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    Anyone who has ever seen the Dead can testify that one of its shows will add quite a bit of color to the environment here at Stanford. Anyone who has not seen one of these spectacles should have the opportunity to do so. The Grateful Dead are an important part of the Bay Area's cultural history. Those of us who saw them last week can testify that the Dead are alive and well. The Concert Network would be hard-pressed to find an act which would bring Frost Amphitheatre to life as the Dead would. - The Stanford Daily

    As you know by now, we'd certainly have voted aye on this motion, so much so, that we've loaded up DAVE'S PICKS 49 with not one, but two complete Grateful Dead shows from the Frost Amphitheatre, Stanford University, Palo Alto, CA 4/27/85 and 4/28/85. The first shows from '85 in the series, these back-to-back hometown performances couldn't be more different while delivering the same level of passion and precision, five hours of it, in fact.

    In 1985, the band were celebrating "20 Years So Far," a feat that found them on these particular nights confident with invention in terms of both setlists and playing. There are old songs renewed, rare covers revived, undeniably nuanced Jerry moments, and a few surprises from Brent Mydland too. While it's impossible to select highlights, we can say with certainty that the overall clarity of these shows is unparalleled, courtesy of Dan Healy's recordings.

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 49: FROST AMPHITHEATRE, STANFORD U, PALO ALTO, CA 4/27/85 & 4/28/85 has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • gratefulgerd
    Joined:
    David Lindley

    I must agree, a fantastic player, slide and all other styles!
    Saw him live in Neu Isenburg (El Rayo-X) on March 21st, 1983.
    It was his 39th birthday.
    Great guy, great musician.
    May I say underrated?
    Cheers,
    G.
    (got nice photos)

  • 1stshow70878
    Joined:
    My Favorite

    David Lindley.
    Just exactly perfect.
    Sonny can make sounds on a guitar like no one else.
    Cheers

  • dmcvt
    Joined:
    Slide Rule

    With slide guitar discussion, wondering where folks would put a few others. Fair to say acoustic slide and electric slide are considerably a light year apart. Bonnie is sneaky good, Billy G too, Sonny Landreth incredible ...first guy that really blew me away was Ry Cooder... his work on Memo From Turner. Crank that one up and tell me not. He's almost the only reason to listen to Jamming with Edward.

  • Gary Farseer
    Joined:
    TTB/DTB

    I first saw Derek in 1994 in the local concert hall. He came out as a special guest with the ABB. He was 15 I think. Interesting thing about this ABB concert was when we were walking out I said to friends, that was more like a Dickey Betts Band concert. Just a few years later he was out. Remember seeing the ABB on their tour in 2000. If I have this right, Dickey was out mid-tour. By the time I saw that tour Jimmy Herring was in Betts position. I am a huge fan of Mr. Betts but also know there were struggling dynamics within the band.

  • daverock
    Joined:
    taste

    It's a curious thing what music we like and what we don't. Derek Trucks is technically superb, but for some unquantifiable reason I don't really get it. I like a simpler more groove based approach when it comes to slide guitar, I would say. If anyone has improved on Elmore James, I haven't yet heard them. And although THAT riff sounds simple, and looks it on paper, I've never heard anyone nail it like he did.

  • uncle_tripel
    Joined:
    ICECRMCNKD...

    ...thnx for sharing; me with a big SMILE after reading point #7, having had a sales career of over 30 yrs & a miniscule understanding of MARKETING to be dangerous; but as we ALL know, it's the customer RELATIONSHIP which is of the most IMPORTANCE and VALUE

    uncle_tripel

  • wissinomingdeadhead
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    Joined:
    @ Billy The Kiddd

    You are 100% on point in regards to 2/27/69, it's my favorite show from 1969. Primal Dead INDEED!!!

  • 1stshow70878
    Joined:
    TTB

    I like their effort to revive that Delaney & Bonnie + Friends thing and the sound of the band with all those back-up singers and horns. And I'm amazed at Derek's touch and skill watching his hands on video close ups. But (here it comes) when he does that zipping up or down the fretboard thing it has an annoying sound like amplified acoustic guitar when your fingers squeak while moving your hand. Not quite as bad as nails on a chalkboard but then he gets to repeating it and I get turned off to him. Other than that I wouldn't mind seeing them. I don't mind her voice at all. She and Mike Mattison sound great together.
    Cheers

  • billy the kiddd
    Joined:
    2/27/69. Fillmore West

    What a show! The Dark Star that all other Dark Stars are judged against. The whole show is a complete knockout!

  • daverock
    Joined:
    TTB

    I have never enjoyed Derek Trucks playing as much as I think I ought to. I love slide guitar playing, but I also find his approach a bit lacking in power. I saw them in London about 6 years ago, and was a bit disappointed. Around the same time I saw the North Mississippi Allstars, and they did have more of a groove on the night I saw them.

    The big exceptions are the "I Am The Moon" cds. A friend burned them for me, and those I do like. I'm not a big fan of Susan Tedeshci's voice, to be honest.

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3 years 6 months

Anyone who has ever seen the Dead can testify that one of its shows will add quite a bit of color to the environment here at Stanford. Anyone who has not seen one of these spectacles should have the opportunity to do so. The Grateful Dead are an important part of the Bay Area's cultural history. Those of us who saw them last week can testify that the Dead are alive and well. The Concert Network would be hard-pressed to find an act which would bring Frost Amphitheatre to life as the Dead would. - The Stanford Daily

As you know by now, we'd certainly have voted aye on this motion, so much so, that we've loaded up DAVE'S PICKS 49 with not one, but two complete Grateful Dead shows from the Frost Amphitheatre, Stanford University, Palo Alto, CA 4/27/85 and 4/28/85. The first shows from '85 in the series, these back-to-back hometown performances couldn't be more different while delivering the same level of passion and precision, five hours of it, in fact.

In 1985, the band were celebrating "20 Years So Far," a feat that found them on these particular nights confident with invention in terms of both setlists and playing. There are old songs renewed, rare covers revived, undeniably nuanced Jerry moments, and a few surprises from Brent Mydland too. While it's impossible to select highlights, we can say with certainty that the overall clarity of these shows is unparalleled, courtesy of Dan Healy's recordings.

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 49: FROST AMPHITHEATRE, STANFORD U, PALO ALTO, CA 4/27/85 & 4/28/85 has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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10 years 1 month
Permalink

Had to look that up.
The spoken part between:
Redemption funds,
Stocks and bonds.
Scruggs, the master of the three finger rolling style. Changed everything.
Cheers

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17 years 4 months

In reply to by 1stshow70878

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For a real good time!
Hopefully we won’t have to wait another 10 YEARS for some 85 love!

Well 49 old friend, it’s been a gas but I guess it’s happy trails for awhile.
Tanks for the memories

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8 years

In reply to by uncle_tripel

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Yes, good to see at least this one sell out. Such a great release. Just revisited this last week. Shows the depth of the vault if you like most eras, which I do.

Can't believe the others are still available. Might have to revisit #46 tomorrow.

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8 years

In reply to by DeadVikes

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Smoking 🚬

How about a big announcement tomorrow?

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1 year 1 month
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...hmm, how's about wave that flag day june 14th, great day for smokin' OUT a new box...read the signs, connect the lines, pay your fines, read the rhyme

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1 year 1 month
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...how that 49 resurfaced...

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5 hours 20 minutes
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I am just wondering, since all of the early brent shows have the keyboards way too loud, is this the same? I can't listen to any of them, I have to go to audience recordings. Can't hear Weir enough, which is not the Dead as far as I am concerned. After Betty left, the soundboards are useless unless it was mult-tracked...and most are not. I was at these shows and they were very good!

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