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    WHAT'S INSIDE:
    Five complete, previously unreleased performances on 17CDs
    Des Moines, IA 5/13/73
    Santa Barbara, CA 5/20/73
    San Francisco, CA 5/26/73
    Washington, D.C. 6/9/73
    Washington, D.C. 6/10/73
    Recorded by Kidd Candelario, Betty Cantor-Jackson, and Owsley Stanley
    Newly restored and speed-corrected audio by Plangent Processes
    Mastered by Jeffrey Norman
    Liners featuring notes from Canadian author, Ray Robertson, The Owsley Stanley Foundation, and Legacy Manager and Audio Archivist, David Lemieux
    Art and Design by GRAMMY® Award-winning Art Director, Masaki Koike
    Custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer
     
    Limited Edition Individually Numbered To 10,000 
    Exclusively At Dead.net

     
    "There’s the simple fact that the band members were old enough and experienced enough by now to be virtuosos on their instruments (what other group—rock or jazz or any other kind of music—could boast a trio of spectacularly singular talents such as Garcia, Lesh, and Weir?) but were still young enough to want to play and play and play some more, the happy, itchy inclination of youth. As a few of the shows in the Here Comes Sunshine boxed set attest, it wasn’t unusual for a 1973 concert to exceed four hours. And within the shows themselves, there are nearly nightly examples of hour-long orgies of tune-linked songcraft and juicy jamming." - Ray Robertson, HERE COMES SUNSHINE 1973 Liners
     
    8 years in and the Grateful Dead are a little bit of everything to everyone. They are putting up textures and tones of rock, of jazz, of country, with set-morphing vibes and long stretches of improvisations that are completely keyed into the sum of their parts. Keith Godchaux is here with his cascading notes. Donna Jean too. Both finding their footing and keeping things steady in the wake of Pigpen's unfillable gap. The spring of 1973 feels transformative for the Dead - no more so than the May and early June shows, complementary yet remarkably different, soon-to-be cornerstones of everyone's tape collections, and now, 50 years later, set to be part of the band's official canon.
     
    HERE COMES SUNSHINE 1973 is a limited-edition, 17CD boxed set with five previously unreleased, highly sought-after Dead shows, including: Iowa State Fairgrounds, Des Moines, IA (5/13/73), Campus Stadium, UCSB, Santa Barbara, CA (5/20/73), Kezar Stadium, San Francisco, CA (5/26/73), and Robert F. Kennedy Memorial Stadium, Washington, D.C. (6/9/73) and (6/10/73).
     
    During the spring, the band road-tested most of the songs they would record that summer for WAKE OF THE FLOOD – their first studio album in three years – including early live versions of “Mississippi Half-Step Toodeloo,” “Row Jimmy,” “Stella Blue,” “Eyes Of The World,” and, the set’s namesake, “Here Comes Sunshine.” Also tucked into the collection are songs destined for the Dead’s 1974 studio album, FROM THE MARS HOTEL – “China Doll,” “Loose Lucy,” and “Wave That Flag,” a precursor to “U.S. Blues.”
     
    The new repertoire slipped neatly into the fluid setlists alongside songs honed on the 1972 European tour (“Jack Straw,” “Tennessee Jed,” “Brown-Eyed Women”), Chuck Berry perennials (“Promised Land,” “Around And Around”), classic country (“Big River,” “The Race Is On”), and incredible jam sequences: “He’s Gone”> “Truckin’”> “The Other One”> “Eyes Of The World.”
     
    Due June 30th, the individually-numbered, limited-edition 17CD set features vibrant graphics and custom-designed folios by GRAMMY® Award-winning Art Director Masaki Koike, a custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer, and liner notes by Canadian author Ray Robertson, The Owsley Stanley Foundation, and David Lemieux. And, of course, it features newly restored and speed-corrected audio by Plangent Processes, mastered by Jeffrey Norman.
     
    Digital convert? We've got you covered too. On the very same day you can collect your hi-definition download.

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  • bluecrow
    Joined:
    28 Years ago tonight

    I was there . . . .

    16 row floor near center

    So Many Roads

  • proudfoot
    Joined:
    28 years ago today...

    you know

  • thismikebenz
    Joined:
    Good condition

    My HCS box arrived in good condition. I was able to rip all the discs.

    With each DaP and boxed set I order, I see more reports of people with damaged discs. I have been lucky so far that I have only had to replace one disc one time a few years ago. Mary E. helped me sort that out.

    I am surprised that they can't get the downloads working on this set.

    I was glad to see D&C in walking distance from our home here in Boulder. My wife had to talk me into it though. After all those years of Furthur, and after having seen the Wolf Pack at Radio City, I was a little skeptical. I look forward to whatever any of the boys do next.

    Thank you in advance JeffSmith for the artwork scans.

  • bluecrow
    Joined:
    Now You Doing, You Doing The Funky Chicken

    Daverock, my apology for the misunderstanding! The groove the band is laying down behind him is crazy tight and crackling with energy - that organ, the congas, the horns - Holy Mother of Funky Goodness! Would have loved to see that groove stretched out way longer. The whole thing fills me with joy.

    You raise your left arm up
    And your right arm too
    Let me tell you
    Just what to do
    Flap your wings
    Feet start kicking
    Now you doing
    You doing the funky chicken

    Rumor has it bluecrow was flapping his wings and kicking his feet in Boulder!

  • proudfoot
    Joined:
    A little something

    Watching video of Bowie's Jean Genie
    There's a scene of him in an urban area
    He's right by THE Mars Hotel

    Cool

  • proudfoot
    Joined:
    Thank you colin for clarifying

    I was able to get through about half of Machine Gun earlier today

  • Colin Gould
    Joined:
    Alan Skidmore

    PROUDFOOT

    My avatar is, currently, the cover of a newly released boxset ‘A Supreme Love’ by Alan Skidmore, a British sax player. It’s a retrospective 6 cd set of music between 1961 - 2019. As the title suggests he was very influenced by John Coltrane. I haven’t played it yet because it only arrived yesterday and the GD boxset still has my attention. Among the many albums that he played on (not represented here) was the Bluesbreakers ‘Beano’ album.

    I do have a few albums by/with Peter Brötzmann, a remarkable free player. Everyone should hear ‘Machine Gun’ at least once.

  • daverock
    Joined:
    Rufus

    Bluecrow - I wasn't having a go at Rufus Thomas - his set is a highlight of the day for me too. Just a gentle pop at the organisers - Jesse Jackson and his cronies - who do seem to be stressing the educational importance of the day at the expense of stirring up some action. I can understand why....but still, there's an awful lot of telling people to get off the grass.

  • bluecrow
    Joined:
    Rufus Thomas

    That Funky Chicken and the dancing frenzy it kicks off absolutely rules. Love it. And no, I don't think for a second Rufus Thomas missed "the point". Pretty clear that the folks wanted to dance!

  • daverock
    Joined:
    Stax boxes

    I agree with Charlie -The Complete Wattstax Concert that came out earlier this year is great. A wide variety of music from the orchestral sweep of Dale Warren and his Orchestra, to Gospel to blues to funk... to Rufus Thomas. It's very much a recording of a cultural event, which means there are quite a lot of stage announcements and politicising going on. A continual emphasis, from those making such announcements,that this is an opportunity to show the world how responsible and well behaved and intelligent they all are. Rufus Thomas seems to have missed the point of all this, turning up in hotpants, doing the Funky Chicken. He encourages everybody to leave their seats and get on down, which they appear to do with enthusiasm. In fact, most of the 5th cd is given over to people on the stage trying to get everybody to go back to their seats.
    Incidentally, I got the 6 cd version, which I believe features all the music played at the original concert, but is missing the Summit recordings.I got a separate copy of Johnnie Taylor At The Summit, which came out in 2007 minus a track.

    Another good Craft Box set of Southern Soul is "The Spirit of Memphis 1962-1976" by Isaac Hayes. The 1st cd features the very well known tracks he produced. The 2nd his Volt and Enterprise singles and the 3rd cover versions, including a live set from 10/1/72. The 4th cd is amazing - called Jam Master it features extended jams from live gigs in the 70s. The last two tracks on this are an 18 minute "Groove-A-Thon" followed by a 33minute "Do Your Thing". Mind bogglingly brilliant.

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3 years 4 months

WHAT'S INSIDE:
Five complete, previously unreleased performances on 17CDs
Des Moines, IA 5/13/73
Santa Barbara, CA 5/20/73
San Francisco, CA 5/26/73
Washington, D.C. 6/9/73
Washington, D.C. 6/10/73
Recorded by Kidd Candelario, Betty Cantor-Jackson, and Owsley Stanley
Newly restored and speed-corrected audio by Plangent Processes
Mastered by Jeffrey Norman
Liners featuring notes from Canadian author, Ray Robertson, The Owsley Stanley Foundation, and Legacy Manager and Audio Archivist, David Lemieux
Art and Design by GRAMMY® Award-winning Art Director, Masaki Koike
Custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer
 
Limited Edition Individually Numbered To 10,000 
Exclusively At Dead.net

 
"There’s the simple fact that the band members were old enough and experienced enough by now to be virtuosos on their instruments (what other group—rock or jazz or any other kind of music—could boast a trio of spectacularly singular talents such as Garcia, Lesh, and Weir?) but were still young enough to want to play and play and play some more, the happy, itchy inclination of youth. As a few of the shows in the Here Comes Sunshine boxed set attest, it wasn’t unusual for a 1973 concert to exceed four hours. And within the shows themselves, there are nearly nightly examples of hour-long orgies of tune-linked songcraft and juicy jamming." - Ray Robertson, HERE COMES SUNSHINE 1973 Liners
 
8 years in and the Grateful Dead are a little bit of everything to everyone. They are putting up textures and tones of rock, of jazz, of country, with set-morphing vibes and long stretches of improvisations that are completely keyed into the sum of their parts. Keith Godchaux is here with his cascading notes. Donna Jean too. Both finding their footing and keeping things steady in the wake of Pigpen's unfillable gap. The spring of 1973 feels transformative for the Dead - no more so than the May and early June shows, complementary yet remarkably different, soon-to-be cornerstones of everyone's tape collections, and now, 50 years later, set to be part of the band's official canon.
 
HERE COMES SUNSHINE 1973 is a limited-edition, 17CD boxed set with five previously unreleased, highly sought-after Dead shows, including: Iowa State Fairgrounds, Des Moines, IA (5/13/73), Campus Stadium, UCSB, Santa Barbara, CA (5/20/73), Kezar Stadium, San Francisco, CA (5/26/73), and Robert F. Kennedy Memorial Stadium, Washington, D.C. (6/9/73) and (6/10/73).
 
During the spring, the band road-tested most of the songs they would record that summer for WAKE OF THE FLOOD – their first studio album in three years – including early live versions of “Mississippi Half-Step Toodeloo,” “Row Jimmy,” “Stella Blue,” “Eyes Of The World,” and, the set’s namesake, “Here Comes Sunshine.” Also tucked into the collection are songs destined for the Dead’s 1974 studio album, FROM THE MARS HOTEL – “China Doll,” “Loose Lucy,” and “Wave That Flag,” a precursor to “U.S. Blues.”
 
The new repertoire slipped neatly into the fluid setlists alongside songs honed on the 1972 European tour (“Jack Straw,” “Tennessee Jed,” “Brown-Eyed Women”), Chuck Berry perennials (“Promised Land,” “Around And Around”), classic country (“Big River,” “The Race Is On”), and incredible jam sequences: “He’s Gone”> “Truckin’”> “The Other One”> “Eyes Of The World.”
 
Due June 30th, the individually-numbered, limited-edition 17CD set features vibrant graphics and custom-designed folios by GRAMMY® Award-winning Art Director Masaki Koike, a custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer, and liner notes by Canadian author Ray Robertson, The Owsley Stanley Foundation, and David Lemieux. And, of course, it features newly restored and speed-corrected audio by Plangent Processes, mastered by Jeffrey Norman.
 
Digital convert? We've got you covered too. On the very same day you can collect your hi-definition download.

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11 months 2 weeks
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live in shame die in vain feed the poor stop the war(s)!
did 6/10/73 yesterday, and now my first round of fun listening to the entire box has been completed; planned on stretching it out over several months when the order confirmation was received, and it worked out well as DaP fourty seven got mixed into the rotation several times. For round 2, I'll re-listen more critically with the Bose QC-35 headphones to hear the subtle differences each of these recordings. I'm sure I'll be hearing some surprises.
shine your shoes sing the blues

Peace All!
uncle_tripel

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17 years 2 months
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Mary, belatedly can I contact you about an issue with the discs on this one, and can you remind me how I do such...

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17 years 3 months
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send me a PM!
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7 years 8 months
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Has anyone else received a similar email about trying to get replacement discs.

Your email has come to my attention, and I apologize for the tardiness of this response.

Unfortunately, I have been advised that we no longer have stock for the disc you need replaced.

I am very sorry that we cannot fulfill your replacement request. We will refund you 50% for this item. (Please allow up to 5 days for funds to post to your account.)

May I also offer you a digital download of the Here Comes Sunshine box set? (If you would like to pursue this offer, please let me know whether you would prefer your download files in the FLAC or ALAC format.)

I apologize again for this frustrating experience.

Sincerely,

Tashanna
WMG Specialty Customer Service

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They cannot get you replacement discs but they can put the set on sale for $140.23 in their holiday sale? Hey now on that.
Cheers

No one has offered me a refund,they just sent me more faulty discs that don't play.It will cost me even more to send this back,I can't see them refunding all the postage & import fees that I had to shell out.

Wow, given the recent comments, who would have thought that the HCS box would be available for $140, listed in the Black Friday sale. That means they should/must have shipped any replacement discs for faulty or damaged at no cost BEFORE they sell another set... Had to jump through three Hey Now hoops to post this... talk about Lost Sailor...

Sydney - why should you be expected to send faulty discs back? You have said they are faulty - that should be enough for them. Don't they believe us if we say discs are faulty? A little respect would be nice - do they think you might be trying to pull a fast one? Ridiculous.

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It's on sale, but it's not available? What's up with that?

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Purchased the ALAC digital download since the discs were unavailable. Many of the dowloaded tracks have dead air.

I have purchased many of the box sets over the years and never have I run into so many issues. Disapointed to see so many other devotees with similar issues. Hope this gets resolved soon. The set lists are awsome and I can not wait to kick back and listen.

product sku
081227847036
Product Magento URL
https://store.dead.net/en/grateful-dead/special-collections/here-comes-sunshine/here-comes-sunshine-1973-dead.net-exclusive-[17-cd]/081227847036.html