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    Anyone who has ever seen the Dead can testify that one of its shows will add quite a bit of color to the environment here at Stanford. Anyone who has not seen one of these spectacles should have the opportunity to do so. The Grateful Dead are an important part of the Bay Area's cultural history. Those of us who saw them last week can testify that the Dead are alive and well. The Concert Network would be hard-pressed to find an act which would bring Frost Amphitheatre to life as the Dead would. - The Stanford Daily

    As you know by now, we'd certainly have voted aye on this motion, so much so, that we've loaded up DAVE'S PICKS 49 with not one, but two complete Grateful Dead shows from the Frost Amphitheatre, Stanford University, Palo Alto, CA 4/27/85 and 4/28/85. The first shows from '85 in the series, these back-to-back hometown performances couldn't be more different while delivering the same level of passion and precision, five hours of it, in fact.

    In 1985, the band were celebrating "20 Years So Far," a feat that found them on these particular nights confident with invention in terms of both setlists and playing. There are old songs renewed, rare covers revived, undeniably nuanced Jerry moments, and a few surprises from Brent Mydland too. While it's impossible to select highlights, we can say with certainty that the overall clarity of these shows is unparalleled, courtesy of Dan Healy's recordings.

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 49: FROST AMPHITHEATRE, STANFORD U, PALO ALTO, CA 4/27/85 & 4/28/85 has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • TN John
    Joined:
    Ripple Junction

    I'm pretty sure they are a legit licensed company.

  • icecrmcnkd
    Joined:
    Bring on the shipping notices

    Subscribers should receive theirs by ala carte ordering day as a perk for subscribing.

  • berman.
    Joined:
    special recordings in my collection ..

    these shows were my 2nd & 3rd ultra crispy snbd shows I collected !… I had plenty of older (pre-‘81 …as that’s when the bus came by for me ;-) snbd tapes , but someone who claimed he had 1st gens hooked me up (btw, Hartford ‘82 was the 1st for me .. superior quality circulated) … what made these somewhat unique was how the drums and high end was pronounced .. and the lack of hiss …played the shit out of them .. soon after, many crisp boards started to come my way … I imagine it was similar for others …

    so GDP always cleans the results even finer, and that’s enough motivation for me to snap ‘em up !

  • alvarhanso
    Joined:
    Also

    Praises to Dave and co for those two Picks featuring two Dark Stars, DaP 6 12-2-70 and 12-20-69 and 43 11-269 and 12-26-69. Wonderful stuff. Digging on 11-2-69, great Dancing in the Street Jam (the Dancing earlier featured a Dark Star jam, so nice symmetry) then a glorious Soul Strut. Great St Stephen and Eleven and delicious melt into one of the best Death Don't Have No Mercys I know.

    Also, also, the sound on DaP 42 and DaP 46 is louder and better than a lot of them have been lately. Don't know if that's better source tapes, but I've noticed they're conspicuously louder.

  • alvarhanso
    Joined:
    Found a tshirt on amazon

    Said Officially licensed, from a company called Ripple Junction. Was 14.99, so I got it. Pic is the one in the avatar. Thought the image was from a Dave's Pick, and indeed it was, numero 6, to be precise. This is not noted anywhere. Always liked that year's art. Just thought I'd mention that.

    The Listening Party sounds good. Only listened up to half of Esau, and didn't have good speakers to see if any bass on the PA mix. Also, that means I haven't heard Jerry's voice yet. Have heard some AUDs, and didn't like. His guitar work is great thus far. The PA mixes have strong vocals from Bob. Gonna have to re-check and pray no Red Rooster. Bob's caterwauling may be worse than Jerry's hoarseness.

  • proudfoot
    Joined:
    Really looking forward to 49

    :)))

  • proudfoot
    Joined:
    Greek 81

    I wasn't in attendance

    Starting senior year of high school in LA

    First show still 10 months away

    9 12 is overall more "complete" to me. No gripes about 9 11, just....9 12 has so much great stuff.

    Picky Deadheads, all

  • billy the kiddd
    Joined:
    9/11/81

    Tastier

  • Homer232
    Joined:
    A Very Fine Daytime Outing Indeed!

    I was there at both shows too with my friend Kevin! But I agree with CeeDee, it's a shame that the Scarlet>Eyes>GDTRFB had to be split with a CD break. That sequence (for me) was the highlight of the WHOLE weekend!
    Which by the way, were daytime (2pm) shows with full sun both days!
    Also, seldom mentioned, but these were benefit shows that came about because of the 'deal' Garcia made with the court for 'punishment' for his Jan '85 drug bust in Golden Gate Park. If I recall correctly, Jerry's court appearance (sometime in Feb or March?) was packed with heads, several of them 'volunteering' to step in for Jerry and do 'his time' for him, instead of Jerry doing his own time. I think the judge was taken aback by that and let him off easy by requiring some benefit shows to help a San Francisco charity and a promise to seek rehab. Anyways, ... the 1st set Bertha, with Jerry's line of "Throw me in the jailhouse" got him smiling wide and the whole crowd whooping it up - 'cause we all knew what that meant LoL!

  • proudfoot
    Joined:
    9 12 81

    Tasty

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3 years 6 months

Anyone who has ever seen the Dead can testify that one of its shows will add quite a bit of color to the environment here at Stanford. Anyone who has not seen one of these spectacles should have the opportunity to do so. The Grateful Dead are an important part of the Bay Area's cultural history. Those of us who saw them last week can testify that the Dead are alive and well. The Concert Network would be hard-pressed to find an act which would bring Frost Amphitheatre to life as the Dead would. - The Stanford Daily

As you know by now, we'd certainly have voted aye on this motion, so much so, that we've loaded up DAVE'S PICKS 49 with not one, but two complete Grateful Dead shows from the Frost Amphitheatre, Stanford University, Palo Alto, CA 4/27/85 and 4/28/85. The first shows from '85 in the series, these back-to-back hometown performances couldn't be more different while delivering the same level of passion and precision, five hours of it, in fact.

In 1985, the band were celebrating "20 Years So Far," a feat that found them on these particular nights confident with invention in terms of both setlists and playing. There are old songs renewed, rare covers revived, undeniably nuanced Jerry moments, and a few surprises from Brent Mydland too. While it's impossible to select highlights, we can say with certainty that the overall clarity of these shows is unparalleled, courtesy of Dan Healy's recordings.

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 49: FROST AMPHITHEATRE, STANFORD U, PALO ALTO, CA 4/27/85 & 4/28/85 has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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Had to look that up.
The spoken part between:
Redemption funds,
Stocks and bonds.
Scruggs, the master of the three finger rolling style. Changed everything.
Cheers

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17 years 4 months

In reply to by 1stshow70878

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For a real good time!
Hopefully we won’t have to wait another 10 YEARS for some 85 love!

Well 49 old friend, it’s been a gas but I guess it’s happy trails for awhile.
Tanks for the memories

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8 years

In reply to by uncle_tripel

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Yes, good to see at least this one sell out. Such a great release. Just revisited this last week. Shows the depth of the vault if you like most eras, which I do.

Can't believe the others are still available. Might have to revisit #46 tomorrow.

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8 years

In reply to by DeadVikes

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Smoking 🚬

How about a big announcement tomorrow?

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1 year 1 month
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...hmm, how's about wave that flag day june 14th, great day for smokin' OUT a new box...read the signs, connect the lines, pay your fines, read the rhyme

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1 year 1 month
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...how that 49 resurfaced...

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5 hours 20 minutes
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I am just wondering, since all of the early brent shows have the keyboards way too loud, is this the same? I can't listen to any of them, I have to go to audience recordings. Can't hear Weir enough, which is not the Dead as far as I am concerned. After Betty left, the soundboards are useless unless it was mult-tracked...and most are not. I was at these shows and they were very good!

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