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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Thats_Otis
    Joined:
    Shoreline 5/12/91

    Really enjoyed this pick! Some flubs from Jerry lyrically in Terrapin, but more than makes up for it with the jam that follows. Overall good second set (GDTRFB), but I really enjoyed the first set. I love CC Rider>Train to Cry, and the Deal was HOT STUFF! Nice stuff!

    I am hoping to have a chance to listen to 4/23/77, but it is not looking likely today :( Perhaps tomorrow.

  • JimInMD
    Joined:
    Springfield

    Sounds good.. Enjoyed this one also. The Jam out of Terrapin was a treat. Jerry played his heart out in Deal too. The Althea and GDTRFB had their moments. The transition into Slipknot! was unique.. I think of the three the levels were highest in this one, perhaps a bit saturated especially for the Picasso Moon. Bob was real high in the mix too, so we got to hear his angular take on rhythm. Bruce really filled in the empty spaces nicely.. thinking a few parts in Franklins and throughout.. Looking forward to Rockthings more detailed listen, I was out and about but did fit in the whole show. Only half way through yesterdays.....

    Onward to '77 (or do we mean backwards?).

  • DeadVikes
    Joined:
    5/12/91

    This show is as good as the previous two nights at Shoreline. Man, to live in CA back than.
    Althea, CC Rider into It takes a lot to Laugh, fun great music. Black throated wind.... Nice HelpSlip Franklins. Terrapin!

    I always thought the band reached another gear in 91! Songs were definitely shorter but the music was good and they sounded great. I really didn't feel that way in fall 1990. These shows to my ears do not match what they did in 1991. I think they had to feel their way back after Brent died and had been with the band for 11 years.

    Looking at a 77 pick for tomorrow.
    I don't think we have ever hit up 4/23/77, Springfield. Let's do it.

  • rockthing
    Joined:
    Listening for the sound

    > DeadVikes

    Will do. Part of the fun for me is analyzing the various audience sources. I'm old fashioned. I still wanna download one for the home collection's virtual tape wall. ;-)

    The show is hot, hot, hot. I wrote a bunch a stuff last night, but I'm holding off to let someone else get a word in edgewise.

    I'd forgotten how much I liked this period. It's a real shame Hornsby couldn't have stuck around. He and Vince made a good team, but Bruce left a deep impression to climb out from. The "solo career" story line feels kinda odd when he could have contributed some great material to The Dead, and an even larger audience. They never did any of his tunes, did they? Can you imagine the jam they could have gotten into on Mandolin Wind?

  • DeadVikes
    Joined:
    5/12/91

    You should check out the latest Miller Rockthing. This is a Healy Pearson and it is spectacular. A+++ for sound quality. Just half through the first set. So good.

    Check it out people.

  • rockthing
    Joined:
    AUD Choices

    Ah, Shoreline. This sits right at the end of a big gap for me between September of ’90 and June of ’91. Another round of “Thank You”s.

    Nice variety of sources to keep me busy for a bit. Quick peek at the set list, and Black Throated Wind! Lookin’ forward to that! Post Space seems pretty routine, but who knows?

    To start off, I’m A/B/C/Ding the four audience sources on the Archive using Deal as the bar. They never waste any time digging into this number so it makes a good tune to evaluate the sound.

    The Gesine Lohr Audio Technica 815A source reminds me of the old tapes. A lot of mid-range frequencies. Phil is there, but you don’t really feel the bottom end. The sound is kind of nostalgic, though. Everything is perfectly clear, just not quite hi-fi. Coming back to this, I kind of appreciate the more well-defined bass guitar work with this tape. More of the various drums come through clearly as well. With more mid-range comes more piano, so Jerry’s guitar solo is somewhat falling into a wall of sound with Bobby and the keys (not Bobby Keys, though).

    The Schoeps MK4 source sacrifices a bit of sparkle from Jerry’s voice to emphasize the low end of Phil’s bass, which is something that I kind of expected from an MK4 recording. The guitar solo pops up above the band nicely, though, and on a second pass, the bass is less over-powering, and more well-defined than the other MK4 source. The position is listed as section 102. Having never been to Shoreline, well, that doesn’t help me much, but I’m guessing that is not the Official Taper’s Section, nor is it in Front of the sound Board, but maybe someone can help me out on that. I’m starting to take a liking to this source, even though I had initially switched away from it more quickly than any of the others.

    The Daweez Neumann KMF4 pull may be a little brighter than the Schoeps tape, but still has that Phil bass that you feel as much as you hear. On second (actually third or fourth) listening, The Neumann source sounds like it has the mid range frequencies scooped out. There are lots of bright highs, and Phil booms in here and there, but the drums and keys are kind of lost… which, may suit some, but there is a kind of metallic quality to the highs that feels somewhat aggressive to this ear.

    The Front of Board Schoeps MK4 take, though, I think this has the best frequency balance of the AUDs. Goes to show, you don’t ever know. Must be something about the seats, or perhaps the signal chain. The first MK4 source might have used heavier wind screens. Hard to say. Same mics, completely different sound. lol. Whoa, Phil is shaken’ the room. Deep bass in this one, but Jer’s guitar is shining, and Bobby is right there in the mix. If anything, the drums may be getting a little lost. The keys are coming in and out of the mix, as usual, really. This has both Bruce and Vince, right? The last three recordings have a lot more bass than the first, but it is much less well defined. It kind of booms. Even though the bass is kind of a puddy of low-end, it somehow does not interfere with the other instruments.

    The more I A/B the two Schoeps sources, the less I can tell them apart. lol (T_T) The second source has less info and a CDR generation in the lineage, but somehow feels more… I don’t know, “alive,” as if I can get a better audio picture of the space. I hear more of the venue, but in a good way. It feels more like I’m there, rather than listening to a recording. The similarities in these recordings are many, but the differences are almost hallucinatorily fleeting. I’m going with ID 9402 Schoeps source attributed to O’Connor. I must say, this Deal has kept me entertained throughout this comparison process. Eleven minutes of smoking’ Deal? Don’t mind if I do!

    The only disadvantage of picking up the older submission is that it isn’t Y2K-proofed, and also comes ask SHN, rather than FLAC. No audio quality difference, just a little more trouble to convert for me, and that’s all on me.

    I’ve not yet listened to the latest and greatest Miller SBD transfer.

  • DeadVikes
    Joined:
    5/12/91

    Yes! For sure Shoreline 91 sounds fantastic for tomorrow. Thanks Jim.

  • rockthing
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    > JimInMD
    "5/12/91 for…

    > JimInMD

    "5/12/91 for Tomorrow?" Sounds good.

    Just a few last impressions from 11/18/78

    The instrument/voice balance is definitely much better by It's All Over Now.

    I think the thing that seems unusual about the Scarlet/Fire, other than the clean cut which may be a result of the Archive's streaming system. There's always a short loading gap between songs.

    I was thinking that the jam at the end of Scarlet Begonias seems especially sparse, and then I started wondering where Phil was? There isn't a whole lot of deep bass in this recording, so that may be it. Not sure. I like Donna's off mic reaction to some strange noise that Bobby (presumably) made by accident. ...Ah, I got to the Fire patch. That's the cut that was mentioned. It sometimes feels a touch lackadaisical, but that sort of thing suits the transition into Fire.

    Miracle is ON, right out of the gate. No teething problems with this one. Just struck me that it sounds like Jerry's already using some kind of distortion/fuzz effect on his guitar here. I'm a bit of a gear nut. I'm gonna hafta look into that.

    Dayum. This Other One is waaay out there. Love it! The drummers totally running with it, complimenting the gooey, stretched out psychedelicized sense of time created by the guitarists with a frenzied lysergic background buzz. Still pre-Beast if I recall correctly, but plenty to keep the Rhythm Devils busy... and busy they are. Did someone say, "Go man."? "I knew you were about to come on."? This really is the beauty of the board tapes. Occasionally you get a glimpse into the verbal communication that goes on between band members. They're always talking to one another a lot more than I used to imagine. It wasn't till I started watching how much conducting Phil used to do that this aspect of their playing became evident. Things changed a lot when Phil started taking a less active role in the spontaneous orchestration during shows, I suppose.

    Ollin Arageed, what a nice treat. A little hold over from the Egyptian Vacation. 12/19 is the only post Egypt '78 show I've got in my library, and sadly I couldn't tell you anything about it right now. From there it's to the Godchaux's farewell show, and then Brent's debut or somewhere thereabouts. Again, thank you for filling in this rather sparse zone in my listening experience.

    The word I keep coming back to while listening to this show is "beautiful". I was about to use it again to describe the Wharf Rat. Keith is doing some really nice fill-in stuff between the vocals here. Certainly a sight better than his contribution at Giza (yikes!). .... oops... everybody completely missed Billy's cue to start the ending there. LOL. Oh, well. Carry on lads. :P

    Love how the transition to Sugar Mag thoroughly cross fades. That's brilliant how they kept a bit of Wharf Rat alive while slowly letting Sugar Magnolia develop. A lot of times Jer'll drop the intro of the next song and the others just stop what they're doing immediately for a couple bars instead of letting the songs blend. Sometimes it feels forced when Jerry does it that way, but this one is just about perfect, for my ears.

    One More Saturday Night was one of the more predictable Dead tunes, and I reckon if you were on tour it probably got kind of repetitive, but from a song-writing point of view, IMO this is one of Bob's best songs. It's the kind of built-to-be-a-show-stopper that I wish I could write someday.

    Ok, fast-forward a decade or so to 1991!

  • JimInMD
    Joined:
    5/12/91 for Tomorrow?

    I haven't heard this one.. but I believe the run was well recorded.

  • rockthing
    Joined:
    Sneakin' in one last Uptown Toodeloo

    Had a chance to stream the Miller sbd last night when I got home, but exhaustion prevented me from hearing it to the end. Early on the recording is so vocal heavy that I can barely make out what the band is doing without riding the volume control.

    Me and My Uncle is in full disco mode. When was it that Bobby introduced it as a Polka? Was that before or after this? I'm confused. At any rate, it sure ain't a Polka here. I like these Rhinestone Cowboy versions, perhaps knowing that they aren't forever.

    There were several comments about song placement, and that El Passo following Sugaree, and there having already been an Uncle > River seems a bit odd, but they had not yet settled into the one cowboy couplet per set routine yet, had they?

    It's All Over Now in the first set, though. That feels odd.

    From the Heart of Me is so beautifully done. I recall Jerry doing lots of really fast runs between vocal lines, but was not taking notes. This is a real gem.

    By the time Music Never Stopped rolled around, I realized that the mix seemed to have been brought to balance between the vocals and other instruments. From the Heart of Me had also benefited from an improvement in this area. Music Never Stopped, though. Wow. This is where the show really gets started. I think someone else already mentioned that. The whole first set is superbly played, but as became the norm the first set closer serves as a precursor to the second set with some nice group improv. Definitely wanna go back to check this out again.

    The Scarlet/Fire second set opener picks up right where TMNS left off. This is another track I want to return to. There seemed to be a somewhat different quality to this one, but at the moment I can't put my finger on it. Another highlight, but it's rare that this pairing is not a highlight.

    The early second set Miracle is definitely another interesting set choice, as pretty much everyone already said. I kept an ear out for the ending jam that was mentioned, and yes, why was there never more of that? I suppose once it settled into its post-space rave-up role, there wasn't much left on the table to fool around with.

    From this point on, I was drawn into the darkness of sleep. I think I'll restart this at It's All Over Now tomorrow and listen to the end again. The recording balance seemed to have improved by the end of the first set, and I missed the whole finale.

    Thanks for another interesting recommendation!

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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During the totality.
They will never suspect it.
Escape with the banana boxes into the darkness. Then release the reels!
Cheers

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Check it out dude, Jorma won’t bite.
Hey, worst is their not open, no biggies, but if it is open, it’d be cool to meet him.

Hadn’t thought about eclipse, guess I’ll go 5 fourteen seventy four

Finished my w I n T e r spring 69 run. Just have to find the gumption to battle the evil HN lords

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Did not make it into Fur Peace. Had to drive by it, they must have been busy.

Pretty chill college town, nice view of the eclipse. All is good. Did listen to 2/27. It is one of THE classic dark stars. Sunny day in the 80's. Man that town can party.

There's a time and place for everything, and it's called College. Unfortunately, I am at that age where I politely look in the other direction but man.. Well.. there is nothing like the women on a college campus on a sunny spring day with weather in the 80's. And with eclipse glasses on, they can't really tell exactly where you are looking right?

Edit: Did I say that out loud? In my defense, you can't really see anything with eclipse glasses on, right?

Easy Jim

Just remember there Romeo
Lovely to look upon, heaven to touch,
It’s a real shame they got to cost so much…

But you already knew that ; )

JK, glad you had a fun day!

Forgot how much I love 5/14/74,l

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Jim, great job there channeling HF. I live close enough to a college campus to know whereof you speak. And I worked for that college for years, so... was with the cosmic spirit yesterday. We drove up to the Canadian border, near Newport, Vermont, found a high bit of snow covered pasture on a dirt road with nearly 360 by 180 horizon to watch. Deep in the sweet spot, totality lasted over three minutes. Had seen partials but now, I get why people will chase totality, way beyond spooky cool, epic. The farm animals made noise as it got dark, then were quiet. Roosters crowed like it was the break of day. It got cold suddenly and the light on the far horizons 25-30 miles away was rose and gold. The ride back was ridiculous with traffic never before and never will be seen again for decades.

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Hampton Coliseum
Hunter Seamons matrix on the archive.
This is a crisp sounding show with a fantastic set list.
Peace

Edit: Brent's high in the mix, and playing some really trippy shit.

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W i n t e r Spring 69

The rainbow ballon band lol

This round I hit every available show that I hadn’t heard before, plus rehashing a few official release ones.

For various reasons, I wasn’t able to get as deep as i usually do, and sometimes the lackluster recordings made it harder to get to the goodness, but usually I at least caught the standout moments, both good and not so good.
The overall consistency and repetitiveness actually makes it very hard to decipher subtle differences, so combined with my lighter digestion, I wouldn’t say this is a comprehensive consideration. More a go fast and hard and see what stuck approach.

Overall I found almost every show at least good, and don’t recall clunkers.

I had heard January seventeen via Doc on POTD, and the Aoxomoxoa 50th bonus stuff, but rehashed all that in order to get a good reference starting point.
February 2, 4, 5 and 6 were next, getting seemingly better each night, while noting the fierce Stephen 11 jam on the 5.
The very fine shows on the 7 we’d enjoyed on POTD via Doc, so skipped
Same with the Fillmore shows on the 11.

Did hit another hot one on the 12th, though not sure which show, but man it has another scorching Stephen 11 jam!

Followed with the good first night at The Electric factory, but perhaps a step behind the awesome next night previously dug via Doc on POTD.

I skipped the RJ level goodness of the 2 Dream bowl shows, but I did rehash the whole FW run as I’ve never done so completely and in order before. Sigh, words can not convey…

Skipped the previous POTD Doc choice on March 15 (another top shelf) so next up was an equally wonderful outing on the 22 at the Rose Palace. The tape takes awhile to settle but don’t let that stop ya!
The 28 is another good but perhaps not great outing from Modesto.

I skipped Docs previous choice on the 3/26 and 4/11, along with the Avalon run.
Again, goal was to hit unheard shows this time around…

February things really start getting unbelievable. Some of the newer songs that were ruff at best earlier, are starting to gel and the “Live Dead” stuff is starting to get more improvisational as their slowly shifting from the “keep it tight and right” for the recordings phase. The consistency is still very good but their starting to morph and explore more, and it’s easy to hear differences in this material, perhaps easier than back in February.

April 12 - 17 are absolute gold! Some of the recorders aren’t great but you must hear your way through that to fully appreciate some extremely fine Dead! The 15 especially got my attention! And I rehashed the 17 since previously my copy was not complete and to compare with the 15. I’d call the 17 the 15 if it was given the treatment. And hey, it’s just a little rain folks lol.

Skipped previous Doc 18, which I think is good, but just a tad behind the previous? Did hit the 20 with similar feelings.
Though I’ve heard the Ark shows, don’t think ever did them completely in order etc, so rehashed and dug the hell outta those. I find the middle show to be RJ while the others are good, but perhaps missed it by that much?
Same with the 25. I did the complete shows from the next 2 nights as I’d only heard the DP before. Really strong like all of April but maybe a tad off the peak of a week or two previous?

May is still good, but felt like they peaked and were moving on again with more new material and increasingly longer shows (earlier there were many one set shows, though some of that might be incomplete recordings too)
Checked out the Sierra college on the 3, kinda weird?, and perhaps even weirder vibe at the Polo fields on the 7. Another beauty at the Rose Palace again on the 10 with a very awesome Dark Star!
Perhaps the best of May I heard this round was the next night at the Aztec Bowl, followed by perhaps the only dog in the bunch, Moraga on the 16, which I rehashed since Doc mentioned it again lol. More weirdness lol
Skipped the awesome RT FLA shows, but continued with May 29, 30, and 31st.
All were good, but the recording was ruff on the 29, and the 31st was perhaps a step above due to the a shenanigans and what not? Yet More weirdness lol
Finished off with the weird June first show? Was that a show?
Previously hit the fifth so next up will be the June FW run, but I’m way to burnt on this music for now. I’ll check out more, including the 27 and 28 that BTK has been suggesting…but first, full random cleansing Oxford 88, 5/14/74, 49, and anything else lol. Then, probably starting next week, going to do May through July of 79.
Onward!

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In reply to by TN John

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That is a fine show TN.
Think I had it in my top five when I did that tour!

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The Aoxomoxoa outtakes from around this time are also worth checking out. St Stephen with cello, The Eleven with bagpipes and Barbed Wire Whipping Party with nitrous oxide, supposedly.

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Nice work OB. How did you get that post past the Hey Now police?

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I caught that one. I'd tell the tale but the HeyChow police are on to me.

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...wasn't it named hampton roads coliseum? can still remember the 6 hour jaunt with a forever slow crawl thru delaware [alabama toot-away anyone?] yup, we got back to the hotel and all one of our friends could talk about was "how the dead were now singing nursery-rhymes"...ashes ashes all fall down! lol; 4/9/83 FUN stuff!

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The first show I travelled to, I took the rents car but I am quite sure they had no idea we were going to a dead show.

We all tripped, it was my second or third show, still cannot recall if I was at the Cap Centre show in the fall of 82. I think yes, but not entirely sure. My ex tossed all my stubs.

Anyway, I did not have many tapes by then and I did not know that many songs yet so my memories are more of the scene, how much fun we had and afterwards finding a place to sleep without getting in any trouble. I remember how hard they jammed to be sure. We had almost no money, gas was about a dollar a gallon, so if you pack some food and don't have to spring for a hotel it's very doable. In 83 you could get tickets without too much trouble for like $12 or something. You see Tailor Swift was not even born yet and the last, next to the last, seriously this is the last Eagles tour was not an issue yet so 100 dollar tickets were farcical.

After the show we drove to Va Beach to try and sleep on the sand afterwards. That was a no go.. we were destined to be up all night. It started to drizzle, it was cold and cops were buzzing so we abandoned that idea and ended up quasi sleeping in the car in the parking lot of a motor in.

So was my first travelling dead show. We had the time of our lives and thankfully, did not get in trouble and the parents car was returned the next day unharmed. Good thing they did not check the mileage.

Oh, the show was really freaking good as far as I can remember. Help/Slip!/Franks and then some.

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I took that as far as I could adding a sentence at a time until Sargeant Hey Now found me. I'm pretty sure if I would have spelled Ms Swifts name correctly I would have gotten gong'd.

At least I got in that much but it took me a couple days and more time than I am willing to admit I spent on this.

These guys really have become the anti-fun police. If justice prevailed it would be marked on their headstones for eternity.

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...first TRAVELIN' road show ALSO; dad loaned us his lil' VW dasher diesel station wagon (filled-up one tank of diesel, less than ten bucks and used about 3/4 of a tank, we need toll money for the BAY bridge, yup time to pass the hat) we piled-in...ALL of us PSEUDO hippies...and it poured rain for all 6 hours, and I remember driving, and it's the middle of the afternoon and it was like driving at dusk the entire route. walked out at the end and we were all very SATISFIED.

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Nice work Jim.

As we all know, posting is requiring a lot of patience and it does not look like this will change any time soon.

Your post has inspired me to pull up some early 80s for today. Now, what shall it be?

Edit. Decided to go with 11/28/80, from the 30 Trips Box. Stay well out there. It is Masters week!

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Felonious, excusable, justifiable, and praiseworthy.

On a lighter note, karma has struck, no more running through airports looking for murderers.............

Doc
When he shall die,
Take him and cut him out in little stars,
And he will make the face of heaven so fine
That all the world will be in love with night
And pay no worship to the garish sun

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Tried to post another travel tale to Hampton and the next night in Morgantown but can't get past the HN

Have tried to edit the post multiple times. Can't figure out what it doesn't like. It didn't like the word "party" in the paragraph below but let me put it here?

A bunch of us chartered a bus in DE to go to the 83 Hampton show and the next night in Morgantown WV. About an hour into the trip the bus driver pulled over unexpectedly, got up and faced the crowd and said something like "I'm not driving this bus with everyone drinking and smoking". One of the organizers of the trip took him outside and talked to him. Don't know what exactly was said but he got back in the drivers seat and away we went.

The Hampton show was great, we had hotel rooms for the night, like 6 people to a room. On the way to Morgantown we convinced the driver to stop at a liquor store somewhere. 40 people piled off the bus and nearly cleaned out that store. Some interesting stares and a customer asked "who are you people?" We explained we were headed to the show in Morgantown. That answer just returned a blank look from the customer. I was kind of fried by showtime so I don't remember a lot about the show except it was enjoyable. Slept on the bus for the approximately 8 hr ride home. We collected about $200 for the bus driver, which was pretty good for 1983. A grand time was had by all.

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from garcia fam prov, grateful golfers items.
just in time for the masters.
Cheers

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In reply to by 1stshow70878

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Thanks for the Hampton stories. I enjoyed reading them.
It would be 2 more years for my first Hampton show, and I never missed one after that.
Peace

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They have the filter on high today
Trying to add Hampton lore
Nope…

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Being basically “southern Canadian” we thought I’d be spring break on V beach

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In reply to by Oroborous

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So when we drive out there nothing! Ghost town, cold AF,
W
I
D
Y
Rtc

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In reply to by Oroborous

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So we burned one and found a head shop

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Where I found my one and only Fabulous Furry Freak comic which I still have lol

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The bikinis and “beach” type vibe would have to wait for FLA fall 88!
Big Fun!

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I had to look that one up in the Urban Dictionary. Cracked me up.

First, great stuff all around here lately.

FFS, That's exactly the way it's been for me for the last couple months. The filter must somehow engages when I actually have something to say. I can comment on the weather and lines at the bank no problem.

I am befuddled by how you got that monster 69 post through. There must have been power blackout in Burbank when you wrote that. How else could it have gotten through?

Great stuff here lately.

I know exactly what you mean by burnout OB. I really like listening to sequences of shows in a row preferably an entire tour. But by the end it sometimes tastes like unseasoned spinach and broccoli and if you jump forward or backwards by 10 years it sounds like it's all juiced up on Sriracha.

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Bucknell, April 14 1971

A powerful and deep show, wonderfully designed and perfectly executed by the Dead, crackling with energy, a supernova of a show that blows away almost everything else played that month. How did they do it? Did they all drop acid? I’ll even ignore the fact that there are only two Pigpen tunes. The band is on fire, every tune here works, cosmic reflections of all that was good and pure about the Dead’s music that month. Rocking all over the place, with wonderful slices of soul and psychedelia, on this night everything the Dead touches turns to gold and pure bliss. Somehow, some way, on April 14 1971, in Lewisburg, Pennsylvania, the Dead played a show for the ages………

Rock on,

Doc
Music and silence combine strongly because music is done with silence, and silence is full of music.....

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Hi, gang! Anyone spent any time with this gem lately??

2/26/73 aka first 1/2 of Dicks Picks #26

IMHO this is a top tier release from our beloved Dick-Dave & CO.

This offering is like a pack of stoned cowboys on the most gnarly shrooms known to man!!! lol

Today's walk the dog/exercise routine will feature the second half of, 2/28/73

Rock on, gang!!

Edit: shout-out to the vocals as well! Really fine singing IMHO

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17 years 5 months

In reply to by jonathan918@GD

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Yeah, any dribble goes through no problemo
Try to post about the band or something relevant,
NO SOUP FOR YOU!

Jonathan, I’ve been yelling at the mountaintop:

Early 73 box: first six shows! (No tape for the 24)
If you like DP 26, then I double dog dare ya to do the first six in order!
You can thank me later ; )
Onward!

EDIT: my 69 post, shhh, wasn’t supposed to mention, but Bolo used some of his espionage connections to get the filter temporarily cut

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First six shows. Sounds like a plan!!

I'll report back

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In reply to by jonathan918@GD

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Like a pack of stoned cowboys on the most gnarliest shrooms known to man
Proper!

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In reply to by Oroborous

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Mine did not - honestly there is a randomness to HN that seems to be a deliberate feature and not a bug.

Been too long since i visited 2/26 Lincoln and 2/28 Salt Lick. My memory is that DiP 28 was released when we were attending shows at Red Rocks and I think I bought my copy there? Edit - memory is incorrect at least in part as it was released on 4/20/2003, but I still feel like thats where i got my copy.

Yep, some kinda algorithm.

Gonna pick some chestnuts for Sunday afternoon pleaser listening from 28!

I liked 4 14 71, but the next three nights were some of my favs from that hot month. I seemed to have especially enjoyed 4 17!

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In reply to by Oroborous

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The '73 release y'all are conversating about is Dick's 28, right?
Some of y'all have typed 26, and had my old muddled brain confused.
Don't take much.
Peace

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yes, #28 not #26.

I was a little excited!!! lol

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In reply to by jonathan918@GD

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Understood. lol
Peace

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In reply to by TN John

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28 correct
I’m blaming Jonathan ; )

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No problem my brother!

I did finish the second half of #28, 2/28/73, and yup, just as stellar as the first half!

I'll give those first six shows a go, as you mentioned, Orob

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In reply to by jonathan918@GD

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JK, of course

I hit a couple hours of chestnuts from this fine release yesterday.
Thanks for reminding us!

On on to May 79…

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In reply to by Oroborous

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Gave that 4/14/71 Bucknell show a listen today.
That was a really good show with a clean recording off the archive.
Peace

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Dedicated to Jay Carstens....................

Can one safely critique a venerable classic without having to run for cover? LOL I have no idea. In any case, get ready for THE Pigpen show. Yes, Mr. Pen dominates, especially on Good Lovin’ and Lovelight, where he lays down classic raps while the boys in the band back him up ably with wonderful psychedelic snake music. And the “smaller” Pig numbers work as well, particularly the rare and finely performed King Bee and the typically hard rockin’ April 71 Hard To Handle. Throw in a wonderful Bird Song, heart felt Sing Me Back Home, and the other usual rock and roll and country/western suspects, and there you have it----super solid show. Maybe not the classic it was once considered to be (hey, can I safely say that?), but still highly recommended………………….

Music expresses that which cannot be said and on which it is impossible to be silent.....

Rock on!

Doc
Music is well said to be the speech of angels.....

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In reply to by TN John

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A pistol shot
At five o’clock
The bells of heaven ring
Tell me what you done it for…
RIP Rick G, we didn’t even get to meet you

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One of my favorite 1971 shows and a perfect example of “the sledgehammer approach”---loud, fast, bone crunching rock and roll, very edgy, skip the subtlety, fasten yer seatbelts and go directly to “pulverize”. Almost everything is a highlight, but things like Next Time You See Me, China/Rider, Truckin’ (check out the truly fierce playing by Garcia near the end), Hard To Handle, the crazed hyperkinetic Around & Around, and the massive Good Lovin’ stand out. If you like your rock and roll Grateful Dead style, this one’s for you! Highly highly recommended!

Rock and roll is the hamburger that ate the world......

Doc
I can't wait to crank this up on my way to work!!!!

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First concert I ever attended: Marshall Tucker Band and Allman Brothers. So began my personal long, strange trip

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In reply to by bolo24

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No my first concert, but I saw the brothers with and without Dickie Betts many times (although sadly not with Duane).

As for 4/28/71. One of the greats. Listened to 4/14/78 yesterday. Certainly not the best in the tour but put it all together and Spring 78 was sort of grate.

It's got to be Friday somewhere, so here's to that. Time to start acting like it's going to be a great weekend and hope the planets and stars align accordingly.

Edit: Wow, this is the first post that went through on the first try in a very long time.

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In reply to by JimInMD

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RIP Dickie Betts.

Hitting 6/10/73 from last year's glorious box in his honor.

Probably should mix in a E72 show at some point as well this weekend.

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In reply to by DeadVikes

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Sixtus' birthday also, if my memory is correct. Good choice. I've only got one listen from that box. Fingers crossed that keeping this short get's it through.

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At least that 4th disc.
Saw Dickey with ABB twice.
Mile High ('74), Red Rocks ('89).
Cheers
Diggin' the That's All Right!

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A long time ago, in a galaxy far far away, there was RIA on 4/21/71. The force was with them. Or was it something in the water? Similar in tone to its hard rocking predecessor Cortland, but with “expanded content”, this is an underappreciated, quasi-classic that actually doesn’t get talked about a lot outside of “1971 aficionado circles”. Things get nicely weird early, five songs in they laid down the big jam sequence, followed by a wonderfully crunchy Hard To Handle. Things continue crunchy in set 2, with a non-drum solo Good Lovin’, a nice NFA suite, and an unusual two song encore which is sweet AND rocking. Highly recommended!

Rock on rockers!

Doc
I frequently hear music in the very heart of noise.....