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    What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

    Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

    ...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

    Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

    I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

    We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

    Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

    *2 per order. Very limited quantity available.

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  • proudfoot
    Joined:
    83 sante fe

    Tasty yummy

  • Charlie3
    Joined:
    Not Quite 20

    Hey, Nineteen
    No, we got nothing in common
    No, we can't dance together
    No, we can't talk at all
    Please take me along, when you slide on down

  • Vguy72
    Joined:
    Overrated vs Underrated....

    ....I like the '83 Santa Fe shows. Like. A lot. Definitely whatever rated lol.
    I'm just here hoping for a Dave's that is numbered under four digits. One day.
    And LedDed. I wouldn't trade my 50+ year old wife for a 20 year old either.
    She's hotter and smarter anyways.

  • proudfoot
    Joined:
    Veneta overrated???

    Ho
    Lee
    Phuc

    I give up on y'all

    I really gotta quit coming to these posting thingies....

    Cornell

    Great sound and the greatest orgasmic Morning Dew of all time

    "You told me goodbye
    How was I to know
    You didnt mean goodbye
    You meant please
    Dont let me go"

  • LedDed
    Joined:
    warm blanket

    This release to me felt like an old broke in pair of jeans the first time I listened to it. It feels comfortable and makes me feel good. I've listened to it all four or five times now, minus Let it Grow and Cassidy which I generally just do not care for. Bah! Humbug! How dare he.

    I have a Nash T52 Telecaster which arrived, brand new, heavily relic'd. I liken this release to it. The guitar played like butter right out of the box like an old friend I just met. I had never heard this show before, but it's what, 46 years old? Older is usually better with cars, wine, whisky, guitars, Dead shows. Hell, my wife is 50 and I wouldn't even trade her for a 20 year old. ;-p

    Just a matter of taste I guess. Love this release and can't wait for the next one.

    Peace everyone... well, almost.

    \m/

  • musicnow
    Joined:
    Burnsy Weir-Dness

    Oh, it's there on the disc. It freaked me out when I first heard it in my car zoned in on the commute to work!

  • daverock
    Joined:
    Muffled voice

    Yes, I've just heard it on "Black Peter" too. I think this show, 10/1, is pretty good overall. Some great guitar playing throughout.
    I wonder also if shows like Cornell and Veneta gained a reputation because of strongly expressed and publicised opinions affirming their superiority in earlier times. And those opinions became reinforced by others until they became perceived as fact. John Dwork wrote pages and pages about Veneta in The Taping Compendium, whereas some shows on the European tour were summed up in a few paragraphs. Granted, they may not have had the full tapes for some of the European shows, but the impression given is that Veneta is the greatest show of the year - if not of all time. Maybe articles like that, blow shows..like that...out of all proportion.

  • Charlie3
    Joined:
    Rankings

    Who cares? It either moves you or it doesn't. If it moves you listen again, if it doesn't then move on to something that does. I like some of these picks more than others, but I want them all. I don't have any list of desired releases, and although I love to see shows that I attended released, they are not necessarily the releases that I go back to most often. Really, I just want shows with good sound quality, songs presented in order, and beyond that it is all subjective. One person's good release is another's ho-hum release, which is pretty clear from this thread. I like to listen to a wide variety of music, with a good chunk of it Dead, but there is so much music to listen to, and my enjoyment depends not a bit on how folks rank it.

    Burt Bacharach had a ton of great stuff, including some fantastic stuff covered by Isaac Hayes that really hits the spot - Walk on By from Hot Buttered Soul, The Look of Love from ...To Be Continued, and They Long to Be from the classic Black Moses album, some really classic stuff best played a little loud on a good system. Or maybe a lot loud.

  • itsburnsy
    Joined:
    Black Peter Weir-dness @ 6:45

    Does anyone else hear a muffled voice, like someone on a phone or behind glass say "He's just talking to 1A, come on back." during Black Peter, right at 6:45? Did it come from the disc, or did my computer pick up a nearby call or something.

  • Forensicdoceleven
    Joined:
    You ask me if I keep a notebook to record my great ideas.....

    Just for the record, I've only ever had one....................

    In regards to Cornell, it was definitely NOT one of the first high quality boards available to the masses. That's a myth, there were lots of other high quality things----including early stuff. That being said, it WAS one of the first high quality 77s to enter wide circulation. But as many more 77s came out---including the shows right before and right after----some of the luster came off Cornell.

    I think Cornell is similar to Veneta---it's one of those "you had to be there" types of things. And, like Veneta, good show, but one of the great great overrated Grateful Dead shows.

    Just one man's opinion.......

    Rock on,

    Doc
    He who can no longer pause to wonder and stand rapt in awe, is as good as dead; his eyes are closed......

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3 years 7 months

What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

*2 per order. Very limited quantity available.

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10 years 5 months
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Chill with lambasting the sound quality of Dave's 45. If you only listen to the first two tracks (Promised Land & They Love Each Other), as Dave himself explains on the Seaside Chat, you're listening to Bob Menke's audience recording. There's no soundboard of those two tracks and Bob kindly provided his tape. Some have said that the Smith/Miller/Clugston aud (140589) on the Archive is a little better than the Menke. In any case, once you get past those two, you're hearing "recently" recovered Betty Boards from the stash of soundboards returned by ABCD Enterprises. The changeover to soundboard actually happens before the end of They Love Each Other. Check out Dave's Seaside Chat for more.

The two shows on Dave's 45's 4 CDs are great sounding once they reach cruising altitude.

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I get where you're coming from. My main complaint on sound on many DiPs and DaPs is the drums are too loud. I used to blame Mickey for being involved in the remastering, lol. But to have two shows for the price of one totally outweighs the defects, and frankly that's what the tone controls are for on our stereos. And I also applaud Dave for being brave enough to get us the two shows with an aud. patch at the beginning. Patches are something they don't do very often and only when it's worth it. Especially, these two shows are so worth it. Don't give up on it.
Cheers

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I remember getting this on cassette in the late 80s and loved both shows even if there was "some" missing. I have listened to this release several times and I love it. My question is: how is this still available? I've noticed the last few Dave's releases have been selling at a slower pace than just a few years ago. Just wondering, maybe the uptick to 25,000 units was a bit much? Anyway, have a safe happy holiday.

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