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    One more Saturday night at Winterland! Yes, we're back to home base for DAVE'S PICKS VOLUME 42, the complete show from Winterland, San Francisco, 2/23/74. The one that featured the earliest amalgamation of what would soon become the Wall of Sound, the one that is so "loud, clear, and defined," it's been ripe for release for quite some time and we're glad it's finally getting its due.

    First set or second, there are no wrong answers here. From the unique show opener of Chuck Berry's "Around And Around" and an incredible "Here Comes Sunshine" that would then disappear for 18 years, to a medley of WAKE OF THE FLOOD tracks - "Row Jimmy," "Weather Report Suite," and "Stella Blue" - cementing their status in the canon and an unstoppable hour through the classic 1973-1974 Dead that is “He’s Gone”>“Truckin’”>“Drums”>“The Other One”>“Eyes Of The World,” it's all exceptionally hot.

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 42: WINTERLAND, SAN FRANCISCO, 2/23/74 was recorded by Kidd Candelario and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • Slow Dog Noodle
    Joined:
    Oroborous

    Check out John Zorn - In Search of the Miraculous. Mello, piano, vibraphone. Little out of left field. A modern take on piano jazz.

    If you like that give a listen to O'o by the Dreamers, another Zorn project - a bit less mellow than ISOTM but really grooving.

  • Charlie3
    Joined:
    Piano Jazz

    Thelonious Monk. Lots of cool stuff. If somebody mentioned Thelonious already, I missed it. I started with Monk's Dream and dug it.

    Nice to see the shoutout about Stan Getz, he is a favorite of mine. When my first son was born I tried to avoid too much discordant music when he was a baby and spent a bunch of time listening to Jazz Samba Encore, dig that album from start to finish, like it even more than the original Jazz Samba album. I tried to avoid the too much discordant music with my other two kids as well when they were babies, with some consistency for the second son, but by the time my daughter arrived a few years later, the consistency dropped off a bit. Stan has lots of great stuff, and a really great, distinctive sound and style. And that version of the Girl From Ipanema by Stan, Antonio Carlos Jobim, Joao Gilberto and Astrid Gilberto from Getz / Gilberto is just sublime. Never thought about comparisons to Jerry before, but maybe next time I listen.

  • proudfoot
    Joined:
    Battle of Evermore

    Yeah...

    No D&theD because yer D dominated your domain?

    Prooooobably worth it

    Bowie at SM Civic...was that recorded/filmed? I will go answer that question myself

    2 minutes later...

    Oh. It was recorded and released. David mofo Bowie...he cool

  • nappyrags
    Joined:
    Bowie/Ziggy at Santa Monica

    Yes i missed it...the one I really really really am mad at myself for is missing the '70 Derek & The Dominos show at the Civic...my pals and I had tix for both shows that day...at an afternoon BBQ show day I met an exquisite "older" woman who was a theatre arts major...I told my buddies to go ahead and leave without me...of course about an hour later I realized the lady in question had left with friends and didn't even bother to find me and say goodbye...boo hoo

  • That Mike
    Joined:
    Sixtus - Piano Jazz

    Some good recommendations so far here. I’ll add Keith Jarrett - solo or with his trio - to the mix. Since his days with Charles Lloyd, through Miles, and on his own, he is a prime player. At least try his solo “Koln Concert” album to get a feel for his work. His “Blue Note” box set (with his trio - Gary Peacock and the great jazz drummer Jack DeJohnette) is another favourite. He has an extensive library, and to me, one of the best on the piano.
    Also, a trio I really like is the Christian McBride Trio, with a really great pianist named Christian Sands (he also has solo albums that are great). See an album called “Out Here”, or the Trio “Live At The Village Vanguard”.
    Also - Chick Corea. Go back to “Now He Sings, Now He Sobs” (1968). It all gets better from there.

    Oro - If you like vibes, Christian McBride (above) also has a band called Inside Straight (he also has a big band, too!), that recorded a live album “Insight Straight at the Village Gate” the same period he recorded his “Trio” album there. His Inside Straight band has a vibes player I was not familiar with, Warren Wolf, and I’m not really much of a vibe fan, but this guy dominates on this album, and it is an excellent release (McBride is an excellent musician, and pretty well anything he has released is first rate, including the work he did with Chick Corea). You like vibes? Check this release out. Gary Burton is another renowned vibraphonist, and he has worked and recorded with dozens of artists.

  • hendrixfreak
    Joined:
    Oro, check out Oscar Peterson on piano

    Brief story: My friends and I were 16, maybe 17, and we hear that Oscar is playing Charlie Browns Steakhouse in NYC, so we go. (Common that jazz greats would play the lounge while the dining room was elsewhere.) So the maitre de stops us at the door; he's seating patrons one at a time. But others come in and he seats them first. We're waiting, wondering what the deal is. Okay, we were long hairs in very casual clothes... Oscar Peterson walks in and we stand back in awe. He says to the maitre de, "What are these young people doing standing here?" The maitre de stammers something unconvincing (maybe we didn't grease him?). Mr. Peterson says, "Seat them at my table, at once!" So we get a small bar table right by his bench, closer than anyone in the joint. And we say thanks, he says thanks for coming to see me, and we hang for his one-hour set. We spot several well-known jazzers in the bar, like Frank Wess, flutist. We were in hog heaven and Oscar was on our side. Never forgot that night. One of jazz's greatest pianists, check him out. I've got another tale about the Village Vanguard and the Thad Jones-Mel Lewis band ya gotta hear sometime.....

  • Sixtus_
    Joined:
    re: Oro - Milt Jackson!

    if you are looking for a good vibraphonist, look no further than Milt Jackson.

    I took a History of Jazz class one year at UVM (it turned out to be one of THE MOST DIFFICULT CLASSES I ever took....ever...we had to literally memorize content of like 10 cassettes, and the Prof would play like a 30 second snippet of one of the 100+ songs and we'd have to name the song, and every person playing every instrument on the final...it was bad...but I learned.....STUFF!)
    ...anyway....one of said learnings was: Milt Jackson. I also really enjoyed that sound. That monstrous class also turned me on to Thelonious Monk, and away I went with my 'pie-aner Jazz' inphatuation.

    Thanks to you and to those so far who have chimed in.
    It's been noted before, but this here web-locale is a stewpot of killer knowledge and input.

    Sixtus

  • daverock
    Joined:
    Good vibes

    Oro-"Idle Moments" by Grant Green is good jazz album featuring a guy called Bobby Hutcherson on vibes. I haven't played it for a few years, to be honest, but it was one I rated highly when I was listening to more jazz a while back

    Which puts me in my mind of other jazz guitarists I like. Wes Montgomery, who I don't think I have ever seen referred to on here, is the one I have listened most to. Beautiful mellow tone-he played with the meat of his thumb apparently-and it sounds like it. Two really good ones are "The Incredible Jazz Guitar of..." from 1960 and the live "Full House" from 1962. No vibes on 'em though.

  • rsp76
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    Joined:
    Great Jazz

    Try Blues and Ballads by Brad Mehldau Trio. One of my favs! So good...Oscar Peterson Night Train is always fun too!

  • Oroborous
    Joined:
    Dooaahh, double post

    Oh yeah, are you familiar with Pat Metheny at all?
    He has some great mellow stuff too, especially with Lyle Mays on piano!

    EDIT: oh yeah, anyone else ever think Stan Getz plays a lot of lines like Jerry?
    His runs and phrasing sound like Jerry to me?

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3 years 6 months

One more Saturday night at Winterland! Yes, we're back to home base for DAVE'S PICKS VOLUME 42, the complete show from Winterland, San Francisco, 2/23/74. The one that featured the earliest amalgamation of what would soon become the Wall of Sound, the one that is so "loud, clear, and defined," it's been ripe for release for quite some time and we're glad it's finally getting its due.

First set or second, there are no wrong answers here. From the unique show opener of Chuck Berry's "Around And Around" and an incredible "Here Comes Sunshine" that would then disappear for 18 years, to a medley of WAKE OF THE FLOOD tracks - "Row Jimmy," "Weather Report Suite," and "Stella Blue" - cementing their status in the canon and an unstoppable hour through the classic 1973-1974 Dead that is “He’s Gone”>“Truckin’”>“Drums”>“The Other One”>“Eyes Of The World,” it's all exceptionally hot.

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 42: WINTERLAND, SAN FRANCISCO, 2/23/74 was recorded by Kidd Candelario and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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17 years 2 months
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Ordered already !!!

Awesome, I’ve been asking for 3-9-81 for years. Hope all the shows get Plangentized.

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Ordered mine before breakfast! I know everyone isn't into the 80's. Personally I like all the years. Like the St. Louis box, it will be interesting to note changes from year to year, although they may not be as pronounced as the Louis box.

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In reply to by nitecat

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One of the FIRST shows on cassette I ever got.

Well done, PTB. Well done.

:)))

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2 years 11 months
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I havn't bought it yet, but it looks like a good one. The Dead played great in those years. I'll buy it eventually, I don't believe it will sell out that fast.

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7 years 3 months
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Sounds like an oxymoron to me, but who cares!! It’s primal 1969, JUST before 1970, which we ALL(well, almost all) have been clamoring for!! I simply CANNOT WAIT to unwrap this and push play!!

Thanks Dave, Music is the Best!!

Why bother considering yourself a Deadhead in the first place? Labels are for jerks. As has been said-music is the best - not all the crap that goes with it.

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16 years 4 months
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Hey rockers,

I am a major deadhead. Saw shows in the 1981-1983 era. That was then, this is now. The new box does NOTHING for me. So what does that make me? LOL! If others like it, great!

Me, I'm saving my $$$ for next years Banana Box Box Set: Fillmore West February 1970 complete.

Do I have 1968-1972 blinders on? You bet. No apologies, no explanations........

And for all you Pigpen/Lovelight haters out there, remember this: No Pigpen, no Grateful Dead.

Rock on,

Doc
Bee to the blossom, moth to the flame; Each to his passion; what's in a name?

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38 years ago today I was at the Greek Theatre to see the Dead. I don't remember much about the show because 7/13/84 was what 1984 was all about. Doc, that Fillmore West box sounds fantastic, I believe your right, next year is the year it happens.

I certainly don't hate Pigpen, but I don't think everything he did was wonderful. Lovelight would have been great to me without the raps. Longer than 15 minutes and it over stayed it's welcome for me . Hard To Handle, on the other hand, was invariably great - all groove and no nonsense.

it’s not hate vs love, it’s pure and simple burnout!
I’ve been listening to too much Dead for over 45 years!
Some things I used to love I now have to be in the mood for. It’s that simple.
I won’t list the main culprits Randy cause I’m sure it will incite a shit wind we don’t want or need to blow!
But, for instance, I’d probably be good if I never heard another me & my uncle again lol, but that doesn’t mean that on the right occasion it won’t get me grooving. So it’s not so much the song as it is I’ve just heard it too much (besides the Dead I used to play it in a band EVERY NIGHT, sometimes twice!, for many years).
I’m with Daverock about Dark Star vs LL. Since DS is often more modal and or free form, thus not so repetitive etc, versus LL is basically a blues pattern that they improvise over, it’s just naturally more repetitive. And I love Pig, but his shtick too can be very repetitive and thus get old. Plus I’m not 16 anymore so it doesn’t resonate quite as much. Like it was mind blowing the first times on my teenage peanut brain, but now…
Thus, to me, after all these years, it can sometimes get very tedious listening to something that long and repetitive.
To be clear, this does not mean I don’t like it, I’m just burned out on it, big difference.
And like any song, “Sometimes you get shown the light…”
I only bring this up because I feel like there’s a good contingent out there that feels the same, or not?
And I think sometimes here, like the rest of the world, things just get to damn binary.
I mean we’re all supposed to be DHs on the same team loving the same band. Of course everyone is entitled to their opinions etc, it’s just sometimes the tone used is a bummer.
I liked how Doc gave his strong opinion, but without insulting anyone. It can be done.
But, as stated, that’s just what moi thinks, so probably meaningless lol.
Be Kind! Ain’t no time to hate.

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It's ok to love things others don't, and it's ok to not like things others love. That's the benefit of being free to be you, you can dig what you want and disregard the rest.

As far as dead burnout, if you listen long enough to anything it can get old and stale. Not to mention, there is a ton of great stuff out there that you will miss if you listen to nothing but dead. When I feel like listening to the dead, I dive in and groove, and when I don't, there are hundreds of other choices on the shelf. I do know from past experience, that just because a release doesn't really strike me as fantastic when it is announced, it doesn't mean I won't jones hard for it later if I pass on picking it up, so it's easier to just get nearly everything they release as I rarely have a case of buyers' remorse, but I have had to pay a premium to pick up stuff I passed on when it was first released.

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…Between Love And Hate, so sayeth the song of that title. I get burned out on bands repeatedly. That’s why I love having a super varied music collection. Burned out on A?? I think I’ll play B, G, or X. I’m seriously impressed at how much Dead some of you folks listen to, I just thrive on variety. So to each their own, that’s why they make chocolate AND vanilla!!

I won’t disparage anyone’s tastes or bands they like/love. I don’t have time for that. And like DAVEROCK says, why do I have to put a label on it?? I play it, love it, and then play something else. The Dead happen to be one of my favorite bands, who I happen to own hundreds of releases by, But damn, I need so much more. Having said that, I am SUPER stoked for #43!!

Music just happens to be the Best!!

The latter is overrated, the former is precious. Life may be sweeter for this, I don't know...

I do know one thing, we need less hate and more love. Be yourselves but don't get sucked towards the hate magnet. That's about as GD and I can write.

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5 years 1 month
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So I know this is off topic ;D but regarding Dave's Picks... Dave- I'm ever-grateful to get to hear this music but can you PLEASE give us the shows as they were performed instead of mixing them together (#43 is an especially jumbled mess).

Thank you.

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9 years 1 month
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I also would prefer releases have the show in original sequence, with any bonus content at one end or the other of the main show of the release rather than interspersed throughout. I'd rather pay for an extra disc to keep the sequence intact, rather than to chop it up to fit on three discs. I suspect that this may be the minority view based on past discussions about bonus content and out of sequence songs.

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9 years 9 months
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Realizing just now that the illustrious VGuy waltzed right past me last night in row 22 at Red Rocks!

I appreciated his "Make America Grateful Again" t-shirt at the time, he must not have seen my House of Guitars tee or I know he would have stopped for a fist bump!

Next I get to stroll down to the mailbox to pick up DP 43 (no shipping notice, but I got the heads up from my account with USPS- pro tip).

Let the good times roll! And now back to your regularly scheduled Gathering Flowers For The Master's Bouquet...

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5 years 1 month
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So I've got Your Picks Vol. 43 in my hands and CD player. Cool music.... BUT...

I ask you, sir--is this how YOU listen to these shows? The first 9 songs of 11/2/69, then the 5 songs from 12/26/69, then 4 songs from 11/2, then 11 songs from 12/26??

If yes, then I don't feel you really appreciate the experience of live Dead--how each show is a unique event and piece of musical art, how each show has a rhythm and a story all its own. (This is WHY so many of us spend thousands of dollars buying these very shows on CD when we are content with just getting the best studio releases from other artists we love.)

If this is NOT how you would listen to these shows, and you do enjoy and appreciate listening to a show as it was performed, then you are not really respecting the rest of us who want to listen to the shows in that way but don't have the privilege of access to GD's vaults.

You make great choices of shows-- just let us listen to them as Jerry intended please. It's doable. Every single box set release does it.

Thanks!

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I’m really enjoying this release, some new songs for me…Seasons of my Heart and Gathering Flowers…Plus two more Dark Stars, Yum.
Nice archival newspaper clips about Live Dead.
The sound is great too, big thanks to Owsley for our now-future enjoyment.

Also if coupled with Dave’s Picks 6 we have11/2, 12/20, 12/21, 12/26 1969 and 2/2 1970.
For the song/show playing sequence I’ll quote Jerry from the 11/2 show:-) “this evening is fraught with difficulties, absolutely fraught with difficulties”

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4 years 3 months

In reply to by Willysin4wd

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What do these have in common?

Led Zeppelin
Pink Floyd
Moody Blues
Rolling Stones
King Crimson
Motorhead
Sex Pistols
Sweet
ELP
ELO
The Who

Identify the commonality in these artists and you win!

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4 years 3 months

In reply to by proudfoot

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The builders of my townhouse made a slanted roof with planters.

The bar holding them in place at the angle should be held by 10 bolts.

How many bolts did they actually install?

Six.

That leads to pains in the tookess, people.

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6 years 2 months
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I can't believe people are griping about the song order. There is no reason to waste space on another CD, just to have the songs in order. Add another disc and then a contingency will complain there is only a half hour of music on one CD, and they want bonus tracks. Or that Dark Star / St Stephen / The Eleven was divided over two discs. While cost may be no problem for you, it is for others. Go buy a CD changer and program the tracks in the correct order.

To say Lemieux is disrectful to the fans for this is a gross stretch of reality. It is because he respects rhe fans that he did this. It is easy to see he loves the fans and is eager to get great music to us. And you insult him. That us the problem with your post. Yes you are entitled to your opinion. No you are not entitled to throw accusations and make people feel bad. You owe an apology.

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17 years 5 months
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Who hears repeated dropouts on vocals in this #42 set especially disc 2? (see reports of such on-line elsewhere)?

Seem to be a characteristic of 1974 shows. But the funny thing is...it's never Donna who seems to be dropped out. You would think they might wipe some of her triumphant screams off the end of the Playing jams. Blame it on the reels.

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