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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • wurm79
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    RE Watchya gonna listen to first?
    Dig the post born cross-eyed. Here's the shows I'm probably going to dive into first. 1) 10/21/83 Worcester, MA - This show is appealing to me since it's a Brent Bday show, and I've never heard this show yet as well. It sounds like it could be a hot one, since it follows the Fall 83' Hartford run. 2) 6/24/85 Cincinnati, OH - Another mid-80's show that I haven't touched base with yet. Should be good since it's June 85' show. 3) 9/18/74 Dijon, France - Wall Of Sound.. I'm ready for some Phil bombs!! 4) 11/28/80 Lakeland, FL - Big fan of anything Fall 80'. This is the only November 80 show that I haven't heard yet.. Looks really good. 5) 3/18/71 St. Louis, MO - Really hot 71 show. It'll be nice to hear a official remastered version of this..
  • bohlint
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    Re: Sound quality
    Alvarhanso, thank you for your response. Would you or anyone out there mind explaining what determines if a show is mixed from a 2 track, 16 track, 24 track, ect. If 16 track was available for shows as far back as 69 shouldn't it be available for at least some of the other releases of lesser sound quality? For example, why was a 2 track mixed used for Spring 90 1, and a 24 track mix used for Spring 90 2 (The Other One Too) when all the shows were from the same tour. It seems like the 24 track mix should have been available for both boxes. And for the DaP's and RT's were 16 track mixes not available for some reason or did they opt not to use that method? Thanks again just trying to get a good grasp of this process!
  • SPACEBROTHER
    Joined:
    Resale
    Wishing for others misfortune? No. Expressing something about how it would make perfect sense to wait to have product in hand before committing to a resale by a specific date, only to have delays and before a proper inspection of the product to assure quality is the point I made. If I were a buyer who already paid money for a product in a second hand market, expecting it to arrive by a certain time, and expecting it to be exactly as described is what I would hope a seller would take into consideration. I would find late shipping and potential inferior product far more disturbing as a buyer than some friendly advice to potential sellers. Oh well. Some lessons are learned through trials and tribulations, and some salivate at creating imaginary conflict.
  • unkle sam
    Joined:
    The Wait
    Some great comments on this board about the postponement of shipping. Could be somebody dropped the ball, created a logjam, slacked off or procrastinated, and now we have this holding pattern of doubt and anger. It's a bit funny, the veracity of this setback creates a lot of downtime for some who were anticipating spending some quality time with the sounds. It could have been worse, could have been discontinued, or a filibuster could have been used to stop the release, or put into a permanent suspension, stalled in a endless holding pattern or lost in a long cooling off period. The setback has put to test the resolve of deadheads and this cunctation will pass. The sales pitch was "don't delay" order yours now, get it before it's too late, due to ship...the lag is hard to handle, but we will survive this jam. Others commented that they would cancel their order, or that the ship date is after the date that you can dispute a charge on your credit card. Others are afraid that the sound will suck, that it will be sloppy productions and bad or less than stellar mastering. Relax, why worry, it will all be ok, I worried once so much I was worrying why I wasn't worrying anymore. Anyone out there remember the Europe '72 box? I had 10 bad discs in that one, with several ripped cd cases made of cardboard, it took over a year, but it was all settled and all was replaced or refunded. I don't think dead-net or rhino is out to rip us off and the delay is better than the alternative - a sub par product that we all will complain about, or worse yet, return for a full refund. Could you imagine all these boxes coming back to rhino for a refund, that could be funny, as long as you didn't work there and have to deal with it. By and By, we will survive.
  • alvarhanso
    Joined:
    sound quality
    Spring '90 TOO and Europe '72 have the best sound quality, because they are from multitrack masters. The first Spring '90 set was mixed from a 2 track mix, the second was culled from a new mix of the 24 track masters. Europe '72 was remixed from the 16 track masters (as was Fillmore West '69), so Spring '90 TOO, Europe '72, and FW '69 ought to sound the best. Dave's Picks and Road Trips as well as Dick's Picks are from 2 track masters, so there are definite limitations in how much Jeffrey Norman can change the mix, such as to lower Donna, or bring up Bob. By using individual tracks, he can give you the feeling of being onstage as with Spring '90 TOO, or inside the Fillmore. 10/26/89 is one of the shows in 30 Trips that comes from a multitrack master, I think it was on a 16 track. Some people complain about the sound on the Formerly the Warlocks box, which also came from a 16 track source. I think it sounds good, but not great. I think the 30 Trips set will have a range of sound quality, and would expect 10/26/89 to be the best sounding. Hopefully they used multitrack masters on other later shows as well. As to rushing, I think they gave Mr. Norman a breather with the last Dave's Picks and chose one that had already been readied for release as Dave said the May '77 box was almost an April '78 mini-box of 4/21-24/78. I would think, they put the time and effort into getting the sound quality to be as high as they could. And I'll be listening in order from '66 to '95, so I can hear the evolution of the band's sound in an easy to discern and digest manner.
  • Born Cross Eye…
    Joined:
    Watchya gonna listen to first?
    When reviewing the list of shows that are included in this release as they were revealed in June, a few shows came to mind that I wanted to hear first.1. 11/10/67 I had a bootleg CD sometime ago and it seemed to have a muddy sound, but great performance. I hope the official release cleans up the sound. 2. 10/27/79 I still have a sbd cd-rs of this show, I hope this official release improves the sound, also it's my birthday. 3. 10/27/90 I only streamed this show via Sennheiser HD480 headphones. again it's a b'day show! 4. 10/01/94 Sometimes ya just gotta get into 1994. 5. 02/21/95 sure beats those Chicago shows in July (of '95), in my opinion. 6. the 1968 thru 1977 shows - my favorites. Later on, I decided to play everything in order of year, similar to I have done with Europe 72 for the last five years.
  • lgreen
    Joined:
    Sound Quality
    I hope I am wrong but I fear the mastering has been very rushed indeed... if you go back and play the 'listening parties' on this site [as well as other sites like uncut] you will hear tracks - especially the 80s which are significantly below what we have grown used to with DPicks - obviously most of this is because the 80s soundboards are either cassette masters or very early digital tapes but the work done on DaveP 8 and DickP 32 show with time and care in the mixing you can overcome a lot of the drawbacks. None of the samples offered so far for 79 to 88 suggest this work has been done... even the 89 sample [from a multi-track] sounds 'unmixed' in that Brent's voice and keyboard dominate in a way that they addressed in Spring 90 1&2 I really do hope that I am wrong but I fear this will be a very expensive lost opportunity and I say this having ordered my set on the first date and acknowledging I am still very excited in anticipation... Perhaps we should have all gone for the USB as the high-res files for Spring 90 1 sound stunning through even a mid level portable player
  • Ziffle
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    RE: Packaging is a big part
    If you copy the USB to a hard drive, transcoding to Apple Lossless at 44.1/16 bits, put the whole lot in iTunes. You can burn the CD's from iTunes easily. But they will NOT be HDCD encoded! Just ordinary CD quality if you want something better than the 320 mp3's included for listening in the car. On a Mac this can be accomplished easily as a batch operation using freeware XLD by setting the following preferences in XLD: In the "General" preference, set output format to Apple Lossless, click the option button, and set "Sample Rate" to 44.1, and "Bit Depth" to 16. Below that is "Output Directory" click the "Specify" button, and then click "Set" to tell the app where to put the files. In the "Batch" preference, make sure that "Preserve directory structures" IS selected, and make sure that "Delete original files" is NOT selected. Then close the preference, and use the usual File menu "Open" and select all of the folders (or however they deliver the USB version) of FLAC files, and go have a cup of coffee and cut the lawn (if you have one) or whatever. It will take as long as an hour, depending on how fast your processor is. This is very easy and XLD is a great reliable application. Then, burn away at will. I'm sure that there is equivalent and easy to use Windows software that will accomplish the task, but I don't know anything about that. Maybe someone else can provide a Windows explanation.
  • bohlint
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    Joined:
    Sound Quality?
    Happy Saturday Deadland. I have a question regarding the sound quality of this release. Please keep in mind that I am not very well versed in the technology of recording. In my opinion from listening to the releases over the years The Other One is easily the best dead mix I have heard. I revisit those CD’s often and love them. The Europe 72 releases also sound great to my ear as well. I believe I can hear a big difference between these and the Dave’s Picks and Road Trip series. Is there any way of knowing what to expect with the CD’s in this release. Mixing is one of the most time consuming and costly parts of a release, right? Is there concern that they may have rushed this or was it done right? Thanks in advance!
  • JimInMD
    Joined:
    Re: Credit Card Dispute
    I think it depends on the card.. but I had an issue a few years back that went back much more than 30 days and AmEx investigated the matter and refunded me 100%. ..but I'm still holding out hope that this will be a decent release. There are several shows in this offering that have my attention, some old, plus Cape Code, Augusta and MSG. I think I am somewhere in the middle of BrianHahne and OneMan in listening habits. For E72, Brian (must have) started with a few dozen pots of coffee and didn't sleep until he listened to the whole box. One Man must be close to finishing his first listen now, but needs to review and re-write some of his notes as the Staples near his home has run out of paper (again). (kidding folks). I expect it to take me on the heavy side of six months to get through this monstrosity. ..and I doubt if I really hit too much other stuff so I am getting in my diversity now. Doc Watson yesterday, Summertime, when the livin's easy. Man that guy can pick.. super clean. Good Luck FH2 and everyone else.
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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Alright, I admit it.. this was the right box concept for 2015 and the 50th anniversary. I really do feel compassion for the people that were priced out.. but its a cool idea and likely the right concept. But going into the announcement, I was really digging all the hype and speculation. A Pig Box (hog fest), one show for each year, Fall '73, etc. I was holding out hope for '73 myself. With all the recent talk of '73 and '74, definitive versions of Eyes of the World, a pop-up Wall of Sound Box, complete w/ a WOS Fathead, people building home WOS lego's.. I am already looking forward to 2016. (its also going to take me that long to give Boxzilla a worthy listen). Today in GD History on SiriusXM radio, they played the better part of the second set from 6/24/73. The Dark Star>Eyes>China Doll was sublime, especially the pre-verse jamming on DS. What a great show, and on the heels of UCSB, PNE Coliseum and RFK no less. It re-invigorated the hype center in my brain for a 'classic' box set. So here are some concept ideas that would send my hype center into overdrive. Similar ideas are welcome - if nothing else, it gives us all something to check out while waiting until September. I got on a nice '69 Ark tangent the last time this subject came up. - '72 Berkeley Community Theatre (4 show run). - '72 Fox Theatre, St. Louis (4 show run). - Summer '73 (many options here). - Fall '73 (again, many options, note: Dantian gets my vote as the goodwill ambassador for 12/18/73 if/when it gets released). - WOS Popup/foldout Box (many options). - Ark '69 (3 show run). - '72 Blue Ray/DVD (4/17 and Beat Club). - WBOTB Box. Sorry for focusing on the older years, didn't mean to offend any '80's folks. I'm a big fan of the era.
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I heard this AM also. That Eyes of the World was sublime and the sound quality during Eyes was killer. I will go for round 2 tonight on Sirius, but may cut it short at 7.30 for the Copa America quarterfinal match. Those are great box choices,, how about a Bill Graham box that features many of the venues the Dead played Thanks to Bill Graham? Throw in some blotter art fully dosed and I may trade my nephew for it. He is now currently a deadhead in training after my niece showed him the headphones this morning. I am also down with all and every Fillmore East/West show to be released. - a box of tapes by Owsley Stanley - Betty box,, and so on of all the hired help And Release every.. *Mountains of The Moon *Mission In the Rain *If I Had The World To Give *One Kind Favor Any word on 7.14.70 Acoustic/Electric and 7.16.70 ?? some sweet stuff, some sound tweaks. Classic stuff with the Dead, Bear, and a little Janis EDIT: such a sweet tune... How Long Blues - part of the Blues Trifecta How Long Blues Deep Elem Blues Cumberland Blues 1970 x-factor supreme year for the GD
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I check In daily to read the news on peoples views etc.. on this box set and i love it. For me yes it's a lot of cash and after having warned my other half of a box release this year of which was a must have without knowing what was around the corner ? her reaction was hesitant......then i told her about 30 Trips and for how much.........and to be granted the purchase was a relief whew! So i understand the hardships of many. But i honestly think i would've got it anyhow, due to the simple awsomness of it. I can't wait until Sept :) logs about the 80's ~ i love it!, love Brent too 'Dear Mr Fantacy' i remember Domings Hills was epic, great show, parking lot was a dust bowl. I love the Grateful Dead! so many roads. JGB too, Squaw Valley, ahh the memories, peace. This Box is a must and looking forward to seeing what it looks like, and also hope they're individually In their own Dave's Pick's format with art work for each.
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I contacted Dave to ask him if we could expect a video of what this puppy is going to look like. This is what they did with Spring '90. After all, he had said it is gorgeous. He told me that he thought we all could expect a video soon. I can't wait! Rock on
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Does anyone know if the Wharf Rats will be meeting up for the shows in Chicago? Do they even still exist?
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You should look for the unfixed version of this Miller seed and avoid any "Tetzelli fixes" as they are known inferior versions of the original recordings he tried to fix. His big fix was to make the 2nd set seamless, something Charlie picked up on and implemented to avoid these unneeded fixes. The problem was Bill didn't know how to use the mastering software he used to make the fixes and due to improper setup of the software, most of his fixes added issues not on the original Miller seeds. Bill just wanted to take credit for other peoples seeds, usually Charlie's early seeds and his GD fixes should be avoided. This has nothing to say about his Tetezelli seeds of his recordings, but his "GD fixes" are not fixes at all they are downgrades , every single one of them.
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so, while stuck in the quagmire of inventory (thee none-glamorous side of the wine biz, no doubt...) got me to dreamin' up an 'alternative' set of 30 shows, a wishlist of sorts, sure... ALTHOUGH I'M TOTALLY PSYCHED FOR THIS SET, lemme just put that out there, their choices are fantastic (this BadBoy contains thee EPIC 10.1.94!!!) anyway here's the list, have @ it: 12.1.66 10.22.67 1.17.68 8.3.69 11.8.70 4.8.71 10.18.72 2.15.73 5.19.74 3.23.75 (give it to everyone, it's only 1 disc!!!) 6.14.76 (think not in the vault) 5.9.77 (yea, yea, i know... not in the...) 7.7.78 (okay, okay... same as 76/77... a lad can dream...) 11.1.79 (in its entirety) GAINESVILLE, DUH!!! (11.29) 3.10.81 4.19.82 4.26.83 7.13.84 9.15.85 2.14.86 11.13.87 7.2.88 10.19.89 7.19.90 9.26.91 5.21.92 9.22.93 7.31.94 3.18.95 ♤
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I can get behind *any* release that includes 5/19/74 and 3/23/75. I'd lean towards 9/20/70 personally, but you'd have me with the Portland '74.
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11 years 10 months
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Just in time for my road trip to Santa Clara came the JGB on Broadway series Act 01!Sometimes you get lucky.
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14 years 10 months
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"Name That Tune" contest starts at 6 PM Pacific time today. Don't be late! (Don't be early, either)
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This is from the Wharf Rats forum on this site: http://www.dead.net/forum/wharfrats-meet-here#new look for the yellow balloons. Santa Clara: Where can I find the Wharf Rats at the show? The Wharf Rats will have a table near the Participation Row area, on the main concourse close to the Intel Gate A. Chicago.. Where can I find the Wharf Rats at the show? The Wharf Rats will have a table near the Participation Row area, in the South Courtyard inside the South Gates, near Gate 0.
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When this box set was first announced it was not looking good for me to be able to purchase this stellar collection, due to the landing of a side job painting, I was able to preorder 5 minutes ago, needless to say I'm overjoyed at being able to purchase one BEFORE it sells out, however I do have one concern, why am I being charged $58.80 PA Sales Tax on an item not purchased in PA? I take it WE all had to pay the appropriate sales tax for our respective states of residency all I want to know is why? Now what about an "official" announcement regarding DeadBase 50!!!! A VERY HAPPY WEDNESDAY indeed, DEADLAND!!!!!!
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11 years 11 months
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When a company has a physical presence in a state, it must collect sales tax (if that state has a sales tax).
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the usual suspects ,, Feel Like A Stranger Hell in a Bucket, Jack Straw, The Music Never Stopped (probably it) lots of choices.. I went with *Truckin'... we will see 4.16.78 going right now, Scarlet Fire for the ages and killer from start to finish. Very juiced up compared to Columbus show a few nights later
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12 years 3 months
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FEEL LIKE A STRANGER "Gonna be long, long, crazy, crazy night!" Second guess (if allowed) would be THE MUSIC NEVER STOPPED.
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13 years 3 months
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No love for What's Become of the Baby? Rosemary?? ok Born Cross Eyed is my third and final guess. I do get the feeling just by the way this came up that its not going to be one of the familiar few openers.. better to be whimsical and guess for the pure enjoyment of how much fun it would be if you actually got it right. Edit: ok, I guessed Bertha (redacted), Promised Land (scratch that) Half Step (fuck-it) Back to Rosemary (just kidding). Heavens door? Perhaps Ship of Fools is the most fitting.. but they wouldn't open with that, would they?
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along with the other Bobby tunes TMNS and Feel Like a Stranger would increase chances for either night.. Playing in the Band is my sleeper pick into Crazy Fingers.. And For Sure some point during the 3 nights,, The Weight will be played either as 2nd set opener or encore
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I was going to go with "Might As Well" but changed my mind because a) it would be weird to have the wrong guy singing, and b) it's really a JGB tune. Then I thought "Money, Money" but that would be too honest. ;-) They did that instrumental "He's Gone" to open the first Alpine Valley reunion show in '02 or so, which was very cool, but I figured they wouldn't pull that out again. "Let The Good Times Roll" is a possibility. "The Music Never Stopped" is also. But I went with "Feel Like A Stranger" which a few others have commented on. Fortunately, I got mine in at 6:00:01 PST, so I will start clearing space on my office wall. :-)
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...a lil birdy told me the Santa Clara soundcheck setlist from today's rehearsal & much like our beloved friend bolo24 about top secret GD releases, i've been sworn to secrecy...was hoping to share it with y'all... but the consequences could contain cataclysmic catastrophicness... definitely some surprises, for sure... ♤
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Just to chime in on Jim's earlier topic about box releases beyond 30 Trips, I really hope they give our wallets (a bit of) a break next year and go back to a three to five show box like the Winterland and Spring 77 boxes. Fall '73 is always at the top of my wish list but I really like Luis' idea from a few weeks back--a May '74 box. I suppose it wasn't really representative for the 50th but it's a great idea and Dave has said 5-19 will be probably be released at some point.
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I was a bit late getting mine in, so I went with a wildcard: Here Comes Sunshine.
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..I love Luis like the half brother I never met (but reserve the right when I go to Spain next year).. but I'm with you man, with one caveat. If its a '74 box, even a mini-box.. mhammond should design the box or at least get the street cred. The pop-up, fold out, open the box and the Wall of Sound pops up in 3-d Box is an off the top, out of the box idea, and I'm all in. So what if it barely breaks even. and I'm with you on the small box for 2016.. and beyond. These box sets are pushing back my retirement date (not that I'm complaining). ..and this old man is getting old. ..Luis.. are you out there? Edit: claney. Great guess.
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I was late sending my guess also so went with Sugar Magnolia in the hopes they might open with that and close the show (or set or run) with SSDD. Like the Bill Graham shows in '91.
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17 years 3 months
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Victim or the Crime - to show they really mean business!
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10 years
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Too easy - NFA
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At 6pm Pacific Standard Time, I guessed Playing in the Band. Just could not see it any other way. Sam T
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Hell in a Bucket > Shakedown Hell in a Bucket > Sugaree The Music Never Stopped -- i think this one is good for Trey Feel Like a Stranger Truckin' > Smokestack Lightning , this was my pick. Viola Lee Blues Dancin in the Streets EDIT: SAMTHARDMAN ,, i think you have excellent chances with PITB,, going into Crazy Fingers or UJB
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I too heard David L play the big jam on sirius xm on wednesday. One saving grace of the beautiful box i cant afford is that it does not include 2.15.73 or 6.24.73 so we still gotta shot. (Though the '74 Dijon UJB is worth at least $150). Every SBD of the Portland show that I've heard has a little cut in Eyes and a nasty one in the KYRider from set 1. I wonder if that's what has kept it from official release. Has anybody heard a board tape that doesn't have those jarring remnants of reality?
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I just nabbed the 1973 Winterland box set on Ebay for $52.00 (shipping included)!! I'd say that's a pretty sweet deal.
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great find, was that the final bid or a buy it now ?? the W73 bonus disc alone went for about $130 in a recent auction,, if somebody bought extras of a few binus discs then it would easily pay a hefty portion of the 30 Trips box if the right buyer is located.
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It was a Buy It Now for $49.99 + $2.00 shipping. It's in great shape, but it doesn't include the bonus disc. But I still consider it to be a solid score.
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Score is right.. Winterland '73 is essential.
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i would have pounced on that deal. even though i own 2 already EDIT: Winterland 1973 almost got me arrested a few years ago when I bought it.. I was jammin out and maybe light up a few extra doobies because it was so good and I guess a neighbor called the police on me.. ahhaaha
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So far, 53 entries, 23 different songs. 15 people entered right at 6:00 PM (9 different songs). The order in which the entries appear in my inbox determines who was first, second, etc. The winner may still be out there if the guys open with something really unexpected. Only 2 days 'til showtime - cheers!
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Audio/video sets for pre-order. For those of you hoping for that,there ya go!:-)
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But, if I had my way, they'd open with a rip-roaring, up-tempo St. Stephen/The Eleven for about 17 minutes, then take a couple minute break to allow folks to pick their faces up off the floor.
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Jack Straw> Shakedown Street or vice versa!
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... Day Job. Keep your day job So you can pay For all the releases Comin' your way
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if i had my way, they would open with that also, and then... The Weight ; China > Rider > Playin > Supplication > Playin > UJB > Unbroken Chain : Masons Children > Cumberland Blues ; Casey Jones , ending the 1st set Close the show with a double encore, "Black Muddy River" Bruce Hornsby on vocals. "Liberty" as the 2nd encore. I saw these Other Ones shows a while back, but no rip-roaring St. Stephen/Eleven. == 7/12/1998 Polaris Amphitheatre Truckin > The Other One > Mystery Train, Loose Lucy, Loser, Bruce solo > Blackbird, Black Muddy River, Friend of the Devil, White-Wheeled Limousine, Estimated Prophet > Only the Strange Remain* > Samson and Delilah* > Drumz/Space > The Other One, China Doll > China Cat Sunflower > I Know You Rider *-with Jorma Kaukonen (Guitar/Vocals) (Furthur Festival; Hot Tuna and Rusted Root opened) == 8/31/2000 Schottenstein Center Jam > Hell in a Bucket, Ramble On Rose, Scarlet Begonias > Fire on the Mountain, GDTRFB, K.C. Moan@bw/mk/sk/aj/bh, Friend of the Devil@bw/mk/sk/aj/bh, The Way It Is > Franklin's Tower > Drumz/Jam > China Cat Sunflower > GDTRFB > I Know You Rider, Not Fade Away E: The Weight (Furthur 2000; Ziggy Marley and the Melody Makers opened) == 8/6/2003 Germain Amphitheatre I: Uncle John's Band > Hell in a Bucket > Only the Strange Remain > Big Boss Man*, Subterranean Homesick Blues*, You Win Again*, Dancing in the Streets > Cumberland Blues, Loose Lucy II: A Little Piece for You@ > Jam@ > Me and Bobby McGee@ > Jam > Night of 1000 Stars > Even So > Golden Road to Unlimited Devotion > Drums > Space > China Doll > Uncle John's Band (reprise) > Box of Rain E: Liberty *-with Bob Dylan (Keys/Vocals) (Bob Dylan opened)
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I'm thinking this will be the run ender on the 5th. Final song
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Since there's no 1974 Grateful Dead today, I thought I'd listen to a thing of the normal variety - save a couple at the end: Original Dixieland Jazz Band 6/25/18 King Oliver 6/25/23 Early Ellington 6/25/28 Roy Eldridge "Little Jazz" 6/25/35 Modern Jazz Quartet "Django" 6/25/53 Clifford Brown "The Beginning of the End" 6/25/56 Thelonious Monk "Monk's Music" 6/25/57 Dave Brubeck "Time Out" 6/25/59 Tina Brooks "True Blue" 6/25/60 Bill Evans "Village Vanguard" 6/25/61 Wes Montgomery "Full House" 6/25/62 Andrew Hill "Andrew!" 6/25/64 Lee Morgan "The Gigolo" 6/25/65 Wynton Kelly "Blues On Purpose" 6/25/65 Led zeppelin "How the West Was Won" 6/25/72 Grateful Dead Eugene 6/25/78 Todo Bien.
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Jam>Playing In The Band
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