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    What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

    Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

    ...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

    Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

    I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

    We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

    Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

    *2 per order. Very limited quantity available.

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  • billy the kiddd
    Joined:
    Anniversary show 2/9/73. Maples Pavillion

    50 years ago today I wasn't at Maples Pavilion up in Palo Alto. ( I'm sure I was doing something that was just as fun), but my brother was there and he had a blast!. This show would make a great release.

  • dmcvt
    Joined:
    Is music essential? June 21, 1971

    Lurking lately, now catching up again after last weekends deep deep freeze here in Vermont. Live about 50 air miles from Mount Washington and was paying close attention to the extreme weather, cause there's new plumbing in my unheated, fortunately below grade marginally insulated basement. It was 21 below zero last Saturday morning with 35 mph gusts that night, very happy to be earth sheltered. But all that pales infinitesimally to the tragic situation in Turkey. So though #45 was here, was not in the mood to begin paying attention until now, have not yet completed a first run. First impression was very good to excellent recording, Donna in a good place, agreed it seems a bit drum forward, seems to be slight emphasis on mid bass such there is slight percussive effect not noticed on most other recordings. This is a very minor observation. Glad to have these shows tidied up, good fun, obviously not peak 77. Easily distracted by other posts, totally agree with Oro that when the Dead went to Macintosh power amps, audio was cleaned up by a factor or at least 10X... love those old Fender tube amps when they are run right but there was tube abuse, those 6L6s, EL84s etc output tubes pushed so hard, ran so hot, their distortion figures must have been above the 1-2% range. Now to video, though the VftV series is here along with other commercially released vids, had never thought to look for the June 21, 1971 Chateau d'Herouville show and was pleased to find it this morning on utu be. House party on the lawn. Bit rough and raw, hand held cameras, for such a location, the audio is good and there's an excellent Hard to Handle, pig in fine form. Worth checking out.

  • PT Barnum
    Joined:
    Do you know the way to San Jose

    RIP Burt Bacharach
    What the World needs now is Love as true today as the day he wrote it.
    Via Con Dios so many tunes from out yesterdays

  • JeffSmith
    Joined:
    So that's why I never had children!

    Thanks F-Doc! Mystery solved. Now to clean up all the coffee I just sprayed everywhere. Onward.

  • Dennis
    Joined:
    Like, Don't Like?

    Dead releases are like Texas weather, don't like it, wait, it'll change.

    There is something for everyone, but everyone won't like everything.

  • Forensicdoceleven
    Joined:
    Parents are the bones on which children cut their teeth.....

    Hey rockers.............

    My parents used to say, "If you can't say anything good about something, don't say anything at all". That's why I'm here not saying anything about anything...................

    Portland? Don't get the buzz about all that, but we got our annual 77 so let's move on. But not on to 91-95. Some February 1973 would hit the spot...........

    Heaven is my current wife, hell is my ex-wife, purgatory is alimony.............

    Rock on,

    Doc
    If your parents never had children, chances are you won't either......

  • sheik yerbones
    Joined:
    live recordings

    it depends of the mood you are in. But most of gd recordings are great, even the 82 cassettes. (dickP32)
    If you listen Dylan 's fragments bootleg series vol 17, you can measure the greatness of gd recordings. I had to listen live cd4 more times to appreciate, but there's nothing like the other studio takes. the Dead has built the best show catalogue of all time.

  • sheik yerbones
    Joined:
    In the real world

    "in Hell": this story is very "cliché". I heard it on a richard Thompson Dvd, maybe 2000 years of pop music...
    Yesterday I was a bit annoyed cause I spent time on the phone and car to get this package. Things have changed since the elephant administration...4 or 5 years ago? I felt like paying tax for a boxset for two shows.

  • daverock
    Joined:
    You had to be there?

    A live concert can be enjoyed at the time of being there, but that doesn't mean it would make a satisfying recording.
    Actually, that applies to releases from all eras, from all bands. But it was posts from people who enjoyed Dead shows between 91-95, and suggested some of those be released that reminded me of the fact.

    It works the other way round, too. Some live shows I have been to I haven't enjoyed - but listening to recordings of them later, I realised they were better than I thought they'd been. Even Jerry commented on this phenomena- I think it's in The Dead Movie he recalls not liking their performance on 2/14/68 and throwing Phil down some stairs as a response. He listened to them later, and found them to be... "crackling with energy" I think was the phrase.

    From my vast experience of going to Dead shows, I would say there was hardly any relation between being there and listening to live recordings.

  • JimInMD
    Joined:
    I guess...

    I'd simply like more '68, '69 and '70.

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3 years 7 months

What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

*2 per order. Very limited quantity available.

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10 years 5 months
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Chill with lambasting the sound quality of Dave's 45. If you only listen to the first two tracks (Promised Land & They Love Each Other), as Dave himself explains on the Seaside Chat, you're listening to Bob Menke's audience recording. There's no soundboard of those two tracks and Bob kindly provided his tape. Some have said that the Smith/Miller/Clugston aud (140589) on the Archive is a little better than the Menke. In any case, once you get past those two, you're hearing "recently" recovered Betty Boards from the stash of soundboards returned by ABCD Enterprises. The changeover to soundboard actually happens before the end of They Love Each Other. Check out Dave's Seaside Chat for more.

The two shows on Dave's 45's 4 CDs are great sounding once they reach cruising altitude.

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10 years 2 months
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I get where you're coming from. My main complaint on sound on many DiPs and DaPs is the drums are too loud. I used to blame Mickey for being involved in the remastering, lol. But to have two shows for the price of one totally outweighs the defects, and frankly that's what the tone controls are for on our stereos. And I also applaud Dave for being brave enough to get us the two shows with an aud. patch at the beginning. Patches are something they don't do very often and only when it's worth it. Especially, these two shows are so worth it. Don't give up on it.
Cheers

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I remember getting this on cassette in the late 80s and loved both shows even if there was "some" missing. I have listened to this release several times and I love it. My question is: how is this still available? I've noticed the last few Dave's releases have been selling at a slower pace than just a few years ago. Just wondering, maybe the uptick to 25,000 units was a bit much? Anyway, have a safe happy holiday.

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