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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • 4evergr8ful
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    1970 04-15
    Been listening to the winterland 1970 show featured on this box and must say Am Really digging it..having listened to most dead post 77", it's as if I'mHearing the band for The first time again..can anyone else reccomend any really Good early 70s shows, perhaps some that really stand out, say 70 or 71? Would appreciate it thanks
  • Vguy72
    Joined:
    Hey keithfan....
    ....glad I could oblige. BTW, do any of you experience a delay in getting pm's? I usually get mine a week after they were sent to me....
  • LoveJerry
    Joined:
    Complete Recordings - Great Prices
    I got a copy of Dick's Picks 30 at a great price after someone here mentioned seeing them online, so I thought I would return the favor to people who may be in need. Here are three great prices on box sets. Winterland June 1977: Complete Recordings $299. All others are in the $600 range. http://www.ebay.com/itm/Grateful-Dead-Winterland-June-1977-HDCD-Box-Set… Europe 72 with trunk $377 http://www.ebay.com/itm/Grateful-Dead-Europe-72-complete-recordings-non… Winterland 1973 Complete Recordings $120 http://www.ebay.com/itm/Grateful-Dead-Winterland-1973-Complete-Recordin…
  • kilauea
    Joined:
    Stoked about 30 Trips
    I'm stoked to get my ears around 30 Trips Around The Sun. Love the idea of a show per year. I usually reside somewhere between 1968-78 with 72-74 as my favorite period. I love the improvisational monster jams focused around The Other One, Dark Star, Playin', Eyes, Weather Report not to mention the primal Live Dead jams. Love a good Scarlet-Fire and the Blues For Allah material live is always a hoot. That being said my 80's-90's ventures are usually 80-81' and 89'. I have The Warlocks and love it but skipped out on Spring 90' boxes... but figure I'll get to those soon enough. So I'm looking forward to diving into these 80'-90's shows in 30 Trips, and heck, maybe I'll see what I've been missing. I'm particularly pumped about 67' Shrine, 68' Greek, 69' Dream Bowl, 72' Waterbury, and 73' San Diego among others. I mean what other band releases so much great quality sounding live music for there fans? The quality of the Grateful Dead live archival releases over the past 20 years is completely unparalleled. Perhaps only the box sets and live releases of Miles Davis even comes close and that's fairly distant at best. If Pink Floyd released only a smidgeon of quality live shows from the 70's I'd be super stoked but so far just the Wembley 74' stuff. Frank Zappa releases quite a lot of live material when he was alive and the vault releases have been great but no one compares to the Dead releases. And I'm grateful for it. It's like Christmas every few months when a Dave's Picks arrives or Road Trips before that. Europe 72' is my favorite box followed by Winterland 73'. Like I said I'll get to Spring 90' in due time. So keep us guessing and keep em' coming!
  • KeithFan2112
    Joined:
    Vguy72 / Road Trips '73
    Good call, I put this on at your recommendation. Four words - Holy psychedelic pianos Batman. Wow, just dozed off at work and woke up to Wharf Rat. gotta love cubicles.
  • KeithFan2112
    Joined:
    80sFan 11/4/77
    I checked out a couple of tunes from your link. Definitely a respectable version, and I like that you can hear all of the audience enthusiasm at various points (i.e. clapping on Bertha, cheering after the Brown-Eyed Women solo, which incidentally, is one of the best live versions ever in terms of Jerry's guitar solo). The instruments are definitely louder in the official version, particularly Keith's keyboard work and the drums; these two "mix factors" contribute heavily to the aggressive "rock" feel of the 11/4 show, as experienced in the official version. But yeah, it's always a good idea to own another show featuring the late great Keith Godchaux ;-) PM your address if you want and I'll send it to you.
  • JimInMD
    Joined:
    Re: Keithfan and Bliss
    Yes, KF, there are certainly noticeable differences in sound that are more than the mix itself. What a fabulous collection of venues on that tour, that's the difference. When I travel abroad.. Instead of being a typical nerdy tourist and hitting hard rock cafe's or whatever.. I usually try to pick a theme.. like lets hit all the big castles in Germany or hey, lets hit all the churches where they off'd people in the Angels & Demons movie in Italy.. so my big not so eminent Europe trip will hit all the theatre's they played at. Check them out, great history and some terrific venues. That's what's contributing to the rich sound and variations from night to night. Places like the Concertgebouw and the like. There's a wealth of information on the acoustics of these venues. You may have come to the party late, but you did your homework. Bliss.. one of the ways I cycle through a lot music is on road bike rides and kayaking. Lots of fun and you get a workout to boot. I think you get the big picture this way, overall vibe of the show and jams. You also get a nice progression of growth through a tour/year/decade that way. You do miss minute details like best version of a song on a tour which KF seems to specialize in.. anyway, you are not alone in listening habits.
  • 80sfan
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    currently listening to...
    The AUD of 11/4/77 https://archive.org/details/gd77-11-04.moore.jupile-weiner.15208.sbeok… Curious how it stacks up against DP12? I'm really into this version so i'm feeling (slightly) better about having been shut out of the official release!
  • bliss
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    listening to the band
    Keith-Fan, Your post raises the question of how we go about enjoying this abundance of officially released riches. I listen to a show per day, usually in the background while working. A lot just sort of floats over me this way and I'm often unable to get a "best version" sort of feel, but do get to enjoy the overall sonics of a show. i'll be working away with the music drifiting over me and suddenly tune in and think, "whoa - how the hell did they get out here" ... Work-related listening has been random years/tours as the mood strikes. I have no favorite era. Everything offers something different and worthwhile depending on the mood. I listen to a lot of other music (funk, jazz, soul, rock from all eras), so it's not like I can engage in the deadicated listening a lot of these Dead shows deserve. (seeing RUSH twice next week - and am on a huge related listening kick in preparation -- seeing them is very much a cult-band family reunion kind of phenomenon not unlike the vibe at a Dead show - just a lot nerdier and less trippy). With the 30 Trips Box, I'm going to listen to a show per day on headphones while cycling. Chronologically. After, I'm going to listen to everything I have (pretty much all official releases) in chronological order the same way, ideally while riding and skiing. This is a wonderful way to consume release, as the music evolves and changes organically, in terms of both the playing and song choices. I've managed to do this once in the past, and it took the better part of a year. Psyched to do it again. Long live the Dead.
  • KeithFan2112
    Joined:
    From Version to Version
    It's only since I lost myself in the Grateful Dead Narnia that I've started to appreciate listening to the entire show. I came late to the Dead picnic, and while I saw them a couple of times before Jerry died, I didn't get "into" them until years later. With other bands (The Who, Yes, Rush), I would take the best live versions of songs and make a playlist. It seemed the prudent thing to do since there were only a few live versions of any particular song. The Dead is a different beast altogether, so it took some time to appreciate what they're up to from gig to gig, and clearly cherry picking the best versions is an impossible endeavor, as I end up with nothing on the cutting room floor. That being said, old habits die hard, and there's always a mental comparison going on in my head, hence the post about MSHSU Toodeleedoo. There's no doubt 9/3/77 is the best version for the jam, but not necessarily the bridge to Rio Grandio. And so it goes, there are many "best" versions. Muleskinner, check out Sugar Magnolia from 4/24 - this is thee version of thee song that pulled me in, never to return. I was at a home poker game when my buddy put on Rockin' The Rhein, and immediately caught the fever. 5/18 is close, despite a rare vocal flub where Bob Weir seems to forget he's onstage performing with the Grateful Dead. It's not that there's anything wrong with the 20 other versions from E72, it's just the perfect storm of nuances that come together on 4/24 (the guitars are mixed so smoothly for maximum "groove" effect, the piano is present, the solo is smooth and sweet, the drum fill at the....drum fill part is perfect, the blossoms are blooming, etc). Also wondering if anyone has noticed some of the subtle differences in overall sound from show to show on E72? For example, 4/24 seems to have more reverb than other dates (I don't know if reverb is the right word - it's an echo-like quality I catch on this one - a good thing to my ears); Amsterdam 5/10 also seems to have this quality. 4/11 and 4/29 seem to have a tad less fidelity and more tape hiss than other dates - not a big deal, I just turn the treble up a little bit. 4/26 has magnificent sound and low tape hiss, but Pigpen's organ is a bit lower than other dates (not sure how the fact that it was mixed for Hundred Year Hall plays into this). Heck even the comparison between Steppin' Out versions of the same tunes demonstrates significant differences in the mixing (for example crisper snare drum, compare 5/24 Cold Rain & Snow, or higher piano levels on some songs - check out 4/11 Brokedown Palace). Anyway, I spend waaaay too much time listening to this stuff, but I did earn a PhD in Europe '72, so it wasn't without merit.
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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went over this thing with a fine tooth comb, can't find access to the book anywhere, I see the 45 in lid and I can see the scroll, but can't get to it, so far, what I can see, looks ok, now, how do I get this thing open
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Apropos of nothing to do with the decision on what to release and not release, which is not a preference decision but a quality and sales viability issue, Dave's comments would suggest he is a big fan of 1980 and the late 1980s, 87-89. He does not speak as glowingly about the mid-80s and the reasons are obvious and certainly not unique to him. On the 10/21/83 show, there is a matrix out there that is hands down better than the quality of what was released.
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14 years 9 months
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Mr. Jack Straw, you are right on! Unkle Sam, if you pull down on the name rims on the long sides of the bottom of the box, you'll find your hidden treasure; just watch the video above if my direction isn't clear. Enjoy!
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guess I shouldn't have smoked before I opened the box. Could not see the video on other browser.
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a few headscracthers in the box for me,, my reasoning is they had to pick something without stepping on any toes for future releases (1981 LOL !!!) And also remember the compilation looks like it has a nice flow due to some of the show selections (mere coincidence Shakedown is 1st track on one of the discs?) Could be why they went with 5.16.81 and this was the chance to release some flawed tapes that would have gotten a lot of bad reviews if it were an individual release, but buried in the box its really a mere footnote for most... For the big 30 trips box it seems they did reach a little for some years.. a few spot on picks include in Box on or would have made my top 3 1967 1969 1975 1979 1984 1987 1988 1989 1994 1995 but for 1981 are you saving the November and December shows for a box set ?? Great sounding tapes with very nice perfomances !! I would have went with Nov. or Dec. 1981 to include in big box. 1982 - without that Scarlet > Fire there is no way he would have selected it.. 8.10.82 is a better sounding tape and has a good amount of highlights, but nothing like the Scarlet > Fire
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Thanks for the comment. I am a little dense at times, what does that handle mean? Is it Gooey 213? I do appreciate the comment. My story telling still did not say exactly what I wanted (i.e. how the numbers really matched up). I really hesitated before I hit save. I got home last night wishing I had just deleted the post. I was concerned others would castigate me. Any way, been at the office for a while. Heading home to start the B/D celebration. The weather is awesome here today. Time to go start enjoying this beautiful green day and open this box. Hoping it is all there and in good shape...will be back in touch. Edit: Oh yeah, I have not watched the youtube video on the Jerry interview. It constantly pops up when I am watching Grateful Dead related videos there but just have not gotten around to watching it. I will definitely try to watch it in the next few days.
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11 years
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Thanks for the Dr. Rhino address. I'll send him an e-mail shortly.
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9 years 5 months
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Still waiting here in Austria, mmmmhhhh , no further information tooWhat about you folks from Italy , Germany , Belgium , Netherlands, France, UK ? Last time i got my Spring TOO box 8 days after it was shipped but earlier another package took six weeks to make it over here....
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and maybe Almanac announcement including DP2016 Edit - Neil Casal Fare Thee Well intermission music 2LP,, not sure if they will do a GD vinyl.. I am unclear if Neil Casal 2LP is under Rhino label. But its late in the game for RSD action,, this could be it
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Disc all ripped in. Need to edit them all and recheck labels. I use cd-ex for ripping and NONE of the disc were entered in, so I had to type all the info in. But now done.
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17 years 5 months
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What a chore. Thankful had to do none of that here.
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Good analysis. The only 2 questions in my mind are why no matrix mixes for 80's tapes and why 5/16/81. I guess I will have the latter question addressed once I get to listening to the recording. Who knows, I might be able to justify it in my mind as Dead.net apparently has.
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9 years 2 months
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Don't know whether all European sets have been shipped together, but DHL tracking now reports shipment has crossed the pond, cleared customs, and is now in the East Midlands ready for delivery!
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With the exception of '82, I thought they sounded acceptable ('85 has some hiccups), and the '84 show exceeded my expectations.
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Box #1813 landed on my stoop yesterday/Monday and it was a Holiday/off work no less so I was able to wrap myself around this bad boy in a fairly significant way. No miracle, but love the scroll and the question is do I have a wall space available to frame and hang this sucker?? it's pretty neat. Book is also a nice touch with the leather cover and of course the secret stashes for each item are cool. My 1 1/2 year old thinks those compartments are the coolest... Ticket: Cal Expo, 5/27/93 Backstage Pass: Delta Center Salt Lake City, 2/19/95 No personal ties to either so if anyone is interested in a swap, PM me.... Started out listening to '67 in most of its entirety (outstanding), then proceeded to jump all over the place, revisiting some gems from back in my cassette days. But started with the '73, then jumped to '76, then I really wanted to hear the start of the second set in Cape Cod, so naturally the '79 got some airplay. I was at the '94 show in Boston so looking forward to getting into that one formally as well. Hours of listening in front of us All.... No overall issues with the box itself in terms of construction and shipment. Inside has red felt. Interesting that there seems to be a split between red vs. blue innards. Glad we're all starting to revel in the receipt; for those who still have the acquisition to look forward to - there is no disappointment here, enjoy the anticipation! Sixtus
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. . . g1u2i3 doesn't stand for anything. Many years ago, I was trying to set up a new username with "guitar" in the name and kept getting it rejected over and over again. Finally, out of frustration, I just added numbers 1,2 and 3 in between the "gui" of guitar and voilà, it was accepted. Simple as that. Wish I had a more creative interpretation.
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I missed out on the Europe '72 Trunk and all its goodies, but bought the music only version. For those who got the trunk, can you tell me if the Book included is worth seeking out to purchase? And now that you've had a chance to look at it, what would be the most you would pay for it? Thanks!
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Did I somehow miss yet another conspiracy theory? Damn.. Well, now that the cats out of the bag, I KNEW IT!. Jerry is alive and well, living in a guarded complex in Fuji, snorkeling by day snoring by night. He lives comfortably with two roomies, Elvis and Roy Orbison. As many of you already know.. Elvis HATES 1980's GD.. he digs that '70's sound. So there you have it. I think that explains it, no loose ends. Back to the box. _________________________________ One Edit/Add: Unlike Elvis.. I do like 80's shows. They are playing Dicks Picks 13 on SiriusXM today, man.. that Let It Grow freakin' smokes. As for my box.. it arrived yesterday. I am so overwhelmed.. I really don't know where to start. I only streamed half a show (95 at that).. I guess I will start at '66 and remember to take baby steps. Holy mother of god.. this thing is massive in scope.
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17 years 5 months
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Boxilla left yesterday DHL downtown Harrisburg (Pennsylvania) to Cincinnati (Ohio). He left Cincinnati today. I am in France. DHL announces a delivery for me Thursday. I hope!
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11 years 6 months
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Yes, I had a miracle yesterday but it had nothing to do with the scroll.After discovering my box had damage I was somewhat bummed. I decided not to focus on it and play some of the delicious music instead. Bam, the power goes out. I think, after all this waiting you've got to be kidding!! Must find batteries for boom box. No "c" batteries. I decide listing on computer speakers would be a buzz-kill. This quandry continues for an hour. My girlfriend says let's go for a ride so you can hear some JERRY. As soon as the sacred name is spoken the power comes on!!!! Thank You, JERRY
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For me, the book included in Europe '72 is really worth. For three reasons, two very personal: - It is very well done, with lots of photos of musicians on stage; - David Lemieux has published the photo of the front of the theater of Olympia (in Paris) I sent him, and he used the articles of the French rock press of the time for the text of the book I also sent him; - And in the last page of the book, my name is mentioned among the people thanked. You understand that this book was for me a far greater value than market value. I do not sell it.
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Alain and Tyson, both very cool stories, thanks for sharing.. I like the E-72 book also, and don't mind the trunk (although I am careful with it). Good coffee table book, but I bet most sit in the trunk and don't get out much.
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Doesn't surprise me that they don't sound that great. These are the only releases in the box from cassettes and there the only show's that didn't get a proper transfer. They all run slow and the pitch is off and the '82 show was recorded with Dolby B that was left off during transfer.
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My package just arrived in Brussels (Belgium)! Tomorrow in Paris? The next day at home?
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Is it illegal to post free downloads of officially released music online without permission? They're be allowed to do just that by the administrator with the 30 Trips box on that Facebook Fan page that is frequently mentioned here. If it is illegal, I would recommend the guy pull it down before he gets seriously fined and urge others not to post links to free downloads of music I had to pay $700 for. Not at all cool.
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Everyone here knows how much you dislike that guy on the Grateful Dead Facebook fan page, Spacebrother, but trying to get him in trouble with Rhino or possibly the law is just low. The other guy doesn't bring it over here so keep it out of this forum. Thank you.
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16 years 7 months
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Has anyone else that has ordered this box still not receive the box or some sort of shipping info? My order status still shows Backordered and no shipping email either.
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..I don't do facebook, but if I did, I would friend you (if that's how it works). That cracked me up and is almost as funny as your holding out for Super High Def comment a few months back on the Spring TOO page. Thanks Dantian.
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A few years ago I bought an original unused ticket from my first show, Ventura County Fairgrounds 7/22/84. Wouldn't you know it, the ticket in my 30 Trips box set is from my last show, Oakland Coliseum 10/27/91. Better than a Miracle scroll!
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In perfect condition. The box truly is a masterpiece. Little details: hidden magnets to close the two bottom compartments. The quotes inside the 'doors'. The book is beautiful. I checked and it does have threads stitched through the binding, so hopefully it will not fall apart over time even if the glue fails. Ticket: October 30, 1991- Oakland Coliseum, Pass: August 22, 1993 Autzen Stadium, Eugene Oregon. I am very much looking forward to listening to these shows!
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11 years 3 months
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You've got my contact info. Why not use it and give me some sort of f'n update?Completely in the dark,not a fun way to fly....
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12 years
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I had mention (and others also) about veneer peeling off, I had suggested wood glue. My veneers on the two hidden flaps had just a little. Like when they opened it to put books and scroll inside it peeled a tiny bit. I got some wood glue, applied with a toothpick and clamped with a paper clip. Worked great. Since I've ripped all my disc in, I threw the box on the shelf, what really struck me was why didn't they start with Jerry's name on the front panel, now I look at the box and it says "Pen Bill Phil Mickey",,, kinda odd where they started?!? Minor complaints I know, glad I got it. The very last disc wasn't recognized in my desktop computer, but worked just fine in my wife's laptop. I've had that with lots of other disc, will not rip on drive 1, but works in drive 2. I don't know why??? But no missing disc, no cracked disc. Can always have a bad rip, will never know until I listen to them all. That may take awhile, only so much listen time available. I guess everyone was right about it looking like a case of beer, my wife came home last night and it was on the counter, finally she said, oh that's the box you bought, I thought it was a case of beer. :-) I also chuckled to myself several times while reading Dave's comments on the inside cover of each disc. Did he go to the Trump school of marketing. His use of superlatives for everything made me laugh, I could only hear "the Donald". It was a tremendously monsterest Don't Ease Me In, the like of which the world will never see again,,, and I know because people come up to me all the time and tell me I know Dead shows like no one else, but me an Jerry were personal friends. Many a time Jerry would tell me how he just couldn't keep up with me in the amount of blow I could do. And of course I only got the best blow,,,, Jer told me that all the time. Enjoy you boxes and the ones that didn't get one, their loser with low energy :-)
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12 years
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I sucks to do, but at least it's my way. I don't rip them in like disc 1, disc 2, disc 3 with tracks 1-8, 1-6, 1-9. I rip them into a common folder and number them 1-end. My folder will contain all the songs numbered in order. I don't care which set it is, or if it's an encore. You'll know when you listen. The worst part is adding the ">" to the id tag. Still in the air if it's easier to just type filename with out and add greater than to tag after, or rip with greater than in filename, have it turn to an "_", then change the filename. It's a buck dancers choice I guess.
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17 years 5 months
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I have the Europe '72 box set, and don't recall getting a book with it. I guess maybe I'd better open my trunk up tonight and see..... I looked. It was there......a real DOH!! moment
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12 years
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... I thought I was just deleting all my "sent" "PM"S", but I deleted all my "PM's". I know I was in touch with a couple of people about "things",, a Jeremy and a "I" guy, took care of tony F today, but now I don't have your info. I think that was Jeremy K. If you're waiting to hear from me, you may need to remail. Hit me at dennis.wilmot@verizon.net. Jeremy K, I see you in my email files.
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17 years 5 months
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DHL phoned me this evening to tell me how much I would have to pay them (import duty, tax, their charges for presenting the thing to customs), asked me how I wanted to pay (I chose to pay the delivery man when he brings it - he has a mobile PIN thang for bank and credit cards) and told me that delivery would occur on Thursday. Gotta take a day off work to be home for that. Had already arranged to take Friday off so its gonna be a long weekend. No problem with that!
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16 years 6 months
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Quick review: Damage free; red-felt; Ticket 10/30/91 Oakland, CA; Backstage Pass 8/22/93 Eugene, OR ....let's get ripping!

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17 years 5 months
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g1u2i3, I can't claim Alain's most excellent reasons for the Europe '72 book being dear to his heart (super cool), but I love it. The treasury of photos alone is worth it, and one section is nothing BUT photos. Plus some great reminiscences by a variety of those who were aboard. Well worth seeking out, in my opinion. The definitive document on that tour. Well, except for the audio documents, of course.....
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11 years 4 months
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Yeah - I can hear the kick drum as well, but when I listen to 10-15-83, I hear the kick drum, but its not so abrasive. That is disappointing since I love all the shows i've heard from late 83.
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16 years 2 months
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As far as I know, only the 11/10/67 L A show & 10/26/89 Miami shows were multi-track masters. the 11/10/67 show was an eight track recorder (as opposed to 2, 4, 16, 24 track analog machines), while the 89 show was 24 track analog.
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9 years 8 months
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I've gotten nothing either. No notice, no shipping information, no UPS tracking. I got all the notifications while we waited for months, but I'm getting impatient with the current wait.
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15 years 10 months
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Arrived in great shape. Red Felt. Ticket is 10/27/91 Oakland CA. Backstage pass is 06/08/93 Auburn Hills, MI Looking forward to starting to listen tomorrow on the way to work!
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9 years 1 month
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I think mbarilla is really onto something with his analysis of the shows in the box. It's fascinating to think of how they're breaking down the vault and all the ideas and future releases floating around. In a box like this it probably is likely that they throw in a few duds. Shows that could never stand on their own as a DaP and wouldn't ever be a part of a box other than something like this. What good are they doing sitting in the vault taking up space and slowly getting older like the rest of us? Why not release them and hang onto the other shows that could possibly fit these other formats someday. I don't think they're purposely giving us stinkers but they found quality shows that are worth releasing with an audience patch and maybe less than ideal sound. This is the best format to do it.
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13 years 5 months
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Yeah, that totally makes sense. Shows that could not stand on their own would logically end up in 30T. There are other plans for better sounding shows, or ones that would fit some smaller theme. We won't get shows like these again until a huge download plundering of the vault occurs, probably years from now. So why are people buying individual shows from this box? Oh, forgot - to fund someone's "eye operation". This reminds me, let's petition again for an Ignore button. It would cut down on feuds because you'd never even see posts from your favorite vile POS antagonist. Or the ill-advised reactions to them. Like mine!
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