30 Trips Around The Sun Box & Digital USB

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September 4, 2015 - 10:38am

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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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September 12, 2015 - 6:34pm

#4641

Chitown rider

Joined:
September 10, 2012

Cover Art

Not sure if these are high enough resolution or not but I use them. https://plus.google.com/photos/106465427611350658328/albums/59784616720…
September 12, 2015 - 5:48pm

#4642

Zuckfun

Joined:
March 18, 2010

Cover Art

Not sure if these can be copied or downloaded, but here's a very complete selection: https://picasaweb.google.com/m/viewer#albumlist/titanarch
September 12, 2015 - 5:24pm

#4643

yetibike

Joined:
November 2, 2010

comdata55 / album art

I usually just run a search in Google Chrome under pics...moe often than not I find something in good resolution that I can use. Sometimes I will open them in Paint to resize or change the pixel resolution. I have found some good images on Wikipedia as well as the GD archive here too. Good luck :)
September 12, 2015 - 4:21pm

#4644

comdata55

Joined:
June 8, 2015

A little off-topic

All this talk about the box vs the USB and sounds quality has motivated me to revisit my digitized versions of the GD albums I own. I'm now trying to re-rip all my GD albums to FLAC to archive them. Does anyone know of a site/repository that has hi-res versions of all of the album covers, even box set album covers?
September 12, 2015 - 3:33pm

#4645

floridabobaloo

Joined:
April 30, 2014

Recording. Just a couple points

Multitrack tape in that period was usually a 2 inch wide reel. The cost was quite expensive. It would run typically at a high speed for the quality of the sound. A reel would go say 10-15 minutes.When we refer to a 8/16/24/32 or how many tracks, the concept is simple. The end result will be a stereo recording. That is L/R OR 2 track. The process begins with the multiple track recording. Yes every voice or instrument is given its own track which can be EQed, given any efx, or processing. Back then16-24 track was the norm. In today's digital world there's really no limit. Then it was limited by the size of the tape. Once a performance was tracked, you would make adjustments to each track, which usually was adjusting the equalization and position in the stereo field. If you want keyboards on the left and guitars more on the right, you dialed that in via the mixing console. The goal of this step was to mix down to a stereo 2 track tape machine. So in essence if you had 24 separate tracks, in the recording phase, you now had the tune mixed to stereo. this is the mixing phase. Finally that stereo tape would be run thru a console once again and those 2 tracks, would be equalized and in some cases, run thru noise reduction, or compression or other sound processing. This is called Mastering. So you have 3 steps in the process from the initial recording of the performance to the final product we buy as a stereo recording. Today the main difference is we use computers and a format of digitally recording as opposed to analog magnetic recorders back in the day. You still have to capture the best performance as cleanly as you can. And you still have to have very good ears! A live 2 track, as said, was simply a stereo copy of the mixing board at a live show to capture the sound of the performance. Most times that tape was used to listen to a performance to evaluate the quality of the performance. 2 track tape is 1/4 inch wide and runs from 7.5-15 inches per second. Called ips. So you will see notes of two track tape at 7.5 ips. Later in the career of the Dead they utilized cassette tapes or DAT ( digital audio tape ) to record the shows. And as stated these weren't recorded to be commercially released. Many bands recorded their shows simply to listen to afterward to see what they sounded like.
September 12, 2015 - 2:54pm

#4646

KeithFan2112

Joined:
August 6, 2014

bohlint / Sound Quality

Expense was a big reason they didn't do more recording with the multi-track in the 70s. I've read that it cost a lot more than two-track, because you have not only the mobile truck business as an added expense, but you also have more expensive tape feeding the multi-track recorders (and a lot more of it - keep in mind, it's like making 8x as many recordings of the same show if you're doing 16 tracks, compared to 2, AND they record faster, which means you go through much more tape per track in a minute than with a two-track machine). As far as comparing the two (two-track vs. multi-track) - There are some really good two-track recordings in the vaults. Everything they've released from 1977 is two-track, and it sounds really good; in fact, I would say most of the '77 stuff sounds better than at least one of the Dead's multi-track releases: Live at the Cow Palace New Year's Eve 1976. Cow Palace doesn't sound horrible, but the tape hiss level is extraordinarily higher than usual, and the fidelity extraordinarily lower (not necessarily due to the multi-track process itself, but probably for other reasons - in general, if done properly, you're going to get a better mix out of multi-track masters). Who knows, maybe they ran out of Maxell XLIIS tapes and put low bias tape in the machine that night ;-). Compared to the Winterland June 1977 box set, for example, Cow Palace does not sound as good, (subjectively speaking of course, but trust me on this one:)
September 12, 2015 - 2:17pm

#4647

alvarhanso

Joined:
January 16, 2014

Sound quality redux

One Man pretty well summed it up. The vast majority of tapes were made on from a 2 track mix at the soundboard, and multitrack was used for tours or shows where they were looking to make a live album. Back in the 60s or 70s multitrack recording usually meant using a mobile recording truck outside the venue to record the show and mix it. By the 80s & 90s, multi track recording was easier to accomplish without a mobile unit. Betty Cantor-Jackson is probably the most famous recording engineer the Dead had, she simply had excellent ears & did her mixing live with headphones. Bear was recording while also running sound, so his recordings can suffer from his primary job coming first and taping coming second, though he still made outstanding tapes. The Dead were the first or at least among the very first bands to use a 16 track recorder in the studio, much less for a live recording, so Fillmore West 69 is an aberration for the time, and we have what we have of that run because they specifically set out to record Live Dead and wanted to do it with the best possible fidelity, hence the 16 track. The use of multitrack allows for each member to have their own channel essentially, so that in mixing, if Bob is playing quietly on St Stephen, it can be boosted a bit, or if Pig's organ is a bit loud, it can be attenuated, and the instruments can be panned so that they don't occupy the same space and muddy the mix. The 2 tracks were made for listening the next day, with no real thought that one day 43 years later it might be released
September 12, 2015 - 1:29pm

#4648

drshakedown74

Joined:
August 9, 2011

Listening party 74

Not sure why not here, but there is the UJB from Dijon 74 on Jambase Why is this website so "old" when the Dead family is based in Silicon Valley , home of a million tech savvy deadheads that would build a killer site for fun and free? Weird
September 12, 2015 - 1:07pm

#4649

boblopes

Joined:
January 13, 2009

Wall of Sound in Europe in 1974???

Wow - I can't imagine taking WOS there and needing all the different power converters for just 7 shows. That would've cost big bucks... Couldn't find anything in deadbase or archive, but found this from archive: "Featuring what has to be considered among the very best first sets ever performed by the band, Dijon is clearly THE show of the tour. It's a brilliant performance, among the very best shows of 1974. Several songs are candidates for best ever renditions; most notably the extraordinarily jammed out show opener of Uncle Johns Band and the terrific stand-alone Scarlet Begonias. Playin' in the Band is also exceptionally well played. The solid second set includes a dynamite performance of Eyes of the World and a unique jam suite featuring the first Caution Jam performed since early 1969. This performance is the creme de la creme of the tour! (99 pts) " That sounds awesome...
September 12, 2015 - 12:01pm

#4650

One Man

Joined:
May 17, 2011

Spring 1990

They could have used the multi-tracks for the first Spring '90 box but shamefully cheaped out on us and did not. They went the extra mile on Spring '90 TOO, probably thinking it would help sales. That didn't work out, as the first box sold out quickly and the second hasn't yet. There is a big difference in sound quality between the two. I sold the bad one after spinning it once. The 30 Trips box is mostly 2-track, because shows were usually taped in multi-track only if they were being considered for release. So the vast majority of the vault is 2-track tapes. Some of them sound surprisingly good, but I can't think of one that holds a candle to the best of the multi-track mixes.

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

To 30 Trips.. and Beyond....

Alright, I admit it.. this was the right box concept for 2015 and the 50th anniversary. I really do feel compassion for the people that were priced out.. but its a cool idea and likely the right concept. But going into the announcement, I was really digging all the hype and speculation. A Pig Box (hog fest), one show for each year, Fall '73, etc. I was holding out hope for '73 myself. With all the recent talk of '73 and '74, definitive versions of Eyes of the World, a pop-up Wall of Sound Box, complete w/ a WOS Fathead, people building home WOS lego's.. I am already looking forward to 2016. (its also going to take me that long to give Boxzilla a worthy listen). Today in GD History on SiriusXM radio, they played the better part of the second set from 6/24/73. The Dark Star>Eyes>China Doll was sublime, especially the pre-verse jamming on DS. What a great show, and on the heels of UCSB, PNE Coliseum and RFK no less. It re-invigorated the hype center in my brain for a 'classic' box set. So here are some concept ideas that would send my hype center into overdrive. Similar ideas are welcome - if nothing else, it gives us all something to check out while waiting until September. I got on a nice '69 Ark tangent the last time this subject came up. - '72 Berkeley Community Theatre (4 show run). - '72 Fox Theatre, St. Louis (4 show run). - Summer '73 (many options here). - Fall '73 (again, many options, note: Dantian gets my vote as the goodwill ambassador for 12/18/73 if/when it gets released). - WOS Popup/foldout Box (many options). - Ark '69 (3 show run). - '72 Blue Ray/DVD (4/17 and Beat Club). - WBOTB Box. Sorry for focusing on the older years, didn't mean to offend any '80's folks. I'm a big fan of the era.

JimInMD Portland 6.24.73

I heard this AM also. That Eyes of the World was sublime and the sound quality during Eyes was killer. I will go for round 2 tonight on Sirius, but may cut it short at 7.30 for the Copa America quarterfinal match. Those are great box choices,, how about a Bill Graham box that features many of the venues the Dead played Thanks to Bill Graham? Throw in some blotter art fully dosed and I may trade my nephew for it. He is now currently a deadhead in training after my niece showed him the headphones this morning. I am also down with all and every Fillmore East/West show to be released. - a box of tapes by Owsley Stanley - Betty box,, and so on of all the hired help And Release every.. *Mountains of The Moon *Mission In the Rain *If I Had The World To Give *One Kind Favor Any word on 7.14.70 Acoustic/Electric and 7.16.70 ?? some sweet stuff, some sound tweaks. Classic stuff with the Dead, Bear, and a little Janis EDIT: such a sweet tune... How Long Blues - part of the Blues Trifecta How Long Blues Deep Elem Blues Cumberland Blues 1970 x-factor supreme year for the GD

30 Trips

I check In daily to read the news on peoples views etc.. on this box set and i love it. For me yes it's a lot of cash and after having warned my other half of a box release this year of which was a must have without knowing what was around the corner ? her reaction was hesitant......then i told her about 30 Trips and for how much.........and to be granted the purchase was a relief whew! So i understand the hardships of many. But i honestly think i would've got it anyhow, due to the simple awsomness of it. I can't wait until Sept :) logs about the 80's ~ i love it!, love Brent too 'Dear Mr Fantacy' i remember Domings Hills was epic, great show, parking lot was a dust bowl. I love the Grateful Dead! so many roads. JGB too, Squaw Valley, ahh the memories, peace. This Box is a must and looking forward to seeing what it looks like, and also hope they're individually In their own Dave's Pick's format with art work for each.

The look of 30 Trips

I contacted Dave to ask him if we could expect a video of what this puppy is going to look like. This is what they did with Spring '90. After all, he had said it is gorgeous. He told me that he thought we all could expect a video soon. I can't wait! Rock on

Whart Rats in Chicago

Does anyone know if the Wharf Rats will be meeting up for the shows in Chicago? Do they even still exist?

https://archive.org/details/gd1990-06-09.sbd.miller.tetzeli.fix-

You should look for the unfixed version of this Miller seed and avoid any "Tetzelli fixes" as they are known inferior versions of the original recordings he tried to fix. His big fix was to make the 2nd set seamless, something Charlie picked up on and implemented to avoid these unneeded fixes. The problem was Bill didn't know how to use the mastering software he used to make the fixes and due to improper setup of the software, most of his fixes added issues not on the original Miller seeds. Bill just wanted to take credit for other peoples seeds, usually Charlie's early seeds and his GD fixes should be avoided. This has nothing to say about his Tetezelli seeds of his recordings, but his "GD fixes" are not fixes at all they are downgrades , every single one of them.

BOXZILLA PART DEUX!!!

so, while stuck in the quagmire of inventory (thee none-glamorous side of the wine biz, no doubt...) got me to dreamin' up an 'alternative' set of 30 shows, a wishlist of sorts, sure... ALTHOUGH I'M TOTALLY PSYCHED FOR THIS SET, lemme just put that out there, their choices are fantastic (this BadBoy contains thee EPIC 10.1.94!!!) anyway here's the list, have @ it: 12.1.66 10.22.67 1.17.68 8.3.69 11.8.70 4.8.71 10.18.72 2.15.73 5.19.74 3.23.75 (give it to everyone, it's only 1 disc!!!) 6.14.76 (think not in the vault) 5.9.77 (yea, yea, i know... not in the...) 7.7.78 (okay, okay... same as 76/77... a lad can dream...) 11.1.79 (in its entirety) GAINESVILLE, DUH!!! (11.29) 3.10.81 4.19.82 4.26.83 7.13.84 9.15.85 2.14.86 11.13.87 7.2.88 10.19.89 7.19.90 9.26.91 5.21.92 9.22.93 7.31.94 3.18.95 ♤

RE: Boxzilla part deux

I can get behind *any* release that includes 5/19/74 and 3/23/75. I'd lean towards 9/20/70 personally, but you'd have me with the Portland '74.

Just in time

Just in time for my road trip to Santa Clara came the JGB on Broadway series Act 01!Sometimes you get lucky.

Reminder

"Name That Tune" contest starts at 6 PM Pacific time today. Don't be late! (Don't be early, either)

re: Wharf Rats In Chicago

This is from the Wharf Rats forum on this site: http://www.dead.net/forum/wharfrats-meet-here#new look for the yellow balloons. Santa Clara: Where can I find the Wharf Rats at the show? The Wharf Rats will have a table near the Participation Row area, on the main concourse close to the Intel Gate A. Chicago.. Where can I find the Wharf Rats at the show? The Wharf Rats will have a table near the Participation Row area, in the South Courtyard inside the South Gates, near Gate 0.

msg delivered

bolo you got mail

On June 2nd...

When this box set was first announced it was not looking good for me to be able to purchase this stellar collection, due to the landing of a side job painting, I was able to preorder 5 minutes ago, needless to say I'm overjoyed at being able to purchase one BEFORE it sells out, however I do have one concern, why am I being charged $58.80 PA Sales Tax on an item not purchased in PA? I take it WE all had to pay the appropriate sales tax for our respective states of residency all I want to know is why? Now what about an "official" announcement regarding DeadBase 50!!!! A VERY HAPPY WEDNESDAY indeed, DEADLAND!!!!!!

Nexus

When a company has a physical presence in a state, it must collect sales tax (if that state has a sales tax).

what was everybody guess ?

the usual suspects ,, Feel Like A Stranger Hell in a Bucket, Jack Straw, The Music Never Stopped (probably it) lots of choices.. I went with *Truckin'... we will see 4.16.78 going right now, Scarlet Fire for the ages and killer from start to finish. Very juiced up compared to Columbus show a few nights later

My Guess...

FEEL LIKE A STRANGER "Gonna be long, long, crazy, crazy night!" Second guess (if allowed) would be THE MUSIC NEVER STOPPED.

Calling Dr Beechwood, Dr Beechwood, Calling Dr Shot, Dr Shot...

The Music Never Stopped was my guess...

Guess

No love for What's Become of the Baby? Rosemary?? ok Born Cross Eyed is my third and final guess. I do get the feeling just by the way this came up that its not going to be one of the familiar few openers.. better to be whimsical and guess for the pure enjoyment of how much fun it would be if you actually got it right. Edit: ok, I guessed Bertha (redacted), Promised Land (scratch that) Half Step (fuck-it) Back to Rosemary (just kidding). Heavens door? Perhaps Ship of Fools is the most fitting.. but they wouldn't open with that, would they?

Hell in a Bucket 1st song played at Soldier Field by GD

along with the other Bobby tunes TMNS and Feel Like a Stranger would increase chances for either night.. Playing in the Band is my sleeper pick into Crazy Fingers.. And For Sure some point during the 3 nights,, The Weight will be played either as 2nd set opener or encore

Guesses

I was going to go with "Might As Well" but changed my mind because a) it would be weird to have the wrong guy singing, and b) it's really a JGB tune. Then I thought "Money, Money" but that would be too honest. ;-) They did that instrumental "He's Gone" to open the first Alpine Valley reunion show in '02 or so, which was very cool, but I figured they wouldn't pull that out again. "Let The Good Times Roll" is a possibility. "The Music Never Stopped" is also. But I went with "Feel Like A Stranger" which a few others have commented on. Fortunately, I got mine in at 6:00:01 PST, so I will start clearing space on my office wall. :-)

oh yeah...

...a lil birdy told me the Santa Clara soundcheck setlist from today's rehearsal & much like our beloved friend bolo24 about top secret GD releases, i've been sworn to secrecy...was hoping to share it with y'all... but the consequences could contain cataclysmic catastrophicness... definitely some surprises, for sure... ♤

and beyond...

Just to chime in on Jim's earlier topic about box releases beyond 30 Trips, I really hope they give our wallets (a bit of) a break next year and go back to a three to five show box like the Winterland and Spring 77 boxes. Fall '73 is always at the top of my wish list but I really like Luis' idea from a few weeks back--a May '74 box. I suppose it wasn't really representative for the 50th but it's a great idea and Dave has said 5-19 will be probably be released at some point.

HCS

I was a bit late getting mine in, so I went with a wildcard: Here Comes Sunshine.

Re: and beyond

..I love Luis like the half brother I never met (but reserve the right when I go to Spain next year).. but I'm with you man, with one caveat. If its a '74 box, even a mini-box.. mhammond should design the box or at least get the street cred. The pop-up, fold out, open the box and the Wall of Sound pops up in 3-d Box is an off the top, out of the box idea, and I'm all in. So what if it barely breaks even. and I'm with you on the small box for 2016.. and beyond. These box sets are pushing back my retirement date (not that I'm complaining). ..and this old man is getting old. ..Luis.. are you out there? Edit: claney. Great guess.

my guess

I was late sending my guess also so went with Sugar Magnolia in the hopes they might open with that and close the show (or set or run) with SSDD. Like the Bill Graham shows in '91.

Am I Too Late?

The Barbed Wire Whipping Party https://www.youtube.com/watch?v=xvPdI0USSPk

Show opener Sat. 6/27

The Golden Road (To Unlimited Devotion)

My guess:

Victim or the Crime - to show they really mean business!

Quadruple opener guess, I'm psyched!

He Was A Friend Of Mine >Money Money > Shit Happens > They Love Each Other

Opener

Too easy - NFA

How could I be wrong?

At 6pm Pacific Standard Time, I guessed Playing in the Band. Just could not see it any other way. Sam T

potential openers

Hell in a Bucket > Shakedown Hell in a Bucket > Sugaree The Music Never Stopped -- i think this one is good for Trey Feel Like a Stranger Truckin' > Smokestack Lightning , this was my pick. Viola Lee Blues Dancin in the Streets EDIT: SAMTHARDMAN ,, i think you have excellent chances with PITB,, going into Crazy Fingers or UJB

yesterdaze topic 6.24.73

I too heard David L play the big jam on sirius xm on wednesday. One saving grace of the beautiful box i cant afford is that it does not include 2.15.73 or 6.24.73 so we still gotta shot. (Though the '74 Dijon UJB is worth at least $150). Every SBD of the Portland show that I've heard has a little cut in Eyes and a nasty one in the KYRider from set 1. I wonder if that's what has kept it from official release. Has anybody heard a board tape that doesn't have those jarring remnants of reality?

Score!!!

I just nabbed the 1973 Winterland box set on Ebay for $52.00 (shipping included)!! I'd say that's a pretty sweet deal.

KYTrips , that is a supaaaa score

great find, was that the final bid or a buy it now ?? the W73 bonus disc alone went for about $130 in a recent auction,, if somebody bought extras of a few binus discs then it would easily pay a hefty portion of the 30 Trips box if the right buyer is located.

Score

It was a Buy It Now for $49.99 + $2.00 shipping. It's in great shape, but it doesn't include the bonus disc. But I still consider it to be a solid score.

Re: Score

Score is right.. Winterland '73 is essential.

TheeAmazingAce333 ,, killer list ,, BOXZILLA PART DEUX!!!

I heard Dave joke around a few days ago on Sirius they already have ideas for the 60th anniversary kkkkkkk

heck yea,, that is a sweet deal

i would have pounced on that deal. even though i own 2 already EDIT: Winterland 1973 almost got me arrested a few years ago when I bought it.. I was jammin out and maybe light up a few extra doobies because it was so good and I guess a neighbor called the police on me.. ahhaaha

6/27 opening song contest update

So far, 53 entries, 23 different songs. 15 people entered right at 6:00 PM (9 different songs). The order in which the entries appear in my inbox determines who was first, second, etc. The winner may still be out there if the guys open with something really unexpected. Only 2 days 'til showtime - cheers!

thanks for the update bolo24

what was your guess ?

FTW Box Sets

Audio/video sets for pre-order. For those of you hoping for that,there ya go!:-)

I disqualified myself from guessing

But, if I had my way, they'd open with a rip-roaring, up-tempo St. Stephen/The Eleven for about 17 minutes, then take a couple minute break to allow folks to pick their faces up off the floor.

Opening song(s)?

Jack Straw> Shakedown Street or vice versa!

Opener will be...

... Day Job. Keep your day job So you can pay For all the releases Comin' your way

good call bolo24,

if i had my way, they would open with that also, and then... The Weight ; China > Rider > Playin > Supplication > Playin > UJB > Unbroken Chain : Masons Children > Cumberland Blues ; Casey Jones , ending the 1st set Close the show with a double encore, "Black Muddy River" Bruce Hornsby on vocals. "Liberty" as the 2nd encore. I saw these Other Ones shows a while back, but no rip-roaring St. Stephen/Eleven. == 7/12/1998 Polaris Amphitheatre Truckin > The Other One > Mystery Train, Loose Lucy, Loser, Bruce solo > Blackbird, Black Muddy River, Friend of the Devil, White-Wheeled Limousine, Estimated Prophet > Only the Strange Remain* > Samson and Delilah* > Drumz/Space > The Other One, China Doll > China Cat Sunflower > I Know You Rider *-with Jorma Kaukonen (Guitar/Vocals) (Furthur Festival; Hot Tuna and Rusted Root opened) == 8/31/2000 Schottenstein Center Jam > Hell in a Bucket, Ramble On Rose, Scarlet Begonias > Fire on the Mountain, GDTRFB, K.C. Moan@bw/mk/sk/aj/bh, Friend of the Devil@bw/mk/sk/aj/bh, The Way It Is > Franklin's Tower > Drumz/Jam > China Cat Sunflower > GDTRFB > I Know You Rider, Not Fade Away E: The Weight (Furthur 2000; Ziggy Marley and the Melody Makers opened) == 8/6/2003 Germain Amphitheatre I: Uncle John's Band > Hell in a Bucket > Only the Strange Remain > Big Boss Man*, Subterranean Homesick Blues*, You Win Again*, Dancing in the Streets > Cumberland Blues, Loose Lucy II: A Little Piece for You@ > Jam@ > Me and Bobby McGee@ > Jam > Night of 1000 Stars > Even So > Golden Road to Unlimited Devotion > Drums > Space > China Doll > Uncle John's Band (reprise) > Box of Rain E: Liberty *-with Bob Dylan (Keys/Vocals) (Bob Dylan opened)

Promised Land will be Opener

Promised Land - no doubt

Brokedown Palace

I'm thinking this will be the run ender on the 5th. Final song

Today's listening habit:

Since there's no 1974 Grateful Dead today, I thought I'd listen to a thing of the normal variety - save a couple at the end: Original Dixieland Jazz Band 6/25/18 King Oliver 6/25/23 Early Ellington 6/25/28 Roy Eldridge "Little Jazz" 6/25/35 Modern Jazz Quartet "Django" 6/25/53 Clifford Brown "The Beginning of the End" 6/25/56 Thelonious Monk "Monk's Music" 6/25/57 Dave Brubeck "Time Out" 6/25/59 Tina Brooks "True Blue" 6/25/60 Bill Evans "Village Vanguard" 6/25/61 Wes Montgomery "Full House" 6/25/62 Andrew Hill "Andrew!" 6/25/64 Lee Morgan "The Gigolo" 6/25/65 Wynton Kelly "Blues On Purpose" 6/25/65 Led zeppelin "How the West Was Won" 6/25/72 Grateful Dead Eugene 6/25/78 Todo Bien.

My guess

Jam>Playing In The Band

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