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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • JimInMD
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    More on GD/Amps/US Navy

    I was close... if you google it you will get an answer pretty quick. Here is a quick quote from my first google land.

    Rosie McGee was cracking up at her desk when Dennis "Wiz" Leonard walked in from lunch.

    "What's the story?" Wiz asked McGee, then a receptionist and bookkeeper at Alembic, a California-based custom electric guitar, bass, and pre-amp company where Wiz worked as an audio engineer.

    "Well, the Department of Defense just called me," she told him. "They were asking if we could defer the purchase of our next four 3500s, so they could get four."

    Those amps were in high demand at Alembic. The 3500s, in particular, would be used in the Wall of Sound's vocal array tweeters, drum tweeters, and for Jerry Garcia's guitars. But was it just Alembic buying them up? A rumor was going around—a "urban myth," Wiz told me—that the US military was using Mac 3500s for sonar, specifically to listen for Soviet submarines.

  • Gary Farseer
    Joined:
    Passing the Test

    Isn't the goal here to be lighthearted? I try my best to not let the craziness of the world/media not get to me here? Isn't the goal here to be a kind prankster? They ask, "Are you kind?" Most of the flamers I look like as children, either actual age or not. Many are so deep in social media and issues that result thereof, they cannot see what it is doing to them. They are being handled, manipulated, and unwittingly abused by the profiteers. I try to stay away.

    Jim, had no idea of the McIntosh amp issues. Thanks for that piece of info. As much as I love the music, it is just how they were. So real and fun which someone wrote, "creating their own iconography." The richness of their traditions and internal musical dialog that we love is an unending source of comfort as they lived it everyday for 30 years. I wish I had a shot at hearing even 50% of their music, but as I have written before, my OCD makes me wear out a great jam over and over instead of looking for the next one. Need to work on that for sure.

    So Jim and Oro and many others, thanks for passing the test.

    G

  • JimInMD
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    GFar

    You are kind soul.. I appreciate all you provide here. Same goes to Oro. I think it would take a face to face to catch me up on all the technology (old or new) that the two of you bring for me to truly understand. As for old.. and I am sure you both know.. in either late 73 or early 74 (I think 73).. the GD got into a scuffle with DOD over equipment they were ordering that was desperately needed for national security. Apparently, the Macintosh amps they were buying in unprecedented numbers were needed both in general and more specifically by special, top secret subs that needed the clean sound and amplification to either detect enemy interference or better hear and make stealth the noise they were making. So they called the GD and tried to work out a way to either stall, postpone or barter a purchasing arrangement that would not jeopardize national security.

    I think this is well known, and I apologize in advance for going on memory and surely confusing some of the information listed above as fact. ..but what is written is pretty close, if someone can clarify and correct it would not offend me in the least.

    Hope I didn't write anything that was incorrect or in any way interpreted as insulting or offensive.

    As for chainsaws and sawzaws to clear way for our living room WOS.. what could possibly be more fun.

  • Gary Farseer
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    Sawzaw

    Ah the sounds of my earliest fun dentist. "You dont need no gas!"

    All my stereo stuff is old, always fussy. Running all old Yamaha into JBL (plus svs). Trying to get stuff cleaned and parts replaced. When it is on, it is quite the stereo indeed. I have an old yamaha eq that I hooked up when Dave's first show was released. Goes into Pre amp, then to a yamaha mx-830. The MX-830 is powering 4 jbl g300's and 2 jbl LX 600's. Running 6 speakers means the amp is running at 550 watts at 2 ohms. It cooks. The speakers all have same tweeters and mid ranges. The 300s run 8" woofers and the 600s have 10 inch woofers. It is old but as you say "in budget." Smile.

    edit:
    Then the svs has a 550 watt continous, 850 watt peak sledge. The svs I picked up a few years back for $399. I had to have a sub with an internal crossover. So out of preamp to svs (rca cables), then back into the preamp, then to amp. Having old yamaha means older connection points. Modern amps control the crossover themself and pump sub out already crossed over. I happen to run my internal sub amp at a cutoff of 82 hz. George Lucas uses 80 hz crossover in his THX sound systems. So I am slightly above that. I did some sampling of the room using the preamp features.

    G

  • JimInMD
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    Do you have any '74 Dijon?

    Neanderthal's use chain saws.. a sophisticated audiophile attacks their living rooms delicately with a sawzaw.

    I'm totally jealous.. I am blasting with my 20 year old Denon, similar age speakers with no intents on upgrading anytime soon. Budgets be budgets..

  • Gary Farseer
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    Yeah

    Can you imagine writing the real equipment book? With the constant upgrading of the system, that book would be multiple enormous volumes. Hope the Meyers have logged a lot of their research.

    No 18's here. Of course not needed.

    Back last year, Oro, you asked if I was running multiple subs. I am not. I have a 12" SVS Systems sub with built in Sledge D amp. It is like the rabbit, it is a thumper. Goes down to 13 or 15hz, so below the 20hz of human hearing. That is, if all memories about frequency response are still good. Starting to get the old enough to question my own thoughts at times.

    I am still hoping for the day when we can listen to WoS through a system that takes us to the "Fare the Well" P.A.. Would have to be software based, but I look at it like 4K upcoding an HDTV signal.

    Wow, FTW PA is now 7 years ago. Bet the Meyers' have gone way beyond that. I almost applied for a job at Meyer 7 years ago. Was in my career field. POTHead.

    That 2015 system had multiple flying 18's. It also had a load balancing system. This was done by having 2 systems, intake and outake. That is, they had 100 microphones throughout the stadium to push into the analytics software. Of course, the output systems was not connected except thru analytics, to the input system to avoid feedback. Brilliant. The analytic input system could then be used to balance the PA by section of the of the stadium.

    Sorry for interruption but I wanted find the article on pro sound web about 2015 FTW PA.

    I did actually find it, but not by searching pro sound web, but by searching internet at large and it found it on the pro sound web site, even though pro sound web could not find it in its own search.

    Let me know, maybe I can send lynk thru PM here, not sure if they cut that off.

    Any way need to do a little work after lunch. I mean a little work.

    G

  • Oroborous
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    Ha

    That’s what chain saws are for!

    Gary, I think besides trying to keep up with Garcia, Phil was using that big system on stage to help fill in those near field areas (up front etc) we were discussing, the areas that didn’t get proper coverage from the PA?
    What some refer to as the Phil Zone, though to me that’s was where both his stage sound and the PA sound merged and acoustically coupled.
    But yeah, My spine tingles and can still feel rather than hear those sub frequencies in my DNA. (By sub I mean below the threshold of hearing, not a subwoofer). Those Meyers 18”s in the PA were ridiculous in the right spot, in the right venue etc.
    Plus, it’s the Grateful Fucking Dead so why not go big!

    PS, that Grateful Dead gear book is great, though a little dialed down.

  • JimInMD
    Joined:
    I want what Phil's having...

    Home version. 18"'s and 4"'s. If I move some things around, they should fit.

  • Gary Farseer
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    Oro

    thanks for the write-up, input. Need a little time to read again and ponder. Think again we are speaking the same language but as 90% of communication is non verbal, some times the written language let's us down.

    It seems I have the dead's equipment book, need to track that down. Not necessarily for this discussion but just to find it again...

    Should have figured Phil would use Meyer systems. Using 18's onstage, wow!

    Hope all well your way!

    G

  • Oroborous
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    Phil’s Rig

    As of late 82 or early 83 Phil was using 4 Meyers cabinets: (4 -18”, 4 -15”), 2 per cabinet powered by custom PIE amps, until they started not using speakers on stage in 92. (Which I didn’t like).

    Not sure I get all what your saying? I agree that Soundboards do not sound natural for many reasons.
    Perhaps your referring to the phenomena of Microphones not having frequency response to accurately record bass waves combing sub sonic frequencies at those kind of SPL levels?
    Mic location can also make a big difference and was partly why Dan started the tapers section. Unless you have the right knowledge and equipment chances are a recording made too close will mot sound good.
    Plus you have the physics: the lower the frequency, the longer the sound wave. If your too close you’ll not hear the fully formed bass note etc.
    In fact if your too close much of the PA sound will blow right by you. You’ll also not properly experience stereo imaging. That’s why usually, the sound board or just before it was THE place to be. It was a trade off going up front: yeah you were up close and could see and hear their stage sound, but the PA mix was so above and beyond you that you missed a lot of info. Eventually they added little Meyers boxes, usually sitting on the front of the stage to add some vocals etc for those up close.
    Nothing comes for free! Personally, like Bear, I didn’t like the stereo set up because of this. Unless you were in the right spot, you missed a lot of info, especially if you were sitting on the side!
    This was the main reason Reserved seating sucked: nobody could sit where they wanted so if you were a sound nut like us, you often had to endure less than perfect sound/mixes.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by DeadVikes

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Oberon.

Having one now.

Cheers DV.

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Morning, rockers!!

I had something very different written, but got Hey Now'ed. Numerous times. Can I please apply for an exemption?

All I can say is, May 15 1970. Let it elevate you!

Doc
If the king loves music, there is little wrong in the land.....

I was going to start on these shows today, but I began with 5/13/74 on Monday, completely forgetting that it was a show that lasted over three days. There's always tomorrow. Hopefully.

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A true heavy weight champion of a show. I'm. happy I got the bonus disc. The Dead at their best.

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We are used to it now, but I sometimes wonder if it threw people a bit when The Dead came out and played an acoustic set in 1969-1970. People who saw them couldn't have been as aware of what they were up to until they actually saw them, communications being what they were. I can't imagine the Jimi Hendrix Experience or Cream coming out and playing an acoustic set.
The Stones played a few acoustic songs live in 1969 - but only two as far as I am aware, not a whole set.

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Really enjoyed this show. Anyone else listen to it recently? The Uncle John's Band, Wharf Rat, Dark Star are the highlights of the show for me. Such good energy and man they are on fire.

Decided to keep the ball rolling with the Lyceum shows with 5/23/72.

Hope all is well out there.

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Yes!!! The 4 Lyceum shows are all top notch. 5/23 really fine, 5/26 one of my all time favorites!

Enjoy, and rock on!

Doc
When it's three o'clock in New York, it's still 1938 in London.....

Gave it a spin this past weekend.

Planning on spinning the rest of Lyceum vinyl this coming 3-day weekend, as well as my DP12 vinyl that is supposed to arrive Friday.

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In reply to by DeadVikes

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Holy cow. There's serious music everywhere you look.

... and I have the last show left.

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In reply to by JimInMD

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Hey Jim, yes, love these four shows. No Vinyl for me, but I have the steamer trunk.

Still need to listen to 5/24 and yes 5/26.

Needed a diversation today, so I went with 4/27/85 from #49. What a great release.

Hey OB, how is everything going?

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Gave the vinyl a spin last night. Sounded grate.
Now about to brew my second cup of super dark roast Columbian Supremo.
I plan on roasting some beans this weekend, among other things, like spinning some more Lyceum vinyl.

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Yo, rockers!!!

For goodness sake, what else would I be listening to?

May 26, 1972. An all time favorite, the last show of a fabulous tour, the last truly classic show with Pigpen. The E72 cuts from this show were truly part of the soundtrack of our young lives. And still are.........

Who hears music feels his solitude peopled at once.......

Rock on, my friends!

Doc
To be alive, to be able to see, to walk, to have houses, music, paintings - it's all a miracle, I have adopted the technique of living life miracle to miracle.....

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In reply to by nitecat

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Alright, we made it to June!

Any picks out there?

Might have to check out 3/22/90.

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In reply to by DeadVikes

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and since it's June..

It's been a while since I have listened to Road Trips Vol 4 no 5, June 9, 1976 at the Boston Music Hall.

It's funny, I was not a huge fan of the Road Trips series in general, but by the time this one rolled around I has warmed up on it tremendously. They were doing more complete shows by then and collectively I realized there were some monumental shows released as Road Trips. By the time I began to enthusiastically embrace the idea it got kiboshed. Go figure.

Or as Yoda was found of saying, Late to the Party, I am.

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In reply to by JimInMD

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This sounds good for my Monday Jim.

Our second taste of this tour, with the download series being the first.

This was the only year this released five from this series. Maybe this was supposed to be 5.1 before they decided to cancel this series and go to Dave's Picks.

Definitely an underrated series Jim.

Hope we are due for another 76 release soon.

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In reply to by DeadVikes

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Just started 6-10 in the car tonight.
A June 76 TOO Box would be grate. Give us the remaining shows.

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In reply to by icecrmcnkd

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Seventy Sixtus would be proud.

I didn't quite make it to the end. Distractions abound. There's always tomorrow.

After I catch up, and with all the '74 hype, I'm tempted to dig deep into something from that year I have not heard in a while. Any suggestions? Something off the beaten path from a year that is pretty well paved. Maybe a complete, under the radar shows from the October Winterland run or Roanoke or something else that just hasn't percolated lately?

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In reply to by JimInMD

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This show might be the best of this run. Haven't listened to it in a couple years. Great first set, love that long Crazy Fingers and the second set with the St.Stephen Eyes all the way through the Franklins is a fun ride.

Thanks for the pick Jim.

74 sounds good to me. Can't remember if I have ever heard the Roanoke show.

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In reply to by DeadVikes

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Playing now.

June 1976 TOO Box - the remainder of the month, let’s have it in 2026 Dave.

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In reply to by icecrmcnkd

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I am really enjoying this show, too. Completely off my radar until I foraged it out again yesterday. I would but a June 76 box in a shot.

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Going in with some red congolese... and Koyaanisquatsi on the vid. Lord have mercy.

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I'd love to hear doin that rag June 8th at the sphere in VEGAS BABY

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In reply to by sw@sherryjerry

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4-20-84
It’s a DaP.
Started playing in the car yesterday, set 2 started tonight driving home, get the transition to Fire tomorrow morning as I head back to work.

Thanks for the pick Conekid. Will fire it up tomorrow morning.

Then, will have to check out the new Miller via Doc 11/7/71.

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In reply to by DeadVikes

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Enjoyed that recently as part of my run through the spring tour.
Better than one might think…
Think I’m all the way up to summer tour which I’ll start soon…
Have also hit a lot of 94 summer tour, the rest of 79 I hadn’t hit yet (except 2 or 3), and a few missing 89 (think I only have December left), and I’ve completed all 69 up to September (did not do most of the Auds), and an occasional 74.
ONWARD!

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In reply to by Oroborous

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If those cassettes could be cleaned up the way 4-27,28-85 just was….

Ooooh……mmmmm….(drool, drool)….

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I did this one recently too, about the same time I last ran in and out of the Garden box. I also hit Philly 83 and Boise mixed in for good measure. Plus, I continue to revisit the Giants box, which keeps on giving it up and sounds fantastic.

I will hit 4/20 again though after I rest my bones and get some laundry done.

I'm going out on a limb here, but I will risk it all. Weed clones for One Thousand, Alex.

I see a comparison of 80's GD to dynamite sativa, 70's GD to trippy Indica and 67 through mid 70 to a really good hybrid. Hope I did not offend anyone.

I like it all, but when I really want to get things done or go for a speed hike, road bike ride or climb a mountain, 80's GD get's me through the pass and home earlier. I have always had a soft spot for 83 through 85. It's raunchy, the mix and clarity vary, and it suffers from over-saturation or sterility from time to time. The cassette master blues.

But it's like a Nirvana tinged GD you can turn up and make it through the day when you have to get shit done and don't really care about anything else except maybe the volume level.

Feel free to whack me down or snap the limb I climbed out on as I tumble down from the tree I just climbed.

the flip side is, when I need to come down off my adrenaline rush, 10/19/73 is a good place to start. That DS>MLB>Morning Dew will cure what ales you.

Summer tour baby.. bring it.

Is a very good show. It makes sense to release them now. We have become more accustomed to cassette masters and this run is as good as most if not any of what has been released lately. Combining this with Hawaii does make a little sense, or as a Dave's Picks.

One thing cone kid said recently was more June 76. Years ago when I listened to all of 76 in sequence the Tower Theatre shows (and I think Beacon) were not the best sound quality. In fact, I believe there were a few where only audience existed. This was probably ten years ago so and I haven't checked for upgrades lately.

Anyway, they have been doing this thing this year on SiriusXM's GD Channel where either Gary Lambert of David Gans does a deep dive into a show for some reason or another and they highlight a few songs for a week with some language on why they are playing and it's importance, quality, etc.

This week Gans has been focusing on one of the Tower Theatre shows and I'll be damned if the sound quality is not supreme, just like the first June 76 box. This is a major upgrade from what I pulled down from the archive all those years ago.

So yea.. 6/20/80 Alaska. Why not I say. Also, I really like the Matrix approach they pulled off with Dave's Picks vol 8. I love that show, another 1980 cassette master matched with a really special audience recording. They pulled it of, I'd hate to think this was a one-off.

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In reply to by JimInMD

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Time will tell. Would love to see any 1980 shows out, but, I still have my money on October 74 at Winterland.

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Seventy-Four

No argument here.

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In reply to by JimInMD

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1976 - 57 REELS

• 06-10-76 Boston MA, 5 x 7” REELS Nagra 1/2trk 7.5ips Complete
• *06-11-76 Boston MA, 5 x 7” REELS Nagra 1/2trk 7.5ips Complete *= + 1 REEL NOT ON ORIGINAL INVENTORY*
• 06-14-76 NYC, 5 x 7” REELS Nagra 1/2trk 7.5ips Complete
• 06-15-76 NYC, 5 x 7” REELS Nagra 1/2trk 7.5ips Complete
• 06-17-76 Passaic NJ, 5 x 7” REELS Nagra 1/2trk 7.5ips Complete
• 06-18-76 Passaic NJ, 5 x 7” REELS Nagra 1/2trk 7.5ips Complete
• 06-19-76 Passaic NJ, 5 x 7” REELS Nagra 1/2trk 7.5ips Complete
• 06-21-76 Philadelphia PA, 5 x 7” REELS Nagra 1/2trk 7.5ips Complete
• 06-22-76 Philadelphia PA, 5 X 7” REELS Nagra 1/2trk 7.5ips Complete
• 06-23-76 Philadelphia PA, 1 x 7” REEL Nagra 1/2trk 7.5ips Reel #1
• 06-26-76 Chicago IL, 5 X 7” REELS Nagra 1/2trk 7.5ips Complete
• 06-28-76 Chicago IL, 1 X 7” REEL Nagra 1/2trk 7.5ips Reel #2
• 06-29-76 Chicago IL, 5 x 7” REELS Nagra 1/2trk 7.5ips Complete

2026 would be a grate year to release June 1976 The Other One Box.

“HI, I’m butters and I’m…”
But seriously, how come nobody ever includes any of the Orpheum shows when dis using 76 box wishes?

Edit: where does seventy Sixtus stand on this ; ) lol

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I've mentioned 7/13/76 as a good release lots of times. I was fortunate to have been there.

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In reply to by billy the kiddd

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I’ll take those too.

But my priority show is a Plangentized/Normanized 6-29-76.

6-14-76 playing in the car yesterday and today, and Monday because I’m not done yet.

My favorite ‘76 shows are 6-14, 6-29, 10-9.
Two released so far.

Heard High Time through end of set on cassette one enchanted evening back in the day

Yummy

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In reply to by icecrmcnkd

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That is easy, 12/31, and yes, I am with you on 10/9 and I will add 10/10, both Beacon shows, shit the list is growing. Just wish they played more shows in 76.

Edit. And of course 6/9.

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In reply to by icecrmcnkd

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High Time was a bonus cut on DaP 28.. maybe they have the full show..

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Hey rockers and Fathers!!!!!!!!!

LOL yes I have a favorite 76. Rochester. Maybe biased because I was there..........

We were also at Colt Park that Summer, never heard a soundboard of that one, LOL did they forget to record it?????

Also really like 7/18/76. Lord, if it has to be mellow, let it be like this!!

Off to walk dogs and have more coffee, happy Father's Day to all!!!

Rock on,

Doc
Music is the silence between the notes.......

Over last 2 weeks enjoyed several spins of DaP 28 - 6/17/76 Cap Theatre. Long while since i had listened. Hit the '76 sweet spot from opening notes of Cold Rain.

8/2 Colt Park has a funny story (review) on archive where a kid realized that it was his Mom(!) that just walked to the edge of the stage and sat down in front of Keith. Turned out she was friend of Barlow and knew him from Wesleyan. And after he (son) got her attention, Mom got him on stage/backstage too! And he got to sit on the stage rest of first set watching Jerry from 6- 8 ft away.

Agree with ConeKid as to 6/29 (also 6/28) Chicago Auditorium Theatre needs to be released. As Danehead pointed out, 6/28 High Time is filler on DaP 28.

Enjoy the rest of the weekend friends.

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In reply to by bluecrow

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Playing now.
Happens to be the anniversary.

The Giants Box is grate.
More video please Dave.

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In reply to by icecrmcnkd

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I did a quick revisit of 4/20/84 also and it was enjoyable. The minute I finished this yesterday and walked inside they were playing the Help/Slip!/Franklins from 4/26/83 on SiriusXM, also at the spectrum. So a twofer early 80's spectrum fest. Both shows feature Morning Dews.

Have we done 3/26/73 yet? The night after Dave's Picks vol. 32, also at the Spectrum. It might be worth our time.

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In reply to by Oroborous

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Perhaps I am a bit late on this one...but I always love me some 76 discussions, thanks Oro for the tip!
I am wholly on board for more '76 - always.

Given the amazingness of the June 76 Box which of course included 6/11/76, a top-5 all-timer in my books (among others), I would more than welcome a second 76 summer box to round out those Chicago shows as well as Orpheum shows. My top tiers include 6/28 and 7/18 from those runs, as well as 8/4 which has its drum beaten almost monthly by Alvarhanso (with which I totally agree). It is noted there is an flawless YouTube of 8/4 in its entirety which is not to be missed. For sure, 76 has a fond spot in my heart - as I say, the glory and exceptionalism of 1977 had to be birthed somewhere...I say in 76.

Be Well People!
Seventy-Sixtus

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In reply to by DeadVikes

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I ran through Dick's 20 on Saturday. Very enjoyable.

My listening list has gotten longer not shorter, hmmm.

Guess need to listen more...

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That was actually the first '76 show I ever heard. Anyone remember "Thursday Lunch" on KPFK down in Los Angeles? With Uncle Bob Young and Cousin Tom? I tuned in the program late, and the first set was underway, I heard some crowd noise and then Crazy Fingers began. Followed later by Let it Grow->Drums->Let it Grow, Might as Well. I was absolutely spellbound for that Crazy Fingers! I know many say the CF from Boston a month earlier is 'the best' but this is still my go-to, decades later...