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    WHAT'S INSIDE:
    Five complete, previously unreleased performances on 17CDs
    Des Moines, IA 5/13/73
    Santa Barbara, CA 5/20/73
    San Francisco, CA 5/26/73
    Washington, D.C. 6/9/73
    Washington, D.C. 6/10/73
    Recorded by Kidd Candelario, Betty Cantor-Jackson, and Owsley Stanley
    Newly restored and speed-corrected audio by Plangent Processes
    Mastered by Jeffrey Norman
    Liners featuring notes from Canadian author, Ray Robertson, The Owsley Stanley Foundation, and Legacy Manager and Audio Archivist, David Lemieux
    Art and Design by GRAMMY® Award-winning Art Director, Masaki Koike
    Custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer
     
    Limited Edition Individually Numbered To 10,000 
    Exclusively At Dead.net

     
    "There’s the simple fact that the band members were old enough and experienced enough by now to be virtuosos on their instruments (what other group—rock or jazz or any other kind of music—could boast a trio of spectacularly singular talents such as Garcia, Lesh, and Weir?) but were still young enough to want to play and play and play some more, the happy, itchy inclination of youth. As a few of the shows in the Here Comes Sunshine boxed set attest, it wasn’t unusual for a 1973 concert to exceed four hours. And within the shows themselves, there are nearly nightly examples of hour-long orgies of tune-linked songcraft and juicy jamming." - Ray Robertson, HERE COMES SUNSHINE 1973 Liners
     
    8 years in and the Grateful Dead are a little bit of everything to everyone. They are putting up textures and tones of rock, of jazz, of country, with set-morphing vibes and long stretches of improvisations that are completely keyed into the sum of their parts. Keith Godchaux is here with his cascading notes. Donna Jean too. Both finding their footing and keeping things steady in the wake of Pigpen's unfillable gap. The spring of 1973 feels transformative for the Dead - no more so than the May and early June shows, complementary yet remarkably different, soon-to-be cornerstones of everyone's tape collections, and now, 50 years later, set to be part of the band's official canon.
     
    HERE COMES SUNSHINE 1973 is a limited-edition, 17CD boxed set with five previously unreleased, highly sought-after Dead shows, including: Iowa State Fairgrounds, Des Moines, IA (5/13/73), Campus Stadium, UCSB, Santa Barbara, CA (5/20/73), Kezar Stadium, San Francisco, CA (5/26/73), and Robert F. Kennedy Memorial Stadium, Washington, D.C. (6/9/73) and (6/10/73).
     
    During the spring, the band road-tested most of the songs they would record that summer for WAKE OF THE FLOOD – their first studio album in three years – including early live versions of “Mississippi Half-Step Toodeloo,” “Row Jimmy,” “Stella Blue,” “Eyes Of The World,” and, the set’s namesake, “Here Comes Sunshine.” Also tucked into the collection are songs destined for the Dead’s 1974 studio album, FROM THE MARS HOTEL – “China Doll,” “Loose Lucy,” and “Wave That Flag,” a precursor to “U.S. Blues.”
     
    The new repertoire slipped neatly into the fluid setlists alongside songs honed on the 1972 European tour (“Jack Straw,” “Tennessee Jed,” “Brown-Eyed Women”), Chuck Berry perennials (“Promised Land,” “Around And Around”), classic country (“Big River,” “The Race Is On”), and incredible jam sequences: “He’s Gone”> “Truckin’”> “The Other One”> “Eyes Of The World.”
     
    Due June 30th, the individually-numbered, limited-edition 17CD set features vibrant graphics and custom-designed folios by GRAMMY® Award-winning Art Director Masaki Koike, a custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer, and liner notes by Canadian author Ray Robertson, The Owsley Stanley Foundation, and David Lemieux. And, of course, it features newly restored and speed-corrected audio by Plangent Processes, mastered by Jeffrey Norman.
     
    Digital convert? We've got you covered too. On the very same day you can collect your hi-definition download.

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  • 1stshow70878
    Joined:
    Or Not

    More or less decided to leave the analog system alone.
    Likely go to a separate 5.1 A/V receiver dedicated to some new old speakers.
    There is great stuff available for next to nothing as folks upgrade their systems.
    Have some very reliable vendor/techs I trust too.
    Esta todo bien.
    Cheers and thanks again

  • Oroborous
    Joined:
    1stshow

    Let me know what gear your trying to integrate and I can look it up and make suggestions if you like?

  • 1stshow70878
    Joined:
    Oro

    That discussion helped me figure some things out too.
    Vaguely thinking about having the TV sound through the big system.
    You are The Man on this subject. Don't need an electrician.
    Cheers and thanks!

  • Oroborous
    Joined:
    Daverock’s rig

    Hey amigo,
    Sorry for being so tardy, been busier than a one legged man in an ass kicking contest.
    I did look up your amp and it’s an integrated analog only unit. The “integrated”means it’s has both the pre amp section, and the power amp section all in one box. From looking at the back of the unit from a photo of one for sale, it appears it’s analog only. Sorry I just haven’t had time to look up specs etc.
    I’m wondering now what make and model tv you have? I’m guessing they were trying to back feed the audio from the tv to your integrated amp. Depending on years and models etc, that could be via an analog out of the tv, or optical, which is a digital connection. Like most things, to maximize profits, analog connections are often going away…

    Since your amp is all analog, it does not have a a digital section or DAC (digital to analog converter) so i would think it would have to be the former: your amp cannot connect directly to a digital source, unless it has its own DAC, which is what your CD player is doing. This is why they commented on age of the unit, not because it’s no longer usable!

    The tech probably just had to adjust some audio settings in the TV in order to output analog audio back to your amp.
    I’m not sure why they didn’t just follow suite with your cable box and Blu-ray player and run analog out of those units and into your amp like your CD player? Perhaps sync/delay issues? Sometimes the audio and video can get slightly out of sync when utilizing different paths depending on electronics?
    The switching would be an extra step but the sound would probably be better, (as long as no sync issues) though perhaps your cable or Sat box doesn’t have any analog outs. It’s unfortunately becoming more common to only have an HDMI video output?
    A increasingly more common approach to a basic TV set up is to run your sources into the tv via HDMI, and back feed audio via ARC (audio return channel via HDMI) but that requires a tv and receiver or integrated amp that supports it. This is mostly for cost and convenience so you only have to switch TV inputs and have all the video audio on one input channel of your amp. But I could walk you through wiring your video source audio direct to your amp if your interested, and depending on what kind of outputs your sources have: HDMI only or with something else i.e., optical, coax, or analog etc.
    To find out, just look at the back of your Cable or Sat box and your Blu-ray player: outputs should be labeled, but if not, you can tell by looking. RCA analog connections are what’s on the back of your integrated amp. If you see some that look like these your all set. If besides HDMI there is only optical or coax, your out of luck (digital coax is usually an orange color, at least in the states? Analog RCA are usually Red for right, and white for left). Many will only have HDMI.

    The good news is I don’t see any reason why you need to upgrade your amp if you like it and don’t want to!
    Perhaps the next best upgrade you could make if you kept the amp, would be to get an asynchronous DAC.
    That way you could utilize all your digital connections on your various digital sources, routing them into the DAC for conversion, with just one analog out of the DAC to your amp. You’d leave the amp on the same input (except turntable which being analog already would still go to directly the amps phono stage (though you could upgrade to a separate one of those also). You would do the switching of sources on the DAC instead of the amp.
    But you don’t have to do this, it would just be a nice upgrade as the DAC chip sets in most things are cheap garbage, especially TVs!! Your CD players DAC is probably at least decent?
    Right now, it sounds like your video sources are being converted in your tv, no bueno!
    The DACs they use in TVs and computers, and most lower cost electronics cost less than a dollar, a good separate DAC can range from a hundred dollars up to a hundred grand, so obviously something made to do a specific job should be an improvement over doing it the cheapest way possible…
    Another option if you do think about replacing the amp is to get a new integrated amp with digital inputs, though they might not do HDMI. Some now are utilizing the ARC technology I mentioned above. A good integrated should have a decent DAC so you could use whatever digital output your tv has to back feed from tv to the DAC, or run separate audio from the source to the DAC, and video to the tv, leaving the cheap tv electronics out of the audio chain.

    Similar, and most convenient would be a new AVR or Audio Video receiver. These usually have HDMI and analog inputs so you can run all your video sources into it with one HDMI video out to your Telly. You could run your CD digital or analog to it depending on the AVRs capabilities and preferences. You would have to make sure it has the correct phono stage for your turntable, or get a separate phono stage. AVRs, unless super high end, are usually not going to have as good components/electronics as a good integrated amp, or perhaps even a good DAC with your existing amp? Their designed for switching, convenience, a Jack of all trades but master of none if you will.
    Also, their more for surround sound etc, and I believe you have 2 channel so it would probably be money better spent on gear tailored more for your needs…but it’s a viable option…

    LOL, Yes, I wish I did live down the street, after I tweeked your system, we could go have a pint and play verbal tennis about our favorite bands etc. AND, I have a pre-pro that’d I could sell ya cheap that would probably solve your issues, Dooaahh!

    Still not quite sure what they ment about your amp effecting your CDs/player? It makes no sense?
    I have seen units that might have some brief latency between the audio and display, but that has nothing to do with what it’s connected to. I’m not sure of any audio gear that depends on everything in the chain “talking” to each other, only HDMI. Though not common there theoretically could be an all HDMI audio chain, but even then I’m not sure there’d be the same “handshake” issues that occur with HDMI video?

    Ok, sorry, that’s too much at once I suspect?
    Get me more intel and I’ll follow up with you.
    - what make/model TV do you have!
    - list all your video sources?
    - what kind of outputs does your Cable or Sat box, or other video sources have? (Please see above for instructions)
    - what is more important to you, maximizing audio, or convenience and ease of operations?

    I hope to have at least a little time this WE so if you can get back to me I might be able to figure more out.

    Sorry to rest for going on, hey, once a geek…
    besides, y’all can perhaps learn something from my tutorials that will help you maximize your GOGD audio nirvana!
    Hey, Who wouldn’t want to experience the most of all the plangent aural ecstasy lovingly provided by the likes of Norman and Glasser ; )

  • SPACEBROTHER
    Joined:
    Disc degradation

    So far all of the CDs I've purchased since the 1980s still work fine. I rip all mine and keep them stored. Some discs I bring to play in the car, but never the limited edition ones.

  • daverock
    Joined:
    set up

    Hey Oro-sorry it's taken me a while to respond to your post. This is where I show my ignorance - more than usual. I don't actually know what kind of cables I've got. When I bought my cd player, a guy from the shop came to set it up for me, and he brought these cables with him.
    This cd player, it was 2019 when I got it, is a Rega Saturn - R. The amplifier, which I got about 1997 has "Isobel 50 W solid state integrated amplifier" printed on the top.
    I bought the speakers in 1997 too. I can't remember what make they are!
    My record player is a pro ject, and I got that about 2018.

    So, a very random approach. Both the cd player and the records sound great to me though. The last Dead I played was from the PNW box - 5/17/74. A really sparkling sound-especially that of Jerry and Keith.

    I got the idea that my amplifier might not be a bit antiquated when I bought an Oled telly and blu ray player last year. For some reason, I couldn't get the sound to come out of my speakers, despite the fact that it was wired up to do so. Three people came out from the shop - and the last one managed to get it to work. I don't know what he did, but he said that because the amp was made in a way that they no longer make 'em, it couldn't pick up the signal from the tv/blu ray. He tinkered about with it ( getting a it technical here) and hey presto! Sound!

    The other thing is, when I listen to a cd - say track 3, the display panel still shows track 2 until a few seconds after track3 has started playing. This engineer who sorted it out told me that the delay was due to the amp being as old and different as it is, and that it took time to pick up the signal from the cd player. I really don't know whether what he said was correct or not.

    It's a pity you don't live down the road, really, so you could pop in and have a look. What do you mean "thank God for small mercies"!

  • Oroborous
    Joined:
    GD Discs

    I always rip them to my server immediately out of the package, then put them back and on the shelf.
    I used to also make a CD back up copy, but I’ve not been lately.
    As far as I can recall, I’ve only had problems with the music only Boxilla.
    I had a Hellava time ripping some of those discs. I think I eventually got them all, but some took hours to rip.
    Considering what that box cost, it was a stressful unpleasant experience.

    DR: your amp shouldn’t be a problem. Sounds perhaps like a sales pitch?
    A good analog amplifier can last decades, and should have nothing to do with discs being troublesome.
    Speakers and amplifiers if well built, do not need to be upgraded unless you don’t like how they sound, or obviously if they break.
    All an amplifier does is take the final, processed signal if you will, which is always eventually analog, and which is very low level, and amplifies it so it can drive the speakers. It just takes a very low level signal, and makes it loud, that’s all.
    Now this is a separate amplifier I’m speaking of, if you have an “all in one”, or receiver, those have a pre amp and often a digital processor, along with an amplifier, all in one box.
    If so, they might be talking about the front end or pre amp/processing section, but the amplifier is still just an amp like described above, it’s just lives in the same box.
    I’m curious what kind of cable or connection you have with your CD player?
    Actually, I’m curious about your whole set up…

  • wilfredtjones
    Joined:
    GD Disc Rot

    My older DaPs are physically peeling. For me it's the discs, not the player(s). YMMV

    Lesson: Check and Rip your discs immediately. -edit- And....Do NOT store them in a hot car...Slaps Head (thank God I followed my own ripping advice) :-) :-) :-)¯

  • daverock
    Joined:
    dust of time

    Interesting messages about hi fi maintenance. I am a real luddite when it come to technology. One of my friends recently suggested I try switching it off and on at the mains. That's about my level, I'm afraid.

    Apart from one cd from a 1976 Daves Picks, all mine have played well. And the ones in boxes.The ones that don't play so well are ones I have had for a while, and they always seem to play on my very cheap portable player if not my hi fi. So it seems that it's the hi fi that is at fault.
    The worst experience has been a T.Rex box set. A lot of people complained about these discs on Amazon, but mine played alright. That was last year. This year none of them will play.

    My front room can be a bit dusty - I have an open, and unused fireplace not too far from my hi fi. I keep it well dusted and have even taken to putting an old tee shirt on the system to keep the gremlins out. I think for me that could be a problem - that and the age and mismatch of my amplifier with the new stuff. I said earlier it was 20 years old-nearer 27, when I think about it .

    Not only this - I now need a new stylus. The last time I got one, the guy from the shop came to my house to attach it. His assistant came first, and he couldn't do it - so the owner of the shop came out and fitted it. Don't know how I am going to get the darn thing in place on my own. It was never a problem in the 70'-80's.

  • icecrmcnkd
    Joined:
    It’s the CD’s and the players

    My Onkyo 6-disc changer started having drop outs in random spots. I would rewind and play again and the drop out was not there. So I think it was an electronics issue and not dust. Replaced the Onkyo with a Cambridge Audio and the CD’s played fine and even sounded better.

    I have CD’s from a variety of bands where the CD’s play fine on both the Onkyo and the Cambridge Audio players, but a good copy cannot be made to a hard drive. Redoing it with the same burner, or doing it on another computer with a different burner, still gives a copy with skips, but the skips are in different locations.
    This was the case with Road Trips Fall 77 + bonus disc (which I only got a few years ago). I had to copy the discs 5 times using 3 different computers and burners in order to get a single version on a music player that didn’t have skips.

    The only defective CD I ever got from Rhino was CD3 of 6-17-76, which Rhino acknowledged was defective and sent out defective replacements, then again sent out replacements which were fixed.

    If you store your CD’s in a hot car you should expect that they will eventually start to degrade. And the slot opening of car CD players can scuff up the disc. When I previously had a car with a CD player I made CD-R copies of my CD’s and stored the CD-R’s in the car.

    I put copies of all my GD releases on a music player and don’t continue spinning the CD’s once a good copy is on the music player. The GD releases are then stored in crates, protected from dust and dog drool.

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3 years 6 months

WHAT'S INSIDE:
Five complete, previously unreleased performances on 17CDs
Des Moines, IA 5/13/73
Santa Barbara, CA 5/20/73
San Francisco, CA 5/26/73
Washington, D.C. 6/9/73
Washington, D.C. 6/10/73
Recorded by Kidd Candelario, Betty Cantor-Jackson, and Owsley Stanley
Newly restored and speed-corrected audio by Plangent Processes
Mastered by Jeffrey Norman
Liners featuring notes from Canadian author, Ray Robertson, The Owsley Stanley Foundation, and Legacy Manager and Audio Archivist, David Lemieux
Art and Design by GRAMMY® Award-winning Art Director, Masaki Koike
Custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer
 
Limited Edition Individually Numbered To 10,000 
Exclusively At Dead.net

 
"There’s the simple fact that the band members were old enough and experienced enough by now to be virtuosos on their instruments (what other group—rock or jazz or any other kind of music—could boast a trio of spectacularly singular talents such as Garcia, Lesh, and Weir?) but were still young enough to want to play and play and play some more, the happy, itchy inclination of youth. As a few of the shows in the Here Comes Sunshine boxed set attest, it wasn’t unusual for a 1973 concert to exceed four hours. And within the shows themselves, there are nearly nightly examples of hour-long orgies of tune-linked songcraft and juicy jamming." - Ray Robertson, HERE COMES SUNSHINE 1973 Liners
 
8 years in and the Grateful Dead are a little bit of everything to everyone. They are putting up textures and tones of rock, of jazz, of country, with set-morphing vibes and long stretches of improvisations that are completely keyed into the sum of their parts. Keith Godchaux is here with his cascading notes. Donna Jean too. Both finding their footing and keeping things steady in the wake of Pigpen's unfillable gap. The spring of 1973 feels transformative for the Dead - no more so than the May and early June shows, complementary yet remarkably different, soon-to-be cornerstones of everyone's tape collections, and now, 50 years later, set to be part of the band's official canon.
 
HERE COMES SUNSHINE 1973 is a limited-edition, 17CD boxed set with five previously unreleased, highly sought-after Dead shows, including: Iowa State Fairgrounds, Des Moines, IA (5/13/73), Campus Stadium, UCSB, Santa Barbara, CA (5/20/73), Kezar Stadium, San Francisco, CA (5/26/73), and Robert F. Kennedy Memorial Stadium, Washington, D.C. (6/9/73) and (6/10/73).
 
During the spring, the band road-tested most of the songs they would record that summer for WAKE OF THE FLOOD – their first studio album in three years – including early live versions of “Mississippi Half-Step Toodeloo,” “Row Jimmy,” “Stella Blue,” “Eyes Of The World,” and, the set’s namesake, “Here Comes Sunshine.” Also tucked into the collection are songs destined for the Dead’s 1974 studio album, FROM THE MARS HOTEL – “China Doll,” “Loose Lucy,” and “Wave That Flag,” a precursor to “U.S. Blues.”
 
The new repertoire slipped neatly into the fluid setlists alongside songs honed on the 1972 European tour (“Jack Straw,” “Tennessee Jed,” “Brown-Eyed Women”), Chuck Berry perennials (“Promised Land,” “Around And Around”), classic country (“Big River,” “The Race Is On”), and incredible jam sequences: “He’s Gone”> “Truckin’”> “The Other One”> “Eyes Of The World.”
 
Due June 30th, the individually-numbered, limited-edition 17CD set features vibrant graphics and custom-designed folios by GRAMMY® Award-winning Art Director Masaki Koike, a custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer, and liner notes by Canadian author Ray Robertson, The Owsley Stanley Foundation, and David Lemieux. And, of course, it features newly restored and speed-corrected audio by Plangent Processes, mastered by Jeffrey Norman.
 
Digital convert? We've got you covered too. On the very same day you can collect your hi-definition download.

I was thinking the same thing on the number released on this one. Still can't believe I missed it. Honestly had every intention but just dragged my feet too long. For now I settled for the single show and maybe a box will show up at a decent price someday.
But speaking of 'music only editions', do we think there's a chance of others someday? Europe 72? My lord there's got to be enough interest out there to sell several thousands more of that wonderful stuff!

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17 years 5 months
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Mine came this past Saturday along with Garcialive 20. Haven't had a chance to check either out yet. I hope the Allman Brothers RFK sets get released to make it the complete experience.

Took photos.
Will need to inspect all the CD’s closely.

So apparently if your CD’s haven’t come loose from the sand paper holder it’s because they are stuck in the slot with residual glue.

This release is looking to be another epic fail by Rhino.

Sad, sad, sad…..

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7 years 9 months
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Glad to hear that folks in England/UK are receiving their box sets!

I'd love to see Lemieux's production team work with Rhino figure out a way to generate more "All Music Editions". The production for the Europe '72 steamer trunk itself is obviously not going to come together again, but those beautiful rainbow-hued cardboard packs for the 22 shows all contain lovely liner notes and pics that many fans would love to have.

I've heard people opine that the problem with this is that only the most dedicated fans will buy a set of nearly two dozen shows from 2 months containing 22 versions of Mr. Charlie, 20 Black Throated Winds, 19 Casey Jones, 13 Tennessee Jeds, etc. But it feels like the set could be reimagined; suppose it was not re-released merely as the shows sans steamer trunk, but instead recreated as four mini-boxes? For ex. England/Denmark (6 shows), Germany (5), France/Lux/Neth. (6), and England II (5).

I mean, only with the Grateful Dead could a 6-show box set be called a mini-box ;) but there you go. This would make all the music available again, and in more bite-size chunks. Completists (so, that's probably all of us here reading this lol) could buy all 4. Sure, Rhino would have to pay an artist and a production designer to create four new mini-boxes, but that's a nice problem to have. And as mentioned, the liner notes and sleeve designs are already extant. Feels like there's a decent amount of profit in this model for Rhino, while for fans, even a fairly high price point per mini-box (for example, $179USD) would still come in at far less than the *lowest* starting asking price ($1500) today for a Steamer trunk.

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11 years 7 months

In reply to by Obeah

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ICECRMCNKD: Thats it, exactly. When I read about Daverock prising loose his CDs, I knew why. Distracted by catastrophic floods, a little too much rain around here, roads closed, wash outs, comparisons to tropical storm Irene damage. Good time to listen to music... if possible. 5.13: Made it through first disc, all good, Second disc was fine until the last two minutes of PITB. Thats where it started to skip, because of dried glue bits on the outer edge. Took twenty minutes of very very gentle swabbing with isopropanol and there's still a smudge film. There's five other discs like that in the box. The glue holding the cardboard sleeves together was not dry before the discs were jammed inside. One disc is scratched in multiple spots, all scratches are parallel and about an inch long, as if a slightly gritty disc was jammed into the cardboard sleeve. CDs play from inside out, so if there's less than a full disc, or say 50 minutes of content, the very outer edge could have glue bits and play just fine, so it would not effect the 5.13 third disc. Close visual examination or a fine sense of touch may reveal glue along an outer edge, anyone who has to prise a disc out is likely to find bits of glue. Which could wind up inside your CD player....

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10 years 2 months

In reply to by Obeah

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Obeah - that's a good idea, re-releasing sections of these big boxes. Pink Floyd did that with the Early Years set. As it goes, it seems more likely that The Dead shows from boxes will get re-released as vinyl editions rather than on cd-which is obviously a bit exclusive.My big omission was Fillmore West 1969- a mini box I guess - and I have been buying the records as they have come out. I'd still buy the cds of that run, though, if they were re-released.

Time to take a deep breath and look at the rest of the cds in the 73 box.

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17 years 5 months
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I was experiencing all sorts of tracking errors on the first disc of the set. First, I tried playing on multiple players, then I tried cleaning the laser lens of my players, finally I cleaned the disc (for a 2nd time). After that I made it through the entire disc without skips or tracking issues. I'm going to try the disc on another player before I determine that I am satisfied, but I will definitely be cleaning all the discs before I play them and test for skipping and tracking.

-edit- Now my DaP's 1-4, that's a different story!!... :-( :-( :-(

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17 years 4 months
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3899 is in the house. I’ve visually checked the discs - no glue or scratches, but the proof is in the pudding, or CD player!

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9 years 1 month

In reply to by daverock

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Not that I don't trust downloads, but on releases such as this the cds, the package, are objets d'art, and I like to see them and handle them, read the printed notes, as well as enjoy the magic and beauty of the music itself.

Cone Kid and DMCVT - the glue is generally easily removed with some 91% isopropyl alcohol and a soft cloth, if so inclined. Scratches are another issue.

Another disc added to the list of problem children yesterday, Disc 1, 5/20, Santa Barbara. Ripped file for Playing has a 10-20 second stretch of static, skips, dropouts. Looking at the disc it has a very fine angular scratch, main body essentially parallel to the grooves, that I missed in my initial inspection. Crosswise I don't think it would have been a problem but running with them yeah it is. Tried 5 times, same basic result, slightly different each time, last one was the worst. Losing a few notes of Promised Land is one thing - but a problem like that 12 minutes into an awesome Playing is another.

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10 years 1 month
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Anyone have any luck with the commercial products available?
I remember the folks at Hastings seemed to have some magic juice and a cleaning machine that could get their movie rentals to play again. Brief searches turned up stupid answers like tooth paste. Um, no. How about that stuff that fixes plastic headlight covers or the like? Doesn't do anything for the glue blobs but the thread seems to have figured that out with the alcohol.
Cheers

Yep, will see if I can source some 91% tomorrow... maybe WMG can include a small vial with every box set in the future. I considered trying some 151 Rum too, but why waste that, right? Given the extensive flooding in these parts, a little glue is the least of my concerns at the moment... it was the anticipation after waiting for two months, I just wanted to play all that music at once. And that towel? Very handy for mopping up.

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In reply to by dmcvt

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That’s for cleaning the CD’s.
You need to supply your own isopropanol.

I used 70% i-PrOH and Q-tips. It removed the glue but there are still blemishes on the disc plastic, possibly from the solvent that was in the liquid glue.

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14 years 11 months
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but I have come to the realization that even though the problems are in the most part resolved (even if it takes months) rhino and the people who control these things just can't seem to get it right when it comes to the Grateful Dead. Why is that? I have had in the past so many bad discs, don't play, scratches, skips, digi skips and total dropouts. Yet if you purchase something else from rhino from another band, these problems never seem to occur. It is an enigma, wrapped in a mystery that is stuck in a quagmire, and until these crazy and sometimes mind boggling imperfections are somehow corrected at the source, I'm afraid that these complications will continue.
Is it the discs made in Mexico? Is it the process? is it the engineers at rhino? why does this happen and why have the powers that be allowed it to continue. Sad, the greatest American band, with the greatest guitar player that ever walked the earth, are reduced to poor workmanship, imperfect production and down right crappy releases. Why can't these problems be addressed and corrected?
I did not buy this release and I have been fortunate to acquire it from kind folks right here at Deadnet. After hearing all these problems, I'm glad I did not take the plunge. Thank you kind heads, you know who you are. :)

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10 years 4 months
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Here’s a linque to my corrected scans of Masaki Koike’s cover art for the 5 shows in the Here Comes Sunshine box. Sorry it took a while, but I just got mine yesterday, and the folders for each show are wider than my scanner (don’t look too closely for a splice across the middle). There’s some great music in this one! Onward

dropbox "dot" com/scl/fo/i7anf4lju186geyqk4szr/h?rlkey=odvrh2r6boff1ma3alstabsfa&dl=0

In this case, the packaging is too. It's a pity they can't just ship them in functional boxes that protect the discs. Instead, they seem to be trying to produce what they consider to be works of art, with no thought to disc protection at all. Didn't the last box win some stupid award? Terrible - maybe they are aiming for that every time at the expense of preserving the discs.
I seem to have been lucky, having said that. One globule of some foreign body on one of the discs in 6/9/73 which wouldn't come off when I wiped it. I'm not playing it just now. - as I am going through the shows in the order they were played. Looks like I'll be ordering some of that solution that has been recommended!

I thought 5/13/73 was a really great show. Maybe the best one I have heard so far from the first half of 1973. Odd how the show seems to end after the the 3rd cd - when there is still a 4th cd to go. A quick nosy in Deadbase - obvious when you know - they slipped the encore in early as it wouldn't fit on it its rightful place. No problem with that at all - although it would have been nice to have it mentioned on the cover.

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We received our box and every single disc either wouldn’t load, or wouldn’t play. We own every single box set they have released, along with every Dick’s Picks, every Dave’s Picks, every Road Trips, and every other release of the Grateful Dead…. Including bonus discs. Every single one of them plays on our $1,000 Jolida tube CD player. Except THIS box set.

Clearly this is a manufacturing problem that Rhino needs to address properly. Too many people are having problems to just blow us all off.

We own almost 5,000 CD’s in our collection and every single one of them plays perfectly in our player. This set is the only ones not loading or playing. All 17 of them. Clearly it is the discs, not the player.

If they can’t provide a product that will work in any player designed for CD’s then they need to find a solution to their manufacturing problem. This should not fall on the consumer to deal with, and I intend to hold them accountable on this matter.

I won’t accept a refund because I paid for this box set in order to hear these performances. If their discs don’t play in my player, then they need to repress the discs so they do.

I paid for this box set in good faith that I would hear this music, and they promised to deliver the goods. I kept my end of the bargain, so now they need to hold theirs.

Every day I hear the Sex Pistols in my head:

"Problem, problem, problem, problem, problem, problem, problem, problem!!!"

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15 years 1 month
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I normally don't make comments here, but I was so excited to receive this set. But, like others, many of the discs are damaged with scratches or glue. Rhino needs to make this right. And quickly.

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15 years 1 month
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Dear Rhino,

As I've paid over $200 for a Grateful Dead box set which is defective, I feel as if there are two ways you might respond...

1. Refund my purchase price. You can send me a pre-paid label to ship the entire box back to you. I won't mind, but I'll be very disappointed that the music is no longer mine to listen to.

2. Send replacement discs. All of them. UMC did this for the Richard and Linda Thompson box set, "Hard Luck Stories," so this fix is not unprecedented.

I await your response...

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13 years 9 months
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Reading the comments about defective discs, glue and customer service woes is a bummer to read. I can imagine the disappointment: You're 'psyched' to get this in your hands and to quote Lynyrd Skynyrd "Turn It Up!"

While it will take time, it will be made right. Reading the poster's comment about how come Rhino gets other bands releases just exactly perfect. . .. But with the Good Ole GD #$%@ always seems to go side ways. . .. Why is that??

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13 years 11 months
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Done with disc three, no problems yet. Gearing up for the big disc four. Couple of shows (Jimmy Webb, Graham Nash) and a couple of summer parties through the weekend, so my dance card is full. I'll get back to y'all next week. And by the way, 91% isopropyl is also great for cleaning out yer bong.

I have had occasional issues with box sets by other bands, too. The worst has been the T.Rex1972 box that came out last year. A lot of people stated on Amazon that the cds wouldn't play on any player. Mine did. But when I tried to play them again later in the year, mine were the same. None of them would play at all. And It felt too late and... and I couldn't be bothered to be honest, doing anything about it. Also the aforementioned globules of glue on cds in a King Crimson box-although all those would play eventually.
When so many people have defective discs, you would hope the company concerned would replace the discs en masse, without expecting people to return the originals. That happened to me with individual discs in "The Early Years" Pink Floyd and the "Five Years 1969 -1973" David Bowie Boxes. I think all we had to do was notify the company concerned with purchase details, and replacements were sent out.

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7 years 5 months
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I've had no issues with my discs so far. Where's the quality control? I don't get it. Some people don't have any issues and others have issues.
Big kudos to JEFFSMITH for the cover art. Great job!!!

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15 years
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Yep, defective disc here ... Disc 4 from 5-13-73 ... some kind of damage to outer edge of disc ... disc will not play all the way through ... I sent an email to customer service but just thought I'd add a message here as well

Order # 137400000062002SF_US
Please help :)

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6 years 11 months
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So far all is good on my Iowa set. The only weird thing is that when I play disc 3, the track listing comes up as the Disc 2 tracks, but the music is what it is supposed to be. This Saturday, will be seeing TBB for the first time, with Ziggy opening.

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17 years 4 months
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Thanks Jeff for the art work, looks grate!

Is anyone keeping a spreadsheet or something of the skips and dropouts? I don't own a CD player, weirdly, but still buy the physical product and noticed some of the ALAC extracted files have skips. Hoping I can compare the issues others found with the extracted discs to see if there is a match.

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17 years 4 months
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Disappointed is all I can say. I pre-ordered, was charged, received a confirmation and order number. Ahead of shipping, I received a tracking number, which remains to this day in a "Label Created" status. Box set never received. Contacted Dead.net only to find out several days later... Sorry, we are sold out.
Yes, I know. That's why I pre-ordered. That's the point of pre-ordering. To avoid such things.
I was offered a 10% coupon. Thanks... I can obtain that just from signing up for a new account here.

Never had any issues with any previous orders. If they messed up, I get it. It happens, but to offer me a 10% coupon is really rubbing salt in the wound.
Anyone else have this happen to them?

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6 years 11 months
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It should have been TTB, not TBB

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17 years 4 months

In reply to by Oroborous

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....not yet. But 118 degrees forecasted for Sunday, which would set a record. "Only" 108 today.

It is possible the box is still on the way. Taking its own sweet time obviously, but I wouldn't give up yet.

Easy for me to say, I know. I would give it until this coming Monday before truly panicking.

10% coupon? That is so very kind (eyeroll)

Mr. Cheerful at your service,

Proudfoot

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6 years 11 months
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One of those daze.......track reading is correct......may have been my imagination, or it could have been the roses.
Edit: LOVE the end of Casey Jones!!!!.........really looking forward to the rest of these shows.

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17 years 4 months

In reply to by rasta5ziggy

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But it’s a dry heat ; )
Experienced 115 once in Phoenix, it really was a dry heat, but still pretty hot!
We needed to use a pay phone…my cousin and I would take turns because after a couple minutes your sneakers would start to melt to the blacktop. But hey, at least your not bucket brigading water like ole DMCVT in Vermont!
Hang in there folks, it’ll be Labor Day soon enough!

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7 years 9 months
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...because 109 degrees in the Bay Area isn't normal. This was July 2000. We lived in an apartment that was built back when a hot summer's day meant 89. So after a three days of sustained high heat culminating with the aforesaid 109, the south-facing wall got so hot that it apparently melted the paint on a black picture frame. We didn't realize this until we moved out a couple of years later, though... we went to pack up the frame, and there was a black rectangle of paint on the wall!

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First time I encountered 115 was in Palm Springs. It was 40 years ago almost to the day - July '83. We were borrowing a friend's timeshare... no wonder he wasn't there in July. The pool was barely refreshing; I remember it was in the 90s. Anyway, one afternoon we decided to walk to the grocery store, which was maybe two blocks away. The sidewalks were so hot that everything was all shimmery. It was like a fun house mirror except without the fun. Waiting for the stoplight to change was agonizing because the cement underfoot would begin to burn your feet through your shoes if you stood in one place too long. Once at the store I remember burning my hand on a shopping cart. And just inside the store was a man who was completely incoherent, apparently suffering from heat stroke. I remember the paramedics showing up and one of them was complaining that he'd burned his hand on the handle of his van... heat doesn't discriminate, it's an equal opportunity pain inflictor...

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10 years 1 month
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We moved there in May and in June it hit 122 degrees.
Locally claimed 123 but who's counting.
We said what have we done moving here.
Nice for at least 6 months a year though.
Cheers
Edit: We had previously lived in Gunnison CO in the 80's and endured a minus 48 degree night. (the night the furnace broke) so the swing was 170 degrees, lol.

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17 years 5 months
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Through 5-13-73 on 3 complete close headphone listens on different players, twice on CD and once on the digital or 'ripped' files. All good despite minor scratches and glue removed via 91% bong cleaning solution. Nice, if not mind-blowing show. Very tight, but there are mix issues. Definitely worth future listens barring a 'self-destruct' feature e.g., my DaPs 1-4. :-) :-) :-)¯

Be well all and as always stay Grateful. On to 5-20 in a bit...Fingers firmly crossed...

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16 years 11 months
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I didn't get to order this set in time. Just didn't have the money to spare this time around. That brings me to a point I've made in the past. Remember, before Rhino, when you could just purchase releases as you saw fit at your own leisure? Now, here we are. Rhino insists on making virtually everything in numbered, limited quantities which negates the very idea behind music being for the ages. And they seem to have mangled this one big time with all these horror stories of unreadable discs and glue on the playing surfaces. This kind of issue was present on The Doors 40th Anniversary releases in 2007. There were manufacturing issues which rendered many of the discs unplayable for the first song or two. They also managed to completely botch the vinyl covers on those releases in 2007. At what point do all these bands under the Rhino umbrella decide enough is enough? Not yet, I suppose. I do hope all of you with disc issues are given replacement discs as should be the case.

I don't see any glue or obvious scratches but of course who knows?

Have had great luck in the past (10 yrs ago, maybe?), only once received a defective disc and it was promptly replaced.

Hope for the best as I play through these shows.

Ditto to the complaints on slotted cardboard sleeves which I usually end up tearing to get the disc out.

Pretty packaging, but would be as happy with shelf friendly more plain CD covers, especially with a reduced price.

Gotta admit I loved the poster as it reflected the band members when I first got aboard the bus.

Wonder what the date was she drew this nice pointillist Dead portrait.

"Teachers open the door, but you must enter by yourself."

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In reply to by Oroboros

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I believe I first saw that poster included with old copies of the original LP Wake Of The Flood. So the picture is maybe current to 1973.

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17 years 4 months

In reply to by thismikebenz

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....so far, so good. Good thing this wasn't sent out now, or it would have melted in the mailtruck/porch.
I hope that Sphere doesn't start sagging.
To be fair though, a record did occur last/this year. 293 straight days under 100. Beat the old one by three days.
Being born and raised here, I'm pretty much used to it. 48 below? I'm Nicholson in The Shining.
It is a dry heat so shade and sweat helps. Better than 96 degrees and 80+ humidity. Shade does jack shit and at a certain point, ones body can't sweat anymore.
I learned a new term the other day. Wet bulb temps.
The wet-bulb temperature is the lowest temperature that can be reached under current ambient conditions by the evaporation of water only. Even heat-adapted people cannot carry out normal outdoor activities past a wet-bulb temperature of 32 °C (90 °F), equivalent to a heat index of 55 °C (131 °F). Copy/paste.
We don't have a pool, but a couple of casinos near us offer free pool access to locals, so that's cool.
Not ordering any vinyl until September for obvious reasons.
Phish's Summer Tour is off to a hot start in Alabama btw.
Alabama Getaway!

Three bucks at CVS and an hour of time spent to obtain, then cleaning glue bits off HCS CDs. Surprised that 91% worked so well when the 70% just melted it enough to smudge. Of course it does not fix the scratches. Hope someone, anyone at WMG/Rhino checks these boards and sees all these comments, absolutely will send replacement request for the scratched CDs. Did not want to wait five weeks to replace 6-7 glue edged CDs, like when I requested replacement for a defective CD on DaP 46. Now I can listen to an entire show... wowee zowee!!! The artwork is great but this concept of lightweight cardboard slip cases, not so much.

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I've lived in the Palm Springs area for 15 years and was born/raised in the midwest... I personally prefer heat to cold, but that's just me. I'm in Vegas (cooling off a few degrees!) and took a walk over to the Sphere yesterday ... and nope, it hasn't melted yet! just like the cold, one prepares for the seasonal ugly weather and looks forward to the paradise weather that will shortly ensue. And I was here (Vegas) for the Dead with Steve Miller opening... great shows, very hot (pun intended), with a perfectly timed LLR with bolts of lightning comin our way. BTW... I really enjoyed them at the Aladdin... super-trippy to a casino loaded with gambling Heads!

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