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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • lowspark75
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    @Chastason
    Looks like we pretty much got the same box. Yours is 30 editions after mine(0580) exactly and has the same pass/ticket. I have noticed the material on the bottom of my box, which looks like the rings of a tree, is already splitting/tearing in spots. That's a small bummer. Off to work... wish I could call in and Trip out. At least I have '66-'71 on my phone already to listen to while earning my pay.
  • wjonjd
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    @Dead Tanuki
    Sorry, I respectfully disagree. Although the wording was ambiguous on the dead.net site regarding the "memorabilia of the time", I do not think they meant to imply "originals" as they definitely did mean to imply with the released news for the current box. Even on the tickets included in the Hampton box, there is no attempt at all made to hide the fact that these are replicas: they each have WORLDWIDETICKETCRAFT.COM printed plainly on the back, a company that did not even exist until 1999. I'm willing to place a friendly wager on this, if you like :) I'm 99% sure of this, but I take back my left nut risk. Still, 99%. Would you like to wager on this?
  • JeffSmith
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    THE EAGLE HAS LANDED!
    Box #3793 survived “mail innovations” without mishap and has landed safely in the mountains of west Texas. Everything looks just exactly perfect. With extra time to wait and read early reports, I was worried about what I’d find in the shipping box. I couldn’t be more pleased with what was inside (and I’m an artist). The 30 Trips Box was well conceived and has been beautifully executed. I trust those with damaged boxes get their problems corrected promptly. FYI: Red Felt Ticket: Cal Expo 5/27/93 (coincidentally my 50th birthday!) Pass: Charlotte Coliseum 3/22/95 My Grateful Dead Memory: included in the well-made book. BTW: One of the 4 phases of the moon on the top of the box was reported earlier to have “already rubbed off”, but it actually is featureless and represents a New Moon. I know: ENOUGH ALREADY! . . . TO THE MUSIC!
  • wjonjd
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    tickets and passes
    I went online to find original GD tickets from the 80's or 90's mail order variety (as opposed to ticketmaster), looking for one that had excellent photos of front and back. One of the things I found is that on the back there is some writing, it looks like maybe from a stamp, sometimes in pinkish red ink, sometimes in greenish ink, barely visible because it is placed over the regular wording. Using a strong magnifying glass I could make out some of the words, including "international" and "copyright". The tickets included in the new box have this (at least mine does), but the ones in the '90 box do not. Also, because of counterfeiting problems in the late 80's and 90's, I believe you should be able to see something under an ultraviolet light, but I don't have one. I'd bet my left nut these are originals, as they said they were. As far as the passes, yes there obviously are lot less of these, but also a much higher percentage of all those printed for each show would actually be unallocated. Again, I bet that 6,500 out of 9 years of shows is a very small fraction of the number they actually have in the archive in pristine condition.
  • wjonjd
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    @Ziffle
    I completely agree. My ears always adjust to whatever sound quality issues are in the recording, unless it's truly something unlistenable, which none of these even comes close to being. It never affects my enjoyment of the music, because as you said, I am very quickly immersed in the music itself at which point I am no longer even conscious of sound quality issues - I'm back into that musical space letting it take me where it will. But, yes, the switch to the AUD patches can be jarring. Someone mentioned that for the small patches it's not a big deal at all, and I agree. The only patch I remember lasting longer than a few seconds, or even a minute or so, is the 1981 show which has a substantial amount (about 30 minutes) as an AUD patch. I'm still glad they released this show - what are they gonna do, hold it back forever because they don't have the end except as an AUD. I'm fine with it.
  • Ziffle
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    wjonjd sfrank115 rrot Tape hiss is OK for me
    The worst sound quality consensus that I get is 81 (for the aud patch) and 82 (for the hiss) as worst sounding shows. But I don't even hear hiss, my ears adjust. I think because I am old enough that I grew up on LPs that frequently had tape hiss. Actually, the presence of tape hiss is a plus in my opinion. It means that the engineer didn't use processing to suppress the hiss (and, almost inevitably, kill the delicate upper harmonics). I just listen through it and the mind/ear cancels it out, although I can understand it would be more of a blemish for folks that grew up with digital audio. So I'll take 1981 as the "worst" quality recording and start there. Thanks for the comments. I'm enjoying reading all the responses to the various shows and look forward to the day, some day, when they deliver the USB set!
  • dead tanuki
    Joined:
    Tickets and passes
    Here's what it says on dead.net about the Formerly the Warlocks box: "This collector’s set comes packaged in a wooden replica of a cigar box (Virginia being a tobacco state dating back to colonial times), and is filled with all sorts of goodies, from a photo-laden historical essay to various pieces of cool memorabilia from the time." Doesn't specify whether the tickets are replicas or originals. But it does say "various pieces of cool memorabilia from the time." Are we assuming that anything in that cigar box actually dates to 1989, physically? I've never assumed that. I kind of think "original" for the 30 Trips swag means the same thing as "from the time" does for the Warlocks box. It's "original" and "from the time" in the sense of being a faithful reproduction of original stuff that actually survives from the time in question...
  • dead tanuki
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    Tickets and passes
    wjonjd, your math works, certainly. But let's just say it's a miracle that those extra tickets, which would have been considered basically trash at the time, were kept in archival conditions for decades *before being handed over to an archive*. And that doesn't account for the 6500 backstage passes, which would have been printed up in far smaller numbers to begin with, and numbers presumably far closer to what was actually required. And note that the passes in the 30 Trips box are also in mint condition. So I'm still skeptical. You're right that the promo material for the Spring '90 box specifies that the tix and passes are replicas. Then again, since that's promo material meant to convince people to buy the box, it may have had more careful lawyering on the language. Since everybody getting the email about the 30 Trips box had already paid for it, and nobody was expecting the ticket and pass, I could imagine whoever composed the email not being as careful about the wording. Not that I imagine any intention to mislead, just a hastily written email meant to forestall a bunch of Deadheads impatient for news of the box. I want to stress, for whatever GD organization people might be reading, that if these are repros, I'm not complaining! I'm as happy with a reproduction as I would be with an original. I'm listening to 11/10/67 now. Gawd this is good.
  • wjonjd
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    @Deat Tanuki
    Sorry, my post must have come off not as I intended - I do that sometimes. I just meant to point out that I think they meant it when they said they're originals. I'll look for the equivalent materials in the Spring 90 boxes that said those were repros. I do know someone who is a very good friend of one of the original band members for many years. He has told me lots of stories over the years, and even just a good friend would normally get lots, or at least several, tickets to the shows, especially the later year stadium/arena shows. Just think how many were probably allocated to band members, road crew, production staff, venue executives and/or staff, etc. Large numbers of those probably went unused occasionally. The tickets they included are only from a few shows, but I think I saw at least what 10 or 11 different dates there. Let's say that 15 dates were included in all 6500 boxes. That's only 433 (average) per show. You don't think they have in their possession 430 tickets for venues that held over 20,000 (Oakland Coliseum holds over 60,000) ticketable seats? At 4 tickets per person, that's just over 100 people's worth of "extras". That doesn't even include any shows that weren't literally sold out (it looks like there are more tickets for some dates than others), or for which many tickets may have been held out of sale for some reason. 6,500 tickets spread over 9 YEARS of shows (I've seen tickets here range from 1986 thru 1995) is not very many. Edit: I would guess it's a fairly small fraction of the number of original tickets and passes that they have in their possession in the archives.
  • wjonjd
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    ticket stubs
    Here is what is says (I think unchanged since it was originally put up) on the dead.net website about the contents of the Spring 90 TOO box (just a part of it, and my bolding): What's Inside: •144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson •A portfolio with three art prints by Jessica Dessner • Replica ticket stubs and backstage passes for all eight shows. •8 complete shows on 23 discs •3/14/90 Capital Centre, Landover, MD •3/18/90 Civic Center, Hartford, CT •3/21/90 Copps Coliseum, Hamilton, Ontario •3/25/90 Knickerbocker Arena, Albany, NY •3/28/90 Nassau Coliseum, Uniondale, NY ...
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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2/22/69 Dark Star: @ 10:05 ...that moment your toes curl and you realize getting this box, despite the marital risk it poses has a higher payoff than you imagined. The Fillmore West Box from a week later has many such moments - this show really fits right in with that box, not surprisingly. They were just on - no wonder they decided to bust out the 16 track a week later and record a live album I intercepted the UPS guy the garage before he got to the kitchen door - phew! - tragedy narrowly averted. No one knows anything... mwahaha... .
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Mine: 10/3/1976 Detroit, Michigan Scarlet sounds awesome -- can't wait for Wheel > Good Lovin > COMES A TIME > Dancin > NFA > Dancin > Around Eventually will listen consecutively from 66 to 95, but going to jerry pick to start out
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11 years 1 month
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! ...and,no...patience has never been a virtue. The scene from A Christmas Story where the dad is in the basement cursing the hot water heater I think.... that's where I'm at...
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13 years 8 months
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Has anyone been able to give you any info yet? Dead.net? Rhino? UPS?
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14 years 10 months
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PM me i know how to work out wherre your box is
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11 years 1 month
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No e-mail,no UPS tracking,nothing.Like I mentioned before,I got a bogus delivery confirmation from DHL International. I NEVER get shit from DHL. Not to mention I went to pick it up and there was nothin' there. Given the 0% communication & quality control complaints,count me in on the nervous side of the fence.
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13 years 10 months
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Where do you live? If your out of the U.S. I can tell you how to track it.
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11 years 1 month
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A little joke for me but,shit,Alaska even got theirs!;) Just joshin' Alaska. ;)
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13 years 10 months
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Sorry man. U.S. is being delivered by UPS. International is DHL. I'd guess you'd get yours no later than Wed of this week. My order status is still back ordered on dead.net, but it has shipped through DHL. My shipping notice and a friend of mine who lives in the same area says exactly the same thing, yet his is estimated Fri and mine is estimated Mon the 18th.
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fingers crossed.....
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13 years 10 months
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Just so you know, I have not received any shipping info from anyone either. Just happened to read about UK heads getting emails from DHL about extra charges. So I went to the DHL website and ended up finding my shipment and a DHL waybill number. Otherwise I'd still not know anything.
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11 years 1 month
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don't have 3 drinks on an empty stomach regardless of how goo da time you're having or how good you feel at the time. Pause, have something to eat fool.
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though I cut my finger while cutting the chicken helping the wife make dinner (honey, go snd relaz, I'll make dinner she says) OK dear, I'll be on the couch, listening to mucis...
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Only desire is that the cd boxes where a little more robust without the need for the sliding. Oh well first world problems so no complaints! Backstage pass: 06-18-93 Soldier Field which is extraordinarily plain in design for a dead backstage pass, not the prettiest thing to look at but her daddy loves her! Ticket: 10-30-91 Oakland Coliseum Bring on the Dave's Subscriptions for 2016!
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According to Chastason listing a quote from Jeff Tiedrich there is some confusion regarding 'TIFTOO' and 'Caution' but it would seem likely they are from 11/10. 30 Trips time for 'TIFTOO' is 12:12 - Archive has it at 11:22, add some background/crowd noise and it works. The same could be said for 'Caution' - 30 Trips has it at 24:28, Archive lists it as 22:18 add extended musical notes/background noise and it too works. The one mystery is 'New Potato Caboose'. It's not listed on Archive for 11/10 but it is listed for 11/11 at 11:03. 30 Trips lists it as 11:29 so I think it's possible this was taken from the 11/11 show. Also Archive lists 'Feedback' as being played on the 11/10 show but it's not included on the release. However 'Caution' minus 'Feedback was played on 11/11 so who knows? In any case the 11/10/67 show is killer! Listen to this compared to the '66 show and the band's musical growth is nothing less than astounding.
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12 years 10 months
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Can someone tell me how to get a hold of Dr. Rhino or Marye. I'm missing disc 2 from the '75 show
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1891 has landed in Massachusetts. The scene: the doorbell rings in the middle of dinner. I drop my vegan fajita and spill my Anchor Steam while jumping up from the table (no real worries--it was almost empty!). Neither my wife nor my UPS guy are complaining about the GD package, because she bought herself a huge box with a really heavy Dutch bike in it that got delivered at the same time. Perfect. Now the children are in bed, and the box is out: outside cardboard packaging has clearly been tampered with from bottom side. Thankfully all seems to be in order inside: no damage, all CDs & schwag are in place, etc. Red. not blue, interior. Ticket for 27 May 1993 and pass for 24 February 1995. Now if I can only get Peabody and Sherman to lend me that time machine ... Spinning disc 1 of '66, and it goes pretty darn well with the wine I'm having. Awesome sound (to my shredded eardrums via my mid-range set & Beyerdynamic DT 990s), and of course a great performance. I really hope those of you having trouble with this box get it all sorted out soon. I'll see you at Dead & Co.!
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12 years 7 months
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Got my box today in DSM, IA! Listing while I check all the disks for issues. I had issues with the first 90's box with wrong discs so I am checking all the discs closely this time. Sounds amazing so far! My box is blue inside and I got: 3/23/95 Charlotte pass 12/8/94 Oakland ticket All in all great box set so far and even better listening.
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10 years 10 months
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Like DaveStrang said...I Would love to know the best way for contacting Dr. Rhino. Have some major problems with the box. Amy H. at dead.net was great but would like to contact Dr. Rhino myself. Anybody got Dr. Rhino's e-mail address?
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Since I did not get a Miracle Scroll. Which I would have been very happy to get. There are only two ways of getting one now. Keep buying sealed boxes on ebay hoping to get one. A lot of gamble in that play. Or hope someone puts a Miracle Scroll up for auction on ebay in time for the whatever the deadline is to send it in. I would like to see that happen. Can not even imagine how that would turn out. Would be interesting.
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9 years
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Wyoming, I can only laugh with you. How does Alaska receive a box before Seattle? Hell, the damn plane probably stopped here to refuel! Guess I'll pop in DP 30 and listen to it that pedal steel, sigh.
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17 years 3 months
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I agree, that '67 show is a rocker. It's like Phil is channeling Jack Bruce. Part of Alligator from this show sounds like an edit used in the version from Anthem of the Sun.
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12 years 10 months
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People are selling individual shows on ebay and the box is going for 12-1300 dollars!...Holy cow!!!
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11 years 1 month
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The liner notes are interesting though: "Much like 1983, 1984 is often considered one of the lesser years in Grateful Dead History. There were a lot of lesser nights, but there were also some really good ones." -David Lemieux I agree, this 1984 show is a really good one. But couple that statement with the fact that many of the 80's recordings are of lesser quality sound-wise, and we begin to understand why Dave's Picks have been so 70's-centric. Just something to keep in mind.
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http://thegratefuldead.wikia.com/wiki/Anthem_Of_The_Sun Although the chaos of the final product makes it difficult to tell where many of the live excerpts used in the creation of Anthem Of The Sun actually ended up, significant fragments of "Alligator" (e.g. the post-vocals "jam section") known to hail from a show at San Francisco's Carousel Ballroom on 2/14/68. Also the "Alligator" vocal reprise is taken from 11/10/67 at the Shine Exposition Center. Similarly, the skeletal framework of "Caution (Do Not Stop On Tracks)" dates from the Los Angeles Shrine Auditorium show on 11/10/67 and at the Carousel Ballroom on March 31st 1968. Extended excerpts from two shows at Kings Beach Bowl in Lake Tahoe, CA on 2/23-24/68 that provided music for the album (most notably the car horn heard at the end of "Caution (Do Not Stop On Tracks)") were later released on the live archival recording Dick's Picks Volume 22. A further show from this period further reveals portions used for the album such as the verse(s) section of "The Other One" portion of "That's It For The Other One" as well as the first half of the "New Potato Caboose" jam (after the vocals) were used on Anthem Of The Sun, hailing from 3/17/68, was released as the Grateful Dead Download Series Volume 6.
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17 years 3 months
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Hello David, I sent you two PM.
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16 years 11 months
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St. Louie, '71 at the Fabulous Fox Theater. Streamed this one weeks ago and couldn't wait to hear it on the big stereo. It sounds mighty fine. Yeah, Mamma killed a chicken, thought it was a duck, Put him on the table with his feet stickin' up --I'm guessing this about when Dantian cut himself-- Ain't it crazy, ain't it crazy Ain't it crazy one day to keep on rubbin that thing Half way through the '75 show which sounds great as well. I originally planned to listen in chronological order but I'm going by feel now. Up next? Whatever strikes my fancy!
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The wife was pretty impressed even though this purchase was a hard sell with her originally. Hopefully that will bode well for future boxes. My box seems pretty sturdy despite the reports of some others. One of the full moons on the top is already rubbed off but that's small potatoes (as Hyman Roth would say). I'm disappointed with the slip sleeves. We paid $700+...Dave's Picks style digipacks should have been a no brainer. Still, these sleeves seem better than the sandpaper sleeves from the Road Trips series. The book is nice but seems awfully flimsy, like it will come loose from the binding at any time. For that reason I'll look at it sparingly. The two shows I've listened to sound REALLY great, and that's what really matters.
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10 years 11 months
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Well, after going through the rest I now have 2 disks that are very cracked. I have only burned the first show so far so I am definitely going to attempt to burn all of them before I contact customer service in case there happen to be some more bad disks in the lot. Getting replacement disks should be pretty standard I would think. I have not had to get something replaced in the past. Probably much easier to get handled than the folks who have broken box lids and whatnot. Anyone else ever had to get a disk replaced by Rhino?
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11 years 11 months
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Finished sucking in first 15 shows, no problems (nothing obvious anyway). Will need to run thru idtagit and verify all labeling up to snuff. Will do a little editing on the segways between disc so it doesn't repeat a little from last disc when next disc starts.
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10 years 10 months
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I'm enjoying living vicariously through others who have already received their CD Boxes. Sorry to hear all the logistical and shipping damage stories though. I knew there was gonna be a slight delay with the USB version but I'm pretty sure we've moved beyond "slight delay" already and have moved on to "serious delay". I can't be bothered with listening to garbage MP3s being streamed over the InterWebs-- I need the actual, FULL-FLAVOR Audio I paid so dearly for! Where's my $700 USB Lightning Bolt?!?!?
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I don't see where any complete boxes have sold on eBay. Have they? I'll bet the market will bear only a relatively small markup, not 2x face value like most resellers are asking. Rhino seems to have predicted the demand pretty well this time.
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Had one for one of the Dick's Picks series and had one in the May77 boxset. Both times replacements were shipped promptly and without incident. Customer service rep should be able to handle without issue...
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13 years 10 months
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I've seen one set sell for $1100 U.S. Not double but not bad for only just shipped. And there are several more listed at various prices.
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12 years 10 months
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Thanks for the email address - I'm finishing checking the rest of the set before contacting the good Dr.
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Boxilla has crossed the border and is on a DHL truck en route to my house in the Greater Toronto Area. $117 in duties / taxes. Should arrive today. Hmmmmmmmmm... sick day tomorrow to take in the box-y goodness and watch the Jays put down the Rangers??
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13 years 1 month
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The box is a huge disappointment. My 4 year old loves it though. It is not in the same league as the 90's boxes, not even close. Everything is cheap except the tunes on those discs that are shoved in cardboard. No over the top touches what so ever. If your on the fence whether or not to buy this on the second hand market, dont. I try to stay positive with my comments, but this was a huge ball drop on Rhino/Deads part. I am glad my 4 year old gets to hide shit in the secret compartment. PS Doesnt a scroll have something besides paper and a shoelace? Isn't a scroll supposed to be semi-grand? 700 bucks............really. Shame on this production.
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17 years 3 months
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Thanks AMG for providing all the disc metadata for ripping. It would have been one hell of a chore to input all the data manually.
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11 years 1 month
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The book is really nice; not Europe '72 or 1st Spring '90 nice, but it's better than the little paperback we got from Spring '90 TOO. My wooden box arrived intact, seems sturdy, theres no missing panels or peeling artwork. I realize that there are many people who weren't so lucky, and I am sorry for you guys. It seems like it's the nicest box yet if you received an "error-free" set. I like how everything is easy-access (like the Europe trunk and May '77). If you want a show, just open the lid and grab it. If you want to flip through the book, just drop the panel. For the Hamptons, Winterland, and Spring '90 sets, you have to unpack everything if you want a show. That said, I agree that the cardboard cases are a bit flimsy, and would have liked the Spring '90 treatment for those. Given everything, it makes me realize how big a steal 22 multi-tracked Europe '72 show with a hardcover book and a steamer trunk was. $450 for that set. Meanwhile, we've paid $150 for 5 May 77 shows, $200 and $240 for 6 and 8 Spring '90 shows (at least they were multi-tracked), and $700 for 30 shows. Wow. Doing the math, the price per disc: Europe '72: $6.16 Fillmore West 1969: $7.28 (since everyone got the bonus disc!) 30 Trips Around The Sun: $8.75 Spring 1990 (TOO): $10.43 May '77: $10.71 Winterland '73: $11.11 Winterland '77: $11.11 Spring '90: $11.11 Formerly the Warlocks: $11.66
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13 years 11 months
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Got it on Friday, went well with seeing Warren Haynes in concert that night. Thankfully everything seems to be in great shape. I've listened to the first 10 years. My inserts were the pass for Philly 3/17/95 and the ticket for Oakland 12/8/94. My box number from my scroll was 3816. I thought they did a great job with the packaging and keeping it secure. I will keep the CD's and likely put everything else out on ebay in a couple of weeks. If anyone is interested in just the box, vinyl, scroll, book and ticket/pass send me a message. Maybe we can work something out.
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12 years 10 months
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So far quite disappointed with the 1980s shows included here....the 1982 show setlist looked great on paper, but it is just not recorded well. There is a tape hiss throughout, and it sounds boxy. The 10/21/83 show again looked great as far as setlist on paper, but the sound is almost unlistenable....there is a nauseating "kick-drum" sound throughout the whole show. Dave's recording choices here are suspect at best, there are better recorded shows out there from 1982 & 1983, hell RT 4/6/82 & Dicks Picks #6 10/15/83 sound much better than these two shows....the 1981 show here doesn't have half the 2nd set included as a soundboard show...its an echoey distant audience recording. Dave doesn't like the 1980s, this has been obvious with his 15 of 16 choices for DAVE PICKS from 1970 to 1978.....but did he put some of the worse recorded shows form the early 1980s in the box on purpose!?!?
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11 years 1 month
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Wow. Someone complains for 4 years about the lack of 1980s releases. He is warned repeatedly; "the tapes don't sound that great...we're missing pieces...the cassettes aren't as good as reels". He screams conspiracy and bias. He maintains the Archivist hates the 1980s, which makes sense, as Dave must have seen his first show in the 80s, hated it, and never went to another show. He gets 10 shows from his favorite decade. Surprise! Some of the cassettes sound shitty and some shows require large audience patches. The normal, human response would be: "Oh, wow. I feel sheepish. I was so abrasive and rude for years! You know what? I should have listened to you people. Dave wasn't lying; there are some serious problems with 80s shows in the Vault. I'm really sorry for cursing, whining, and denigrating DL2 publicly for the last several years." Instead, this clown claims that Dave purposely searched the Vault for poor shows (for reasons unknown, but certainly vindictive and cruel). You know what you call such a person? Sad, lonely, and a troll.
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13 years 3 months
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I'm pretty sure Dave has a love for the 80's. I've heard him speak about it convincingly and with passion for years on Today in GD history. Besides.. I am not hearing the same complaint for Augusta, Miami and others which are '80's shows. Perhaps it has more to do with the condition of the cassette masters in the vault and problems with getting the re-mix exactly perfect as anything else. They had similar problems with the Dicks Alpine Valley '82 show and the '84 Shakedown on So Many Roads.
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11 years 1 month
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That sounds too reasonable. There MUST be a more diabolical reason. Sound quality issues have plagued every single release from 1981-1986, with the possible exception of DP 13. Either 80s tapes do have subpar sound and Dave is trying to find the best-sounding ones with decent performances, or he's PURPOSELY selecting shitty-sounding shows and leaving the pristine 80s tapes on the shelf. What do you think makes more sense?
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16 years 5 months
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My Minneapolis delivery was Monday 10/12. -#2088 (no miracle) -blue felt -no missing CDs The only thing that wasn't just exactly perfect was the horizontal crack along the entire front of the wood case when I pulled it out of the box. Obviously UPS's doing and not Rhino. Otherwise everything looks great. I plan on listening in order, and got through a chunk of 7/3/66 on the way in to work today.
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17 years 3 months
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on it's way to beautiful BC on Wednesday, but not before I cough up an additional $108. it'll have to wait for the Jays game to finish though. They haven't been this far in the playoffs since Jerry and the boys were still ripping it up.
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