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    "When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

    Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

    Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

    Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

     *2 per order. Very limited quantity available.

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  • JimInMD
    Joined:
    Sound Issues / DaP 38

    There is really only one solution. It's a bit complicated.. so hang in there with me. This is what we all need to do.

    1) Get out the credit card with the greatest limit.
    2) Google, select and purchase the new Wall of Sound, Home Edition TM (C) R with this credit card. As soon as the purchase is made destroy this card.
    3) DO NOT TELL your partner/significant other.
    4) Go to the roughest bar in town and tell some raunchy mom jokes to the bouncer. Keep doing this until he pummels you.
    5) Come home and tell your partner / significant other you were mugged and robbed. Tell them all they took was your credit card.
    6) If your partner is suspicious file a police report.
    7) Install the WOS Home Edition in your listening room while your partner is not home. If complaints arise later, amnesia from the head trauma is your response. "honey, I am having trouble remembering anything from that week.
    8) Replay Dave's Picks 38 at high volume.

    Your sound issues are now resolved. Happy listening.

  • icecrmcnkd
    Joined:
    The levels are too high

    I mentioned that a while ago, after others had already detected it with headphones.

    I played the CDs twice on my stereo system are did not detect any sound issues.
    Onkyo 6-disc CD changer
    Cambridge Audio receiver
    Onkyo subwoofer
    Bose 301 speakers

    I then imported to computer and made ALAC files for my music players and AAC files to play from a USB flash drive in the car.
    When I played the imported AIFF files on the computer there was extensive distortion through the small external computer speakers.
    The colored bars that show the sound levels (not volume) on the computer audio software were almost hitting red. Clearly too high, but don’t know if that is on the original recording or the result of mastering.
    Recall that on 8-25-72 Norman boosted Phil’s bass beyond what was on the original recording.
    Maybe he boosted the levels for this release.

    I played the ALAC files with an iBasso DX120 music player connected to my Cambridge Audio receiver. Did not detect any distortion or other sound flaws.
    Been playing the AAC files in the car this week and have not heard any issues so far (set 2 started just before getting to work today).

    So, it definitely depends on your system whether you hear the issues.
    Crappy computer speakers sound terrible.
    Apparently a high end system like Oro’s reveals the sound problems too.
    My midrange system sounds good as does the audio system in my car.

  • unkle sam
    Joined:
    sound quality

    Upon several listens to these cd's, I concur, this release has a few abnormalities that don't take away from the overall enjoyment of listening to these discs, but they are noticeable and makes me wonder if it was the master tape or was it a mailed in mastering job?
    This has also made me wonder, will the rest of Dave's sound like this? I love me some Jerry right up front, why I'm here, but there should be a better balance of all the players in a band, not just one or two.
    Disappointing? yes, deal breaker? not sure yet, will have to wait and see, but if there is any more killer shows that they do want to release, lets hope that the folks who do the mastering of these ancient tapes does a little bit better job than this release.
    On a separate note, I was privileged to receive a code for the Dead and Company presale going on today at 10 am. Funny, I did not receive a code last tour, not privileged I guess. The price for these tickets is outrageous. A vip guaranteed reserve seat is over 250.00$. That's for one ticket.
    It was fun getting excited like the old days, yahoo, the dead to tour, get your head together, get some tickets, get excited, get ready.....then I realized that those days are over for me. I can go see Billy strings, get a great hotel room, then go to the hot air balloon festival and get to ride on a hot air balloon, all for the same amount of cash. Kinda seems like a no brainer here, twice as much fun for the same dollars.
    I realize that Bobby, Mickey and Billy are getting up there and there won't be too many more tours for them, and I would love to revisit these guys one more time.
    The last time I tried to get tickets and got them, the show was cancelled due to Mayer's appendicitis. I don't want to jinx it so I will pass on this tour, besides, it's just too soon for me to be out there with all those vaccinated and unvaccinated people. Too all those who decide to go, enjoy.

  • Angry Jack Straw
    Joined:
    Dreading

    I ultimately reached the conclusion that part of the issue is how people are listening. I do not listen on headphones, computer speakers or use any type of equalizer. So far I have not listened in the car. I did try using Dolby on one of our stereo systems, which reduced the noise to a certain extent, but not entirely.

  • dreading
    Joined:
    That's a fact

    I've been in the record business all my life and agree with AJS. There is almost no way an audio anomaly like what was described could occur on some discs and not others for Dave's Picks. These discs are pressed ùfrom the same master. There would need to be two different master mixes for a subset of CDs to contain an anomaly. I would say the player could be a factor, but Obo ruled that out already. I assume like Jim said we are not counting Bertha because it is uneven for obvious reasons. I hear a decent sounding 1973 show here. The master tapes sound better better than Pacific Northwest but not as good as DaP 5. I don't hear many audio issues at all. I would like to hear what Obo and AJS are disliking. I whipped out the Bose headphones and all I hear is Jerry "shredding". What a night he is having. Weir too. Early on somebody said Keith was gone and that is true. Every once in a while I will hear a section that sounds like a tunnel for 5 or 10 seconds, but they are few and far between. Or Weir will just stop playing like in China Cat Sunflower but he needs to rest sometimes. He played China Cat, HCS, EOTW and Bird Song all in one night ;-)

  • Angry Jack Straw
    Joined:
    Sound

    The chances are virtually nil that some defect would have only affected such a small number of discs. Furthermore, it only occurs on the 9/8 show, not 9/7. I am very surprised as well that others are not hearing it.

  • Dark-Star
    Joined:
    Oroborous

    I don't hear it, which isn't saying much. I rip everything to my hard drive as WAV files and run them through an equalizer with a bunch of sound options. "Concert Hall" is perfect for these old Dead tapes, plus I push up the four EQ sliders all the way to the right about halfway.

    That being said Oborious, this sentence got my attention. You say:

    I’ve noticed the phenomena/artifact on several instruments and vocals, usually only noticeable when that source is loud and/or with sharp attack...but it’s never like everything is distorting all at the same time.

    This phenomena sounds like something Norman may have done in production. It sounds like a feature I have that prevents clipping at high volume. I am a fan of good sound but no engineer so I will copy the internet definition, which you probably know:

    Clipping is a form of waveform distortion that occurs when an amplifier is overdriven and attempts to deliver an output voltage or current beyond its maximum capability. Driving an amplifier into clipping may cause it to output power in excess of its power rating.

    When I play stuff too loud this feature cuts back on only the parts that are causing the clipping. It is obvious to the ear when this feature on my system gets activated. It sounds exactly like your description where you say 'several instruments and vocals, usually only noticeable when that source is loud and/or with sharp attack...but it’s never like everything is distorting all at the same time.'

    My theory is that the master tapes Jeff Norman worked with had some hot spots so he used a feature like what I have on my equalizer to "even out" all the levels as he input the music from the master tapes on to a digital storage.

    I am not sure why I don't hear it but I guess my EQ is dressing it up. If I listen to the CD with no EQ it sounds like the treble needs to get turned up all the way. Even then it doesn't sound even close to the quality of the EQ and Concert Hall enhancement. It makes me curious if a lot of people out there listen straight off the CD with nothing 'extra' to improve the sound.

    On a different note I laughed heartily at the quacking duck interview. Well done whoever made that up. It sounds like something Jerry would say.

    And last, I listened to the Dark Star / Morning Dew that KF mentioned on 5/18/72. I don't know how I overlooked that one but it is much better than I remembered. Somehow the Europe 72 Dark Stars never stuck with me. Probably because I rarely play those shows. Only because I want them to be special every time.

  • JimInMD
    Joined:
    Re: That Mike

    Great joke.. made my day.
    I wholeheartedly agree.

    Yes.. the sound on 38 is a bit wobbly in the beginning. But isn't that Grateful Dead standard time? It sounds ok by the time they get warmed up.

  • KeithFan2112
    Joined:
    The Munich Invasion 5/18/72

    Next up on the E72 anniversary list. What at a great show. And it's Dark Star => Morning Dew night.
    I'm going to go out on limb here and say it's the first time they did this combo. This is one of my favorite shows from the tour. Jerry's guitar is louder than usual (and louder is always better). Crunchy guitars are tight!

    Sugar Magnolia really hits a groove, and Billy has this absolutely ridiculous drum fill at the....drum fill part; I've never heard him play it quite like this - it's like gets a running headstart. Great version despite a classic Bobby lyric miss early on (proof of the weed).

    Jack Straw is great. This is maybe the second one where Jerry sings the Watchman and Tulsa verses, and Bobby forgets it's not his line anymore - so they both jump the Watchman - not a fair fight at all.

    And some great banter after Black-Throated Wind. Jerry always makes me laugh up there. He was the king of one-liners:

    Girl Fan (to Jerry): Lovelight!

    Jerry: Turn on YOUR Lovelight baby.

    Girl Fan: You Turn on yours first.

    Jerry: Oh no, after you...

  • alvarhanso
    Joined:
    Sound quality on 38

    I was surprised this is the first real discussion about it. I got my copies a week ago, and have made it through the Bonus and Bird Song and Playing as I ripped and converted and had 9/7 first. Also, made it up to Weather Report Suite on the release. The sound struck me as incredibly washy, and while it's great to hear Keith and Bob much more than usual (some releases you wonder if Keith played on much at all from his presence on the tapes, but these are great for Keith fans!), so I just balance that with the cymbal heavy mix. Maybe they were trying new mic placements for the drums. Not Kidd Candelario's best tape by any stretch. He's usually top notch, though. Jai Alai Fronton last year is a phenomenal Kidd tape. That may be my favorite Wall of Sound release for sound quality.

    Also, I'm surprised, or have missed, no reference to the Bonus Eyes ending not with its Slipknotish jam, but ending with a Here Comes Sunshine jam. A fantastic Eyes! Phil with a different start to his solo, and a different feel, maybe reacting to the Wolf darting around? So far enjoying the release and bearing with the sound.

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"When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

 *2 per order. Very limited quantity available.

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Carlo, if I had a nickel for every time I thought I heard the show starting, only to find out it was someone's car stereo in the parking lot, well, I could afford 3/10 of 1% of a Dead & Co. ticket. :)

Just last weekend I was at someone's patio party, and they had hooked up a sound system outside for dancing later (all attendees have been vaccinated), and at some point when the music had run out, I went over and cued up all kinds of ABBA; they're always a crowd-pleaser, and definitely one of my guilty pleasures, kind of like a feminine KISS.

I haven't made it to the show from the 8th yet, but thought that the bonus material from the 7th was really top-notch.

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4 years 4 months

In reply to by Deadheadbrewer

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9/30/76

7/17/82

Listen to those without looking at the setlists

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In reply to by proudfoot

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....I would pay top dollar for that double bill. Seriously.
Vegas kicking some Wild ass.
Scored a PS5 and Vegas Phish tix yesterday on my birthday.
Looking for the Golden Knights to complete my circle around the sun trifecta.

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In reply to by Vguy72

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Nice list of birthday shows.... culminating with a hometown show.

05/21/74- Edmundson Pavilion - Seattle, WA
05/21/77- Lakeland Civic Center - Lakeland, FL
05/21/82- Greek Theater, University Of California - Berkeley, CA
05/21/92- Cal Expo Amphitheater - Sacramento, CA
05/21/93- Shoreline Amphitheatre - Mountain View, CA
05/21/95- Sam Boyd Silver Bowl - Las Vegas, NV

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In reply to by wilfredtjones

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Agree.. one celebrates what will become and the other reflects on what was.

These tours are very different yet very well matched.

I saw B.B.King live 4-5 times between about 1983 and 1990. The first time was one of the best gigs I have ever seen. I knew who he was, and had heard a couple of his 1970s albums, but nothing prepared me for the power and presence he had live. I was sitting right at the front, and was transfixed. Everyone I went with after that first occasion was similarly impressed. Apart from the guitar playing, singing and songs he seemed so warm and well meaning as a person. One of the best.

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In reply to by daverock

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Thats pretty decisive in hockey, eh?

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In reply to by proudfoot

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a few songs into that one

Several hours later...

Great, great, great show.

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As usual a day late and a dollar short.

JUST found this guy,,, like his sound and was VERY surprised I have none in The Collection.

Any huge fans out there that have everything and might want to do some horse trading?

Hit me up.

Thanks

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In reply to by Dennis

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As regards BB King, I first saw him in 1969 when he opened for the Stones...also on the bill was Terry Reid and Ike & Tina Turner...two shows on 11-08-69 (my 19th Birthday BTW) at The Forum in Inglewood...I know every one raves (and rightly so) about "Live At The Regal" but my fave is "Live In Japan" done in '71....BB was a STINGING guitar player and had the best voice going...The last time I saw him was at a festival in Sedona AZ he headlined...even sitting in a chair he rocked the joint

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In reply to by nappyrags

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RFK 73

Box it, please, Dave.

May 73

Box it, please, Dave.

Fwiw...I have it on good authority (my own)...

The box announcement will occur on 6 8 21

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49 years. Bobby's greeting to the crowd at the first of four nights at the Lyceum. And then Jerry and Billy rip into one of the best Promised Lands. And it's Dark Star night.

Happy birthday Vguy!

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In reply to by JimInMD

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than taking the dog out to go to the bathroom with a 4-1 lead, only to return minutes later to find the game tied. The Oilers suck.

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In reply to by Angry Jack Straw

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I could have been worse..

For example if you had stayed to watch them tie it up, point by point absorbing more pent up aggravation.. and the dog noticing you had given up on him and could wait no longer.. finally relieving himself with much shame on the Persian carpet in the hallway. That would have been worse.

So at least the dog is happy.

Edit: ...or watched them until they lost without walking the dog. I'm with proudfoot on this one. I have my sports and my favorite teams.. it's great when they win but I try hard not to get too invested in it anymore. I remember Elaine's boyfriend on Seinfeld (Puddy??).. the one that painted his face and chest for each game. Just try not to be that person and all is good with the world, especially when they win.

This week in May has a lot of good memories for me...from a weekend at The Shrine Expo Hall in LA with the Dead, Steve Miller and Taj Mahal in'68 to the following year and attending the Santa Clara Pop Festival...I was spoiled...the best was on the third day of the Festival...Chuck Berry opened the show and Jimi closed...pretty much said it all to me at the time and it still does...The sad part of course is that from the group of five of us who drove up the coast (in a VW bug of course) from LA to San Jose only two of us are still around to annoy each other...Around that time was also the beginning of fun and games with the SSS and the government in general for the next couple of years...haha fooled you bureaucratic nitwits, I'm still here...

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In reply to by nappyrags

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Nappy - yes, that is a great BB King live album. It has a lot more guitar playing on than is usually the case with his albums. Another good one is Blues Is King, from 1966 - although the cd I have of it doesn't sound too good. That must be one of the all time legendary tours, when you saw him with The Stones, Ike and Tina and Terry Reid.
I've seen Terry Reid live, too-superb singer. Apparently Jimmy Page's first choice for vocalist with Led Zeppelin.

I've been breaking in Dave's 38. I can't say its the best release from 1973 I've ever heard. In fact, apart from the fact that Dick Latvala told him it was a good show, it's hard to figure why he chose this show over other September 1973 ones. The following ones in Williamsburg look much more interesting. We get what we are given.

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THE greatest songwriter ever. Have a great one, Bob, and I hope, many more.

AJS - I don’t think the Samsonite Business Elite could fold as quickly and efficiently as your Oilers did last night. For all those who picked Connor McDavid in their playoff pools…

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5/24/72 - night two of the Lyceum run, but more notably, the anniversary of Pigpen's last Lovelight. It's my favorite. They streamline it down to a smooth 12 minutes that includes some Allman-like jamming, which was par for the course for Lovelight by '72; but unlike its two counterpart versions from the tour, they get into that great 'doot-doot-doo' melody at10:05. Pigpen's improvised lyrics over this quiet drumless guitar / bass melody are some of the best. Nothing about refrigerator repair men or pocket ball or legs-up-against the-wall. This one is....ahem....closer to the heart. Don't have that E72 show? No problem - it's on Rockin' the Rhein as well (bonus track). To Pigpen.

play Swans' Public Castration is a Good Idea at FULL volume

That lame-ass final play of Seahawks v (that football team in the northeastern region of this wacko nation)....just give the ball to Marshawn. "No, let's pass in tight quarters."

the Mariners got no-hit twice within two weeks or something...and have lost 20 in a row (wait, only 6 or 7)

Sports: BE GONE!!!

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In reply to by carlo13

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right on dude, no worries - no pressure! Its a fun little course and provides for some excellent outdoor time, super casual. At your leisure! Shoot me a PM if you wish.

Oro - kiss your radio - don't think about, just DO IT!

And there is ALWAYS the possibility for the First Annual Hilltop Disc Golf Tourney, complte with a blaring GD soundtrack outside with multi-beverage stop offs and the like. A fine idea!

KF, glad you found that 6/6/70 jam to be something special. It is pretty hot, they cover a ton of ground in that one.

Enjoy Your Week People
Sixtus

At least I was not there to witness it. I would have thrown the remote through the TV screen. What's even worse, before I went upstairs to put the dog to bed, I told my daughter that while I was gone, the Oilers would lose. Then I hear my youngest yell, "the blue team scored." Damn dog.

Reminds me of the 2013 Leafs game 7 collapse against Boston. All those fans partying out there on Yonge Street thinking they are going on to the next round. 4-1 lead with 10 minutes to go in the game. Exact same outcome.

Sir James - the dog already took care of ruining our Persian rug. No need to wait around for that. Less than a month after we got her, I stepped in something warm and squishy with just my socks on. Looking down, I noticed two big piles. Thanks for that little puppy dog.

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About the Leafs big (and frequent) collapse. Now I have to cover all the mirrors in the hose again.

Just think Proudfoot - you will have the Kraken joining the NHL next season, and like most expansion teams (Vegas, excepted), you may be calling them the Krapen before too long.

For the golfer/disc golfers:

A golf club walks into a local bar and asks the barman for a pint of beer.
The barman refuses to serve him.
"Why not," asks the golf club.
"You'll be driving later," replies the bartender.

A Minster, Priest and Rabbi walk into a bar...
The bartender looks up and says "Is this some kind of joke?"

Glad to help out.

I actually like the Leafs. I've worn a Leafs jersey my entire adult life playing pick-up scrub hockey. In fact, we made the trip up to Maple Leaf Garden in 1993 when they played Gretzky and the L.A. Kings for the right to go to the Cup finals. Tickets were going for $900, so we went across the street to the local pub and partied it up with the locals. Great time.

However, as a long time Red Sox fan, I've learned how to deal with adversity in sports. Better to laugh it off. Like the Red Sox and Cubs, you will have your day in the sun. So hang in there. Until then, just remember the reason why the hockey Hall of Fame is in Toronto is so you guys can see the Stanley Cup.

Good luck against the Habs. I'll jump on board once the Oilers are eliminated tonight.

This is Canadaland's year.

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It could be our year here. I’ll miss the Leaf jokes, though. There’s always the Blue Jays or the Craptors, I guess…

Last one, honest:
An Irishman, Englishman and Scotsman go into a pub and each order a pint of Guinness.
Just as the bartender hands them over, three flies buzz down and one lands in each of the pints.
The Englishman looks disgusted, pushes his pint away and demands another pint.
The Scotsman picks out the fly, shrugs, and takes a long swallow.
The Irishman reaches in to the glass, pinches the fly between his fingers and shakes him while yelling, "Spit it out, ya bastard! Spit it out!"

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https://www.homethreads.com/products/rugs/safavieh-rugs/blg535m-blue-pi…

Found it while shopping for items for a bathroom remodel.

Here in MN, we all understand that other than the long-passed history of the Vikings in the four Super Bowls and the two Twins World Series victories, the teams will never win. Except the Lynx, who won a LOT not too long ago . . .

Ha, yer all a bunch of whiney rookies when it comes to losing! Lol
Try 4 super bowl losses, IN A ROW! and 2 Stanley Cups, one stolen!, and countless other championship games lost, or more accurately, handed over!
But hey, at least the Dead always played good there; )

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12 years 2 months

In reply to by Oroborous

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No need to tell me. Went to every Sabres game in the ‘99 conference finals against the Leafs and every Cup finals game against the Stars. We were 15 rows off the ice, right in front of where Brett Hull scored the “winning” goal while in the crease. It still hurts.

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17 years 5 months

In reply to by Angry Jack Straw

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....Tom Brady sux. That is all.
And if you are wondering why I think that, click my personal info page. Self explanatory.

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That Mike, some good jokes lately. I forget exactly what you said with the Jeff Norman joke but it was perfect timing. Something like I don't want to hear any trouble out of you.

KeithFan, I'm embarrassed to admit this but I usually skip over Turn on Your Lovelight. I just can't take a half hour! Even 20 minutes is a little rough. But I never like to ignore a strong recommendation from "the reguars" and you are absolutely balls on accurate about Rocking The Rhein. I never was able to get my hands on a copy of 5/24, but thankfully Dave put it on Rhein. I only know a few Allman songs, Jessica and everything from the Fillmore East box set. I hear the similarities in style. That is a great section in Lovelight at 10:05. I must have played it 10 ttimes!

Sorry you guys are having hockey woes. Cubs fan here. Long time Cubs fan.

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I have an odd way of listening to Lovelight. I usually get into the first 5 minutes and the fast forward to the last 5 minutes. By the way Keithfan, I am familiar with the "doot-doot-doo" part. It's hit or miss whether they play it, going back to even the 60s renditions. Therefore I am not surprised they skipped it a couple of time on the Europe tour. What did surprise me was they only played it 3x. I don't know that box set as well as I thought. If you asked me before today I would have said Pig alternated it with Good Lovin'. Shows you what I know (but I do have the original vinyl pressing of Europe '72). I listened to the 5/24 rendition per your instructions and it's a great through and through. Never again will I FF a 1972 Lovelight. Their jam approach is much different than previous years and I ask myself who was influencing who.

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That was the point of the Lovelight post, correct me if I'm wrong KF. A lot of us find it tedious just like you Proudfoot, but this one's different because it's shorter and has a sweet spot, and jams differently. Check it out

So on day two of the festival Jefferson Airplane were the headliner...but since hippies can't do shit right as far as orginization goes the show ran way way over...The Airplane had been on for about 20 minutes when the show went past curfew and the cops pulled the plug on it...the band and the crowd were pretty upset. a minor squabble broke out in front of the stage but overall not too bad and we all filed out...there was an athletic field next to the venue and people were allowed to camp there...back at our spot we partied with others until it was time to crash....a few hours later just before sunrise we were woken by loud noises coming from the baseball field...we went to investigate and there was a large flat bed truck with equipment set up on it and generators firing up for power and the frickin' Airplane did a show for us from the flatbed...amazing...one of the coolest things I ever witnessed...nearly 27 years later I was introduced to Jack Cassidy backstage at the first Furthur Tour stop in Phoenix...My pal that introduced me mentioned to Jack about that show and how I had been in attendence...he laughed and said that doing that gig was one of the nuttiest things they ever did...

As much as I loved Pig and seeing Lovelight live I can understand folks not being able to deal with the lenghty raps he laid on the crwod...but have you folks ever heard the edited version from Live Dead? It first appeared on an annual Warner Bros/Reprise Sampler that was usually a double LP and sold for like $2...each edition would have tunes from the label's roster and an edited seven minute version of Lovelight was included on the one titled "The Big Ball" from 1970....If I'm not mistaken the label ended up using that seven minute version on Skeletons From The Closet too...here's a good article on the Big Ball release
https://www.newdirectionsinmusic.com/warner-bros-loss-leader-series-the…

I have a soft spot for them all. They, well to me at least.., are all very special.
But that's just me. Bickershaw is my favorite.. it just jams nonstop.. the transitional piece from Hundred Year Hall is really special, so I love that one too.. almost as much as Bickershaw. ..and I loved 5/25 on today's listen. I do not think any from the tour suffered from excessive rapping/noodling. They were powerful and went places without any wasted time.

I do get what people are saying, but I don't really hear it in April and May 1972.

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I saw Bobby Blue Bland close out the S.F. Blues Festival one year with Lovelight, it was really cool.

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In reply to by JimInMD

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My favourites are from Europe 1972, too. The one on Hundred Year Hall is the one I am most familiar with - great feel to it.
My least favourite are the ones that go on past the 15 minute mark-same goes for Good Lovin', for that matter. I like the idea of listening to the first and last 5 minutes of the 1969-1971 versions of Lovelight !
It was probably very different if you were hearing them live in the hall, as they were unfolding. As I've said before, there is a massive difference between what makes a great live concert and what makes a great recording of a live concert.

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Did you know, Don Robey, one of the “reputed” authors of “Turn On Your Love Light”, had a very shady reputation, and often published music he stole from writers, using the pseudonym DEADRIC Malone…
Truth is stranger than fiction.

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