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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • 1stshow70878
    Joined:
    Thanks BC

    Was wondering what Spirit looked like.
    Here's to him.
    Cheers

  • JimInMD
    Joined:
    I'll Play

    5/10/91 if for no other reason than I like the recording. Maybe a bit saturated at times, but it's pretty clear and balanced. Besides Phil was on a tear during this period and it must have been hard to keep his bass in check when he amped things up.

    I think tossed this show out on this forum in the beginning. I like the Cal Expo shows too, but no Bruce for those three shows.

  • DeadVikes
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    Official Releases

    Yes, absolutely. Always welcome.

    Can't say enough good things about that hot summer 82 Tour. The Zoo in Oklahoma was another good one. Love these China Riders from this summer. Agree, they are smoking Jim. Nice Playing, Iko Iko, Lost Sailor, SOC. The wheel out of space is always good. Great US Blues encore.

    The 71 Port Chester shows are some of my favorites. Listen to them often. 2/18, is probably my favorite right now, but my favorites fluctuate.

    So for #44, I am thinking we will see a 91 release. Any predictions?
    Enjoy the weekend out there.

  • Dennis
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    I'll put it here

    I see no mention of it,,,, Owsley Stanley Foundation is releasing a new "Journal".

    The Chieftians in San Fran..... 1973 and 1976

    A vinyl and a cd.

    Stans site was a little cheaper than amazon.

  • JimInMD
    Joined:
    Thanks

    Yes, thanks Dennis.

    ah.. Blue Crow, I'm with you. I love that 2/21 show, it has really grown on me and man does it sound good. I think I will split my time between that and a revisit of Dave's 43. Nothing wrong with hitting the released stuff from time to time here, right?

  • daverock
    Joined:
    Dennis

    Interesting article. Well worth reading.

  • 1stshow70878
    Joined:
    JM

    on Jerry's style.
    A cerebral description.
    Whatever he's doing I'm OK
    as long as I focus on all those notes.
    I won't get lost.

    Cheers

  • 1stshow70878
    Joined:
    Aug. 1, 1982

    I think Big Brownie had talked about this one a while back.
    I'm finding so much early 80's I didn't know I liked.
    It's all about the energy not so much the era.
    Cheers
    Thanks BC!
    And Dennis thanks as well. JM is well spoken.

  • bluecrow
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    Thank you Dennis

    Thanks for sharing that piece from Mayer. Really good.

    Going with 2/21/71 from Workingman's 50th. Love the Rick Turner Peanut sound.

    1st Show - glad to hear the Kitty Kat is still trucking on

  • Dennis
    Joined:
    Came across the desk

    Out there in the internet world

    A quote from John Mayer on Jerry's playing from a guitar players perspective ...
    Part of the genius of Jerry Garcia, was all guitar players have little segments we work with, little riffs, and licks. We work in these building blocks: at the bottom are scales, then working up to riffs, then licks, then inverted licks if you are the best around.
    Jerry's building blocks were molecules of playing. Not licks. The smallest pieces that could be put together. Everything you are hearing is original, off the top of his head, and represents his spiritual place he was in on that day. John Mayer on Jerry Garcia
    This is the forward John wrote for Jay Blakesberg's book "Secret Space of Dreams"
    "I’m a good enough guitar player to know a great guitarist when I hear one, but I had to become an even better one to begin to understand the depth and complexity of Jerry Garcia’s playing.
    I’ve always said that musicians play like they are, and in the case of Garcia, his performances serve as a detailed map of a man, his intentions, his desires, and his impressions of the world around him. And going by that map, Garcia was a lovely, mighty soul. I never met him, and will never understand the loss of those who did, but the vast archive of his music amounts to the makings of a starry night sky that turns listeners into explorers.
    Several years ago I set out not just to learn Garcia’s approach to the guitar and the songs he played, but to learn what about it has allowed millions of people who don’t play the guitar to key into it for hours on end. Soloing has been known since its inception as a kind of self-indulgent expression. Why, then, could so many listeners, myself included, listen to him do it endlessly without fatigue?
    To best understand what makes Garcia’s guitar playing so unique, it helps to start with what it sidesteps: though it drew from blues and R&B, his guitar approach left a few traditional elements out of the equation, he didn’t play from that well-worn feral, sexual place that traditional blues music traded in, nor did he really touch the sinister aspects that were born into the idiom. Garcia didn’t sing about wanting to rock a young woman all night long, and any of his deals with the devil existed metaphorically as mere setbacks. (What’s 20 bucks, anyway?) These changes affect the fundamental color palette of the storytelling. I’m not sure the sun ever rises in Chicago blues music, but in the musical storytelling of Garcia and the Grateful Dead, it shines so bright it hurts.
    On a more technical note, he played most often in a major blues scale, which added to this mix of innocence, and even joy. Minor blues notes lend themselves to the exquisiteness of pain, while major blues scales kind of explore the relief from it. Garcia played to relieve people of pain. That melodic innocence must have something to do with bringing so many people to their “happy place.” He wasn’t pulling notes from an anguished place within, he was catching them with a butterfly net as they went flitting by overhead. On a tactile level, he held the guitar with grace. It wasn’t a weapon, it was a vehicle. He took it easy. He may have played fast, but he was thinking slow. And that makes us listen with a smile.
    I put Jerry Garcia on the same level as Miles Davis and Bill Evans because of the intention in his performing; once you’ve learned all the notes, and the chords, and the bends and the runs, you come to the final frontier of playing which is the why of it all, and that’s where the power was and still is in his playing. He played from a real place, a place that faced out to the world, not for his own reception or gratification. He played for the joy of interacting with the band and with the music he loved. If you listen close enough to a musician, you can tell what they’re looking to get out of each and every note they make. Garcia, to me, was looking to bring music to life out of the tacit, sacred duty to use his gift. Even after learning these things, they offer very little help in sounding anything like the man. That’s because he didn’t play anything stock or repetitive. There are no “signature Jerry Garcia solo riffs” as exist with so many revered guitarists. To “sound like Jerry,” you have to make people feel like he did, and well—good luck with that.
    The real magic—the kind that will make the Grateful Dead music live forever—that’s in the way we carry it on in our hearts and minds. I don’t listen to Garcia and the band play—I watch it. I believe we all do, and that what we see is a blend of the music, the year in which it was played, the season and location of the show so as to understand the state of mind the band was in that night, that week, that presidency. We see it differently from one another the way we do our own dreams, but we all agree that our dreams contain these songs, and this band, those places and names. And that’s how the Grateful Dead managed to freeze time. We discuss our favorite years in present tense; we say we just heard the best version of something last night as if that was the moment it first took place. Your favorite year of their music "wasn’t", it "is." And in that way, inside that beautiful dreamscape the band created, the Grateful Dead is still up there, still playing. And Jerry is right there in front of them, and time is held in place by those who refuse to let it fade, and even as we sleep, as long as one of us is listening, the band is still playing.
    We lose the ones we love, we pine for those who have left, and we lament the changes of modern times. But the makers of this music dug a tunnel, and it runs beneath time and space, and we, the ones who love it like family, crawl through to visit 1974, and 1969, and 1987 and 1990. If we were alive at the time the show took place, we see ourselves as the people we were in the lives we had, and if we weren’t born yet, we get to wistfully dream what it must have been like.
    We only get a few minutes on earth, and Jerry Garcia gave all his minutes so that we could forever visit his life and times through his playing, and let it unravel into a new kind of now." --- John Mayer on Jerry Garcia and The Grateful Dead

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Oberon.

Having one now.

Cheers DV.

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Morning, rockers!!

I had something very different written, but got Hey Now'ed. Numerous times. Can I please apply for an exemption?

All I can say is, May 15 1970. Let it elevate you!

Doc
If the king loves music, there is little wrong in the land.....

I was going to start on these shows today, but I began with 5/13/74 on Monday, completely forgetting that it was a show that lasted over three days. There's always tomorrow. Hopefully.

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A true heavy weight champion of a show. I'm. happy I got the bonus disc. The Dead at their best.

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We are used to it now, but I sometimes wonder if it threw people a bit when The Dead came out and played an acoustic set in 1969-1970. People who saw them couldn't have been as aware of what they were up to until they actually saw them, communications being what they were. I can't imagine the Jimi Hendrix Experience or Cream coming out and playing an acoustic set.
The Stones played a few acoustic songs live in 1969 - but only two as far as I am aware, not a whole set.

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Really enjoyed this show. Anyone else listen to it recently? The Uncle John's Band, Wharf Rat, Dark Star are the highlights of the show for me. Such good energy and man they are on fire.

Decided to keep the ball rolling with the Lyceum shows with 5/23/72.

Hope all is well out there.

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Yes!!! The 4 Lyceum shows are all top notch. 5/23 really fine, 5/26 one of my all time favorites!

Enjoy, and rock on!

Doc
When it's three o'clock in New York, it's still 1938 in London.....

Gave it a spin this past weekend.

Planning on spinning the rest of Lyceum vinyl this coming 3-day weekend, as well as my DP12 vinyl that is supposed to arrive Friday.

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Holy cow. There's serious music everywhere you look.

... and I have the last show left.

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Hey Jim, yes, love these four shows. No Vinyl for me, but I have the steamer trunk.

Still need to listen to 5/24 and yes 5/26.

Needed a diversation today, so I went with 4/27/85 from #49. What a great release.

Hey OB, how is everything going?

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Gave the vinyl a spin last night. Sounded grate.
Now about to brew my second cup of super dark roast Columbian Supremo.
I plan on roasting some beans this weekend, among other things, like spinning some more Lyceum vinyl.

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Yo, rockers!!!

For goodness sake, what else would I be listening to?

May 26, 1972. An all time favorite, the last show of a fabulous tour, the last truly classic show with Pigpen. The E72 cuts from this show were truly part of the soundtrack of our young lives. And still are.........

Who hears music feels his solitude peopled at once.......

Rock on, my friends!

Doc
To be alive, to be able to see, to walk, to have houses, music, paintings - it's all a miracle, I have adopted the technique of living life miracle to miracle.....

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Alright, we made it to June!

Any picks out there?

Might have to check out 3/22/90.

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and since it's June..

It's been a while since I have listened to Road Trips Vol 4 no 5, June 9, 1976 at the Boston Music Hall.

It's funny, I was not a huge fan of the Road Trips series in general, but by the time this one rolled around I has warmed up on it tremendously. They were doing more complete shows by then and collectively I realized there were some monumental shows released as Road Trips. By the time I began to enthusiastically embrace the idea it got kiboshed. Go figure.

Or as Yoda was found of saying, Late to the Party, I am.

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This sounds good for my Monday Jim.

Our second taste of this tour, with the download series being the first.

This was the only year this released five from this series. Maybe this was supposed to be 5.1 before they decided to cancel this series and go to Dave's Picks.

Definitely an underrated series Jim.

Hope we are due for another 76 release soon.

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Just started 6-10 in the car tonight.
A June 76 TOO Box would be grate. Give us the remaining shows.

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Seventy Sixtus would be proud.

I didn't quite make it to the end. Distractions abound. There's always tomorrow.

After I catch up, and with all the '74 hype, I'm tempted to dig deep into something from that year I have not heard in a while. Any suggestions? Something off the beaten path from a year that is pretty well paved. Maybe a complete, under the radar shows from the October Winterland run or Roanoke or something else that just hasn't percolated lately?

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This show might be the best of this run. Haven't listened to it in a couple years. Great first set, love that long Crazy Fingers and the second set with the St.Stephen Eyes all the way through the Franklins is a fun ride.

Thanks for the pick Jim.

74 sounds good to me. Can't remember if I have ever heard the Roanoke show.

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Playing now.

June 1976 TOO Box - the remainder of the month, let’s have it in 2026 Dave.

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In reply to by icecrmcnkd

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I am really enjoying this show, too. Completely off my radar until I foraged it out again yesterday. I would but a June 76 box in a shot.

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Going in with some red congolese... and Koyaanisquatsi on the vid. Lord have mercy.

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I'd love to hear doin that rag June 8th at the sphere in VEGAS BABY

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4-20-84
It’s a DaP.
Started playing in the car yesterday, set 2 started tonight driving home, get the transition to Fire tomorrow morning as I head back to work.

Thanks for the pick Conekid. Will fire it up tomorrow morning.

Then, will have to check out the new Miller via Doc 11/7/71.

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Enjoyed that recently as part of my run through the spring tour.
Better than one might think…
Think I’m all the way up to summer tour which I’ll start soon…
Have also hit a lot of 94 summer tour, the rest of 79 I hadn’t hit yet (except 2 or 3), and a few missing 89 (think I only have December left), and I’ve completed all 69 up to September (did not do most of the Auds), and an occasional 74.
ONWARD!

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If those cassettes could be cleaned up the way 4-27,28-85 just was….

Ooooh……mmmmm….(drool, drool)….

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I did this one recently too, about the same time I last ran in and out of the Garden box. I also hit Philly 83 and Boise mixed in for good measure. Plus, I continue to revisit the Giants box, which keeps on giving it up and sounds fantastic.

I will hit 4/20 again though after I rest my bones and get some laundry done.

I'm going out on a limb here, but I will risk it all. Weed clones for One Thousand, Alex.

I see a comparison of 80's GD to dynamite sativa, 70's GD to trippy Indica and 67 through mid 70 to a really good hybrid. Hope I did not offend anyone.

I like it all, but when I really want to get things done or go for a speed hike, road bike ride or climb a mountain, 80's GD get's me through the pass and home earlier. I have always had a soft spot for 83 through 85. It's raunchy, the mix and clarity vary, and it suffers from over-saturation or sterility from time to time. The cassette master blues.

But it's like a Nirvana tinged GD you can turn up and make it through the day when you have to get shit done and don't really care about anything else except maybe the volume level.

Feel free to whack me down or snap the limb I climbed out on as I tumble down from the tree I just climbed.

the flip side is, when I need to come down off my adrenaline rush, 10/19/73 is a good place to start. That DS>MLB>Morning Dew will cure what ales you.

Summer tour baby.. bring it.

Is a very good show. It makes sense to release them now. We have become more accustomed to cassette masters and this run is as good as most if not any of what has been released lately. Combining this with Hawaii does make a little sense, or as a Dave's Picks.

One thing cone kid said recently was more June 76. Years ago when I listened to all of 76 in sequence the Tower Theatre shows (and I think Beacon) were not the best sound quality. In fact, I believe there were a few where only audience existed. This was probably ten years ago so and I haven't checked for upgrades lately.

Anyway, they have been doing this thing this year on SiriusXM's GD Channel where either Gary Lambert of David Gans does a deep dive into a show for some reason or another and they highlight a few songs for a week with some language on why they are playing and it's importance, quality, etc.

This week Gans has been focusing on one of the Tower Theatre shows and I'll be damned if the sound quality is not supreme, just like the first June 76 box. This is a major upgrade from what I pulled down from the archive all those years ago.

So yea.. 6/20/80 Alaska. Why not I say. Also, I really like the Matrix approach they pulled off with Dave's Picks vol 8. I love that show, another 1980 cassette master matched with a really special audience recording. They pulled it of, I'd hate to think this was a one-off.

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Time will tell. Would love to see any 1980 shows out, but, I still have my money on October 74 at Winterland.

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Seventy-Four

No argument here.

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1976 - 57 REELS

• 06-10-76 Boston MA, 5 x 7” REELS Nagra 1/2trk 7.5ips Complete
• *06-11-76 Boston MA, 5 x 7” REELS Nagra 1/2trk 7.5ips Complete *= + 1 REEL NOT ON ORIGINAL INVENTORY*
• 06-14-76 NYC, 5 x 7” REELS Nagra 1/2trk 7.5ips Complete
• 06-15-76 NYC, 5 x 7” REELS Nagra 1/2trk 7.5ips Complete
• 06-17-76 Passaic NJ, 5 x 7” REELS Nagra 1/2trk 7.5ips Complete
• 06-18-76 Passaic NJ, 5 x 7” REELS Nagra 1/2trk 7.5ips Complete
• 06-19-76 Passaic NJ, 5 x 7” REELS Nagra 1/2trk 7.5ips Complete
• 06-21-76 Philadelphia PA, 5 x 7” REELS Nagra 1/2trk 7.5ips Complete
• 06-22-76 Philadelphia PA, 5 X 7” REELS Nagra 1/2trk 7.5ips Complete
• 06-23-76 Philadelphia PA, 1 x 7” REEL Nagra 1/2trk 7.5ips Reel #1
• 06-26-76 Chicago IL, 5 X 7” REELS Nagra 1/2trk 7.5ips Complete
• 06-28-76 Chicago IL, 1 X 7” REEL Nagra 1/2trk 7.5ips Reel #2
• 06-29-76 Chicago IL, 5 x 7” REELS Nagra 1/2trk 7.5ips Complete

2026 would be a grate year to release June 1976 The Other One Box.

“HI, I’m butters and I’m…”
But seriously, how come nobody ever includes any of the Orpheum shows when dis using 76 box wishes?

Edit: where does seventy Sixtus stand on this ; ) lol

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I've mentioned 7/13/76 as a good release lots of times. I was fortunate to have been there.

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I’ll take those too.

But my priority show is a Plangentized/Normanized 6-29-76.

6-14-76 playing in the car yesterday and today, and Monday because I’m not done yet.

My favorite ‘76 shows are 6-14, 6-29, 10-9.
Two released so far.

Heard High Time through end of set on cassette one enchanted evening back in the day

Yummy

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That is easy, 12/31, and yes, I am with you on 10/9 and I will add 10/10, both Beacon shows, shit the list is growing. Just wish they played more shows in 76.

Edit. And of course 6/9.

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High Time was a bonus cut on DaP 28.. maybe they have the full show..

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Hey rockers and Fathers!!!!!!!!!

LOL yes I have a favorite 76. Rochester. Maybe biased because I was there..........

We were also at Colt Park that Summer, never heard a soundboard of that one, LOL did they forget to record it?????

Also really like 7/18/76. Lord, if it has to be mellow, let it be like this!!

Off to walk dogs and have more coffee, happy Father's Day to all!!!

Rock on,

Doc
Music is the silence between the notes.......

Over last 2 weeks enjoyed several spins of DaP 28 - 6/17/76 Cap Theatre. Long while since i had listened. Hit the '76 sweet spot from opening notes of Cold Rain.

8/2 Colt Park has a funny story (review) on archive where a kid realized that it was his Mom(!) that just walked to the edge of the stage and sat down in front of Keith. Turned out she was friend of Barlow and knew him from Wesleyan. And after he (son) got her attention, Mom got him on stage/backstage too! And he got to sit on the stage rest of first set watching Jerry from 6- 8 ft away.

Agree with ConeKid as to 6/29 (also 6/28) Chicago Auditorium Theatre needs to be released. As Danehead pointed out, 6/28 High Time is filler on DaP 28.

Enjoy the rest of the weekend friends.

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Playing now.
Happens to be the anniversary.

The Giants Box is grate.
More video please Dave.

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I did a quick revisit of 4/20/84 also and it was enjoyable. The minute I finished this yesterday and walked inside they were playing the Help/Slip!/Franklins from 4/26/83 on SiriusXM, also at the spectrum. So a twofer early 80's spectrum fest. Both shows feature Morning Dews.

Have we done 3/26/73 yet? The night after Dave's Picks vol. 32, also at the Spectrum. It might be worth our time.

Baltimore 73 sounds good to me Jim
These are monster shows. Will get it going tomorrow. Thanks Jim.

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Perhaps I am a bit late on this one...but I always love me some 76 discussions, thanks Oro for the tip!
I am wholly on board for more '76 - always.

Given the amazingness of the June 76 Box which of course included 6/11/76, a top-5 all-timer in my books (among others), I would more than welcome a second 76 summer box to round out those Chicago shows as well as Orpheum shows. My top tiers include 6/28 and 7/18 from those runs, as well as 8/4 which has its drum beaten almost monthly by Alvarhanso (with which I totally agree). It is noted there is an flawless YouTube of 8/4 in its entirety which is not to be missed. For sure, 76 has a fond spot in my heart - as I say, the glory and exceptionalism of 1977 had to be birthed somewhere...I say in 76.

Be Well People!
Seventy-Sixtus

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I ran through Dick's 20 on Saturday. Very enjoyable.

My listening list has gotten longer not shorter, hmmm.

Guess need to listen more...

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That was actually the first '76 show I ever heard. Anyone remember "Thursday Lunch" on KPFK down in Los Angeles? With Uncle Bob Young and Cousin Tom? I tuned in the program late, and the first set was underway, I heard some crowd noise and then Crazy Fingers began. Followed later by Let it Grow->Drums->Let it Grow, Might as Well. I was absolutely spellbound for that Crazy Fingers! I know many say the CF from Boston a month earlier is 'the best' but this is still my go-to, decades later...