or so), he reappeared, got back in and we proceeded to the show. Turned out that he had a bad case of Full Bladder Syndrome and couldn't hold it any more. Kids, sheesh.

Basically we were trying to figure out what was going on during the show, since there was not a lot of live stuff that we'd heard by that point, mostly just Live Dead, Europe '72, and Skull & Roses (and Anthem, though we didn't really realize that it was live stuff then), a bit of bootlegged stuff from '76 and the choice Alligator sequence from 4/29/71; what we were seeing wasn't really like that. The Bertha opener was cool, as it opened Skull & Roses, but then it all turned different. We were trying to figure out names for the Terrapin songs, coming up with "The Soldier and the Sailor" and "California on the Burning Shore". The slow tempo of Friend of the Devil threw us. Peggy-O was cool, and stood out. Sampson, I knew from an old Peter, Paul and Mary record that my dad had. Eyes, we knew, and remember liking The Wheel once we finally figured out what it was. Looking back, Drumz was quite short, which is fine by me (not a Drumz/Space fan). I wrote what I could figure out of the set list on the only piece of paper I could find -- my college meal card -- which torqued the meal staff for the rest of the semester.

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In reply to by DeadVikes

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That would be grand. Add in either a spring 89 or 90 + the pre slotted '77 and a random other couple shows and we have a week long party.

Any disagrees get first pick of an alternative. We should make a point of celebrating Spring. So many great shows, so little time....

The Right of Spring, dead style.

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In reply to by jefito

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@jefito - thanks so much for the great share!
I'll speak for myself, but for somebody that started seeing shows in '86, that was a super fun read, especially the part about trying to figure out what songs were being played.
Hearing Estimated & Terrapin for the first time, is miles apart from hearing the first I Will Take You Home.
Far Out!

So.. any memories about 5/28/77 experience?

Second show vs first show, scene and what you remember?

Great stuff man and thanks again for sharing!

Alright, Jimbo.. call the show bro!
Looks like 5/10/72 anniversary today.
Could be a good listen.

Dug listening to some May '77 this weekend.
That was a pretty good tour, really surprised people don't talk about it more :)

Keep those good time stories coming!

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In reply to by The Good Ole G…

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5/7/77 and 5/28/77, what a way to start and shows in 78! Great memories I am sure.

5/10/72 is on GOGD, and it is a big show.

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1) Pick out a smallish venue with great acoustics
2) Make sure the venue is outfitted with Meyer Sound's best (and loudest) system
3) Hire Candace Brightman for the evening to provide the proper mood lighting
4) Invite the leaders from all the problematic areas - Russia, China, Iran, U.S.A., North Korea, etc. - mandatory attendance. Chemically-induced attitude adjustment optional
6) Select a passage of Grateful Dead music (not too long, say 30 minutes max) for proper face melting - turned up to 11, of course
7) After the hugs and apologies that will inevitably ensue, sit down in a drum circle, hash out the various issues, and promise to be kind to everyone

There. That oughta do it.

My musical selection would be the NFA>GDTRFB>NFA from 11/17/1971 (Albuquerque - DaP 26). That outro going into the second NFA is pure magic, especially as it's improvisational. I can't think of another musical ensemble that would even attempt such a thing, much less be able to pull it off so seamlessly. No way anyone can have dark thoughts or evil intentions after absorbing those 19 minutes of musical bliss.

Your selection?