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    Anyone who has ever seen the Dead can testify that one of its shows will add quite a bit of color to the environment here at Stanford. Anyone who has not seen one of these spectacles should have the opportunity to do so. The Grateful Dead are an important part of the Bay Area's cultural history. Those of us who saw them last week can testify that the Dead are alive and well. The Concert Network would be hard-pressed to find an act which would bring Frost Amphitheatre to life as the Dead would. - The Stanford Daily

    As you know by now, we'd certainly have voted aye on this motion, so much so, that we've loaded up DAVE'S PICKS 49 with not one, but two complete Grateful Dead shows from the Frost Amphitheatre, Stanford University, Palo Alto, CA 4/27/85 and 4/28/85. The first shows from '85 in the series, these back-to-back hometown performances couldn't be more different while delivering the same level of passion and precision, five hours of it, in fact.

    In 1985, the band were celebrating "20 Years So Far," a feat that found them on these particular nights confident with invention in terms of both setlists and playing. There are old songs renewed, rare covers revived, undeniably nuanced Jerry moments, and a few surprises from Brent Mydland too. While it's impossible to select highlights, we can say with certainty that the overall clarity of these shows is unparalleled, courtesy of Dan Healy's recordings.

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 49: FROST AMPHITHEATRE, STANFORD U, PALO ALTO, CA 4/27/85 & 4/28/85 has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • Oroborous
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    3

    Seems there’s no accountability anymore, anywhere, but when you basically kill someone you should have to pay, HARD!
    This truly pisses me off, and I didn’t even know your Bro.
    What I don’t understand is how there’s not some safeguard or other opinion or some kind of advocate specifically for such situations?

  • Oroborous
    Joined:
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    It would be one thing if they did the right thing and something went wrong etc, but to basically kill another human being because of what? Greed?
    I’m all about moving on and not getting hung up on past shit that you can’t change, but this motherf@##$& needs to feel real pain!

  • Oroborous
    Joined:
    1

    My goodness, that’s a horrible story and can’t imagine what your going through!
    I’ll I can recommend is keep busy, long walks, and lots of Dead…if you get confused just listen to the music play.
    Eventually, time may not fully heal, but like all the heavy shit you’ve been through in life, this will pass.

  • Oroborous
    Joined:
    Needful

    Tried to respond but this ridiculous nonsense won’t let me post!

  • Doingtheneedful
    Joined:
    Thank you!

    Thanks vguy and Dave! Your words mean a lot. Kevin was indeed special. Incredible social conscience and extremely intelligent. Never once raised his voice and was always measured and deliberate when he needed to be, and fun and surprising when he felt like it. The fact that we were solid and firm friends since the early 90’s speaks volumes. I tend to piss off most folk within weeks! lol. I’m not nasty at all, but I somehow seem to be a bit obvious when suffering fools… Precious little poppet that I am.

    My wife grew up with Kevin in Carshalton when they were kids. They even dated for a while a long time before I appeared on the scene. In one of life’s funny little co-inky dinks, we probably passed each other all the time when I was living in Putney as a young teen. Turns out we even used the same video store!

    It just destroys me that the coroner concluded he would almost certainly be with us today had he been admitted and given intravenous antibiotics. It’s one thing to be a hoity insecure pillock, but when a life is lost, and it’s not a “mistake”, then surely there’s something that needs to happen there. It won’t bring him back and I won’t claim sheer altruism in the “just so it doesn’t ever happen to anyone else” vein. No. I want the SOB to pay the price out of sheer anger and venom. I wish I could be a bigger person about it. I’m just not there yet. Nor do I expect to be any time soon. Sorry, but a line was crossed when it comes to my ability to forgive.

    For what it’s worth, I genuinely feel good about how my wife and I have picked up his widow and given her the safe space and sanctuary she needs. And she’ll have it forever. We’re even giving the spare bedroom in the place we’re moving to a name… “Julie’s Room”. She’s such a good and kind person. Just like Kevin. It makes us feel a little better that we can at the very least give her our unqualified support and affection and always have a place for her to feel safe in. And, she’s using it, so that in itself shows that it’s needed and that it’s a good thing for her.

    Anyway. Thanks again. Sincerely. It needs to be shared so I can lessen the empty anger that the finality of it all brings.

    I’ve been dwelling on the nature of “void” and the fact that I’m terrified of it - and no, the argument that I won’t be around to miss it just makes it worse. Even typing this is making my chest tighten, breathing laboured, and skin feel like it’s slow burning - anxiety to the max. How do you rationalise the unacceptable? All I can take from it is that if I feel this bad about losing life, I must really love it, and I’m trying oh so hard to use that as my “FU” to the reaper…

    Still. One of the terrible compromises that we’re all born with. “I’m going to give you something so magical, that when I take it away, and I WILL take it away, you’ll have never existe”. Jesus. Sorry, but now I’m having a full blown panic attack. Any ideas anyone? I don’t even drink anymore nearly two and half years sober, and thank god because if this wasn’t an excuse to bury myself in a bottle, then I don’t know what would be. So, if I qualify that question to “Any holistic ideas anyone?” Then maybe that’s better.

    One thing I can say with utmost confidence. The music of the good old Grateful Dead certainly helps. One thing I was really apprehensive about with sobriety and “being straight” was how it might alter my relationship with and enjoyment of the music. Turns out, not a jot! If anything it’s better than ever. My playing is improved and I can add thought to my guitar playing that allows for more “play” and less “see what sticks”. I guess the analogy would be the painter who knows how to use texture and layers as opposed to your Jackson Pollocks who luzz stuff everywhere and see what happens. They both produce interesting results and there is nothing to stop the chucking it about but, but having that extra layer in the arsenal gives you more toys to play with.

    How I got here from there I don’t know. But let’s end on a positive… Anyone considering changes around chemical self medication… I will assure you that YOU will still be YOU on the other side. You might do things a little differently, or require yourself to get “there” a different way, but don’t worry about losing yourself. I think it’s a bit of a common thing that folks can worry about when they’ve become dependant on certain addictive behaviours. That loss of one’s self. I’m here as living proof that you’ll still be there on the other side and what’s more, it’ll be earned and more valued, and dare I say, it’s not inappropriate to feel a little smug about it.

    Right. I’m much happier for having let all that out so thanks again all! It’s really, really appreciated.

    Now back to “how do I get my undelivered copy of DP48?” Again, any pointers would be brilliant. I’ve no doubt it was sent, but I’ve lost a few packages in the last six months or so… Never been a problem until recently, and ties up with when Evri started doing the “last to the door” legs. They recently (last week) put a watch in a “safe place”. Well. They threw it in the recycling wheelie bin actually. But hey, could have been a bush, right?

    :-)

  • daverock
    Joined:
    Doingtheneedful

    Great to see you back on here - I wondered what had happened, and am sorry I didn't reach out earlier. You have absolutely no need to apologise at all - it sounds as though you have been to hell and back since we last communicated. Terrible what happened to your mate Kevin. He sounds as though he was a great person to have known and hung out with. What a tragic thing to happen to him. My heart felt condolences to you and his wife.

    Yup- I am still interested in the 1978 Daves Picks on vinyl - I'll send you my address by email - if not now - I am due out in a minute - but later today.
    As you guessed, I have got Dicks Picks 2 on vinyl - but thanks for thinking of me.
    My eyes lit up when I saw Ozric Tentacles in your post - but dimmed again when you talked of Phish. I have never heard them really - I'm not quite sure, but the very idea puts me off. Very unfair -I'm sure they'll survive ! Ozric Tentacles on the other hand - I've seen many great gigs by them over the years. Incidentally - they also sound great on vinyl.
    All the best - cheers - Dave

  • gratefulgerd
    Joined:
    #49 Scarlet...

    This Scarlet... is absolutely top tier. Jerry is taking off and gets 'lost in the ozone'. I think.
    Wunderschön!
    G.

  • Vguy72
    Joined:
    Neil Young & Crazy Horse....

    ....announced their Spring Tour.
    Guess I need to gas up and set my sights for Phoenix.
    Edit. Khruangbin is playing here.
    Nevermind.

  • Vguy72
    Joined:
    Rant away doingtheneedful....

    ....doesn't sound like a very good way to go imo. So sorry your friend went through that. Having a life saving surgery delayed twice in a year is unacceptable. Sigh.
    Just remember this. Surround yourselves with kind people.
    Turn away from the people that spew hate and vitriol.
    And drink plenty of water.
    Comicons are awesome. So many cool nerds. And I mean that as a compliment.
    Phish's Ocelot and Scents And Subtle Sounds are, imo, their most "Dead" like songs. I get the lyrical nonsense point though. Until Gamehendge comes around lol.
    I'm still on my Mavis Staples thang.

  • Doingtheneedful
    Joined:
    Daves 48 ALARM! Help from GD CS if possible please?

    Hi. If anyone on the CS side sees this (or if anyone else can point me in the right direction). With 49 arriving on Friday, I literally just realised that 48 hasn't ever turned up. I was looking at the library to double check my naming conventions etc. for ripping, and nada. No 48, no bear on a skateboard. I revisited my physical stash where everything goes immediately after digitising, again nothing. No JPG cover art in my cover art folder. I checked the tracklist again and I guarantee I haven't listened to this release. It occurred to me that I'd just let it be in the knowledge that sometimes they can take a little longer to get here, but I've obviously put it "out of sight, out of mind" too far! It will be the first actual non receipt I've ever had from dead.Net since I first used them in the beginning. I had one cross over where a package was shipped gain and arrived the same day as the very delayed original. Something always turns up in the end. Not this time though.

    I've had some pretty heavy stuff going on back in the real word. No sympathy required, but lost my best friend out of nowhere and way too early and suddenly. Sadly avoidable too if not for the ego and pride of a duty consultant at a south London A&E who failed to recognise sepsis in an otherwise very healthy man my age who was due Gall Bladder removal very soon and who had a recent history of Gallstones and Pancreatitis issues.

    He was being admitted for emergency surgery, but the surgical team were overridden literally on the way to prep by this fool consultant whilst my friend, Kevin, was in the lift being taken to a holding high dependency ward, and sent home with Morphine to wait for the surgery due date ten day later... After being delayed twice by almost a year.

    The Consultant got shirty after being challenged by Kevin's wife who is about 4 foot nothing and very unassuming and quiet, as to why he has overriding what everyone else was calling serious. His response was to say, and I quote "It's not that complicated. I'm in charge and the Surgical Team would admit everyone if they had the chance."

    Genius. Bloody fool. Kevin survived five or so more days in agony at home before suffering a fatal heart attack induced by critical sepsis and organ failure due to multiple internal abscesses and blockages caused by Gallstones.

    What hurt so badly was that at his funeral, there was a huge turnout, and in every other slide projected during the celebration part, my wife and I were with kevin and his wife, doing something stupid and fun. My favourite being myself carrying him across a flooded road in the New Forest like Friar Tuck. He and his wife carrying the hand carved and decorated hiking sticks I made for them back in 1995 or so.

    So, that happened... Sorry to unload, but I still find myself having anger splurges... That and other things like moving and job loss (mutual divorce), I can see why I was distracted on this one. So basically, DP 48 isn't here and I'd like to sort it out if possible please?

    One of the last conversations I had with Kevin, it came up that he'd picked up Terrapin Station. He knew I was a dead head and he had "dabbled"... He was massively into his music. That's why he stayed in Wimbledon when he could have moved out of the city. Right there next to the tube station with easy and ready access to gigs. He averaged at least a show of some type or other a week for the entire time I knew him, and it was pretty normal for him to do 10 on the trot, brief pause, Glastonbury, a few world cinema festivals, more gigs. And a happy marriage. A CD collection the size of small house and a Vinyl stash to rival. I remember myself and a few other fellas meeting up to see Phish at Shepherds Bush then crashing on his living room floor, utterly spent, stoned, drunk and happy. He was like that. Phish? never heard of them! Let's go check it out! I recall the main man of Ozric Tentacles being there and checking it out to his approval. I'm not sure he was into the music so much as appreciative of the musicianship.

    I'm a bit like that with Phish. I can dig the sounds and the cleverness and craft, but lyrically they're a mess in my limited opinion. Billy Breathes is pretty spot on, but outside of that album, there' a lot of nonsense waltzing as wit. Guilty of playing "clever" because they can, not because it sounds great, sometimes.

    Anyway, Terrapin. It was coming back from ComiCon London and he mentioned that he liked the idea of a whole album side being one long suite, and really enjoyed it. I of course immediately jumped in and tried to sell him on "Everything Dead Ever" realised that was a disservice (baby steps) and steered him towards the Terrapin suite on the many disc'ed "tribute" from a few years ago that The National were heavily involved with. It's a great recording. played as live in studio I think (certainly the side of that session seems to point that way), the entire suite with percussion as originally intended (I imagine, based on the whole production overdub that Olsen (it was Olsen wasn't it? laid down causing Mickey to go mental...).

    It's a very airy performance. Open space, cavernous, but warm and familial. One of the better and more realised Grateful Dead covers, made great by the "as live" recording and mic placing. I really do need to get that set. It's readily available streaming and it's a bit of a monster. Not everything hits, but there's enough good grist to warrant hard copy in the collection in my opinion.

    Let's face it. if "Ready or Not" can get a place in your home, then this certainly can. Sorry, but firmly in the camp of "Ready or Not" is "Not". In fact I can't listen to it, and when I try, I just can't fathom how the Samba in the Rain on it wasn't thrown in a river in a burlap sack full of rocks.

    I went to an Aston Martin owners' club meet when I was a kid, and we parked up next to a DB6 which looked like an unloved overworked tractor. My dad said it was a joke by a cheeky someone who wanted to demonstrate everything NOT to do with a classic car. That's how I feel about that Samba'. It's almost like it's on the record as a cautionary tale. "Are you sure you want this foks? Cos' this is what you've got coming if you start playing in those particular weeds!" "Grateful Dead. The Poison Ivy Years" or perhaps more obscure a reference, "The grateful Dead. Warts...."

    Be good y'all. Thanks for giving me the space to stream my addled thoughts.

    And oh yeah. DP 48... Can you help me out here please? Thank you in advance!

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Anyone who has ever seen the Dead can testify that one of its shows will add quite a bit of color to the environment here at Stanford. Anyone who has not seen one of these spectacles should have the opportunity to do so. The Grateful Dead are an important part of the Bay Area's cultural history. Those of us who saw them last week can testify that the Dead are alive and well. The Concert Network would be hard-pressed to find an act which would bring Frost Amphitheatre to life as the Dead would. - The Stanford Daily

As you know by now, we'd certainly have voted aye on this motion, so much so, that we've loaded up DAVE'S PICKS 49 with not one, but two complete Grateful Dead shows from the Frost Amphitheatre, Stanford University, Palo Alto, CA 4/27/85 and 4/28/85. The first shows from '85 in the series, these back-to-back hometown performances couldn't be more different while delivering the same level of passion and precision, five hours of it, in fact.

In 1985, the band were celebrating "20 Years So Far," a feat that found them on these particular nights confident with invention in terms of both setlists and playing. There are old songs renewed, rare covers revived, undeniably nuanced Jerry moments, and a few surprises from Brent Mydland too. While it's impossible to select highlights, we can say with certainty that the overall clarity of these shows is unparalleled, courtesy of Dan Healy's recordings.

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 49: FROST AMPHITHEATRE, STANFORD U, PALO ALTO, CA 4/27/85 & 4/28/85 has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

That Robin Trower seems primarily known on here for playing with Procul Harum. Although I have "Shine On Brightly" on cd, I have never really listened to it that much. Seems I have some catching up to do. He played some very powerful music in the mid 70's, which is what I associate him with.

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thanks Alvarhanso for pointing me in some helpful directios re: RRE.

And Daverock yes if I'm honest I don't know Robin Trower from anything but PH. He seems to be quite prolific. I'd guess one factor is my age - when he was doing that Night of the Guitars tour I was a few months from being a teenager. Another factor might be Trower's absence from American "classic rock" radio - I don't recall any of the material from his solo stuff breaking through.

Ofc this board often serves to show me that my musical depth isnt always as deep as I might believe. HF talking about Los Lobos, for example... I had no idea that those folks rewarded their fans with such live experiences.

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HF - What was that venue like? We saw the Buffalo Rose as we were walking around Golden last month. Was recommended by the hotel staff as the place to hear live music in town. I didn't delve into Los Lobos until I'd heard their Bertha on the Deadicated release.
Obeah, check out the Los Lobos release of the same name as my post subject line for a good feel for them. Start with disc 2, it rocks. The 1st disc starts out with traditional music.
Cheers

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1st show, the Buffalo Rose is a pretty good venue. Rectangular with the stage facing the long floor, they have a modestly sized section in front of the stage for the stand-up close crowd (GA), which precludes room to dance. About 6-7 rows deep of four tables across on the main floor for which they charge a premium ($600-700 for four-top, vs. $75 (+ fees) for GA. Upstairs a horseshoe shaped balcony wraps around opposite the stage and the prime seats on the rail are more expensive. However, behind those balcony seats at the back upstairs wall are bar stools where we took up a position and could see and hear the band quite well. Big open room bar at that end and several bars downstairs. The places holds ~650 and that's a comfortable density. But tics are a bit more expensive as it is small, at least for a well-known touring band. In the past, with local acts, I felt the PA volume was way too high, but either they figured it out or Los Lobos had control. Good fun people go to see that band and I thoroughly enjoyed. We ate at El Dorado beforehand; recommended.

HF

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In reply to by Obeah

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Obeah - it's often quite random who we get into, and who we don't. Especially when we are young. Robin Trower toured quite frequently in the mid 70's, when I started going to gigs. I remember the music press were quite sniffy about him - not a s good as Hendrix was the cry. If we didn't see anyone on that basis, there wouldn't have been much left.

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In reply to by daverock

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Thanks to the both of you (heck, thanks to HF too for that fun post, below)

And yeah, that's just not fair: "not as good as Hendrix." If that's the mark then almost no one will come up to scratch.

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Generally speaking, it's unfair to compare any guitarist to Jimi. But if you're a guy who uses the same Strat, Marshall amp, Univibe pedal set up Hendrix used, and you're pretty unapologetically copying his guitar sound, well, people are going to make that comparison.

Still, I loved Bridge of Sighs, derivative though it may be. I also really dug a record he did with Jack Bruce called BLT that really sounded like Cream.

Last five, just on the odd chance I don't get Hey Now'd:

Aaron Copland/BSO: Appalachian Spring
Maceo Parker: Mo Roots
Dumpstaphunk: Where Do We Go From Here
GOGD: Two from the Vault
Flaming Lips: Yoshimi Battles the Pink Robots

So what if I am a robot? What's it to ya, maaaaaan?

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17 years 4 months

In reply to by Crow Told Me

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....I put on (vinyl. I know!) just before reading that.
Kewl. And Klassic.
Ego Tripping At The Gates Of Hell.
Boom.
The Lips deliver awesome packages. Big fan.
Vinyl love update....
It's hard to follow my personal mantra of two records a month.
They sound so much better.
Twenty-year old me is saying, "No shit Sherlock. Remember?"

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In reply to by Crow Told Me

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Crow - well, if you put it like that ! What you say is true, but I was going back in time to when I first saw Robin Trower. At that time, my mid teens, I had little or no historical perspective on the bands I was seeing. Jimi Hendrix was a historical figure - as distant as the second world war, even though he had only died a few years ago. I probably heard "Bridge of Sighs" before "Electric Ladyland".
Rock critics, on the other hand, 5- 10 years older than me, remembered the 1960's first hand. To them, a lot of what I liked was derivative - but to me it was like a bolt out of the blue.

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42 years ago today I was up in Reno for a knockout of a show, with the Good old Grateful Dead. I stayed in South Lake Tahoe, what a party! Nappy and Nite Cat were also at the show. Top China Cat were you there? Fun times!

Nice write up over at meyersound about John Mayer's solo tour in November (first leg of USA tour) then to over to Europe, and now starting 2nd leg of USA tour.. Killer Panther augmented by Leopard PA components. Incredible digital processing. Of course, Derek Featherstone and crew out with him. Assuming Dead and Company using Holoplot's PA unless they somehow negotiated use of the same system for upcoming Vegas dates. PA systems, they just warm the cockles of my heart. Well done Meyer, Derek, and Ultrasound!!!

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@alvarhanso thanks for answering on the topic I feel like missing something about this one. Yes we have to be pertinent to escape the "Hey now". It feels like in the marx bros, what is the password?
Swordfish!!!
@Nappyrags semi retired is good, hope you may change your pseudo for a "H" instead of "N" when you give up semi.
Sorry guys for robin Trower, I escape to procol Harum. I am struggling with my memory for my first ten LP, now I return to vinyl, But if you challenge me I can nearly in random tell the first ten?

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Just missed it !! My first show was at UCLA about a month later ... wish I'd seen & gotten on the bus earlier, but I guess at that point, I wasn't so much a "runnin" as I was "take my time" ! It might be just that it was so new, exciting, strange and wonderful, but I loved 82!! ..........tcc

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In reply to by Gary Farseer

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Cant wait to review more 1982. I have my eyes on Frost '82 and now UCLA '82 and Reno '82. May take a couple weeks to get there as I have other stuff in the cue; is it Bar BQ? Nah, music que.

Bet the '82 UCLA Shakedown is going to be funky!

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Ween is coming to Portland, and I recall some conversation about them on this forum. Any recommendations? Opinions? Descriptions of their music?

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In reply to by nitecat

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My first Ween show was at the little Ogden Theater in Denver, a dump on Colfax. It was absolutely amazing - Deaner (the guitar player) was chain smoking and pounding drinks and his red Stratocaster was way on fire that night. The set superb - Aaron (sorry, Gene) in fine voice and just an incredible vibe all around.

The next time I saw them was at Red Rocks and we were bored. We just horked gaggers and yakked all show about anything and everything else. Then saw them again at Mission Ballroom, and again it was a mixed set and I was bored to be there. I'm not a Ween cultist, they have to have the magic or it doesn't draw me in.

So it's a mixed bag depending on their intake (they're on and off the wagon in various ways), the setlist, and the night. There are others here who are way more into Aaron and Mickey (he runs a charter fishing boat service out of NJ in his offseason from touring!), but these are not lies.

But I would say go if you're interested... some of my favourite Ween songs if you want to check them out:

Bananas and Blow
Gabrielle
Piss Up a Rope
Ocean Man
Monique the Freak

\m/

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In reply to by LedDed

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....may have come from me.
Go.
Although, they recently canceled some upcoming shows. To get their heads straight.

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I did that weekend in Reno & Davis...I think I've told the story about driving over the Sierra in a light snowstorm and my friend's VW Van started acting up...one of the guys said he knew what it was so we pulled over at a rest stop to let him have a look...while this was going on I made a PB&J sandwich and decided to walk to the far end of the parking lot and see what the historical marker had to say...as I'm eating said sandwich I read something to the effect of "On this spot The Donner Party..." Also at Reno I laffed as they were coming out of The Other One and Jerry started noodling Dear Prudence before going into Black Peter...fun group of folks I went with to those shows...also went later with them to the three day fest at The Greek a few months later...

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Happy Birthday Phil!

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....the new Black Crowes album dropped! Get sum.

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The Flaming Lips: proof positive that you could still get good LSD in Oklahoma up through the 1990s. I love their earlier stuff where they sounded like a Frankenstein monster mash of the Stooges and Pink Floyd. Also very impressed with how Wayne Coyne has evolved as a songwriter.

I, too, lit out from Reno some 40 years ago. I've written before about how my '69 Buick Riviera was attacked by mutant fungi somewhere on I-80 and turned into an Aztec submarine. That Davis show led off with One More Saturday, IIRC, and included a fine Scar-Fire. Those were the daze.

Early in the morning, about the break of dawn, I turn my television on ... and watch the fuuuuuuzzzzzz.

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We're off to see Umphrey's Magee tonight. Looking forward to seeing them, its been a while.

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In reply to by nitecat

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....saw them last year.
Would like to see them again. Have fun!
Looks like tix are fifty bucks. Definitely worth it.

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The Pauley Shakedown was the first song I ever saw them do live, so in my mind, it's special ... outside of my mind, probably still pretty good. Also, "Hey man, give my your ticket stub" my pal said to a group of us who were together.... I'd been to a few concerts (Tull, Chicago, etc.) but whaaaatttt??? Give you my stub? HOW many people are you trying to get into the show? What if someone wants to see it? It didn't take long for me to figure out that no one was sitting anywhere particular ... between that, all the dancing, the sound coming off the stage, the adoration/devotion ... what the HECK is WAS going on here!!!! Wait a minute... is that a bus with a seat reserved just for me? ....... tcc

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Shakedown street, a song that really improved with age. The first time I saw them play the song it sounded just like the album version. Favorite versions. 9/12/81 & 12/31/84, but lots of great versions.

I saw the two Golden Hall shows in San Diego...then on to UCLA...Then a bit Later the Reno & Davis shows...then a couple of months later three Greek shows and then after that Ventura...later in the year it was the "Breakfast with the Grateful Dead" show at the US Fest...and it was capped off for me at The Frost in October...Wheee!!!

....Pre-ordered Jerry Garcia Almost Acoustic and Pink Floyd's DSOTM 50th UV clear vinyl. Both releasing April 4th.
That doesn't count as April though. That's Record Store Day month. I will be breaking my rule then. Oopsie.

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I saw the original Cockney Rebel in a small club in Southend in 1973, they were excellent, made a big impression on my 13 year old head.

Come up and see me.

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Looks like the Dead played 10× on St Patrick's Day. Happy St Patrick's Day everyone.

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In reply to by billy the kiddd

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I made it to 4 of the 10 St. Patrick's Day Dead shows.
Happy 25th birthday to my leprechaun Malachi.
Peace y'all

Billy, the song that got me on the bus in 1985. My older sister went off to college and left two cassettes behind in the parents car, Shakedown Street and one labeled 12/30/83 SF CA.
The Shakedown from 12/30/83 changed my life, I was hooked. It was raw, long, rocking. I couldn't believe it. Still have that cassette.
And the Shakedown official release, loved it.

Never met a Shakedown I didn't like.
I think the second ever Shakedown is very unique from 9/16/78 (Egypt) 11/24/78, 10/30/80, 3/28/81, to name a few.

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...the road R I S E up to meet you, may the W I N D be always at your back. May the warm rays of S U N fall upon your home and may the land of a F R I E N D always be near; don't forget, don't drink the GREEN beer!

uncle_tripel

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In reply to by uncle_tripel

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$16 tix
Ticketron
BASS Outlets

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In reply to by Nick1234

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I was sorry to read about Steve Harley. I saw the original Cockney Rebel, too -I think it was in 1974, at The Hardrock in Manchester, just after their second album "Psychomodo" came out. Both that, and the previous one "The Human Menagerie" are really good albums.

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In reply to by daverock

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....however, he gives Shakedown Street and St Stephen a pass.
Off topic. Watching the VGK/Devils game and the commercials reminded me. Draft Kings and FanDuel do not have your best interests at heart. Not a fan of encouraging people to gamble. I've been there. It's easy to get hooked. Kinda like vinyl, but different.
Did you know you can bet on the next pitch re baseball?? Insanity.
Loving the new Crowes record.

Holy smokes, they started off with Cosmic Charlie, nice jams on Birdsong and Box of Rain, a 22 minute Viola Lee Blues/Bertha/Viola Lee Blues. Great show, Mike Gordon came out for the last encore set. We had front row in the balcony, do not lean over too far. Came early enough to poke around, got up close to Trixie's Tiger replica in Garcia's, what a gorgeous guitar, flame (tiger) maple top, not like the original, otherwise just about exactly perfect. It's already up on the archive.

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I'll be having a Guinness and a Jameson tonight after sparking up a little of this, a little of that, as soon as I ... er ... finish cleaning the house.

Totally self-inflicted (I drink, I mean, I live alone) but the squeeze is coming to see me this week, so what's a man to do? Tidy up for the Sweetie.

While cranking Pigpen, circa '71 Fillmore. That's my cleaning secret: loud Pig!!

Cheers all! HF

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Hey DMCVT I was in second row in the balcony on Friday Phil's Birthday we were in row 2 the far left 3 seats as far left as you could go Chuck your PM's

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In reply to by Chuck

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....took the Sugar Magnolia vox for a ride.
His voice is give or take for me, but it worked there.
I spent the day rearranging my music/movie/nerd room. Had CD's scattered everywhere. And dust.
Looks better.

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BTK, will have a listen to the N Y E 84 Sha ke do wn ; was at that show, but haven't given it a spin in a while. By the way, I STILL have one of those 3 foot long Sha kedo wn Street signs laying around the house somewhere. And Nappy, I too was at the U S Fes-tival ... did not know at the time how odd it was for a nine thirty A M show. There exists a vid of that show out there as well ... P I T B : Shakedown ! ......tcc
p.s. o m g three days of hey now , cannot imagine what is objectionable or verboten .... so my apologies for so many work arounds

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pls check pm
G.

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Gratefully back at ya, lol.
Prost!

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In reply to by 1stshow70878

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Good to see someone here saw Phil at the Cap this run. I wasn't able to attend but listened to the whole run.

Where in the hell did they get Daniel Donato from? A mix between a young Arlo Guthrie, Willie Nelson and somebody that can shred on the electric guitar? It looks like he was playing a telecaster but not sure. Great tones and man he could play.

Leave it to Phil, I had never heard of him before. What a pleasant surprise. The Q was good too.

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