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    What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

    Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

    ...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

    Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

    I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

    We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

    Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

    *2 per order. Very limited quantity available.

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  • Crow Told Me
    Joined:
    Memory, all alone in the moonlight

    All this talk about Santana brings back a really fond memory. When I was about 12-13, and just discovering that I was total music nerd, I had a friend named George who a) was learning the bass guitar and b) owned a couple Santana records. I can remember, like it was yesterday, figuring out Evil Ways together and trying to jam on those two chords. What a thing it was to discover, for the first time, as my fingers fumbled around on the fifth fret, that I could find notes that fit over those chords, and put them together to make up a new little melody, and then another. A life-changer, that.

    Bobby W said that songs are entities that have always existed, and they’re just out there looking for the right people to bring them to this plane of existence. That seems true of, say, Black Peter. Kind of disturbing, though, to think that My Lumps always existed, and was just waiting all those eons for Fergie to come along. Or that damned song from Cats. Which is now ear worming through my brain.

    I'd be really surprised if they did the Winterland '74 run as a box: so much of that material has already been released (and to not always ecstatic reviews, it must be said, even tho I love it SYF and the move soundtrack) that I've got to think they'll look elsewhere. Still wondering why there never has been a Berkeley Greek box. Seems like it would work perfectly in the same way the StL box works: ie, same venue, different runs from different years. But I get the idea they kinda like to surprise us by avoiding obvious choices like that. So who knows.

    Last five:
    Messiaen: Quartet for the End of Time
    Weather Report: The Legendary Live Tapes
    Dexter Gordon: Swiss Nights
    GOGD: DP 36
    King Crimson: Thrak Attack

  • daverock
    Joined:
    In A Silent Way

    I haven't got round to playing it yet, but I notice Santana do a version of this at the 7/4/71 show included in the Legacy Edition of the 3rd album.

  • Nick1234
    Default Avatar
    Joined:
    Thanks

    for the Santana suggestions. Caravanserai yesterday and Santana 3 the day before. I was only really familiar with the first two albums. I really enjoyed Caravanserai, big hints of In A Silent Way at times. I've been listening to both through Tidal, I'm really getting into streaming these days. It's cd quality and better and saves me buying a load of stuff I'll only ever listen to a couple of times.

    Last 5 all streamed

    Manassas
    Caravanserai
    Santana 3
    Decemberists - The Hazards of Love
    NY_Time Fades Away

  • daverock
    Joined:
    "Songs are just like tatoos for your brain"

    This is true. And it's not always good.

  • Forensicdoceleven
    Joined:
    Music rearranges your molecular structure............

    Hey rockers!!!

    Back in the land of the living, gotta eat lunch...........

    We were---and still are---huge Santana fans, especially the first album (still a favorite of mine, sounded very exotic to my young ears), Abraxas, III, and Caravanserai.

    First Carlos show, October 29 1972 at the old Boston Music Hall. Saw many more after that, always very interesting. Carlos has always played with a lot of heart and feeling.

    Lotus may be their/his best live album. Features some very fine and fierce guitar work..............

    Everybody sooner or later has to drop the luggage and the baggage of illusions.......

    Rock on,

    Doc
    Some songs are just like tattoos for your brain... you hear them and they're affixed to you.........

  • dmcvt
    Joined:
    Santana

    First turned on to Santana when I was out in SanFran summer of 1969 on a family road trip. All set to go to Woodstock but the 'rents said no way, we have a family expedition planned and you are only 17. So... visiting friends of theirs in the bay area, their same age son said, ditch the folks, lets spin some music, pulled out Santana's first album. A fan ever since. Lucky to see them twice later on, the Shango Tour at SPAC August '82 and a very wild scene at Ile des Vannes, just outside Paris, April '83. Suggest listening to Abraxas with headphones. Aquamarine on Marathon, with Jaco on bass, must listen on a full range system with a good sub. Borboletta for Airto's percussion. Prayers for Carlos health after recent issues.

  • simonrob
    Joined:
    Santana live

    I was fortunate enough to see Santana play live in June 1970. A superb high-energy set that impressed me.

    Set list:
    Se A Cabo
    Black Magic Woman / Gypsy Queen
    Jingo
    Oye Como Va
    Incident At Neshabur
    Toussaint L'Overture / Evil Ways
    Persuasion
    Soul Sacrifice
    Encore: Gumbo

    Great stuff. Hard to believe it was almost 53 years ago.

  • Forensicdoceleven
    Joined:
    AOXOMOXOA

    Hey rockers!!!

    3-23-23, Happy National Palindrome Day!

    Eva, can I see bees in a cave?

    Rock on!

    Doc
    Off to morgue, death takes no holidays

  • daverock
    Joined:
    Closing of the Fillmore

    Reading up, I notice that the bonus disc on Santana 3, the 7/4/71 show, came from the closing of the Fillmore West shows. I can remember seeing the film of that, but only once, about 1977. I wonder if all the shows were filmed and recorded - if so, that would make a good box set. The Dead's show on 7/2/71 came out unofficially as part of that so called "Yellow Box" of 1971 shows a few years ago. I can't say it's stuck in my memory particularly - and looking at the set list doesn't help - but it would be great if the whole set of that came out on dvd.

    Yes, "Lotus" is a great live album. Another one that had maximum impact on vinyl in the 70's - but I have the cd of that here for later on.

  • nappyrags
    Joined:
    54 Years? oh my aching back...

    So March 22, 1969 I was at the Rose Palace in Pasadena CA to see The Butterfield Blues Band, Grateful Dead and some new weirdo English group name of Jethro Tull... cost a whole $4...the Rose Palace was a pit...a sheet metal hangar type of a building that was mainly used to build the floats for the Rose Parade...this venue became the spot in So Cal after the Shrine Expo Hall had been closed down due to police harassment...there were a bunch of great shows there before the locals pressured the powers that be to shut it down too...

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What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

*2 per order. Very limited quantity available.

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10 years 5 months
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Chill with lambasting the sound quality of Dave's 45. If you only listen to the first two tracks (Promised Land & They Love Each Other), as Dave himself explains on the Seaside Chat, you're listening to Bob Menke's audience recording. There's no soundboard of those two tracks and Bob kindly provided his tape. Some have said that the Smith/Miller/Clugston aud (140589) on the Archive is a little better than the Menke. In any case, once you get past those two, you're hearing "recently" recovered Betty Boards from the stash of soundboards returned by ABCD Enterprises. The changeover to soundboard actually happens before the end of They Love Each Other. Check out Dave's Seaside Chat for more.

The two shows on Dave's 45's 4 CDs are great sounding once they reach cruising altitude.

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I get where you're coming from. My main complaint on sound on many DiPs and DaPs is the drums are too loud. I used to blame Mickey for being involved in the remastering, lol. But to have two shows for the price of one totally outweighs the defects, and frankly that's what the tone controls are for on our stereos. And I also applaud Dave for being brave enough to get us the two shows with an aud. patch at the beginning. Patches are something they don't do very often and only when it's worth it. Especially, these two shows are so worth it. Don't give up on it.
Cheers

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I remember getting this on cassette in the late 80s and loved both shows even if there was "some" missing. I have listened to this release several times and I love it. My question is: how is this still available? I've noticed the last few Dave's releases have been selling at a slower pace than just a few years ago. Just wondering, maybe the uptick to 25,000 units was a bit much? Anyway, have a safe happy holiday.

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