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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #3251
    JimInMD
    Joined:
    I honestly can no longer post complete sentences anymore

    Unbelievable.. not trying to embed anything, these guys just suck. I had a two page writeup of 4 25 77 Springfield that will never see the light of day.

    Getting horizontal now, great show.

    This forum really sucks ass now that we cannot post without getting denied. Over and out.

  • #3252
    1stshow70878
    Joined:
    Dead Doing Hornsby Songs

    I know I saw one. 12-9-90 they closed the first set with Valley Road. Excellent and at the time exciting to hear something new. Agree with Rockthing that Mandolin Wind would have fit nicely in the era.
    Cheers all!
    Oh, and wasn't Jerry on some of Bruce's albums? Can't think of the name of it but on the Muzac at work I would hear one of Bruce's that starts something like "35(?) weeks ago today" and I would just stop under a speaker to hear the guitar solo that, if it wasn't Jerry, it sounded just like him raining triplets.
    Edit: Looked it up, it's called Across The River. Watching the video I didn't see Jerry but that sound! Yep the credits say Jerry! Bruce said it was probably only the second time Jerry hit the top 10 charts, Touch of Grey being the other. What about Truckin' Bruce?

  • #3253
    rockthing
    Joined:
    Chapter 1 of my new novel, War and Peace Part 2:

    Picasso Moon seemed to sort of disappear from the repertoire. It would have sounded great to hear an evolution of this tune with Brent laying into the B3 instead of the synth sound similar to the studio version. CC Rider is never one of my favorite tunes, but that transition from CC Rider to It Takes a Train to Cry is sublime perfection. Totally did not see that coming. Top marks to both songs for that.

    High Time and Black Throated Wind back to back? What was going on here? This is like a dream come true.

    Again, Deal. What can I say. This tune is money. Somebody point me to one that /isn’t/ good. This one held my attention yet again.

    Help/Slip/Franklins: Help is very cool. The Slipknot! goes into some unusual, very un-Slipknot-like territory during the jam. If I were to pick up midway through I don’t think I’d guess I was listening to Slipknot!. I’m always one for a big jam, but this is one time that Franklins Tower sort of overstays its welcome. I was actually glad to hear Looks Like Rain for once. Those glissando licks that Jerry’s playing are brilliant. I guess they’re the water falling from the sky. I think I like this song better around 90, 91. The Without A Net version that I haven’t heard in ages comes to mind, but this one is a real standout. The ending builds up nicely without becoming melodramatic.

    Bobby’s doin’ all his little whammy bar harmonics tricks during Terrapin, and all through the show. These little accents are right on. It’s a great use of texture and controlled overdrive. He’s weaving in all sorts of little licks and fills, almost more of a Stones approach without actually playing things they would play. What’s with that little electronic hand clap around 12 min?! lol. That must’ve been Mickey. Here comes the MIDI… and more “hand claps” as this one totally spaces out before Drums. Definitely like that. Jury’s out on the hand claps, but I think Jerry must have been giving Micky a sly look over his glasses, and Mickey was probably grinnin’ like the Cheshire cat that ate the canary. Then there’s a little samba groove that pops up out of nowhere. So adventurous, and playful. Despite Brent being gone less than a year, Bruce Hornsby brought in such a positive vibe… and also refuses to let that samba idea go away even as the drummers switch to hand percussion… or perhaps because of it. It sounds like Jerry may have left, or started to leave the stage, but then came back. I think that melody is a quotation from an actual composition, but the title isn’t coming to me. So much things to say. So much things to say right now.

    I was lying down sort of half dozing off by the time I got to Space last night, but I was impressed by how involved everyone was in it. It wasn’t just a couple minutes of aimless noodling before the climactic rave ups. They were really working out the improv and investing some ear time to this Space. I wish I’d been as invested in taking notes about it. Some more eloquent thoughts wafted through my inner monolog that have been lost this morning as I relisten to the Healy SBD.

    Not much to say about the rest of the second set. Solid, I suppose is the best way to describe it. The crowd seemed relieved to hear the GDTRFB riff emerge from a pretty long space, which I personally had thoroughly enjoyed. We’re definitely in Beam solo territory here with Drums, though, so Space probably felt more like 20 minutes than 10, which might seem like an eternity when you’re standing on the floor rather than sitting in a comfy chair at home. Nice organ solo from Vince followed by a piano solo from Bruce, then Jer, I mean, everybody’s getting’ some. It’s great. Throwing Stones was obviously very dear to the band as a well-written manifesto of, at the very least, John Barlow and Bob Weir. It really is a great song, and a very groovy jam develops around Jerry’s guitar solo here, but not being confined to one day a week it suffers somewhat from over saturation. Personally I’ve always liked the vocal effects Dan Healy added to Bob’s vocals, but I guess Bobby wasn’t too fond of it. I liked that you could hear the murmuring of the crowd in the MK4.DAT.CDR AUD as The Weight was beginning, either recognizing it, or wondering what it was gonna be.

    Bruce Hornsby must have seen or sensed the disfunction in the organization even in ’91 or so, or maybe just really felt the need to be THE leader of his musical direction, rather than an ensemble player. He fits in so seamlessly, yet brings so much to the table not only in terms of musicianship, but just adding a little light to the atmosphere. This really was a golden renaissance for the band. I love the sparseness and swing of the ’71 bar band period, but the grand expansiveness of this seven piece instrumentalist line up must be the pinnacle of the band’s evolution.

    4/23/77? I'm not familiar with that one either. I see 4/22 at The Spectrum in the library, so my interest is piqued. Got some stuff to do the next couple days, though. Might add a few late comments if I get enough done.

    :) :) :)

  • #3254
    Thats_Otis
    Joined:
    Shoreline 5/12/91

    Really enjoyed this pick! Some flubs from Jerry lyrically in Terrapin, but more than makes up for it with the jam that follows. Overall good second set (GDTRFB), but I really enjoyed the first set. I love CC Rider>Train to Cry, and the Deal was HOT STUFF! Nice stuff!

    I am hoping to have a chance to listen to 4/23/77, but it is not looking likely today :( Perhaps tomorrow.

  • #3255
    JimInMD
    Joined:
    Springfield

    Sounds good.. Enjoyed this one also. The Jam out of Terrapin was a treat. Jerry played his heart out in Deal too. The Althea and GDTRFB had their moments. The transition into Slipknot! was unique.. I think of the three the levels were highest in this one, perhaps a bit saturated especially for the Picasso Moon. Bob was real high in the mix too, so we got to hear his angular take on rhythm. Bruce really filled in the empty spaces nicely.. thinking a few parts in Franklins and throughout.. Looking forward to Rockthings more detailed listen, I was out and about but did fit in the whole show. Only half way through yesterdays.....

    Onward to '77 (or do we mean backwards?).

  • #3256
    DeadVikes
    Joined:
    5/12/91

    This show is as good as the previous two nights at Shoreline. Man, to live in CA back than.
    Althea, CC Rider into It takes a lot to Laugh, fun great music. Black throated wind.... Nice HelpSlip Franklins. Terrapin!

    I always thought the band reached another gear in 91! Songs were definitely shorter but the music was good and they sounded great. I really didn't feel that way in fall 1990. These shows to my ears do not match what they did in 1991. I think they had to feel their way back after Brent died and had been with the band for 11 years.

    Looking at a 77 pick for tomorrow.
    I don't think we have ever hit up 4/23/77, Springfield. Let's do it.

  • #3257
    rockthing
    Joined:
    Listening for the sound

    > DeadVikes

    Will do. Part of the fun for me is analyzing the various audience sources. I'm old fashioned. I still wanna download one for the home collection's virtual tape wall. ;-)

    The show is hot, hot, hot. I wrote a bunch a stuff last night, but I'm holding off to let someone else get a word in edgewise.

    I'd forgotten how much I liked this period. It's a real shame Hornsby couldn't have stuck around. He and Vince made a good team, but Bruce left a deep impression to climb out from. The "solo career" story line feels kinda odd when he could have contributed some great material to The Dead, and an even larger audience. They never did any of his tunes, did they? Can you imagine the jam they could have gotten into on Mandolin Wind?

  • #3258
    DeadVikes
    Joined:
    5/12/91

    You should check out the latest Miller Rockthing. This is a Healy Pearson and it is spectacular. A+++ for sound quality. Just half through the first set. So good.

    Check it out people.

  • #3259
    rockthing
    Joined:
    AUD Choices

    Ah, Shoreline. This sits right at the end of a big gap for me between September of ’90 and June of ’91. Another round of “Thank You”s.

    Nice variety of sources to keep me busy for a bit. Quick peek at the set list, and Black Throated Wind! Lookin’ forward to that! Post Space seems pretty routine, but who knows?

    To start off, I’m A/B/C/Ding the four audience sources on the Archive using Deal as the bar. They never waste any time digging into this number so it makes a good tune to evaluate the sound.

    The Gesine Lohr Audio Technica 815A source reminds me of the old tapes. A lot of mid-range frequencies. Phil is there, but you don’t really feel the bottom end. The sound is kind of nostalgic, though. Everything is perfectly clear, just not quite hi-fi. Coming back to this, I kind of appreciate the more well-defined bass guitar work with this tape. More of the various drums come through clearly as well. With more mid-range comes more piano, so Jerry’s guitar solo is somewhat falling into a wall of sound with Bobby and the keys (not Bobby Keys, though).

    The Schoeps MK4 source sacrifices a bit of sparkle from Jerry’s voice to emphasize the low end of Phil’s bass, which is something that I kind of expected from an MK4 recording. The guitar solo pops up above the band nicely, though, and on a second pass, the bass is less over-powering, and more well-defined than the other MK4 source. The position is listed as section 102. Having never been to Shoreline, well, that doesn’t help me much, but I’m guessing that is not the Official Taper’s Section, nor is it in Front of the sound Board, but maybe someone can help me out on that. I’m starting to take a liking to this source, even though I had initially switched away from it more quickly than any of the others.

    The Daweez Neumann KMF4 pull may be a little brighter than the Schoeps tape, but still has that Phil bass that you feel as much as you hear. On second (actually third or fourth) listening, The Neumann source sounds like it has the mid range frequencies scooped out. There are lots of bright highs, and Phil booms in here and there, but the drums and keys are kind of lost… which, may suit some, but there is a kind of metallic quality to the highs that feels somewhat aggressive to this ear.

    The Front of Board Schoeps MK4 take, though, I think this has the best frequency balance of the AUDs. Goes to show, you don’t ever know. Must be something about the seats, or perhaps the signal chain. The first MK4 source might have used heavier wind screens. Hard to say. Same mics, completely different sound. lol. Whoa, Phil is shaken’ the room. Deep bass in this one, but Jer’s guitar is shining, and Bobby is right there in the mix. If anything, the drums may be getting a little lost. The keys are coming in and out of the mix, as usual, really. This has both Bruce and Vince, right? The last three recordings have a lot more bass than the first, but it is much less well defined. It kind of booms. Even though the bass is kind of a puddy of low-end, it somehow does not interfere with the other instruments.

    The more I A/B the two Schoeps sources, the less I can tell them apart. lol (T_T) The second source has less info and a CDR generation in the lineage, but somehow feels more… I don’t know, “alive,” as if I can get a better audio picture of the space. I hear more of the venue, but in a good way. It feels more like I’m there, rather than listening to a recording. The similarities in these recordings are many, but the differences are almost hallucinatorily fleeting. I’m going with ID 9402 Schoeps source attributed to O’Connor. I must say, this Deal has kept me entertained throughout this comparison process. Eleven minutes of smoking’ Deal? Don’t mind if I do!

    The only disadvantage of picking up the older submission is that it isn’t Y2K-proofed, and also comes ask SHN, rather than FLAC. No audio quality difference, just a little more trouble to convert for me, and that’s all on me.

    I’ve not yet listened to the latest and greatest Miller SBD transfer.

  • #3260
    DeadVikes
    Joined:
    5/12/91

    Yes! For sure Shoreline 91 sounds fantastic for tomorrow. Thanks Jim.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

I completely agree.

On occasion and if I'm not careful volume gets the best of me. One day I might live to regret this. Thankfully, that day was not today.

A new one for me. Some sound weirdness especially in and around banter, but what the hey.

I don't know what it is, but I have soft spot for The Eleven, Born Cross-Eyed and especially New Potatoe Caboose. Good show with some vintage grease to end the night with me feeling a little dirtier than I did when I woke up.

If there's no pick for tomorrow, I suggest the next in line. It's a partial, starts with a rare Clementine. 1/20/68 Euraka Municipal Auditorium. I think we should set up a go fund me to find all the missing reels, there's a couple missing from this show. It would be something for them to be found.

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Submitted by DeadVikes on Fri, 09/06/2024 - 06:15

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Hey Jim, I know you have had a lot on you plate this year. Thanks for checking this one out. Yes, the recording is decent, not great. Like a lot of 88 recordings out there. Still think they have some good ones in the Vault.

I liked the show, anytime I see a Hey Pocky Way, I am in. Nice Shakedown to open the second set. Love the triple Encore with China Rider OMSN.

It is good to get out of the comfort zone once in a while Doc.

Carousel Ballroom 68, okay Jim, Ok will have to que it up this morning.

Enjoy the weekend out there.

Edit. Oh and after the carousel ballroom I will be moving on the 12/9/79, Dave's Picks #47. Love this one and I need some 79. If I had the keys, I would be putting out a big 79 Box.

44 years ago today, there when Roy Buchanan along with Levon and His All Stars opened for the Dead. My last in person show, on the bus since their first album, however things had changed so much.... Doc was there, a wild late summer scene, part of my farewell to Maine.

Hey rockers!!

Yes, we were there and had a blast. Beautiful day and tremendous music. A very fine show by the Dead, one of my all-timefavorite in-person Dead experiences.

Would make a solide offical release. It is worthy......

Doc
Everything I did in my life that was worthwhile, I caught hell for.....

Hey rockers!!

Yes, we were there and had a blast. Beautiful day and tremendous music. A very fine show by the Dead, one of my all-time favorite in-person Dead experiences.

Would make a solid official release. It is worthy......

Doc
Everything I did in my life that was worthwhile, I caught hell for.....

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Submitted by bluecrow on Sat, 09/07/2024 - 05:42

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I'm in - hopefully sometime this weekend I can transport my mind and spirit into late summer beautiful day/evening Maine. Sounds like a dream show and setting. Very cool that a couple of you guys got to be there. Didn't realize this was the last show before the Warfield run. Long and heartfelt write up on grateful seconds (he was there). Comment at the end from a guy who was 8 at the time and lived a "bike trail" away from the fairgrounds. Listened to part of the show from his clubhouse. Rode his bike over and snuck in. Totally dug the Drums. Made major bank (for a kid) collecting cans and bottles for deposit afterwards (which is exactly what 8 yr old me would have done.) Think I might travel John Deere with the Jim Wise FOB.

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Submitted by JimInMD on Mon, 09/09/2024 - 21:03

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But back this week. I can do Lewiston again.

As I recall there is not a good soundboard that circulates, right? And the one that does is first set only and it sure does sound like an audience (or ultramatrix on steroids at least).

High energy though.. like Gainesville, there must have been something in the water.

You have to wonder if this was recorded and if so where the hell are the master tapes? I think someone (Parrish??) tossed out the language that some of the master reels were left on the seat and when the truck pulled away they must have flown out the window or something.

I'd love to see more reels (and cassettes) returned.

Anyway, Lewiston Me for me tomorrow.

Edit: Started tonight - why not? Gave up on the "soundboard" and settled on the Jim Wise same as Bluecrow. Good news, Bluecrow.. The John Deere Broke down and was sitting in the yard for the last half of the week. I got it working today. Had to replace the solenoid. Damned electronics are always interfering with time travel. Just imagine if this broke back in time before Jebediah Solenoid created the first working model for riding mowers.. we would have been screwed.. I mean, nothing wrong with being stuck in 1980 but why not go back another 10 to 15 years...

High energy is right. Pretty good audience.

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Submitted by JimInMD on Tue, 09/10/2024 - 21:33

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While I was in the neighborhood, I took a quickie with 11/28/80 Lakeland Civic Center - Lakeland, FL (30 Trips).

I figured why not.. most enjoyable, especially To Lay Me Down. Not sure why I like that song so much, but I do.

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Submitted by DeadVikes on Thu, 09/12/2024 - 08:07

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Ah, yes, more 1980. You don't have to twist my arm. A shorter show for the time period, but still really good. Will get it going after I finish up Dicks #36, which was mentioned on some other threads. Such a great show, but apparently didn't sell well at the time. No idea why.

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Submitted by JimInMD on Thu, 09/12/2024 - 17:31

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Random Musing - 1980

My favorite non-multi-track 1980 release has got to be Dave's # 8, 11/30/80 Fox Theater. Love how that Matrix worked out. If anyone remembers the seaside chat, he was spot on.

Crowd noise was not as big an issue in 1980 as they could play in some pretty intimate venues. Also, as the age of the cassette master replaced the lovely Ms. Cantor Jackson, a lot of those early soundboards are a bit sterile sounding without the crystalline highs and the booming lows. Blending those early 80's soundboards with one of those near perfect audience masters works. When they aged out of the smaller, cooler venues (thinking after Jerry's coma and In The Dark) audience tapes had to compete with hundreds of the guy next to you screaming "JERRY!!" at 95 decibels, this was no longer possible.

That SBD/Dr. Bob matrix is almost exactly perfect (or as good we are going to get for the time).

On the opposite side of the same coin, I think some of the Ultra Matrix's have a bit too much of the guy yelling JERRY! then I sometimes want to hear. Thinking a lot of 87 suffers from this, and by then the audience tapes were no better.

Anyway, if Mr. Norman can pull of similar wizardry I wish they would do more like DaP#8.

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Submitted by Forensicdoceleven on Tue, 09/24/2024 - 04:20

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Mornin', rockers!!!

Pick of the day? September 24, 1972. Because..............Dark Star!

Minor rain storm headed my way................

The man that hath no music in himself, nor is not moved with concord of sweet sounds, is fit for treasons, stratagems and spoils......

Rock on!

Doc
Music comes from an icicle as it melts, to live again as spring water......

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Submitted by JimInMD on Sun, 09/29/2024 - 13:45

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It's an early audience, but contains one of the few Seven's that were recorded.

09/29/69 Cafe au Go-Go - New York City, NY

It's no betty board, but an interesting inflection point in GD history, so maybe worthy of our time. Primal GD on the heels of WMD Americana GD.

Despite the recording quality, it's pretty good for a 1969 audience. Worth the trip for the Seven alone. Plus, it's pretty short. Something different, something quick, and well, it's really something.

So why not mix it up with a shortie from the fall of 1969.

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Submitted by DeadVikes on Mon, 09/30/2024 - 07:20

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Will mix this in as I listen to the new box today. Thanks Jim.

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Submitted by bob t on Fri, 10/04/2024 - 19:03

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Been a while, just wanted to say hello. Watching the Dark Star from 10/18/74, cool to see video of Ned on stage, as well as see Jerry interact with the head nod. Enjoyed the April 78 release. With the 50th anniversary of the Winterland shows a few weeks away, doesn't look like anything is happening. Be good everyone. Bob t

Hey Bob T, how have you been man? Hope all is well.
Yes, love that bonus footage from the GDM soundtrack. Might be one of my favorite UJB.
I have been traveling for work this week so still haven't made a dent in the new box, but loving it so.far.
Good thing there is no rush at this point.

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Submitted by DeadVikes on Mon, 10/14/2024 - 12:43

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Hope everyone is enjoying the new box set. Really enjoying it so far over here.

If anyone is interested in a pick, it has been a while, how about 5/16/81, Barton Hall from the 30 Trips box?

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Submitted by icecrmcnkd on Mon, 10/14/2024 - 16:19

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Started playing it last night and finished it tonight.

Good call DV.
And I’m having a Bell’s Octoberfest too. They’re gone from the store but I have 5 more cans in the fridge.

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Submitted by DeadVikes on Mon, 10/14/2024 - 21:40

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Nice Conekid, must be esp.

Enjoyed the show again, nice Shakedown Bertha, Sailor Saint. Show ends with that audience patch.

Enjoy the last few Octoberfests. Still have a couple six packs to get through. Would buy a few more but the self life of this beer is only 3 months and it goes bad fast.

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Submitted by Forensicdoceleven on Sat, 10/19/2024 - 03:33

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Good morning fellow rockers!!!

October 19, 1971

The second great seismic shift of 1971. The Yang to the Yin of February 18. Similar, yet different. Old, yet new. A vision of the new era. Change can be for good if you combine audacity with safety………

An old friend missing, a new guy who seems to fit in right away. Six new songs. The return of the complete CE/TOO/CE suite. The unusual occurrence of back-to-back Garcia songs twice in the first set. The first of the Fall 1971 FM broadcasts. One of only two 1971 shows that featured both Black Peter and Brokedown Palace. There ain’t no grease, but there’s plenty of Bakersfield left, as well as big jams.

Not without its rough edges, yet somehow it hangs together oh so well. Absolutely historic and worthy of a serious listen……

Rock on!!
Doc
He who rejects change is the architect of decay, the only human institution which rejects progress is the cemetery………

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Submitted by Forensicdoceleven on Sun, 10/20/2024 - 01:28

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Morning, rockers!!

This is for AJS. He'll know what I'm talking about...........

October 20, 1984, Carrier Dome. The last show we saw on that tour, maybe not Augusta level but very enjoyable. We had a great time. Maybe it was the liquid 25, courtesy of Deadhead Fred, a little drop'll do ya!!

Or maybe it was the music. Worth a listen!!!

If I had known being insane was so much fun, I'd have gone crazy long ago.....

Rock on,

Doc
No one can drive us crazy unless we give them the keys......

10-20-84 - Syracuse

I was there also, think I met doc in the bathroom during drums,,, he was wearing a tie-dye :-)

My records show we rated Jack Straw at end of set one, a plus 2. Also second set opener of Shakedown got a plus 2 rating from our crew. We have the Black Peter that night at a plus 1.

Thing I remember was the air pressure blowing you out of the exit doors,,, deadheads LOVED this,,, kept going back in just to be blown out!

My wife went to Syracuse (both her parents also!)

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Submitted by JimInMD on Sun, 10/20/2024 - 21:22

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Love the energy of this show. I'm pretty sure I tossed this out for a pick of the day a few years ago. I was not there, but hey.. we make it to the shows we can and hope for magic and a lightning strike or two.

Still, an enjoyable show and how about that Jack Straw. Another one where I wish I was there.

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Submitted by icecrmcnkd on Mon, 10/21/2024 - 18:08

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Just finished set 1.
It’s a Miller, but the file on my music player doesn’t have an ID number.
Vocals are pretty weak in some places. The playing seems to be trying to make up for it.
Shakedown poking around now…..

Edit:
I would have had fun had I been there.
Drums/Space was good.
I’ll listen to it again.

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Submitted by Forensicdoceleven on Thu, 11/07/2024 - 01:26

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November 7, 1971
Harding Theater, San Francisco, California

Deadicated to bolo24, because I will not follow where the path may lead, but I will go where there is no path, and I will leave a trail……

Great and classic show and a long-time personal favorite. It has pretty much everything you could ask of the Dead in this era. Rockers, Cowboy songs, hot jams, the unusual coupling of Dark Star and The Other One, an unbelievably smoking NFA transition jam (maybe the best ever?), plus even the often-expected equipment difficulties, AND jokes from the audience! The circulating broadcast copies are excellent quality and highly recommended. The band sounds loose, and the crowd sounds juiced. OK yes there’s no Pigpen, but still highly highly recommended, a classic of the first rank!!

Rock on!!
Doc
It is requisite for the relaxation of the mind that we make use, from time to time, of playful deeds and jokes

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Submitted by Dennis on Thu, 11/07/2024 - 04:22

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I didn't see the notice about the next Bear's Journal, John Hammond.

If you missed too, it's available on Amazon and Bear's site.

Okay, seems like we need a pick.

How about 10/19/72 from the glorious LTTR Box? Love this box.

Good to see this box finally sold out. We need to make sure these all sell out in order to keep the train rolling.

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Submitted by JimInMD on Mon, 11/11/2024 - 19:04

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Might take me more than a day though, but I'm in.

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Submitted by DeadVikes on Tue, 11/12/2024 - 20:18

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Thanks Jim.
Another fantastic show from the Fox!
There is something about these shows. Might be the Birdsong that adds to the overall enjoyment.
Can you imagine if they played Birdsong in Europe that year?

Taking my time with the new box, so it is fun to jump around, which is so fun with all this incredible music.

Can we add a fifth release in December? Call it For the Faithful Volume 1.

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Submitted by icecrmcnkd on Thu, 11/14/2024 - 16:06

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Anniversary today.
It’s a RT Bonus Disc.

Expected that Doc would have pointed that out.
Maybe he did on another page.

Yes, the LTTR Box is glorious.

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Submitted by Forensicdoceleven on Fri, 11/15/2024 - 04:45

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Mornin' rockers! And happy Friday!

Fell asleep yesterday so forgot all about TCU. But I did remember it's an underrated show..........

Austin, Texas, November 15, 1971. Brings back fond memories of my tape trading days, when I had an unbelievably good copy of the FM broadcast. Starts high with strong Truckin', throw in a sweet first set Dark Star, a fiery NFA transition jam, and the usual country/western/new material suspects, and there you have it!! Really fine, very enjoyable show that is worthy of its official release status.

Of course, November 15 1972 will also do nicely...............

We're on this planet for the briefest of moments in cosmic terms, and I want to spend that time thinking about what I consider the deepest questions. LIke, what's for lunch?

Rock on!

Doc
On a cosmic scale, our life is insignificant, yet this brief period when we appear in the world is the time in which all meaningful questions arise......