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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • #6011
    4evergr8ful
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    1970 04-15
    Been listening to the winterland 1970 show featured on this box and must say Am Really digging it..having listened to most dead post 77", it's as if I'mHearing the band for The first time again..can anyone else reccomend any really Good early 70s shows, perhaps some that really stand out, say 70 or 71? Would appreciate it thanks
  • #6012
    Vguy72
    Joined:
    Hey keithfan....
    ....glad I could oblige. BTW, do any of you experience a delay in getting pm's? I usually get mine a week after they were sent to me....
  • #6013
    LoveJerry
    Joined:
    Complete Recordings - Great Prices
    I got a copy of Dick's Picks 30 at a great price after someone here mentioned seeing them online, so I thought I would return the favor to people who may be in need. Here are three great prices on box sets. Winterland June 1977: Complete Recordings $299. All others are in the $600 range. http://www.ebay.com/itm/Grateful-Dead-Winterland-June-1977-HDCD-Box-Set… Europe 72 with trunk $377 http://www.ebay.com/itm/Grateful-Dead-Europe-72-complete-recordings-non… Winterland 1973 Complete Recordings $120 http://www.ebay.com/itm/Grateful-Dead-Winterland-1973-Complete-Recordin…
  • #6014
    kilauea
    Joined:
    Stoked about 30 Trips
    I'm stoked to get my ears around 30 Trips Around The Sun. Love the idea of a show per year. I usually reside somewhere between 1968-78 with 72-74 as my favorite period. I love the improvisational monster jams focused around The Other One, Dark Star, Playin', Eyes, Weather Report not to mention the primal Live Dead jams. Love a good Scarlet-Fire and the Blues For Allah material live is always a hoot. That being said my 80's-90's ventures are usually 80-81' and 89'. I have The Warlocks and love it but skipped out on Spring 90' boxes... but figure I'll get to those soon enough. So I'm looking forward to diving into these 80'-90's shows in 30 Trips, and heck, maybe I'll see what I've been missing. I'm particularly pumped about 67' Shrine, 68' Greek, 69' Dream Bowl, 72' Waterbury, and 73' San Diego among others. I mean what other band releases so much great quality sounding live music for there fans? The quality of the Grateful Dead live archival releases over the past 20 years is completely unparalleled. Perhaps only the box sets and live releases of Miles Davis even comes close and that's fairly distant at best. If Pink Floyd released only a smidgeon of quality live shows from the 70's I'd be super stoked but so far just the Wembley 74' stuff. Frank Zappa releases quite a lot of live material when he was alive and the vault releases have been great but no one compares to the Dead releases. And I'm grateful for it. It's like Christmas every few months when a Dave's Picks arrives or Road Trips before that. Europe 72' is my favorite box followed by Winterland 73'. Like I said I'll get to Spring 90' in due time. So keep us guessing and keep em' coming!
  • #6015
    KeithFan2112
    Joined:
    Vguy72 / Road Trips '73
    Good call, I put this on at your recommendation. Four words - Holy psychedelic pianos Batman. Wow, just dozed off at work and woke up to Wharf Rat. gotta love cubicles.
  • #6016
    KeithFan2112
    Joined:
    80sFan 11/4/77
    I checked out a couple of tunes from your link. Definitely a respectable version, and I like that you can hear all of the audience enthusiasm at various points (i.e. clapping on Bertha, cheering after the Brown-Eyed Women solo, which incidentally, is one of the best live versions ever in terms of Jerry's guitar solo). The instruments are definitely louder in the official version, particularly Keith's keyboard work and the drums; these two "mix factors" contribute heavily to the aggressive "rock" feel of the 11/4 show, as experienced in the official version. But yeah, it's always a good idea to own another show featuring the late great Keith Godchaux ;-) PM your address if you want and I'll send it to you.
  • #6017
    JimInMD
    Joined:
    Re: Keithfan and Bliss
    Yes, KF, there are certainly noticeable differences in sound that are more than the mix itself. What a fabulous collection of venues on that tour, that's the difference. When I travel abroad.. Instead of being a typical nerdy tourist and hitting hard rock cafe's or whatever.. I usually try to pick a theme.. like lets hit all the big castles in Germany or hey, lets hit all the churches where they off'd people in the Angels & Demons movie in Italy.. so my big not so eminent Europe trip will hit all the theatre's they played at. Check them out, great history and some terrific venues. That's what's contributing to the rich sound and variations from night to night. Places like the Concertgebouw and the like. There's a wealth of information on the acoustics of these venues. You may have come to the party late, but you did your homework. Bliss.. one of the ways I cycle through a lot music is on road bike rides and kayaking. Lots of fun and you get a workout to boot. I think you get the big picture this way, overall vibe of the show and jams. You also get a nice progression of growth through a tour/year/decade that way. You do miss minute details like best version of a song on a tour which KF seems to specialize in.. anyway, you are not alone in listening habits.
  • #6018
    80sfan
    Default Avatar
    Joined:
    currently listening to...
    The AUD of 11/4/77 https://archive.org/details/gd77-11-04.moore.jupile-weiner.15208.sbeok… Curious how it stacks up against DP12? I'm really into this version so i'm feeling (slightly) better about having been shut out of the official release!
  • #6019
    bliss
    Default Avatar
    Joined:
    listening to the band
    Keith-Fan, Your post raises the question of how we go about enjoying this abundance of officially released riches. I listen to a show per day, usually in the background while working. A lot just sort of floats over me this way and I'm often unable to get a "best version" sort of feel, but do get to enjoy the overall sonics of a show. i'll be working away with the music drifiting over me and suddenly tune in and think, "whoa - how the hell did they get out here" ... Work-related listening has been random years/tours as the mood strikes. I have no favorite era. Everything offers something different and worthwhile depending on the mood. I listen to a lot of other music (funk, jazz, soul, rock from all eras), so it's not like I can engage in the deadicated listening a lot of these Dead shows deserve. (seeing RUSH twice next week - and am on a huge related listening kick in preparation -- seeing them is very much a cult-band family reunion kind of phenomenon not unlike the vibe at a Dead show - just a lot nerdier and less trippy). With the 30 Trips Box, I'm going to listen to a show per day on headphones while cycling. Chronologically. After, I'm going to listen to everything I have (pretty much all official releases) in chronological order the same way, ideally while riding and skiing. This is a wonderful way to consume release, as the music evolves and changes organically, in terms of both the playing and song choices. I've managed to do this once in the past, and it took the better part of a year. Psyched to do it again. Long live the Dead.
  • #6020
    KeithFan2112
    Joined:
    From Version to Version
    It's only since I lost myself in the Grateful Dead Narnia that I've started to appreciate listening to the entire show. I came late to the Dead picnic, and while I saw them a couple of times before Jerry died, I didn't get "into" them until years later. With other bands (The Who, Yes, Rush), I would take the best live versions of songs and make a playlist. It seemed the prudent thing to do since there were only a few live versions of any particular song. The Dead is a different beast altogether, so it took some time to appreciate what they're up to from gig to gig, and clearly cherry picking the best versions is an impossible endeavor, as I end up with nothing on the cutting room floor. That being said, old habits die hard, and there's always a mental comparison going on in my head, hence the post about MSHSU Toodeleedoo. There's no doubt 9/3/77 is the best version for the jam, but not necessarily the bridge to Rio Grandio. And so it goes, there are many "best" versions. Muleskinner, check out Sugar Magnolia from 4/24 - this is thee version of thee song that pulled me in, never to return. I was at a home poker game when my buddy put on Rockin' The Rhein, and immediately caught the fever. 5/18 is close, despite a rare vocal flub where Bob Weir seems to forget he's onstage performing with the Grateful Dead. It's not that there's anything wrong with the 20 other versions from E72, it's just the perfect storm of nuances that come together on 4/24 (the guitars are mixed so smoothly for maximum "groove" effect, the piano is present, the solo is smooth and sweet, the drum fill at the....drum fill part is perfect, the blossoms are blooming, etc). Also wondering if anyone has noticed some of the subtle differences in overall sound from show to show on E72? For example, 4/24 seems to have more reverb than other dates (I don't know if reverb is the right word - it's an echo-like quality I catch on this one - a good thing to my ears); Amsterdam 5/10 also seems to have this quality. 4/11 and 4/29 seem to have a tad less fidelity and more tape hiss than other dates - not a big deal, I just turn the treble up a little bit. 4/26 has magnificent sound and low tape hiss, but Pigpen's organ is a bit lower than other dates (not sure how the fact that it was mixed for Hundred Year Hall plays into this). Heck even the comparison between Steppin' Out versions of the same tunes demonstrates significant differences in the mixing (for example crisper snare drum, compare 5/24 Cold Rain & Snow, or higher piano levels on some songs - check out 4/11 Brokedown Palace). Anyway, I spend waaaay too much time listening to this stuff, but I did earn a PhD in Europe '72, so it wasn't without merit.
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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11 years 4 months

Submitted by Thin on Mon, 10/12/2015 - 17:43

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2/22/69 Dark Star: @ 10:05 ...that moment your toes curl and you realize getting this box, despite the marital risk it poses has a higher payoff than you imagined. The Fillmore West Box from a week later has many such moments - this show really fits right in with that box, not surprisingly. They were just on - no wonder they decided to bust out the 16 track a week later and record a live album I intercepted the UPS guy the garage before he got to the kitchen door - phew! - tragedy narrowly averted. No one knows anything... mwahaha... .
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10 years 7 months

Submitted by Stegner on Mon, 10/12/2015 - 17:50

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Mine: 10/3/1976 Detroit, Michigan Scarlet sounds awesome -- can't wait for Wheel > Good Lovin > COMES A TIME > Dancin > NFA > Dancin > Around Eventually will listen consecutively from 66 to 95, but going to jerry pick to start out
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11 years 3 months

Submitted by jrf68@hotmail.com on Mon, 10/12/2015 - 19:04

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! ...and,no...patience has never been a virtue. The scene from A Christmas Story where the dad is in the basement cursing the hot water heater I think.... that's where I'm at...
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13 years 9 months

Submitted by wjonjd on Mon, 10/12/2015 - 17:56

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Has anyone been able to give you any info yet? Dead.net? Rhino? UPS?
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14 years 11 months

Submitted by saintstephen1971 on Mon, 10/12/2015 - 17:57

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PM me i know how to work out wherre your box is
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11 years 3 months

Submitted by jrf68@hotmail.com on Mon, 10/12/2015 - 18:05

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No e-mail,no UPS tracking,nothing.Like I mentioned before,I got a bogus delivery confirmation from DHL International. I NEVER get shit from DHL. Not to mention I went to pick it up and there was nothin' there. Given the 0% communication & quality control complaints,count me in on the nervous side of the fence.
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13 years 11 months

Submitted by chilly1214 on Mon, 10/12/2015 - 18:07

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Where do you live? If your out of the U.S. I can tell you how to track it.
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11 years 3 months

Submitted by jrf68@hotmail.com on Mon, 10/12/2015 - 18:21

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A little joke for me but,shit,Alaska even got theirs!;) Just joshin' Alaska. ;)
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13 years 11 months

Submitted by chilly1214 on Mon, 10/12/2015 - 18:15

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Sorry man. U.S. is being delivered by UPS. International is DHL. I'd guess you'd get yours no later than Wed of this week. My order status is still back ordered on dead.net, but it has shipped through DHL. My shipping notice and a friend of mine who lives in the same area says exactly the same thing, yet his is estimated Fri and mine is estimated Mon the 18th.
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11 years 3 months

Submitted by jrf68@hotmail.com on Mon, 10/12/2015 - 18:19

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fingers crossed.....
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13 years 11 months

Submitted by chilly1214 on Mon, 10/12/2015 - 18:29

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Just so you know, I have not received any shipping info from anyone either. Just happened to read about UK heads getting emails from DHL about extra charges. So I went to the DHL website and ended up finding my shipment and a DHL waybill number. Otherwise I'd still not know anything.
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11 years 3 months

Submitted by dantian on Mon, 10/12/2015 - 18:50

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don't have 3 drinks on an empty stomach regardless of how goo da time you're having or how good you feel at the time. Pause, have something to eat fool.
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11 years 3 months

Submitted by dantian on Mon, 10/12/2015 - 18:58

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though I cut my finger while cutting the chicken helping the wife make dinner (honey, go snd relaz, I'll make dinner she says) OK dear, I'll be on the couch, listening to mucis...
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17 years

Submitted by direwulf on Mon, 10/12/2015 - 19:11

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Only desire is that the cd boxes where a little more robust without the need for the sliding. Oh well first world problems so no complaints! Backstage pass: 06-18-93 Soldier Field which is extraordinarily plain in design for a dead backstage pass, not the prettiest thing to look at but her daddy loves her! Ticket: 10-30-91 Oakland Coliseum Bring on the Dave's Subscriptions for 2016!
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Submitted by DaveStrang on Mon, 10/12/2015 - 19:21

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According to Chastason listing a quote from Jeff Tiedrich there is some confusion regarding 'TIFTOO' and 'Caution' but it would seem likely they are from 11/10. 30 Trips time for 'TIFTOO' is 12:12 - Archive has it at 11:22, add some background/crowd noise and it works. The same could be said for 'Caution' - 30 Trips has it at 24:28, Archive lists it as 22:18 add extended musical notes/background noise and it too works. The one mystery is 'New Potato Caboose'. It's not listed on Archive for 11/10 but it is listed for 11/11 at 11:03. 30 Trips lists it as 11:29 so I think it's possible this was taken from the 11/11 show. Also Archive lists 'Feedback' as being played on the 11/10 show but it's not included on the release. However 'Caution' minus 'Feedback was played on 11/11 so who knows? In any case the 11/10/67 show is killer! Listen to this compared to the '66 show and the band's musical growth is nothing less than astounding.
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Submitted by DaveStrang on Mon, 10/12/2015 - 19:13

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Can someone tell me how to get a hold of Dr. Rhino or Marye. I'm missing disc 2 from the '75 show
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14 years 2 months

Submitted by ckcoffman on Mon, 10/12/2015 - 19:17

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1891 has landed in Massachusetts. The scene: the doorbell rings in the middle of dinner. I drop my vegan fajita and spill my Anchor Steam while jumping up from the table (no real worries--it was almost empty!). Neither my wife nor my UPS guy are complaining about the GD package, because she bought herself a huge box with a really heavy Dutch bike in it that got delivered at the same time. Perfect. Now the children are in bed, and the box is out: outside cardboard packaging has clearly been tampered with from bottom side. Thankfully all seems to be in order inside: no damage, all CDs & schwag are in place, etc. Red. not blue, interior. Ticket for 27 May 1993 and pass for 24 February 1995. Now if I can only get Peabody and Sherman to lend me that time machine ... Spinning disc 1 of '66, and it goes pretty darn well with the wine I'm having. Awesome sound (to my shredded eardrums via my mid-range set & Beyerdynamic DT 990s), and of course a great performance. I really hope those of you having trouble with this box get it all sorted out soon. I'll see you at Dead & Co.!
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12 years 9 months

Submitted by abrazen on Mon, 10/12/2015 - 19:23

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Got my box today in DSM, IA! Listing while I check all the disks for issues. I had issues with the first 90's box with wrong discs so I am checking all the discs closely this time. Sounds amazing so far! My box is blue inside and I got: 3/23/95 Charlotte pass 12/8/94 Oakland ticket All in all great box set so far and even better listening.
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11 years

Submitted by TheDude77 on Mon, 10/12/2015 - 19:41

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Like DaveStrang said...I Would love to know the best way for contacting Dr. Rhino. Have some major problems with the box. Amy H. at dead.net was great but would like to contact Dr. Rhino myself. Anybody got Dr. Rhino's e-mail address?
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Submitted by MidwayKid on Mon, 10/12/2015 - 19:34

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Since I did not get a Miracle Scroll. Which I would have been very happy to get. There are only two ways of getting one now. Keep buying sealed boxes on ebay hoping to get one. A lot of gamble in that play. Or hope someone puts a Miracle Scroll up for auction on ebay in time for the whatever the deadline is to send it in. I would like to see that happen. Can not even imagine how that would turn out. Would be interesting.
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9 years 1 month

Submitted by NWScarletFireGuy on Mon, 10/12/2015 - 20:08

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Wyoming, I can only laugh with you. How does Alaska receive a box before Seattle? Hell, the damn plane probably stopped here to refuel! Guess I'll pop in DP 30 and listen to it that pedal steel, sigh.
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17 years 5 months

Submitted by SPACEBROTHER on Mon, 10/12/2015 - 20:33

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I agree, that '67 show is a rocker. It's like Phil is channeling Jack Bruce. Part of Alligator from this show sounds like an edit used in the version from Anthem of the Sun.
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12 years 11 months

Submitted by Moses Quasar on Mon, 10/12/2015 - 20:52

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People are selling individual shows on ebay and the box is going for 12-1300 dollars!...Holy cow!!!
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11 years 3 months

Submitted by dantian on Mon, 10/12/2015 - 20:55

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The liner notes are interesting though: "Much like 1983, 1984 is often considered one of the lesser years in Grateful Dead History. There were a lot of lesser nights, but there were also some really good ones." -David Lemieux I agree, this 1984 show is a really good one. But couple that statement with the fact that many of the 80's recordings are of lesser quality sound-wise, and we begin to understand why Dave's Picks have been so 70's-centric. Just something to keep in mind.
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15 years 1 month

Submitted by David Duryea on Mon, 10/12/2015 - 20:56

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http://thegratefuldead.wikia.com/wiki/Anthem_Of_The_Sun Although the chaos of the final product makes it difficult to tell where many of the live excerpts used in the creation of Anthem Of The Sun actually ended up, significant fragments of "Alligator" (e.g. the post-vocals "jam section") known to hail from a show at San Francisco's Carousel Ballroom on 2/14/68. Also the "Alligator" vocal reprise is taken from 11/10/67 at the Shine Exposition Center. Similarly, the skeletal framework of "Caution (Do Not Stop On Tracks)" dates from the Los Angeles Shrine Auditorium show on 11/10/67 and at the Carousel Ballroom on March 31st 1968. Extended excerpts from two shows at Kings Beach Bowl in Lake Tahoe, CA on 2/23-24/68 that provided music for the album (most notably the car horn heard at the end of "Caution (Do Not Stop On Tracks)") were later released on the live archival recording Dick's Picks Volume 22. A further show from this period further reveals portions used for the album such as the verse(s) section of "The Other One" portion of "That's It For The Other One" as well as the first half of the "New Potato Caboose" jam (after the vocals) were used on Anthem Of The Sun, hailing from 3/17/68, was released as the Grateful Dead Download Series Volume 6.
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Submitted by Alain on Mon, 10/12/2015 - 21:47

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Hello David, I sent you two PM.
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17 years

Submitted by rdevil on Mon, 10/12/2015 - 21:51

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St. Louie, '71 at the Fabulous Fox Theater. Streamed this one weeks ago and couldn't wait to hear it on the big stereo. It sounds mighty fine. Yeah, Mamma killed a chicken, thought it was a duck, Put him on the table with his feet stickin' up --I'm guessing this about when Dantian cut himself-- Ain't it crazy, ain't it crazy Ain't it crazy one day to keep on rubbin that thing Half way through the '75 show which sounds great as well. I originally planned to listen in chronological order but I'm going by feel now. Up next? Whatever strikes my fancy!
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Submitted by rdevil on Mon, 10/12/2015 - 22:01

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The wife was pretty impressed even though this purchase was a hard sell with her originally. Hopefully that will bode well for future boxes. My box seems pretty sturdy despite the reports of some others. One of the full moons on the top is already rubbed off but that's small potatoes (as Hyman Roth would say). I'm disappointed with the slip sleeves. We paid $700+...Dave's Picks style digipacks should have been a no brainer. Still, these sleeves seem better than the sandpaper sleeves from the Road Trips series. The book is nice but seems awfully flimsy, like it will come loose from the binding at any time. For that reason I'll look at it sparingly. The two shows I've listened to sound REALLY great, and that's what really matters.
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Submitted by skeebe on Mon, 10/12/2015 - 22:52

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Well, after going through the rest I now have 2 disks that are very cracked. I have only burned the first show so far so I am definitely going to attempt to burn all of them before I contact customer service in case there happen to be some more bad disks in the lot. Getting replacement disks should be pretty standard I would think. I have not had to get something replaced in the past. Probably much easier to get handled than the folks who have broken box lids and whatnot. Anyone else ever had to get a disk replaced by Rhino?
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Submitted by Dennis on Mon, 10/12/2015 - 22:53

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Finished sucking in first 15 shows, no problems (nothing obvious anyway). Will need to run thru idtagit and verify all labeling up to snuff. Will do a little editing on the segways between disc so it doesn't repeat a little from last disc when next disc starts.
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Submitted by mojobrojo on Tue, 10/13/2015 - 02:51

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I'm enjoying living vicariously through others who have already received their CD Boxes. Sorry to hear all the logistical and shipping damage stories though. I knew there was gonna be a slight delay with the USB version but I'm pretty sure we've moved beyond "slight delay" already and have moved on to "serious delay". I can't be bothered with listening to garbage MP3s being streamed over the InterWebs-- I need the actual, FULL-FLAVOR Audio I paid so dearly for! Where's my $700 USB Lightning Bolt?!?!?
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Submitted by One Man on Tue, 10/13/2015 - 02:59

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I don't see where any complete boxes have sold on eBay. Have they? I'll bet the market will bear only a relatively small markup, not 2x face value like most resellers are asking. Rhino seems to have predicted the demand pretty well this time.
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Submitted by boblopes on Tue, 10/13/2015 - 03:16

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Had one for one of the Dick's Picks series and had one in the May77 boxset. Both times replacements were shipped promptly and without incident. Customer service rep should be able to handle without issue...
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Submitted by chilly1214 on Tue, 10/13/2015 - 03:23

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I've seen one set sell for $1100 U.S. Not double but not bad for only just shipped. And there are several more listed at various prices.
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Submitted by DaveStrang on Tue, 10/13/2015 - 05:41

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Thanks for the email address - I'm finishing checking the rest of the set before contacting the good Dr.
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Submitted by ppennock on Tue, 10/13/2015 - 05:51

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Boxilla has crossed the border and is on a DHL truck en route to my house in the Greater Toronto Area. $117 in duties / taxes. Should arrive today. Hmmmmmmmmm... sick day tomorrow to take in the box-y goodness and watch the Jays put down the Rangers??
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Submitted by drshakedown74 on Tue, 10/13/2015 - 06:41

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The box is a huge disappointment. My 4 year old loves it though. It is not in the same league as the 90's boxes, not even close. Everything is cheap except the tunes on those discs that are shoved in cardboard. No over the top touches what so ever. If your on the fence whether or not to buy this on the second hand market, dont. I try to stay positive with my comments, but this was a huge ball drop on Rhino/Deads part. I am glad my 4 year old gets to hide shit in the secret compartment. PS Doesnt a scroll have something besides paper and a shoelace? Isn't a scroll supposed to be semi-grand? 700 bucks............really. Shame on this production.
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Submitted by wilfredtjones on Tue, 10/13/2015 - 07:32

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Thanks AMG for providing all the disc metadata for ripping. It would have been one hell of a chore to input all the data manually.
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Submitted by Mr. Jack Straw on Tue, 10/13/2015 - 07:41

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The book is really nice; not Europe '72 or 1st Spring '90 nice, but it's better than the little paperback we got from Spring '90 TOO. My wooden box arrived intact, seems sturdy, theres no missing panels or peeling artwork. I realize that there are many people who weren't so lucky, and I am sorry for you guys. It seems like it's the nicest box yet if you received an "error-free" set. I like how everything is easy-access (like the Europe trunk and May '77). If you want a show, just open the lid and grab it. If you want to flip through the book, just drop the panel. For the Hamptons, Winterland, and Spring '90 sets, you have to unpack everything if you want a show. That said, I agree that the cardboard cases are a bit flimsy, and would have liked the Spring '90 treatment for those. Given everything, it makes me realize how big a steal 22 multi-tracked Europe '72 show with a hardcover book and a steamer trunk was. $450 for that set. Meanwhile, we've paid $150 for 5 May 77 shows, $200 and $240 for 6 and 8 Spring '90 shows (at least they were multi-tracked), and $700 for 30 shows. Wow. Doing the math, the price per disc: Europe '72: $6.16 Fillmore West 1969: $7.28 (since everyone got the bonus disc!) 30 Trips Around The Sun: $8.75 Spring 1990 (TOO): $10.43 May '77: $10.71 Winterland '73: $11.11 Winterland '77: $11.11 Spring '90: $11.11 Formerly the Warlocks: $11.66
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Submitted by WarEagleRK on Tue, 10/13/2015 - 07:35

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Got it on Friday, went well with seeing Warren Haynes in concert that night. Thankfully everything seems to be in great shape. I've listened to the first 10 years. My inserts were the pass for Philly 3/17/95 and the ticket for Oakland 12/8/94. My box number from my scroll was 3816. I thought they did a great job with the packaging and keeping it secure. I will keep the CD's and likely put everything else out on ebay in a couple of weeks. If anyone is interested in just the box, vinyl, scroll, book and ticket/pass send me a message. Maybe we can work something out.
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Submitted by RV3 on Tue, 10/13/2015 - 07:42

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So far quite disappointed with the 1980s shows included here....the 1982 show setlist looked great on paper, but it is just not recorded well. There is a tape hiss throughout, and it sounds boxy. The 10/21/83 show again looked great as far as setlist on paper, but the sound is almost unlistenable....there is a nauseating "kick-drum" sound throughout the whole show. Dave's recording choices here are suspect at best, there are better recorded shows out there from 1982 & 1983, hell RT 4/6/82 & Dicks Picks #6 10/15/83 sound much better than these two shows....the 1981 show here doesn't have half the 2nd set included as a soundboard show...its an echoey distant audience recording. Dave doesn't like the 1980s, this has been obvious with his 15 of 16 choices for DAVE PICKS from 1970 to 1978.....but did he put some of the worse recorded shows form the early 1980s in the box on purpose!?!?
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Submitted by Mr. Jack Straw on Tue, 10/13/2015 - 07:53

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Wow. Someone complains for 4 years about the lack of 1980s releases. He is warned repeatedly; "the tapes don't sound that great...we're missing pieces...the cassettes aren't as good as reels". He screams conspiracy and bias. He maintains the Archivist hates the 1980s, which makes sense, as Dave must have seen his first show in the 80s, hated it, and never went to another show. He gets 10 shows from his favorite decade. Surprise! Some of the cassettes sound shitty and some shows require large audience patches. The normal, human response would be: "Oh, wow. I feel sheepish. I was so abrasive and rude for years! You know what? I should have listened to you people. Dave wasn't lying; there are some serious problems with 80s shows in the Vault. I'm really sorry for cursing, whining, and denigrating DL2 publicly for the last several years." Instead, this clown claims that Dave purposely searched the Vault for poor shows (for reasons unknown, but certainly vindictive and cruel). You know what you call such a person? Sad, lonely, and a troll.
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Submitted by JimInMD on Tue, 10/13/2015 - 07:54

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I'm pretty sure Dave has a love for the 80's. I've heard him speak about it convincingly and with passion for years on Today in GD history. Besides.. I am not hearing the same complaint for Augusta, Miami and others which are '80's shows. Perhaps it has more to do with the condition of the cassette masters in the vault and problems with getting the re-mix exactly perfect as anything else. They had similar problems with the Dicks Alpine Valley '82 show and the '84 Shakedown on So Many Roads.
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Submitted by Mr. Jack Straw on Tue, 10/13/2015 - 08:08

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That sounds too reasonable. There MUST be a more diabolical reason. Sound quality issues have plagued every single release from 1981-1986, with the possible exception of DP 13. Either 80s tapes do have subpar sound and Dave is trying to find the best-sounding ones with decent performances, or he's PURPOSELY selecting shitty-sounding shows and leaving the pristine 80s tapes on the shelf. What do you think makes more sense?
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Submitted by AndLeaveItOn on Tue, 10/13/2015 - 08:08

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My Minneapolis delivery was Monday 10/12. -#2088 (no miracle) -blue felt -no missing CDs The only thing that wasn't just exactly perfect was the horizontal crack along the entire front of the wood case when I pulled it out of the box. Obviously UPS's doing and not Rhino. Otherwise everything looks great. I plan on listening in order, and got through a chunk of 7/3/66 on the way in to work today.
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Submitted by bliss on Tue, 10/13/2015 - 08:17

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on it's way to beautiful BC on Wednesday, but not before I cough up an additional $108. it'll have to wait for the Jays game to finish though. They haven't been this far in the playoffs since Jerry and the boys were still ripping it up.
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