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    WHAT'S INSIDE:
    Five complete, previously unreleased performances on 17CDs
    Des Moines, IA 5/13/73
    Santa Barbara, CA 5/20/73
    San Francisco, CA 5/26/73
    Washington, D.C. 6/9/73
    Washington, D.C. 6/10/73
    Recorded by Kidd Candelario, Betty Cantor-Jackson, and Owsley Stanley
    Newly restored and speed-corrected audio by Plangent Processes
    Mastered by Jeffrey Norman
    Liners featuring notes from Canadian author, Ray Robertson, The Owsley Stanley Foundation, and Legacy Manager and Audio Archivist, David Lemieux
    Art and Design by GRAMMY® Award-winning Art Director, Masaki Koike
    Custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer
     
    Limited Edition Individually Numbered To 10,000 
    Exclusively At Dead.net

     
    "There’s the simple fact that the band members were old enough and experienced enough by now to be virtuosos on their instruments (what other group—rock or jazz or any other kind of music—could boast a trio of spectacularly singular talents such as Garcia, Lesh, and Weir?) but were still young enough to want to play and play and play some more, the happy, itchy inclination of youth. As a few of the shows in the Here Comes Sunshine boxed set attest, it wasn’t unusual for a 1973 concert to exceed four hours. And within the shows themselves, there are nearly nightly examples of hour-long orgies of tune-linked songcraft and juicy jamming." - Ray Robertson, HERE COMES SUNSHINE 1973 Liners
     
    8 years in and the Grateful Dead are a little bit of everything to everyone. They are putting up textures and tones of rock, of jazz, of country, with set-morphing vibes and long stretches of improvisations that are completely keyed into the sum of their parts. Keith Godchaux is here with his cascading notes. Donna Jean too. Both finding their footing and keeping things steady in the wake of Pigpen's unfillable gap. The spring of 1973 feels transformative for the Dead - no more so than the May and early June shows, complementary yet remarkably different, soon-to-be cornerstones of everyone's tape collections, and now, 50 years later, set to be part of the band's official canon.
     
    HERE COMES SUNSHINE 1973 is a limited-edition, 17CD boxed set with five previously unreleased, highly sought-after Dead shows, including: Iowa State Fairgrounds, Des Moines, IA (5/13/73), Campus Stadium, UCSB, Santa Barbara, CA (5/20/73), Kezar Stadium, San Francisco, CA (5/26/73), and Robert F. Kennedy Memorial Stadium, Washington, D.C. (6/9/73) and (6/10/73).
     
    During the spring, the band road-tested most of the songs they would record that summer for WAKE OF THE FLOOD – their first studio album in three years – including early live versions of “Mississippi Half-Step Toodeloo,” “Row Jimmy,” “Stella Blue,” “Eyes Of The World,” and, the set’s namesake, “Here Comes Sunshine.” Also tucked into the collection are songs destined for the Dead’s 1974 studio album, FROM THE MARS HOTEL – “China Doll,” “Loose Lucy,” and “Wave That Flag,” a precursor to “U.S. Blues.”
     
    The new repertoire slipped neatly into the fluid setlists alongside songs honed on the 1972 European tour (“Jack Straw,” “Tennessee Jed,” “Brown-Eyed Women”), Chuck Berry perennials (“Promised Land,” “Around And Around”), classic country (“Big River,” “The Race Is On”), and incredible jam sequences: “He’s Gone”> “Truckin’”> “The Other One”> “Eyes Of The World.”
     
    Due June 30th, the individually-numbered, limited-edition 17CD set features vibrant graphics and custom-designed folios by GRAMMY® Award-winning Art Director Masaki Koike, a custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer, and liner notes by Canadian author Ray Robertson, The Owsley Stanley Foundation, and David Lemieux. And, of course, it features newly restored and speed-corrected audio by Plangent Processes, mastered by Jeffrey Norman.
     
    Digital convert? We've got you covered too. On the very same day you can collect your hi-definition download.

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  • Oroborous
    Joined:
    68 box

    I respectfully disagree with the suggested small format.
    We’re running outta time so there’s only so many more boxes to get released.
    Thus, I think it should be a big primal box:
    66-67: depending on what’s there, perhaps a couple discs?
    68: 8 discs of whatever’s top shelf, fragments, whatevs, release the best
    69: 6-8 discs or best quality 4 shows. Say half spring, half fall/winter
    70: best quality 3 or 4 shows

    Yeah it’s a few more discs than the usual 15 to 20, (this one’s 17, St Louie 20) but so what, the magnitude and significance of this should rival Europe, Spring 77, Spring 90, or Boxilla in its importance.
    I get some of you want it cheap, and are getting saturated on discs etc, but think of it this way, for some it might be the last box you buy, and it’s the favorite era for many of you, so why not go big, why be chintzy with such epic Dead? Make something that’ll take years to fully digest!
    Primal Baby!
    As they say on the mountain, go big or go home!

    Kiniggits looking strong!

  • daverock
    Joined:
    Primal Dead

    For me, The Dead really took off when Mickey Hart joined - about September 1967. I like listening to shows from1966 up to this date - but from then on - wow. Incredible concentration of energy which lasted from then up until the Workingmans songs started getting introduced half way through 1969. It does seem strange that there has not been a single Dave's Picks from this timespan. Even the 1969 shows that have been released have been from the end of the year. This late 1967-mid 1969 stretch was the music that turned me on to them in the first place.

  • Vguy72
    Joined:
    Can't be picky re '67-'69....

    ....I'll take fragments.

  • Gratefulhan
    Joined:
    67-68

    I would be all for a box with shows from 67-68. Or even a box full fragments since I think many of the shows are not complete in the vault. When I think of 1967, I immediately think of 3/18, and 9/3 as shows I would love to have. I am not sure if they are compete in the vault. Speaking of the vault, I think there is a little more in vault in the way of complete 1968 shows to compared to 1967, but then I don't really know. I am only inferring based on the available tapes. In any case, I think any combination of material from 1967 and 1968 would be a great box set to get put together.

    I hope it happens especially since we are getting 2 highly regarded shows in the Here Comes Sunshine box with 5/26/73 and 6/10/73. I feel Dave L and crew have really aimed at releasing many of the highly regarded shows and tours to this point and that is a credit to them. I think now would be a great time to dip into some of the "back in the day" stuff so since many of the proverbial big shows have made their way into our hands.

  • hendrixfreak
    Joined:
    Sounds like the '68 monster has awakened from its slumbers

    Love you folks! I'm thinking that mentioning '68 in a '73 thread is doing a cannonball in the deep end of the pool...

    And it turns into Cannonball City around here.

    Love it, man, love it. dmcvt has the right idea -- a modest box, even just 4-6 discs (okay, 10), with a couple shows, partials and fragments. And JimInMD has the timeframe just right. I think fall '67 to fall '68 would be the critical ignition period in question.

    Forensicdoc and I discussed the practicalities, which amounted to ... '68 shows seem to have often been 60-90 minute supernova affairs (someone has accurate data on this), perhaps due to the GD being on a multi-band roster? So a '68 DP is unlikely. Thus, a modest box would be the format. They've done the full 30 Trips thing-y, they've done the two-year regionally based '73-'74 PNW, they've done a few single year runs, like '76, '77, '78, '90. And we know they've got some '68 shows, partials, fragments still in the can (don't we?), so the questions are: When? And, How?

    Final addled thought: frankly, I don't see a ton of interest from the wider retail market for '68. So maybe it's another mini-box modeled on the FW69 output on a ltd edition basis? You know they've got to be talking about the OSF's June '68 tape discovery -- so either they put that out as a special release ala the single disc Family Dog/Great Hwy release from April '70 or they use it as a vehicle to deliver 'mo '68.

    My pitch to Dave & Co: '68 fans are getting on in years and ya gotta be young and fired up, at least in your heart, to fully appreciate the surging energy of '68. So, the famous question: "If not now, when?"

    I guess my prior post wasn't "all." Probably gonna ladle on a little '68 later today in honor of all mothers everywhere! (Not that I was personally involved, mind you...)

  • daverock
    Joined:
    8/23/68 encore

    Not forgetting the bonus tracks tucked away on the Anthem of the Sun cd included in the "Golden Road 1965-1973" box set. From 8/23/68 we have "Alligator-Caution-Feedback". Very high energy - a fantastic jam. I think these tracks were included on the digitally remastered cd of Two From The Vaults. It isn't on the vinyl version.
    A minute or so after Feedback ends, there is another track, not listed on the cover, "Born Cross Eyed".

  • fourwindsblow
    Joined:
    2 from the vault cd

    There is one on Amazon "used very good" sold by SecondSpinDisk for 9.39 or I could give you one in poor condition for free (wasn't mine someone found it and gave it to me) pm let me know.

    Note: It's not the expanded edition, sorry!

    ps. Give me my ancient shit...

  • JoeyMC
    Joined:
    Before 30 trips there was a…

    Before 30 trips there was a Road Trips, Vol 2 No 2, 2/14/68 Carousel Ballroom. 14 years ago. I've been looking for a copy of Two From The Vault on CD, I don't seem to have that in my collection these days... does anyone know if Rhino released that one on it's own?

  • JimInMD
    Joined:
    I wonder when....

    They will finally cave for the ancient shit.. just a little 1967 and 1968 please.. with a sprinkle of '69 for good measure.

    When was the last 68 release besides 30 trips anyway? Dicks Picks 22, Kings Beach Bowl?

  • fourwindsblow
    Joined:
    8.68, Bear's Choice 50th

    8.20 - 24.68 best fives days of music ever! Needs to be in a Box...

    Bear's Choice LP says "This has been re-mastered by David Glasser using Plangent Processes from the original analog 2-track tapes recorded live by Bear and has never sounded better."

    I don't think they would have just transferred the tracks used for the album, and with no CD version of Bear's Choice there has to be something else coming. Maybe a small Fillmore East Feb. '70 Box?

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WHAT'S INSIDE:
Five complete, previously unreleased performances on 17CDs
Des Moines, IA 5/13/73
Santa Barbara, CA 5/20/73
San Francisco, CA 5/26/73
Washington, D.C. 6/9/73
Washington, D.C. 6/10/73
Recorded by Kidd Candelario, Betty Cantor-Jackson, and Owsley Stanley
Newly restored and speed-corrected audio by Plangent Processes
Mastered by Jeffrey Norman
Liners featuring notes from Canadian author, Ray Robertson, The Owsley Stanley Foundation, and Legacy Manager and Audio Archivist, David Lemieux
Art and Design by GRAMMY® Award-winning Art Director, Masaki Koike
Custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer
 
Limited Edition Individually Numbered To 10,000 
Exclusively At Dead.net

 
"There’s the simple fact that the band members were old enough and experienced enough by now to be virtuosos on their instruments (what other group—rock or jazz or any other kind of music—could boast a trio of spectacularly singular talents such as Garcia, Lesh, and Weir?) but were still young enough to want to play and play and play some more, the happy, itchy inclination of youth. As a few of the shows in the Here Comes Sunshine boxed set attest, it wasn’t unusual for a 1973 concert to exceed four hours. And within the shows themselves, there are nearly nightly examples of hour-long orgies of tune-linked songcraft and juicy jamming." - Ray Robertson, HERE COMES SUNSHINE 1973 Liners
 
8 years in and the Grateful Dead are a little bit of everything to everyone. They are putting up textures and tones of rock, of jazz, of country, with set-morphing vibes and long stretches of improvisations that are completely keyed into the sum of their parts. Keith Godchaux is here with his cascading notes. Donna Jean too. Both finding their footing and keeping things steady in the wake of Pigpen's unfillable gap. The spring of 1973 feels transformative for the Dead - no more so than the May and early June shows, complementary yet remarkably different, soon-to-be cornerstones of everyone's tape collections, and now, 50 years later, set to be part of the band's official canon.
 
HERE COMES SUNSHINE 1973 is a limited-edition, 17CD boxed set with five previously unreleased, highly sought-after Dead shows, including: Iowa State Fairgrounds, Des Moines, IA (5/13/73), Campus Stadium, UCSB, Santa Barbara, CA (5/20/73), Kezar Stadium, San Francisco, CA (5/26/73), and Robert F. Kennedy Memorial Stadium, Washington, D.C. (6/9/73) and (6/10/73).
 
During the spring, the band road-tested most of the songs they would record that summer for WAKE OF THE FLOOD – their first studio album in three years – including early live versions of “Mississippi Half-Step Toodeloo,” “Row Jimmy,” “Stella Blue,” “Eyes Of The World,” and, the set’s namesake, “Here Comes Sunshine.” Also tucked into the collection are songs destined for the Dead’s 1974 studio album, FROM THE MARS HOTEL – “China Doll,” “Loose Lucy,” and “Wave That Flag,” a precursor to “U.S. Blues.”
 
The new repertoire slipped neatly into the fluid setlists alongside songs honed on the 1972 European tour (“Jack Straw,” “Tennessee Jed,” “Brown-Eyed Women”), Chuck Berry perennials (“Promised Land,” “Around And Around”), classic country (“Big River,” “The Race Is On”), and incredible jam sequences: “He’s Gone”> “Truckin’”> “The Other One”> “Eyes Of The World.”
 
Due June 30th, the individually-numbered, limited-edition 17CD set features vibrant graphics and custom-designed folios by GRAMMY® Award-winning Art Director Masaki Koike, a custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer, and liner notes by Canadian author Ray Robertson, The Owsley Stanley Foundation, and David Lemieux. And, of course, it features newly restored and speed-corrected audio by Plangent Processes, mastered by Jeffrey Norman.
 
Digital convert? We've got you covered too. On the very same day you can collect your hi-definition download.

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Limited edition BS again. Pumping this all weekend on Sirius, telling us to go buy it but it's totally sold out. Jokes on us. Ha ha ha. So annoying.

Still wading through the box, I've been bouncing around, but holy guacamole the first set in Santa Barbara is chef's kiss. Race Is On through Playing is all A+.

I'm assuming this show has never circulated widely, because Headyversion doesn't have anything from it that gets high marks. Have to figure that's lack of ears on it, not lack of quality in it.

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12 years 1 month
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If you have received your box set, could you let us unlucky people know. Thanks.

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8 years 7 months
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How/who to contact for replacement discs? I have never had this issue in the past?

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3 years 1 month
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One for me and one for my brother. He was at the Kezar show. I'm having a bbq today, so perfect timming.

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7 years
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Must be out of the loop, but a band that has recorded no new songs/music in 8 years, plays the same ol' songs for 8 years.......isn't that a cover band ? So happy for the younger generation that gets to enjoy the music that the Dead made, but,....well, I got nothing more to say. Drummer Bill made the right decision to enjoy Hawaii.

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In reply to by Alan57

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Be sure to mention in any communication that you have become aware via Internet forums etc that this is a widespread problem with this release.Almost certainly caused by very poor and totally inadequate disc handling procedures somewhere in their chain.That the only acceptable solution is to give you replacement discs even if that means remanufacture.
Do not accept offers of discounts on future releases.

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I got my box set this past Friday and I immediately went to ripping them especially because I read some comments from others who had some issues. I got lucky as all of the discs came snug in the cardboard sleeve. So the good news was that the discs were not floating around in the package during shipping. The bad news was that I had to carefully remove them from the cardboard sleeve- I have had a few discs get scuffs because they were so snug in the sleeve that the seam was separated by the disc. That runs this risk of the glue getting on the disc and damaging it so I was worried about that.

Anyway I keep all of my CDs in those plastic clamshell cases just to keep them from going back into those cardboard sleeves and possibly getting damaged. I had no issues ripping any of them and I as soon as each was done being ripped, it went into one of those clamshell cases. I have been slowly listening to the shows, and I came across a few anomalies which I attribute to various Dick's caveat emptors sated for that series as that also applies here.

Hmph.

I mean, I have serious wood for this release.

Tomorrow holiday so no delivery.

Wednesday I am at work all day.

(I just don't want some asshole to steal it while I am away if it's left on front porch).

UPS or USPS?

Hang in there, Proudfoot. Hang in there. Steady....

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So I have to say that that this tour has been quite an improvement over recent years. I completely understand the criticisms of this band, especially the tempo issue. However not only have they picked up the tempo they are playing with more vigor on this tour. I miss Billy, but Jay Lane is tremendous drummer and I really dig his style. I am couch touring the Folsom show right now and they sound good. Except they just announcing that are having a lightning alert so they stopped the show for a bit.

Lightning notwithstanding, I am glad that this is the last tour. 8 years is long enough and it seems like they are playing some of their best music for the last tour. So they are seemingly going out on top at least when compared to some of the previous years to my ears. Good times!

....yeah. Disc inserts shouldn't be this frustrating. I usually trim my fingernails extremely tight. Let Them Grow!
Regarding replacements? I used something called damage control when one of those Libby glasses came shattered. Is damage control still around?
And apologies now for my non-music related rants at times.
I'll do better.

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A cover band cannot have any original members of the music they play Dead and Co, Furthur, The Dead, Phil and Friends Any of Mickey's or Bill's bands Are not cover bands Dark Star Orchestra is a cover band

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Anyone who preordered the FLAC download have any luck yet? I've heard nothing back from dead.net "customer service" since the automated reply (received Sunday AM, after I sent a request for help with my non-existent download Friday PM), suggesting that I read the FAQ page :(

I know it's a long holiday weekend, but this should be an easy problem to fix, especially given that plenty of people seem to be having trouble with it... I'm really looking forward to listening to this music. But needless to say, I won't be preordering again.

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In reply to by Chuck

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I would think you would need at least two original members of a band to move it out of the cover band category. Nick Mason's Saucerful of Secrets, for example, could not be, and wasn't presented as Pink Floyd. LiveDead69 feel like a cover band, despite having Tom Constanten on keyboards. Both good bands - but basically cover bands.

The only time such a band could be passed off as the original article would be if members left gradually over a period of time while the band in question was still working, so that there was only one person left who was there at the beginning.
There is only one original member of Hawkwind left, but as he has been carrying the banner consistently for 54 years, no one seriously suggests that he should stop using the name. When he hangs up his hat it remains to be seen whether the others will carry one as Hawkwind. Gong have, under similar circumstances, and that works.
Ironically, concerning Hawkwind, circa 2000 there was another band gigging who featured about 4-5 original members - yet they were considered the cover band while the one with the lone original member seemed like, and was, the real thing.

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to see these shows released: 9/20/70, great acoustic set, 2/17/79, Keith & Donna's last show, the Dead played fantastic, 9/11/81 my favorite Greek Show, you kinda had to be there, 7/13/76, seeing the Dead in the tiny Orpheum Theatre was very special. 6/17/75. the Crazy Fingers opener was worth the price of admission.

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Just to keep the record straight.

Rupert Holmes porn soundtrack showed up yesterday,,,, guess I made the first 200,,, got an autographed copy!!!!

If interested the first 15K takes it! You know this is the one you've been waiting for.

Happy scare your dog day and Vguy I don't mind a political poke or two. Just for the sake of argument. :-)

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In reply to by Dennis

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I usually monitor the site every day and was watching for an alert regarding sales. For example: Only 1500 left. . .. Order before midnight tonight! Unfortunately, after logging in this morning, the 17 disc box is sold out. Serious bummer. Well, anyhow, I am on the "notify me" list if more become available. Universe bring me this box. . .. Happy July 4th to everyone! Wave that Flag!

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New account from longtime lurker. Been buying/collecting commercial Dead recordings since One From the Vault at The Wall Music store in Piscataway (I think), NJ back in ‘91. Sometimes I go full boat for hard copies, other times, I go digital, especially if I don’t need any new tenguies, LOL. Usually, I find the attention to the product pretty good. Great, actually. However, I bought the HCS ALAC late on 6/30. Files downloaded fine. As good as the shows are, there are, unfortunately, many, many “frustrating omissions” in the files as the old DP caveat emptor used to say. Some prevent burning tracks to CD others burn with dead air. Made some adjustments/replacements to burn CDs and just finished listening to Kezar and I’m up to a total of 16 corrupted tracks. It’s mostly a track here and there but the content of disc 3 from 5/20/73 UCSB was almost completely corrupted. If anyone cares, I can get more specific when I finish “working” on all 5 shows. Otherwise, I’ll save it for Rhino customer service.

I’m gonna guess it’s got something to do with AUD patches that didn’t take in the files because I’ve seen comments mentioning one or two specifically that are problem tracks. Plus, I didn’t hear any of those echo-y transitions. Some of the corrupted tracks even make a sharp electronic buzz when they stop, like what I imagine it would sound like if some wasted roadie kicked the tapers plug out of the soundboard.

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In reply to by Dennis

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....I can attest to that. We have two. Our male will sit with us on the sidewalk and watch the fireworks go off with laser focus.
Our female? We'll be lucky to see her before noon on the 5th.
Mayormarionbarry with the good vibes!

Whatever you do, do not purchase the FLAC. You have your best shot buying the CD box on the secondary market. Still haven't heard a word from Dead.net regarding my FLAC pre-order. No product. No refund. Nothing.

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Ribeye steaks, garlic bread, potato salad, lots of chips and salsa,
lots of ice cold Sierra Nevada beer, Grateful Dead and red hot blues music. Happy July 4th. ,

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Mine arrived last Friday.
No fuss, no muss.
Not a disc out of place.
Nary a scratch, smudge, or scrape to be found.
All 17 ripped without a hitch.
My ear sockets have been in a state of bliss ever since.

Nonsense!
A cover band is people who did not write or perform the music themselves.
It’s others “covering” what someone else wrote and performed.
Last I checked Bob wrote his songs, and was part of the creation process on JGs songs.
And their not calling it The Grateful Dead, it’s called Dead and Company for a reason.
The shit people get uptight about shhheeessshhh.
How bout just listen to the music, ya might like it, if not, that’s cool, perhaps base opinions on the music, not what it’s called?

VGUY: imho you can post what and as much as you like!
Wish we had more VGUYs here…

BLUECROW: another good show, though it seemed comparatively more laid back and at times (ie., He’s Gone) a slight regression to the slow plodding Han mentioned from recent past. I enjoyed this year so much I might consider The Gorge and/or Shoreline. I mean $100 for 3 HD shows in Auro 3D immersive audio in giant leather chair with everything needed a few feet away…still seems like a value to me?
What’s one concert ticket, with fees, parking, drinks etc,….not including “fuel”…

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In reply to by Oroborous

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....both online and in person can confuse what is actually concern with supposed anger.
I'm not angry, but I do shake my head a lot.
One of my favorite lyrics of any song is from Phish's Bathtub Gin. "We're all in this together....(and we love to take a bath)".
I even have a Pollock print by my front door that says that to remind me every day.
Happy Independence Day everyone! We will survive.

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Ordered the HCS box set on May 2nd and have a confirmation email. I haven't received a shipping email but see this on the order status page. Not sure what it means.

Date Ordered: 05/02/2023 9:04 pm
Order Status: In Progress
Shipped to: (my name)

So it shipped? Or is shipping "in progress"? Where's the confirmation email? Where's my item?

Something went off the rails with this release. I read here many people have had issues with shipping communication. Many people have had issues with digital downloads. Many people have received damaged discs. The release has been handled poorly. After many successful releases why would they suddenly have a bunch of issues like this? What a mess.

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In reply to by Pigpen Lives

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....and to also quote Talking Heads.
"Same as it ever was.'
Oh. And The Sphere here is doing test runs on the exterior display. Looks pretty awesome. There's a couple of neat videos of it on you toob. The news says they are going unleash its full power tonight.
Currently watching the Marlins/Cardinals game. Baseball is cool. Liking the pitch clock when originally i was against it. Arraez still flirting with a .400 batting average.

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In reply to by Pigpen Lives

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Release date was 6-30. I wouldn't sweat it yet. I'd wait til next week to start freaking...

Until then, freak freely.... :-) :-) :-)

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4 years 4 months

In reply to by wilfredtjones

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Every freakin' time.

My only issue is, like I said...I don't want a scumbag stealing my box set from my porch.

I would be more patient if I knew its delivery were going to be safe.

Meanwhile...what about Dave's 47???

"Mowr, mowr, mowr"

- Bill Graham

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In reply to by wilfredtjones

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Oro - mind blowing show. Whole bunch of folks flying eyeballs deep. Magic and more magic all night long. Couldn't ask for more. The Playing > lightning delay > crazy dark clouds just to the north moving so slow with a few big bolts > early Set Break > Playing > Uncles Johns > Playing Reprise was dream time stuff. Then Help > Slip > Frank > He's Gone > Other One verse 2 into drumz. No fucking way. Watchtower w/ Dave Mathews was absolute complete craziness. Nights 1 and 3 were my favorites - where Momma hides the cookies - and Night 2 damn fine also. And yes V-Guy there were the drone Space and it was super cool - "what is happening??!!" They kept flying the drones after the show was over - at one point they read "Please Be Kind" I'd write more but hitting the road now. Should be passing through Eagle in next 2-1/2 to 3 hrs if traffic up mountain ain't bad.

Wishing everybody a happy and safe July 4th with abundant good food and icy drinks and the company of family and friends.

Denver '73 Road Trips is my driving music right now.

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In reply to by bluecrow

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....That's. The. Entire. Point.
Congratulations man.
You got the goods. Drive safe and enjoy the beauty that this county has to offer.
She's a beautiful.
I was just looking at Oracle Park tix. But, I shot a huge wad to see the Cup.
Ebbs and flows.

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10 years 3 months

In reply to by Pigpen Lives

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Seems ironic that this is the first release that has sold out for a while, and most of the posts about it on here concern problems with shipping and/or packaging. Not exactly a recommendation for prospective buyers of future releases.
Maybe they should take more care about the way discs are stored within a box, and less on what the actual box looks like.
These box sets are sometimes referred to as "works of art". If they are, then this surely because of the music, not the packaging.

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Like I said, I'm so glad that the folks who were not there when we were lucky enough to have been there can enjoy the music now, but the same 50-60 songs for the past 8 years from D & C ???? .....so much more to choose from. Seen one Dead and C show, you seen them all.

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Received mine at the beginning of the weekend. Shows no movement but estimates it's arrival on Saturday. No sweat. Would have been surprised if this box didn't sell out before the release date. It contains at least a couple of highly coveted shows and perfect companion shows to go along with those. Any shows they performed with The Allmans are essential.

Hope Dave hits on a choice '91 show for a pick this year. 4/1/91 and 9/26/91 are two gorillas in that room.

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My copy of HCS arrived via UPS on Sunday, just a couple days after the official release date. Had a good time yesterday listening to the Kezar show (which I've heard, but never in such excellent sound) and now today checking out the first RFK (which I've never heard before). The music's great, of course. The Dead could do no wrong in '73 (unless we count Seastones, right?) and they are playing and singing at a creative peak here. But you knew that.

Sorry to hear that along with the standard shipping woes some folks have also encountered issues with corrupted discs. So far so good for me through 5 discs (and counting). It always worries me when I get a big box set that I might not get to some of these discs for weeks or months, so if there's a problem I might not figure that out for a while. But I have to say the one time I did have a problem (the June 76 box) TPTB sent a replacement quickly.

The fi is especially hi on what I've heard so far. I love it that KG is so nicely audible. He was really contributing to the jams during that period: check out his "dialogue" with Garcia on the Kezar TTO. And I always love it that Bob's guitar is equally well represented as it is here. Vocals are often a little low in the mix, but if you're like me, that's just fine as long as you can hear each individual instrument at any given time. Which, praise ye gods, is what we get.

So, big kudos and a giant THANK YOU to EVERYBODY who was involved in choosing and remastering and shipping this material. Now, on to the petty gripes!

Not super thrilled with the packaging. I prefer it when it's easy to grab an individual show and take it with me on a long car ride (such as with the NW box for example) and I don't like it that much when the CDs are stored in thin card board slip cases that are both unwieldy and flimsy (as with Spring 77 and this set). Kind of surprised there's no booklet with none of the insightful essays we've gotten with some other sets, just flimsy inserts with brief notes on each show. And it takes a lot of shelf space, which is an issue for me: I'm going to either have to stop buying these boxes or get a bigger house.

I suppose I could go with the FLACs, but those orders seem always to be plagued with technical problems, and they're almost as expensive as the physical product, for some reason. Seems like they should be a lot cheaper. Seriously, it's been a great run with all these lavish boxes with deluxe packaging, but I'm getting to the point where I might prefer cheaper, less lavish, cheaper and more compact physical editions. Just sayin.

Wah wah wah, right? Let me return to my origin point: I am beyond stoked to have this music, which is outstanding in every respect, in my collection. We're so lucky these recordings got made, and that there's this reissue program that brings them to us in such good sound. I was thinking about it the other day: Zeppelin was the biggest band in the universe during the time these concerts were recorded (and played Kezar shortly after the Dead did), and how many quality live recordings do we have from them? How much would Zep fans love to see a reissue program like the Dead has? But alas, you want live Zep (so much of which is outstanding) you have to listen to somebody's 50 year old cassette recordings and use a lot of imagination.

OK, I'm done. Back to the BBQ, IPA, and GOGD. Have a great Fourth y'all.

Sorry you feel that way, but certainly understandable and your opinion is always welcome.
Sounds like we both agree that it’s nice the “music” lives on, especially for those who missed out!

Seastones is great! (I do seem to be in the minority on that opinion...)

And Seastones was 1974, not 1973.

Not really mad. Just impatiently waiting for the box set.

Y'all be cool, CTM.

and Spacebrother...maybe a '91 will indeed happen.

It has been 38 picks since our one and only 1980…
But It’d be cool if they did 6/22/91 (especially with video) since they did some kinda work on it to show it, and a 68 for number 48.

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Apologies if buried below as somehow a freaking DeadCo discussion and debate erupted in a thread about a 73 box set, but is anyone else noticing a whole mess of errors with the downloads? There are tracks that are corrupted and cut off and even a few tracks, notably 5/20 Other One Eyes, for fukks sakes!, that are listed as not available in your country, which is something considering I am in the US. I have tried downloading multiple times to see if perhaps the process created problems, but nope. Same crap, different download. I have been a loyal buyer of everything, I mean everything, in terms of DP and box sets and releases the past 20 years, but this is the first serious issue I have encountered outside of the annoying shipping delay, and one "never arrived" situation which was rectified very promptly. Its somewhat outrageous that this product gets delivered so haphazardly. Anyone else having these issues, assuming of course you even received your download, which seems to be another gem of a hiccup with this release.

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Sorry to hear of bad discs with the new box. My box is SFSG. One disc was loose. I did my usual quick visual check of each disk, no scratches or smears. After reading about the discs, I realize I must do a quick test of each disc in my player. Will do as soon as I get back home.
I admit the disc sleeves are oversize and cumbersome. Personally I am impressed with the artwork. I think this box is one of the most beautiful boxes I have ever seen. I will proudly display it in my box bookshelf, which I admit has run out of space- need another bookshelf!
Besides mini books for each concert, there is a booklet for the overall box, its just smaller than usual.

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