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    Anyone who has ever seen the Dead can testify that one of its shows will add quite a bit of color to the environment here at Stanford. Anyone who has not seen one of these spectacles should have the opportunity to do so. The Grateful Dead are an important part of the Bay Area's cultural history. Those of us who saw them last week can testify that the Dead are alive and well. The Concert Network would be hard-pressed to find an act which would bring Frost Amphitheatre to life as the Dead would. - The Stanford Daily

    As you know by now, we'd certainly have voted aye on this motion, so much so, that we've loaded up DAVE'S PICKS 49 with not one, but two complete Grateful Dead shows from the Frost Amphitheatre, Stanford University, Palo Alto, CA 4/27/85 and 4/28/85. The first shows from '85 in the series, these back-to-back hometown performances couldn't be more different while delivering the same level of passion and precision, five hours of it, in fact.

    In 1985, the band were celebrating "20 Years So Far," a feat that found them on these particular nights confident with invention in terms of both setlists and playing. There are old songs renewed, rare covers revived, undeniably nuanced Jerry moments, and a few surprises from Brent Mydland too. While it's impossible to select highlights, we can say with certainty that the overall clarity of these shows is unparalleled, courtesy of Dan Healy's recordings.

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 49: FROST AMPHITHEATRE, STANFORD U, PALO ALTO, CA 4/27/85 & 4/28/85 has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • daverock
    Joined:
    Curious

    That Robin Trower seems primarily known on here for playing with Procul Harum. Although I have "Shine On Brightly" on cd, I have never really listened to it that much. Seems I have some catching up to do. He played some very powerful music in the mid 70's, which is what I associate him with.

  • hendrixfreak
    Joined:
    Just stopped by to say hello...

    Caught Los Lobos the night of the anniversary of Pigpen's passing. First off, in March '73 I was six months past my first GD show, three months until 6-9-73 and 7-27 & 28-73 and March 8 is my brother's birthday, so easily remembered -- although I'd rather celebrate Pig's birth. But death always comes last (yes, open to debate!) so seems to stick in memory.

    BTW, I have seen and partied to Los Lobos for nearly 30 years (only half their existence) and a few years back they came out of covid a little shaky, with Bugs the drummer leaving due to anti-Mexican rhetoric and Conrad Lorenz out after hip surgery (his son filled in). Oh they rocked, but that elevation thing ("transportation" in Mickey's words) had gone missing.

    Last Friday the band came out blazing on The Midnighters' "Love Special Delivery" and never let up for two solid hours, mixing favorites with covers (they ended with Neil Young's "Cinnamon Girl"). Their original (after Louie) drummer is back, Conrad is back, the spirit is back. They sang, they were squeaky tight, they jammed loosely but effectively and Hidalgo and Rosas were concise yet imaginative.

    That is all....... HF

  • Vguy72
    Joined:
    One of my oldest and dearest friends....

    ....has released his bands first record. Instagon - Ghost Hunting.
    The LOB and VGuy lore goes wayyyy back.
    Like, 1988 way back.
    It's available on loveearthmusic.com.
    Warning. They're noisy.
    Good job my dude.

  • alvarhanso
    Joined:
    Re RRE

    Two great concerts that I saw 20 years ago at the Jerry Garcia Birthday Bash on ArchiveDotOrg August 7 and 8 2004, the first has their debut of Terrapin Station amid a set of their classics you're likely to hear any night now, the next afternoon they debuted The Wheel, and Bill Nershi from String Cheese joined for two songs. They have expanded their catalog beyond when I last caught them, as well as their sound. Anything on the Archive after 2019 will have a similar sound to now. Or so I'm finding after diving back into them. They did a stint with Phil and Friends around Christmas 2004 and a few shows a few months later. Album wise can't go wrong with Black Bear Sessions and Bird in a House, their first two, and Elko, their first live album.

  • Obeah
    Joined:
    Robin Trower, The Rose Palace, and Railroad Earth

    Loading up the R train in this post. First, a SO to Robin Trower and Procol. Whiter Shade was one of the first bits of piano I ever taught myself.

    And the Rose Palace! I haven't heard anyone mention that barn in awhile. Instantly makes me think of the Dark Star from 3/22/69...

    But I was compelled to post only after seeing people mention Railroad Earth. Until the start of this month I'd never heard of this band! A younger head whose parent(s) has a connection to the group mentioned and recommended them to me. I haven't even had a chance to listen yet, and now a couple of y'all are mentioning them right here. So I gotta ask: what's a good starting point for a total stranger trying to check out Railroad Earth? Thanks in advance

  • dmcvt
    Joined:
    RRE, Robin, Slide

    After Mr. Hanso saw RRE in Rutland at The Paramount, a friend in MA saw them next night and raved. Procol Harum was big for me back in the day, finally saw Robin play in a double header with Dave Mason at Catholic University in DC about 1972, not a typical venue for a rock show. Just wanted to add a shout out to one of the best guitar players ever, Jeff Beck, who could make that Strat sound like he was playing slide, without one. He did play slide on Truth of course, Ole Man River and Becks Bolero. Truth has Morning Dew too.

  • Oroboros
    Joined:
    Rail Road Earth

    are a 'must see' for me.

    Jamtastic + wonderful song-writing!

    "Teachers open the door, but you must enter by yourself."

  • daverock
    Joined:
    Slide guitar

    Potentially one of the most beautiful forms of musical expression. In the right hands. In the wrong hands it sounds like someone stood on the cat's tail.

  • Angry Jack Straw
    Joined:
    From Good Homes

    In all my years on this site, I don’t ever recall them being mentioned. What an outstanding band. Railroad Earth as well.

    The slide guitar doesn’t do it for me. Never once have I thought to myself, “Boy, could I go for a CC Rider right now.”

  • nappyrags
    Joined:
    Happy Birthday Señor Trower!

    Thanks for the reminder on Robin's birthday...he has always been one of my fave guitarists....I first saw him play with Procol in early '69 on the "Salty Dog" tour...when he did that killer solo on "The Devil Came from Kansas" I thought he was going to fall off of the front of the stage...that solo, the opening to "Shine On Brightly" & "Juicy John Pink" are always in my top faves...I saw him about 6 times with Procol but I missed his initial solo tours dammit! I'm going to have to do a road trip the next time he plays anywhere semi-close...The '69 gig was at a horrid venue, The Rose Palace in Pasadena...it was a large quonset hut type of a building with horrid acoustics...it was used to store and decorate the floats for The Rose Parade...an extra plus for the gig was the opener...The Carlos Santana Blues Band! And Sheik, I am "Semi-retired"...

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3 years 7 months

Anyone who has ever seen the Dead can testify that one of its shows will add quite a bit of color to the environment here at Stanford. Anyone who has not seen one of these spectacles should have the opportunity to do so. The Grateful Dead are an important part of the Bay Area's cultural history. Those of us who saw them last week can testify that the Dead are alive and well. The Concert Network would be hard-pressed to find an act which would bring Frost Amphitheatre to life as the Dead would. - The Stanford Daily

As you know by now, we'd certainly have voted aye on this motion, so much so, that we've loaded up DAVE'S PICKS 49 with not one, but two complete Grateful Dead shows from the Frost Amphitheatre, Stanford University, Palo Alto, CA 4/27/85 and 4/28/85. The first shows from '85 in the series, these back-to-back hometown performances couldn't be more different while delivering the same level of passion and precision, five hours of it, in fact.

In 1985, the band were celebrating "20 Years So Far," a feat that found them on these particular nights confident with invention in terms of both setlists and playing. There are old songs renewed, rare covers revived, undeniably nuanced Jerry moments, and a few surprises from Brent Mydland too. While it's impossible to select highlights, we can say with certainty that the overall clarity of these shows is unparalleled, courtesy of Dan Healy's recordings.

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 49: FROST AMPHITHEATRE, STANFORD U, PALO ALTO, CA 4/27/85 & 4/28/85 has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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10 years 2 months
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Had to look that up.
The spoken part between:
Redemption funds,
Stocks and bonds.
Scruggs, the master of the three finger rolling style. Changed everything.
Cheers

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17 years 5 months

In reply to by 1stshow70878

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For a real good time!
Hopefully we won’t have to wait another 10 YEARS for some 85 love!

Well 49 old friend, it’s been a gas but I guess it’s happy trails for awhile.
Tanks for the memories

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8 years 1 month

In reply to by uncle_tripel

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Yes, good to see at least this one sell out. Such a great release. Just revisited this last week. Shows the depth of the vault if you like most eras, which I do.

Can't believe the others are still available. Might have to revisit #46 tomorrow.

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8 years 1 month

In reply to by DeadVikes

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Smoking 🚬

How about a big announcement tomorrow?

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1 year 1 month
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...hmm, how's about wave that flag day june 14th, great day for smokin' OUT a new box...read the signs, connect the lines, pay your fines, read the rhyme

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1 year 1 month
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...how that 49 resurfaced...

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3 weeks 2 days
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I am just wondering, since all of the early brent shows have the keyboards way too loud, is this the same? I can't listen to any of them, I have to go to audience recordings. Can't hear Weir enough, which is not the Dead as far as I am concerned. After Betty left, the soundboards are useless unless it was mult-tracked...and most are not. I was at these shows and they were very good!

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