• 861 replies
    Dead Admin
    Default Avatar
    Joined:

    WHAT'S INSIDE:
    Five complete, previously unreleased performances on 17CDs
    Des Moines, IA 5/13/73
    Santa Barbara, CA 5/20/73
    San Francisco, CA 5/26/73
    Washington, D.C. 6/9/73
    Washington, D.C. 6/10/73
    Recorded by Kidd Candelario, Betty Cantor-Jackson, and Owsley Stanley
    Newly restored and speed-corrected audio by Plangent Processes
    Mastered by Jeffrey Norman
    Liners featuring notes from Canadian author, Ray Robertson, The Owsley Stanley Foundation, and Legacy Manager and Audio Archivist, David Lemieux
    Art and Design by GRAMMY® Award-winning Art Director, Masaki Koike
    Custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer
     
    Limited Edition Individually Numbered To 10,000 
    Exclusively At Dead.net

     
    "There’s the simple fact that the band members were old enough and experienced enough by now to be virtuosos on their instruments (what other group—rock or jazz or any other kind of music—could boast a trio of spectacularly singular talents such as Garcia, Lesh, and Weir?) but were still young enough to want to play and play and play some more, the happy, itchy inclination of youth. As a few of the shows in the Here Comes Sunshine boxed set attest, it wasn’t unusual for a 1973 concert to exceed four hours. And within the shows themselves, there are nearly nightly examples of hour-long orgies of tune-linked songcraft and juicy jamming." - Ray Robertson, HERE COMES SUNSHINE 1973 Liners
     
    8 years in and the Grateful Dead are a little bit of everything to everyone. They are putting up textures and tones of rock, of jazz, of country, with set-morphing vibes and long stretches of improvisations that are completely keyed into the sum of their parts. Keith Godchaux is here with his cascading notes. Donna Jean too. Both finding their footing and keeping things steady in the wake of Pigpen's unfillable gap. The spring of 1973 feels transformative for the Dead - no more so than the May and early June shows, complementary yet remarkably different, soon-to-be cornerstones of everyone's tape collections, and now, 50 years later, set to be part of the band's official canon.
     
    HERE COMES SUNSHINE 1973 is a limited-edition, 17CD boxed set with five previously unreleased, highly sought-after Dead shows, including: Iowa State Fairgrounds, Des Moines, IA (5/13/73), Campus Stadium, UCSB, Santa Barbara, CA (5/20/73), Kezar Stadium, San Francisco, CA (5/26/73), and Robert F. Kennedy Memorial Stadium, Washington, D.C. (6/9/73) and (6/10/73).
     
    During the spring, the band road-tested most of the songs they would record that summer for WAKE OF THE FLOOD – their first studio album in three years – including early live versions of “Mississippi Half-Step Toodeloo,” “Row Jimmy,” “Stella Blue,” “Eyes Of The World,” and, the set’s namesake, “Here Comes Sunshine.” Also tucked into the collection are songs destined for the Dead’s 1974 studio album, FROM THE MARS HOTEL – “China Doll,” “Loose Lucy,” and “Wave That Flag,” a precursor to “U.S. Blues.”
     
    The new repertoire slipped neatly into the fluid setlists alongside songs honed on the 1972 European tour (“Jack Straw,” “Tennessee Jed,” “Brown-Eyed Women”), Chuck Berry perennials (“Promised Land,” “Around And Around”), classic country (“Big River,” “The Race Is On”), and incredible jam sequences: “He’s Gone”> “Truckin’”> “The Other One”> “Eyes Of The World.”
     
    Due June 30th, the individually-numbered, limited-edition 17CD set features vibrant graphics and custom-designed folios by GRAMMY® Award-winning Art Director Masaki Koike, a custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer, and liner notes by Canadian author Ray Robertson, The Owsley Stanley Foundation, and David Lemieux. And, of course, it features newly restored and speed-corrected audio by Plangent Processes, mastered by Jeffrey Norman.
     
    Digital convert? We've got you covered too. On the very same day you can collect your hi-definition download.

Comments

sort by
Recent
Reset
  • proudfoot
    Joined:
    If each show were a potential bride for me...

    6/10/73 would be my immediate choice

  • Alan57
    Default Avatar
    Joined:
    Box arrived today.
    3…

    Box arrived today.
    3 scratched discs I’ll be after replacements for but no glue residue.
    Scratches don’t show up in photos due to resolution and light probably so hopefully Rhino don’t cause aggravation if they really intend to go through thousands of photos trying to spot damage.
    I have worked how this problem was caused.Unlike every other box set I own where the discs fit in cardboard slots without covers the discs come in and out to the side rather than up and down from the top.Because of this they have correctly ascertained that they won’t be as secure so have made the slots slightly smaller.Enough to damage thousands of discs.Idiot design and asI posted at Hoffmans a clear fail in any Industrial Design 101 course.

  • Vguy72
    Joined:
    Listening to King Gizzards....

    ....Chunky Shrapnel.
    Jazz I say!!

  • SPACEBROTHER
    Joined:
    The shows from the box

    I'm slowly making my way through this show by show. Up to the last disc of 6/9/73 so far.

    It's hard for me to point to any one show as "the one" from the box. I think Dave L's point in the video about the smaller moments really nails it. Most of the big jams center around combinations of He's Gone, Truckin', The Other One and Eyes, with PITB being a consistent jamming vehicle falling into various set locations. The smaller moments in songs that aren't necessarily jam focused seem to have the extra oomph and to me are the real highlights.

    It'll take more time for me to digest and pick out specific moments, but imagine if you've listened through the whole set, it's all good. A nice companion to the PNW 73 (and 74) shows.

  • bluecrow
    Joined:
    Don't sleep on 6/9

    That 6/9 Playing is industrial strength. Show is tighttighttight. The He's Gone > Trucking. Eyes > China Doll. Awesome Sugar Mag to close. Best Loose Lucy maybe ever!! Do it!!

    Every one of these shows is gold. Great playing. Favorite era. Sound quality is pretty much out of this world crystal.

    To be clear I'm an "Iowa" kid, as in 5/13 was my show in the this box and the rest just gravy ; )

    The 5/13 jam sequence is always gonna be a top shelf favorite.

    But yep - 6/9

    Oh, and 5/26 Kezar. and 5/20 Santa Barbara.

  • Oroborous
    Joined:
    6/10/73

    Once again the “taper” show was overhyped.
    I’ve only listened once so far, but felt though it has several significant moments, it’s overhyped.
    Iowa has been the wildcard sleeper, though Kezar stood out too.
    But, as I say, only one time through so far…

  • wilfredtjones
    Joined:
    I'll give it another listen backwards RFK to Iowa

    Through disc 1 of the final show in the box with close headphone or hooked up to the big boy stereo. CDs and ripped.
    My first impressions are that each show gets progressively better in terms of performance. I might come up with some specific examples (Disc 2 of 6-10 PLAYING IN THE BAND) Makes sense if you think about the Dead's touring schedule at the time. I might personally go with Iowa over Santa Barbara on account of Jerry's voice, but each show definitely warrants a close headphone listen or better.

    P.S. Shout out to the well-placed HC Sunshine tease out of Truckin' on 6-9 (this may be the sleeper show for me as I hadn't ever heard this one)

    -edit- Kezar could well have been the standalone show, but 6-10 is a grate choice, nonetheless. I am looking forward to many more spins on these and I am glad the quality check went well for me despite the glue not having been quite dry

  • daverock
    Joined:
    HCS

    VGuy - great HCS on 5/26/73, too. Slight skip at the beginning of this track - hopefully nothing permanent. Bob seems higher in the mix on this show than in the two earlier ones.
    Alan - good points all round. Not having a mobile phone I couldn't take photo's of a cd even if I felt inclined to.

  • Vguy72
    Joined:
    Alan57....

    ....spitting facts.
    It's a roll of the dice re GD releases.
    Always has been since Rhino entered the picture.

  • Alan57
    Default Avatar
    Joined:
    Bad Disc Resolution

    Update.
    Rhino have told some people it will be 8 weeks until the solution is communicated.That makes it the end of August.
    One of the senior Rhino people has been posting about this issue at Hoffmans.They are definitely aware of it and that the only satisfactory solution is replacement discs not refunds or discounts.Again it costs not much more than nothing to press CDs so if they have to do that it shouldn’t be an issue.Do not accept any solution that doesn’t involve replacement.
    One interesting thing that has come out has been discussion about issues of discs that don’t play even though they have no visible damage.This has been occurring haphazardly in Dead releases since about 2020 although never as prevalent as with this release.Rhino changed manufacturing plants in 2019 and have had zero problems with releases by other artists.The only difference they can put it down to is that Jeffrey still uses HDCD for transfer and that affects the coding although these discs aren’t HDCD.People with players where a light comes on when HDCD are still seeing that light.In some totally random unexplainable way that might be affecting playback with some discs on some players.I said might about all of this but Rhino is talking about removing HDCD from the chain in future.
    The biggest villain here is the fool that designed this totally disfunctional packaging.Hang in there everyone and don’t give up until you get your replacement discs whenever that might be.
    Finally asking for pictures is ridiculous.How does it help people who have visibly perfect discs that just won’t play?Compare with Universal that when there was slight warping on some of the discs of the 8 disc Hard Luck Stories box that only prevented ripping sent out complete replacement sets to everyone who asked for them.Having people analysing photos and then picking out particular discs to send out doesn’t seem that cost effective to me.
    Edit-Just checked and the packaging is designed by Masaki Koike who has apparently won a Grammy for this stuff.They might want to return it in shame after they have designed something that has damaged thousands of discs and no doubt will eat into Rhino’s profit margins on this release.

user picture
Default Avatar

Member for

3 years 4 months

WHAT'S INSIDE:
Five complete, previously unreleased performances on 17CDs
Des Moines, IA 5/13/73
Santa Barbara, CA 5/20/73
San Francisco, CA 5/26/73
Washington, D.C. 6/9/73
Washington, D.C. 6/10/73
Recorded by Kidd Candelario, Betty Cantor-Jackson, and Owsley Stanley
Newly restored and speed-corrected audio by Plangent Processes
Mastered by Jeffrey Norman
Liners featuring notes from Canadian author, Ray Robertson, The Owsley Stanley Foundation, and Legacy Manager and Audio Archivist, David Lemieux
Art and Design by GRAMMY® Award-winning Art Director, Masaki Koike
Custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer
 
Limited Edition Individually Numbered To 10,000 
Exclusively At Dead.net

 
"There’s the simple fact that the band members were old enough and experienced enough by now to be virtuosos on their instruments (what other group—rock or jazz or any other kind of music—could boast a trio of spectacularly singular talents such as Garcia, Lesh, and Weir?) but were still young enough to want to play and play and play some more, the happy, itchy inclination of youth. As a few of the shows in the Here Comes Sunshine boxed set attest, it wasn’t unusual for a 1973 concert to exceed four hours. And within the shows themselves, there are nearly nightly examples of hour-long orgies of tune-linked songcraft and juicy jamming." - Ray Robertson, HERE COMES SUNSHINE 1973 Liners
 
8 years in and the Grateful Dead are a little bit of everything to everyone. They are putting up textures and tones of rock, of jazz, of country, with set-morphing vibes and long stretches of improvisations that are completely keyed into the sum of their parts. Keith Godchaux is here with his cascading notes. Donna Jean too. Both finding their footing and keeping things steady in the wake of Pigpen's unfillable gap. The spring of 1973 feels transformative for the Dead - no more so than the May and early June shows, complementary yet remarkably different, soon-to-be cornerstones of everyone's tape collections, and now, 50 years later, set to be part of the band's official canon.
 
HERE COMES SUNSHINE 1973 is a limited-edition, 17CD boxed set with five previously unreleased, highly sought-after Dead shows, including: Iowa State Fairgrounds, Des Moines, IA (5/13/73), Campus Stadium, UCSB, Santa Barbara, CA (5/20/73), Kezar Stadium, San Francisco, CA (5/26/73), and Robert F. Kennedy Memorial Stadium, Washington, D.C. (6/9/73) and (6/10/73).
 
During the spring, the band road-tested most of the songs they would record that summer for WAKE OF THE FLOOD – their first studio album in three years – including early live versions of “Mississippi Half-Step Toodeloo,” “Row Jimmy,” “Stella Blue,” “Eyes Of The World,” and, the set’s namesake, “Here Comes Sunshine.” Also tucked into the collection are songs destined for the Dead’s 1974 studio album, FROM THE MARS HOTEL – “China Doll,” “Loose Lucy,” and “Wave That Flag,” a precursor to “U.S. Blues.”
 
The new repertoire slipped neatly into the fluid setlists alongside songs honed on the 1972 European tour (“Jack Straw,” “Tennessee Jed,” “Brown-Eyed Women”), Chuck Berry perennials (“Promised Land,” “Around And Around”), classic country (“Big River,” “The Race Is On”), and incredible jam sequences: “He’s Gone”> “Truckin’”> “The Other One”> “Eyes Of The World.”
 
Due June 30th, the individually-numbered, limited-edition 17CD set features vibrant graphics and custom-designed folios by GRAMMY® Award-winning Art Director Masaki Koike, a custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer, and liner notes by Canadian author Ray Robertson, The Owsley Stanley Foundation, and David Lemieux. And, of course, it features newly restored and speed-corrected audio by Plangent Processes, mastered by Jeffrey Norman.
 
Digital convert? We've got you covered too. On the very same day you can collect your hi-definition download.

user picture

Member for

11 months 2 weeks
Permalink

live in shame die in vain feed the poor stop the war(s)!
did 6/10/73 yesterday, and now my first round of fun listening to the entire box has been completed; planned on stretching it out over several months when the order confirmation was received, and it worked out well as DaP fourty seven got mixed into the rotation several times. For round 2, I'll re-listen more critically with the Bose QC-35 headphones to hear the subtle differences each of these recordings. I'm sure I'll be hearing some surprises.
shine your shoes sing the blues

Peace All!
uncle_tripel

user picture
Default Avatar

Member for

17 years 2 months
Permalink

Mary, belatedly can I contact you about an issue with the discs on this one, and can you remind me how I do such...

user picture

Member for

17 years 3 months
Permalink

send me a PM!
user picture

Member for

7 years 8 months
Permalink

Has anyone else received a similar email about trying to get replacement discs.

Your email has come to my attention, and I apologize for the tardiness of this response.

Unfortunately, I have been advised that we no longer have stock for the disc you need replaced.

I am very sorry that we cannot fulfill your replacement request. We will refund you 50% for this item. (Please allow up to 5 days for funds to post to your account.)

May I also offer you a digital download of the Here Comes Sunshine box set? (If you would like to pursue this offer, please let me know whether you would prefer your download files in the FLAC or ALAC format.)

I apologize again for this frustrating experience.

Sincerely,

Tashanna
WMG Specialty Customer Service

user picture

Member for

10 years
Permalink

They cannot get you replacement discs but they can put the set on sale for $140.23 in their holiday sale? Hey now on that.
Cheers

No one has offered me a refund,they just sent me more faulty discs that don't play.It will cost me even more to send this back,I can't see them refunding all the postage & import fees that I had to shell out.

Wow, given the recent comments, who would have thought that the HCS box would be available for $140, listed in the Black Friday sale. That means they should/must have shipped any replacement discs for faulty or damaged at no cost BEFORE they sell another set... Had to jump through three Hey Now hoops to post this... talk about Lost Sailor...

Sydney - why should you be expected to send faulty discs back? You have said they are faulty - that should be enough for them. Don't they believe us if we say discs are faulty? A little respect would be nice - do they think you might be trying to pull a fast one? Ridiculous.

user picture

Member for

12 years
Permalink

It's on sale, but it's not available? What's up with that?

user picture
Default Avatar

Member for

4 years 1 month
Permalink

Purchased the ALAC digital download since the discs were unavailable. Many of the dowloaded tracks have dead air.

I have purchased many of the box sets over the years and never have I run into so many issues. Disapointed to see so many other devotees with similar issues. Hope this gets resolved soon. The set lists are awsome and I can not wait to kick back and listen.

product sku
081227847036
Product Magento URL
https://store.dead.net/en/grateful-dead/special-collections/here-comes-sunshine/here-comes-sunshine-1973-dead.net-exclusive-[17-cd]/081227847036.html