• 8,062 replies
    marye
    Joined:
    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Oroborous
    Joined:
    1/15/79

    That’s off of Dave’s list…
    I’ll try to find time this WE.
    Still stuck in deadline hell with no tunes or time : (

    45 not sold out: I can believe it lol

  • DeadVikes
    Joined:
    1/15/79

    1/15/79 Springfield sounds good to me Bluecrow. Thanks.

    I can't believe #45 isn't sold out yet.

  • bluecrow
    Joined:
    not exactly Timbuktu

    But it ain't new yawk either. continuing my interest in the late days of the Godchaux era how about 1/15/79, Springfield, MA? Listened to Set II yesterday and mother of goodness it was awesomely great. The Playing > Drumz > Jam sequence is crazy town. There is a good Miller SBD (not a given for that era) but reading some reviews the Steve Rolfe FOB audience (Miller transfer) is a legendary pull. I put it on for the beginning of Shakedown and in the pocket sweet spot FOB. Cued up Rolfe for Set I this morning.

    spoiler - there is no Minglewood but there is a Jack-A-Roe

    Enjoy the day folks.
    Onward!!

    edit - Personally I'd probably run with the Miller sbd overall. There's a matrix to maybe split the difference. This is a great show.

  • DeadVikes
    Joined:
    Timbuktu Box

    Timbuktu Box sounds like a winner to me.

    Let's go!

  • bluecrow
    Joined:
    1/17/68

    Woke up about 1 am and decided to do some writing on a project. Saw Doc's post and spun 1/17/68. It was just exactly perfect. Awesome stuff. The tone on Bob's guitar very cool. Thanks Doc!

  • musicnow
    Joined:
    Thanks Doc!

    Thank you Doc for these reviews and keeping us excited listening to new shows that we may never have heard otherwise. Always a pleasure!

  • Forensicdoceleven
    Joined:
    Your mother's ghost stands at your shoulder…..

    Hey rockers!!!

    Pick Of The Day Trifecta, Volume 2:

    Three separate highways intersect at a place no reasonable person would ever want to go….

    January 17, 1968 Carousel Ballroom, San Francisco. Starting as the El Patio Ballroom, eventually to morph into the Fillmore West, a “social/musical laboratory experiment" ostensibly run as a collective by several San Fran bands. The six month run was opened by the Dead with a blast of wonderful primal psychedelia, including, apparently, the first live version of China Cat Sunflower. Very good recordings circulate, give it a listen!

    January 17, 1969 Civic Auditorium, Santa Barbara, California. Short on paper, long on music. Big jams and a little bit of grease. Short nice Star, driven Eleven, raucous Other One. And while the Hartbeats might have done it a couple of times previously, this appears to be the first “full Grateful Dead” version of Cosmic Charlie. Typical early 1969 gooey goodness!!

    January 17, 1970 OSU, Corvallis, Oregon. An overlooked and underappreciated show. The band starts out with a more song-oriented approach, showcasing some Workingman’s material, before closing out with the “typical big jam sequence” Star/Saint/Eleven/Light. This probably doesn’t require a lot of explanation………..

    The recordings of each show have some sonic issues, cuts and edits seemingly common for many audio artifacts of this era. Perhaps the banana boxes contain “new & improved” copies????

    Rock on!!!

    Doc
    Astronomers have a common ground for discussion with musicians in the harmony of the stars and musical concords in tetrads and triads of the fourth and the fifth…..

  • JimInMD
    Joined:
    An oddity

    Hope it was ok and not a derailment.

    I just really liked that Attics.

    I would like to revisit the 76 box at some point. That and the Giants box to me are under-rated. The St. Louis box on the other hand is not under-rated, more like worthy. I'd love to see the rest of the BCT '72 shows get box treatment, the same goes for Texas '72. Or how about a T For Texas box? Or we could simply call it Timbuktu.

  • DeadVikes
    Joined:
    Club Front 76

    Some interesting rehearsal sessions here Jim. They were ready to get back into it, you can feel it.

    Sound quality of the recording was good.

  • bluecrow
    Joined:
    Club Front '76

    Thanks Jim - listening now. I found 2 sources on relisten and the second one is significantly longer, with more takes, including Attics. The Attics has got a reggae groove to my ear. It's really nice.

    Been checking in daily but listening has been sort of scatter shot, both in terms of POTD and in general. Did check out the 1/10/70 - that a solid shot of music from that time frame. Like Jim says - where is Set II (if there was one)? Among recent listens were Jai Alai '74 (good god!), Dillon Stadium '74 (DaP 2), Chicago Auditorium 10/71 (DaP 3) DeKalb 10/29/77 (DAP 33 - always a wowza!) and various Eberhard Weber albums (non-dead).

    Stay safe and healthy everyone.

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17 years 3 months
Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

I completely agree.

On occasion and if I'm not careful volume gets the best of me. One day I might live to regret this. Thankfully, that day was not today.

A new one for me. Some sound weirdness especially in and around banter, but what the hey.

I don't know what it is, but I have soft spot for The Eleven, Born Cross-Eyed and especially New Potatoe Caboose. Good show with some vintage grease to end the night with me feeling a little dirtier than I did when I woke up.

If there's no pick for tomorrow, I suggest the next in line. It's a partial, starts with a rare Clementine. 1/20/68 Euraka Municipal Auditorium. I think we should set up a go fund me to find all the missing reels, there's a couple missing from this show. It would be something for them to be found.

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In reply to by JimInMD

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Hey Jim, I know you have had a lot on you plate this year. Thanks for checking this one out. Yes, the recording is decent, not great. Like a lot of 88 recordings out there. Still think they have some good ones in the Vault.

I liked the show, anytime I see a Hey Pocky Way, I am in. Nice Shakedown to open the second set. Love the triple Encore with China Rider OMSN.

It is good to get out of the comfort zone once in a while Doc.

Carousel Ballroom 68, okay Jim, Ok will have to que it up this morning.

Enjoy the weekend out there.

Edit. Oh and after the carousel ballroom I will be moving on the 12/9/79, Dave's Picks #47. Love this one and I need some 79. If I had the keys, I would be putting out a big 79 Box.

44 years ago today, there when Roy Buchanan along with Levon and His All Stars opened for the Dead. My last in person show, on the bus since their first album, however things had changed so much.... Doc was there, a wild late summer scene, part of my farewell to Maine.

Hey rockers!!

Yes, we were there and had a blast. Beautiful day and tremendous music. A very fine show by the Dead, one of my all-timefavorite in-person Dead experiences.

Would make a solide offical release. It is worthy......

Doc
Everything I did in my life that was worthwhile, I caught hell for.....

Hey rockers!!

Yes, we were there and had a blast. Beautiful day and tremendous music. A very fine show by the Dead, one of my all-time favorite in-person Dead experiences.

Would make a solid official release. It is worthy......

Doc
Everything I did in my life that was worthwhile, I caught hell for.....

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In reply to by DeadVikes

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I'm in - hopefully sometime this weekend I can transport my mind and spirit into late summer beautiful day/evening Maine. Sounds like a dream show and setting. Very cool that a couple of you guys got to be there. Didn't realize this was the last show before the Warfield run. Long and heartfelt write up on grateful seconds (he was there). Comment at the end from a guy who was 8 at the time and lived a "bike trail" away from the fairgrounds. Listened to part of the show from his clubhouse. Rode his bike over and snuck in. Totally dug the Drums. Made major bank (for a kid) collecting cans and bottles for deposit afterwards (which is exactly what 8 yr old me would have done.) Think I might travel John Deere with the Jim Wise FOB.

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In reply to by bluecrow

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But back this week. I can do Lewiston again.

As I recall there is not a good soundboard that circulates, right? And the one that does is first set only and it sure does sound like an audience (or ultramatrix on steroids at least).

High energy though.. like Gainesville, there must have been something in the water.

You have to wonder if this was recorded and if so where the hell are the master tapes? I think someone (Parrish??) tossed out the language that some of the master reels were left on the seat and when the truck pulled away they must have flown out the window or something.

I'd love to see more reels (and cassettes) returned.

Anyway, Lewiston Me for me tomorrow.

Edit: Started tonight - why not? Gave up on the "soundboard" and settled on the Jim Wise same as Bluecrow. Good news, Bluecrow.. The John Deere Broke down and was sitting in the yard for the last half of the week. I got it working today. Had to replace the solenoid. Damned electronics are always interfering with time travel. Just imagine if this broke back in time before Jebediah Solenoid created the first working model for riding mowers.. we would have been screwed.. I mean, nothing wrong with being stuck in 1980 but why not go back another 10 to 15 years...

High energy is right. Pretty good audience.

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In reply to by JimInMD

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While I was in the neighborhood, I took a quickie with 11/28/80 Lakeland Civic Center - Lakeland, FL (30 Trips).

I figured why not.. most enjoyable, especially To Lay Me Down. Not sure why I like that song so much, but I do.

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In reply to by JimInMD

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Ah, yes, more 1980. You don't have to twist my arm. A shorter show for the time period, but still really good. Will get it going after I finish up Dicks #36, which was mentioned on some other threads. Such a great show, but apparently didn't sell well at the time. No idea why.

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In reply to by DeadVikes

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Random Musing - 1980

My favorite non-multi-track 1980 release has got to be Dave's # 8, 11/30/80 Fox Theater. Love how that Matrix worked out. If anyone remembers the seaside chat, he was spot on.

Crowd noise was not as big an issue in 1980 as they could play in some pretty intimate venues. Also, as the age of the cassette master replaced the lovely Ms. Cantor Jackson, a lot of those early soundboards are a bit sterile sounding without the crystalline highs and the booming lows. Blending those early 80's soundboards with one of those near perfect audience masters works. When they aged out of the smaller, cooler venues (thinking after Jerry's coma and In The Dark) audience tapes had to compete with hundreds of the guy next to you screaming "JERRY!!" at 95 decibels, this was no longer possible.

That SBD/Dr. Bob matrix is almost exactly perfect (or as good we are going to get for the time).

On the opposite side of the same coin, I think some of the Ultra Matrix's have a bit too much of the guy yelling JERRY! then I sometimes want to hear. Thinking a lot of 87 suffers from this, and by then the audience tapes were no better.

Anyway, if Mr. Norman can pull of similar wizardry I wish they would do more like DaP#8.