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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Dennis
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    Came across the desk

    Out there in the internet world

    A quote from John Mayer on Jerry's playing from a guitar players perspective ...
    Part of the genius of Jerry Garcia, was all guitar players have little segments we work with, little riffs, and licks. We work in these building blocks: at the bottom are scales, then working up to riffs, then licks, then inverted licks if you are the best around.
    Jerry's building blocks were molecules of playing. Not licks. The smallest pieces that could be put together. Everything you are hearing is original, off the top of his head, and represents his spiritual place he was in on that day. John Mayer on Jerry Garcia
    This is the forward John wrote for Jay Blakesberg's book "Secret Space of Dreams"
    "I’m a good enough guitar player to know a great guitarist when I hear one, but I had to become an even better one to begin to understand the depth and complexity of Jerry Garcia’s playing.
    I’ve always said that musicians play like they are, and in the case of Garcia, his performances serve as a detailed map of a man, his intentions, his desires, and his impressions of the world around him. And going by that map, Garcia was a lovely, mighty soul. I never met him, and will never understand the loss of those who did, but the vast archive of his music amounts to the makings of a starry night sky that turns listeners into explorers.
    Several years ago I set out not just to learn Garcia’s approach to the guitar and the songs he played, but to learn what about it has allowed millions of people who don’t play the guitar to key into it for hours on end. Soloing has been known since its inception as a kind of self-indulgent expression. Why, then, could so many listeners, myself included, listen to him do it endlessly without fatigue?
    To best understand what makes Garcia’s guitar playing so unique, it helps to start with what it sidesteps: though it drew from blues and R&B, his guitar approach left a few traditional elements out of the equation, he didn’t play from that well-worn feral, sexual place that traditional blues music traded in, nor did he really touch the sinister aspects that were born into the idiom. Garcia didn’t sing about wanting to rock a young woman all night long, and any of his deals with the devil existed metaphorically as mere setbacks. (What’s 20 bucks, anyway?) These changes affect the fundamental color palette of the storytelling. I’m not sure the sun ever rises in Chicago blues music, but in the musical storytelling of Garcia and the Grateful Dead, it shines so bright it hurts.
    On a more technical note, he played most often in a major blues scale, which added to this mix of innocence, and even joy. Minor blues notes lend themselves to the exquisiteness of pain, while major blues scales kind of explore the relief from it. Garcia played to relieve people of pain. That melodic innocence must have something to do with bringing so many people to their “happy place.” He wasn’t pulling notes from an anguished place within, he was catching them with a butterfly net as they went flitting by overhead. On a tactile level, he held the guitar with grace. It wasn’t a weapon, it was a vehicle. He took it easy. He may have played fast, but he was thinking slow. And that makes us listen with a smile.
    I put Jerry Garcia on the same level as Miles Davis and Bill Evans because of the intention in his performing; once you’ve learned all the notes, and the chords, and the bends and the runs, you come to the final frontier of playing which is the why of it all, and that’s where the power was and still is in his playing. He played from a real place, a place that faced out to the world, not for his own reception or gratification. He played for the joy of interacting with the band and with the music he loved. If you listen close enough to a musician, you can tell what they’re looking to get out of each and every note they make. Garcia, to me, was looking to bring music to life out of the tacit, sacred duty to use his gift. Even after learning these things, they offer very little help in sounding anything like the man. That’s because he didn’t play anything stock or repetitive. There are no “signature Jerry Garcia solo riffs” as exist with so many revered guitarists. To “sound like Jerry,” you have to make people feel like he did, and well—good luck with that.
    The real magic—the kind that will make the Grateful Dead music live forever—that’s in the way we carry it on in our hearts and minds. I don’t listen to Garcia and the band play—I watch it. I believe we all do, and that what we see is a blend of the music, the year in which it was played, the season and location of the show so as to understand the state of mind the band was in that night, that week, that presidency. We see it differently from one another the way we do our own dreams, but we all agree that our dreams contain these songs, and this band, those places and names. And that’s how the Grateful Dead managed to freeze time. We discuss our favorite years in present tense; we say we just heard the best version of something last night as if that was the moment it first took place. Your favorite year of their music "wasn’t", it "is." And in that way, inside that beautiful dreamscape the band created, the Grateful Dead is still up there, still playing. And Jerry is right there in front of them, and time is held in place by those who refuse to let it fade, and even as we sleep, as long as one of us is listening, the band is still playing.
    We lose the ones we love, we pine for those who have left, and we lament the changes of modern times. But the makers of this music dug a tunnel, and it runs beneath time and space, and we, the ones who love it like family, crawl through to visit 1974, and 1969, and 1987 and 1990. If we were alive at the time the show took place, we see ourselves as the people we were in the lives we had, and if we weren’t born yet, we get to wistfully dream what it must have been like.
    We only get a few minutes on earth, and Jerry Garcia gave all his minutes so that we could forever visit his life and times through his playing, and let it unravel into a new kind of now." --- John Mayer on Jerry Garcia and The Grateful Dead

  • JimInMD
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    The Zoo

    A nice little show. I explored this one a little before this thread started, probably late 2019. It makes a good companion to the night before in Austin. Apparently hot that day and Jerry was up most of the night celebrating his birthday. Hot jams in China > Rider.

  • DeadVikes
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    8/1/82

    Looking at the 8/1/82 show from Oklahoma City for today. The hot summer 82 run.

  • 1stshow70878
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    Yes Jim

    One of the joys of old age.
    Stuff (or hair) growing out of places it shouldn't.
    Or where it hadn't before at least.
    Cheers

  • JimInMD
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    Re:

    Wow.

    Tell Phoebe to stay away from the Special K. Catnip and a little cannabis are fine but stay away from Keratin and all the other hard stuff. Some cats never learn....

  • 1stshow70878
    Joined:
    Thanks BC & DV & Jim & Oro

    Phoebe the 17 y.o. cat has made a comeback as she has done many times.
    Just when I think she's used all of her 9 lives she does the energizer bunny.
    The vet says her lameness is a growth of keratin and not anything worse.
    As long as she is not in pain and loving a hobbled walk in the sunshine we will keep on truckin'.
    We've had a series of one dog and six female cats with as many as three at a time.
    And when she goes the wife wants two male kittens next time.
    That should be fun! We can never wait more than a month between loss and adoption. There are so many out there who need us.
    Cheers all!

  • bluecrow
    Joined:
    thank you friends

    Spirit was such a sweet strong beautiful doggle woggle.

  • DeadVikes
    Joined:
    Bluecrow

    Sorry to hear about your dog Bluecrow. Hang in there and 8/7/82 is a great way to put the mind in the right direction.

    Sorry to hear about your issue as well 1st show. Be well.

  • Oroborous
    Joined:
    Ahhh fuck dude (&1st show too)

    May the four winds blow him safely home!
    I swear damn pets are harder than people.
    Still gets me all chocked up if I start thinking about my ole buddy : (
    I suggest David Bromberg’s cover of Mr Bojangles off of Best of Album.
    After 25 years I still grieve, which is to say we feel your pain brother.
    Sounds like he hit the lottery finding you, so at least you can celebrate a good life well lived!
    And, the good ones never really go away, their with you when you need em…that joy they brought will always live on in your heart!

  • JimInMD
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    Sorry Blue Crow & 1st Show

    freak flag is set to half-mast X 2

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

I completely agree.

On occasion and if I'm not careful volume gets the best of me. One day I might live to regret this. Thankfully, that day was not today.

A new one for me. Some sound weirdness especially in and around banter, but what the hey.

I don't know what it is, but I have soft spot for The Eleven, Born Cross-Eyed and especially New Potatoe Caboose. Good show with some vintage grease to end the night with me feeling a little dirtier than I did when I woke up.

If there's no pick for tomorrow, I suggest the next in line. It's a partial, starts with a rare Clementine. 1/20/68 Euraka Municipal Auditorium. I think we should set up a go fund me to find all the missing reels, there's a couple missing from this show. It would be something for them to be found.

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Hey Jim, I know you have had a lot on you plate this year. Thanks for checking this one out. Yes, the recording is decent, not great. Like a lot of 88 recordings out there. Still think they have some good ones in the Vault.

I liked the show, anytime I see a Hey Pocky Way, I am in. Nice Shakedown to open the second set. Love the triple Encore with China Rider OMSN.

It is good to get out of the comfort zone once in a while Doc.

Carousel Ballroom 68, okay Jim, Ok will have to que it up this morning.

Enjoy the weekend out there.

Edit. Oh and after the carousel ballroom I will be moving on the 12/9/79, Dave's Picks #47. Love this one and I need some 79. If I had the keys, I would be putting out a big 79 Box.

44 years ago today, there when Roy Buchanan along with Levon and His All Stars opened for the Dead. My last in person show, on the bus since their first album, however things had changed so much.... Doc was there, a wild late summer scene, part of my farewell to Maine.

Hey rockers!!

Yes, we were there and had a blast. Beautiful day and tremendous music. A very fine show by the Dead, one of my all-timefavorite in-person Dead experiences.

Would make a solide offical release. It is worthy......

Doc
Everything I did in my life that was worthwhile, I caught hell for.....

Hey rockers!!

Yes, we were there and had a blast. Beautiful day and tremendous music. A very fine show by the Dead, one of my all-time favorite in-person Dead experiences.

Would make a solid official release. It is worthy......

Doc
Everything I did in my life that was worthwhile, I caught hell for.....

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I'm in - hopefully sometime this weekend I can transport my mind and spirit into late summer beautiful day/evening Maine. Sounds like a dream show and setting. Very cool that a couple of you guys got to be there. Didn't realize this was the last show before the Warfield run. Long and heartfelt write up on grateful seconds (he was there). Comment at the end from a guy who was 8 at the time and lived a "bike trail" away from the fairgrounds. Listened to part of the show from his clubhouse. Rode his bike over and snuck in. Totally dug the Drums. Made major bank (for a kid) collecting cans and bottles for deposit afterwards (which is exactly what 8 yr old me would have done.) Think I might travel John Deere with the Jim Wise FOB.

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But back this week. I can do Lewiston again.

As I recall there is not a good soundboard that circulates, right? And the one that does is first set only and it sure does sound like an audience (or ultramatrix on steroids at least).

High energy though.. like Gainesville, there must have been something in the water.

You have to wonder if this was recorded and if so where the hell are the master tapes? I think someone (Parrish??) tossed out the language that some of the master reels were left on the seat and when the truck pulled away they must have flown out the window or something.

I'd love to see more reels (and cassettes) returned.

Anyway, Lewiston Me for me tomorrow.

Edit: Started tonight - why not? Gave up on the "soundboard" and settled on the Jim Wise same as Bluecrow. Good news, Bluecrow.. The John Deere Broke down and was sitting in the yard for the last half of the week. I got it working today. Had to replace the solenoid. Damned electronics are always interfering with time travel. Just imagine if this broke back in time before Jebediah Solenoid created the first working model for riding mowers.. we would have been screwed.. I mean, nothing wrong with being stuck in 1980 but why not go back another 10 to 15 years...

High energy is right. Pretty good audience.

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In reply to by JimInMD

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While I was in the neighborhood, I took a quickie with 11/28/80 Lakeland Civic Center - Lakeland, FL (30 Trips).

I figured why not.. most enjoyable, especially To Lay Me Down. Not sure why I like that song so much, but I do.

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In reply to by JimInMD

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Ah, yes, more 1980. You don't have to twist my arm. A shorter show for the time period, but still really good. Will get it going after I finish up Dicks #36, which was mentioned on some other threads. Such a great show, but apparently didn't sell well at the time. No idea why.

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Random Musing - 1980

My favorite non-multi-track 1980 release has got to be Dave's # 8, 11/30/80 Fox Theater. Love how that Matrix worked out. If anyone remembers the seaside chat, he was spot on.

Crowd noise was not as big an issue in 1980 as they could play in some pretty intimate venues. Also, as the age of the cassette master replaced the lovely Ms. Cantor Jackson, a lot of those early soundboards are a bit sterile sounding without the crystalline highs and the booming lows. Blending those early 80's soundboards with one of those near perfect audience masters works. When they aged out of the smaller, cooler venues (thinking after Jerry's coma and In The Dark) audience tapes had to compete with hundreds of the guy next to you screaming "JERRY!!" at 95 decibels, this was no longer possible.

That SBD/Dr. Bob matrix is almost exactly perfect (or as good we are going to get for the time).

On the opposite side of the same coin, I think some of the Ultra Matrix's have a bit too much of the guy yelling JERRY! then I sometimes want to hear. Thinking a lot of 87 suffers from this, and by then the audience tapes were no better.

Anyway, if Mr. Norman can pull of similar wizardry I wish they would do more like DaP#8.

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Mornin', rockers!!!

Pick of the day? September 24, 1972. Because..............Dark Star!

Minor rain storm headed my way................

The man that hath no music in himself, nor is not moved with concord of sweet sounds, is fit for treasons, stratagems and spoils......

Rock on!

Doc
Music comes from an icicle as it melts, to live again as spring water......

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It's an early audience, but contains one of the few Seven's that were recorded.

09/29/69 Cafe au Go-Go - New York City, NY

It's no betty board, but an interesting inflection point in GD history, so maybe worthy of our time. Primal GD on the heels of WMD Americana GD.

Despite the recording quality, it's pretty good for a 1969 audience. Worth the trip for the Seven alone. Plus, it's pretty short. Something different, something quick, and well, it's really something.

So why not mix it up with a shortie from the fall of 1969.

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In reply to by JimInMD

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Will mix this in as I listen to the new box today. Thanks Jim.

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Been a while, just wanted to say hello. Watching the Dark Star from 10/18/74, cool to see video of Ned on stage, as well as see Jerry interact with the head nod. Enjoyed the April 78 release. With the 50th anniversary of the Winterland shows a few weeks away, doesn't look like anything is happening. Be good everyone. Bob t

Hey Bob T, how have you been man? Hope all is well.
Yes, love that bonus footage from the GDM soundtrack. Might be one of my favorite UJB.
I have been traveling for work this week so still haven't made a dent in the new box, but loving it so.far.
Good thing there is no rush at this point.

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In reply to by DeadVikes

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Hope everyone is enjoying the new box set. Really enjoying it so far over here.

If anyone is interested in a pick, it has been a while, how about 5/16/81, Barton Hall from the 30 Trips box?

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Started playing it last night and finished it tonight.

Good call DV.
And I’m having a Bell’s Octoberfest too. They’re gone from the store but I have 5 more cans in the fridge.

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In reply to by icecrmcnkd

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Nice Conekid, must be esp.

Enjoyed the show again, nice Shakedown Bertha, Sailor Saint. Show ends with that audience patch.

Enjoy the last few Octoberfests. Still have a couple six packs to get through. Would buy a few more but the self life of this beer is only 3 months and it goes bad fast.

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Good morning fellow rockers!!!

October 19, 1971

The second great seismic shift of 1971. The Yang to the Yin of February 18. Similar, yet different. Old, yet new. A vision of the new era. Change can be for good if you combine audacity with safety………

An old friend missing, a new guy who seems to fit in right away. Six new songs. The return of the complete CE/TOO/CE suite. The unusual occurrence of back-to-back Garcia songs twice in the first set. The first of the Fall 1971 FM broadcasts. One of only two 1971 shows that featured both Black Peter and Brokedown Palace. There ain’t no grease, but there’s plenty of Bakersfield left, as well as big jams.

Not without its rough edges, yet somehow it hangs together oh so well. Absolutely historic and worthy of a serious listen……

Rock on!!
Doc
He who rejects change is the architect of decay, the only human institution which rejects progress is the cemetery………

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Morning, rockers!!

This is for AJS. He'll know what I'm talking about...........

October 20, 1984, Carrier Dome. The last show we saw on that tour, maybe not Augusta level but very enjoyable. We had a great time. Maybe it was the liquid 25, courtesy of Deadhead Fred, a little drop'll do ya!!

Or maybe it was the music. Worth a listen!!!

If I had known being insane was so much fun, I'd have gone crazy long ago.....

Rock on,

Doc
No one can drive us crazy unless we give them the keys......

10-20-84 - Syracuse

I was there also, think I met doc in the bathroom during drums,,, he was wearing a tie-dye :-)

My records show we rated Jack Straw at end of set one, a plus 2. Also second set opener of Shakedown got a plus 2 rating from our crew. We have the Black Peter that night at a plus 1.

Thing I remember was the air pressure blowing you out of the exit doors,,, deadheads LOVED this,,, kept going back in just to be blown out!

My wife went to Syracuse (both her parents also!)

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Love the energy of this show. I'm pretty sure I tossed this out for a pick of the day a few years ago. I was not there, but hey.. we make it to the shows we can and hope for magic and a lightning strike or two.

Still, an enjoyable show and how about that Jack Straw. Another one where I wish I was there.

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In reply to by JimInMD

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Just finished set 1.
It’s a Miller, but the file on my music player doesn’t have an ID number.
Vocals are pretty weak in some places. The playing seems to be trying to make up for it.
Shakedown poking around now…..

Edit:
I would have had fun had I been there.
Drums/Space was good.
I’ll listen to it again.

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November 7, 1971
Harding Theater, San Francisco, California

Deadicated to bolo24, because I will not follow where the path may lead, but I will go where there is no path, and I will leave a trail……

Great and classic show and a long-time personal favorite. It has pretty much everything you could ask of the Dead in this era. Rockers, Cowboy songs, hot jams, the unusual coupling of Dark Star and The Other One, an unbelievably smoking NFA transition jam (maybe the best ever?), plus even the often-expected equipment difficulties, AND jokes from the audience! The circulating broadcast copies are excellent quality and highly recommended. The band sounds loose, and the crowd sounds juiced. OK yes there’s no Pigpen, but still highly highly recommended, a classic of the first rank!!

Rock on!!
Doc
It is requisite for the relaxation of the mind that we make use, from time to time, of playful deeds and jokes

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I didn't see the notice about the next Bear's Journal, John Hammond.

If you missed too, it's available on Amazon and Bear's site.

Okay, seems like we need a pick.

How about 10/19/72 from the glorious LTTR Box? Love this box.

Good to see this box finally sold out. We need to make sure these all sell out in order to keep the train rolling.

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Might take me more than a day though, but I'm in.