30 Trips Around The Sun Box & Digital USB

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September 4, 2015 - 10:38am

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admin

Joined:
March 9, 2007

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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June 16, 2015 - 2:28pm

#6631

KeithFan2112

Joined:
August 6, 2014

Speaking of Decline

Yeah Palmer, you bring up a good point. What happened to Bob Weir's guitar sound in the late 70s? I want to call it choppy flamenco, but I don't know why I want to call it that. It's something in the tone of his guitar that changed a whole bunch. I may be morphing into pre-hiatus guy....I've always maintained that they were better with just Billy on drums, and that almost anything they played on the Europe '72 tour sounded better in '72 than it did after the hiatus (Bertha, Cold Rain, New Minglewood ((Ladies & Gentlemen - wow)), Ramble On, Sugar Magnolia, Promised Land, Deal, the list goes on. But there was so much good stuff I like in 77/78 - Scarlet Fire, Music Never Stopped, Estimated Eyes, Help-Slipknot-Franklin, The Wheel, Samson, the list goes on.
June 16, 2015 - 2:27pm

#6632

JimInMD

Joined:
June 27, 2011

DearJerry

For the Shakedown Sessions, I don't think it was that he wasn't welcome to the studio, its that there were days that he didn't even show up, especially towards the end. Jerry, in particular, was pissed and asked John Kahn to finish. He even has keyboard credits on the album. Wouldn't that qualify to some of the comments at least? I also think Keith's playing is brilliant for most of his career with the Dead, and I often spend large amounts of time listening to the Keith Years. I also think band members opinions count. So there's a lot to this, but most importantly I don't recall any significant volume of people bashing Keith's playing on this thread. ..and if there are some comments you might not like, they are almost always in response to someone stirring the pot with Brent bashing, which certainly offends people. I was just highlighting that for a host of reasons Feb '17th was their last show, so lets be thankful for what we have instead of dwelling on what we cannot impact. It is what it is. That's all, nothing personal.
June 16, 2015 - 2:26pm

#6633

Cousins Of The…

Joined:
September 10, 2009

Mo' Keith

Just finished listening Row Jimmy from 3/20/77. Keith sounds great backing up Jerry's fine, lyrical solo, but is clobbered by every hit of Mickey's bass drum. I think this was mentioned a few weeks ago; very apparent to me on this track. To my ears, it sounds like there was a change in the mix from 76 to 77; more emphasis on the drums(esp. bass drum), and a less "crispy" bass, making the overall sound a little muddier than it was.
June 16, 2015 - 2:25pm

#6634

PalmerEldritch

Joined:
July 25, 2011

I love the keyboard/era debates!

I don't agree that "old" topics, such as era- and keyboard debates should be retired. This day's posts has been the most interesting here to me in weeks: from floridabobs culture reflections all through the Keith decline discussion. Almost anything that generates a flurry of thoughtful posts seems cool to me as long as it's civil. As a lifelong Deadhead, I think the era/keyboard debate is perfectly relevant and (for me) endlessly fascinating (well, nearly endlessly). I'm extemely conflicted and ambivalent about most of the Dead's post-hiatus music and have been that way for >35 years. Where else can we talk about these things? If we only stuck to the forum topic, we all know these threads dry up quickly and become boring as all hell. My guess is that,era/keyboard discussions generate the most interest here, despite complaints about "old, well worn" topics. Anyone really bored can just scroll though topics that don't interest them. I did draft a long post to contribute to the Keith decline discussion but lost the draft. Basically, I agree with LoveJerry. Keith sounds fine to me in the late 70's but as someone pointed out, he seems very low in the mix. Yes, there is a huge difference in Keith's playing E72 and May 77; but the same could be said for Phil and Bobby's playing. How could anyone not notice a similar decline in their playing? Listen to any of Bob and Phil's playing from the late 70's compared to, say Fillmore 2/69, E72, or WInterland 73. Night and day.
June 16, 2015 - 2:11pm

#6635

KeithFan2112

Joined:
August 6, 2014

hahahaha What?? He stole Jerry's stash??

No wonder he wasn't welcome (and no wonder he couldn't finish the Shakedown Street session). Hey hey, Jerrylover, don't drag my name in the mud lol. I only said he was a fair pilot. No but really Keith Moon was like the tazmanian devil with drumsticks. If anyone has heard his live stuff from Tommy and Live at leads, in that '69 - '70 zone, you know what I'm talking about. I can understand why Clapton or Baker (I forget which one) would have given that snide expression when asked about Moon's talent compared to Baker, because Ginger was great, a time keeper, an arranger, and so much more than a drummer when it came to making music, but Moon was off the rails excellent, and completely untouchable from '68 - '73. But if you compiled the best live 2 hours of Moon with the best live 2 hours of Baker, Moon is a step or two ahead. What Baker brought to music composition, Moon brought to live performance.
June 16, 2015 - 1:55pm

#6636

LoveJerry

Joined:
March 19, 2015

Jim In MD

I am asking "us" because "us" are the folks who frequently say Keith's playing declined without a lick of evidence to substantiate that assertion. Forget what you've read on Wikipedia or wherever, since it's not exactly a well documented topic, and listen to the music - where is it? Did Phil really say that? If he said it, is it true? In a court of law it's nothing more than hearsay. Give me a song or just recognize that every time someone comments that his playing declined is probably going off the Wiki quote or the comment from Blair Jackson's book (thanks for sharing, never saw it before), but a couple of off-handed subjective remarks do not make it true, and they don't hold up to scrutiny, which is my main point. People are regurgitating hearsay that does not hold up to scrutiny - no wonder politicians lie so much - it's so easy to pass lies off as truth to the masses. It's actually kind of scary. It would be interesting to scan this site for the past several months to see how often this unsubstantiated rubbish was repeated. I kind of feel bad for Donna. And the reason I didn't bring up anything like drug use or marital problems is because it has nothing to do with my argument, which is simply that his playing did not suffer on the stage, and I have the tapes to prove it :-) Or maybe I don't - I am willing to admit I was wrong or uninformed, which is why I posted in the first place - to find out if anyone can point to a performance where his playing was off. Keithfan mentioned Keith Moon - at least when his playing was said to have declined before his death, you can hear it in recordings (Kilburn 1977, Who Are You). That I believe, because it's well documented and easy to hear.
June 16, 2015 - 1:39pm

#6637

KeithFan2112

Joined:
August 6, 2014

You Know a Rumble Ain't a Rumble Without Me

Of course I agree with LoveJerry - not because I'm a Keith fan, but because it's true - there is really very little primary source evidence that Keith's playing deteriorated. Wikipedia? Even if Phil said it, ex-bandmates deride each other all of the time, it's the single most predictable type of slander they throw at one another. I'm sure he nodded off at the wheel a few times, but that's hardly a deterioration in skills. Not that it's a good thing. But I get LoveJerry's sentiment, which I might also add was not an argument about the reasons he left the band so much as a defense of his playing. So while yeah, some folks have pointed out that there was drug use and whatever, the main point is that folks comment about Keith's deterioration of skill on here all the time, presumably because they read a Wiki quote or Blair Jackson comment - yet the evidence, the music betrays the notion that there was anything substandard in his playing. If I'm reading her post accurately she's just asking someone to point out which songs/shows/period demonstrates this decreased ability to play, and indignant (correct me if I'm wrong JerryLover) that when the topic of his departure comes up, everyone always says he couldn't play, he couldn't play, he couldn't play. I have, myself tried to substantiate that claim that he could no longer play, but just can't find it. The proof should be in the pudding, but it's not. Long live Keith. Both of them - Keith Moon drummed circles around Ginger - he just colored out of the lines a lot.
June 16, 2015 - 1:12pm

#6638

JimInMD

Joined:
June 27, 2011

Re: DearJerry/Keith

Why ask us? We didn't kick him out of the band. There's a few factors you are not bringing up besides his playing. I don't think any of us question he was a brilliant piano player loaded with talent. But.. First there was his escalating drug use. By late '78 Keith had a heroin addiction (and for that matter so did Jerry). Towards the end of Shakedown Street, Keith couldn't even be found to finish the keyboard tracks on some of the unfinished songs, so John Kahn of all people filled in and did them. In Rock Skully's book, Rock states Keith was rumored to have stolen Jerry's stash once, which really pissed off Jerry. Shortly after that, Keith wasn't part of the JGB. Can't ask any of them if its true because they've all passed by now.. but I don't think there's much doubt about their drug use and drug of choice in these years. There was also the relationship trauma. There were regular fireworks between Keith and Donna on a regular basis. Violent fights, trashed hotels, smash up derby's in the parking lots, ...drama.. tension.. yuk. And then there was his playing. I think his playing had diminished or at the very least was not consistent by late '78, early '79 and, well, the sad truth is.. you can't get rid of Jerry and I'm not sure if having two junkies in the band was something they wanted or could continue with. Keith and Donna wanted to leave too. I think she left a few shows early in one of the last tours because she couldn't take it either. Remember, they were trying to raise small kids at the time. So its well documented that the parting was mutual. I'm not sure what is to be accomplished by going down that rabbit hole. They left and they got a new piano player. We weren't there, but I imagine if we were and if we were privy to all the facts and details.. well, my guess is one way or another, that darkness had to give. One Edit: I read cousins reply (which was classic). Yes, amateur slide guitar hour. aaaack! Love ya Bobby... but on this one, I agree with my cousin. He supposedly started playing more slide to get the sounds he (they) wanted they keys. ..and yes, Donna in particular was drinking a lot, but Keith was chasing the dragon.
June 16, 2015 - 1:02pm

#6639

JimInMD

Joined:
June 27, 2011

Re: Brokedown

I agree with your post. I think most people's minds on this are 'set like concrete'. The back and forth is usually non-productive, and I can't say I learn a ton from it.. especially when the posts come with barbs or put down another's tastes or preferences. I actually don't see the debate, I like the Keith years.. but spring '79 was their last hurrah, and enter the '80's and they got a new keyboard player. It is what it is. I am thankful someone pressed "record" on the tape deck, sit back and enjoy (or press skip if there's out there that doesn't tickle your pleasure bone).
June 16, 2015 - 12:54pm

#6640

mbarilla

Joined:
August 8, 2013

Check out JGB live shows from 1978

Some great stops along the way from Keith in 1978. And another vote for Red Rocks July 7-8, 1978. Tennesse Jed ; Passenger ; Peggy-O ; The Music Never Stopped Killer four piece combo to end first night 1st set

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

ok, how do you get to the book

went over this thing with a fine tooth comb, can't find access to the book anywhere, I see the 45 in lid and I can see the scroll, but can't get to it, so far, what I can see, looks ok, now, how do I get this thing open

1980s

Apropos of nothing to do with the decision on what to release and not release, which is not a preference decision but a quality and sales viability issue, Dave's comments would suggest he is a big fan of 1980 and the late 1980s, 87-89. He does not speak as glowingly about the mid-80s and the reasons are obvious and certainly not unique to him. On the 10/21/83 show, there is a matrix out there that is hands down better than the quality of what was released.

Nail on the head . . .

Mr. Jack Straw, you are right on! Unkle Sam, if you pull down on the name rims on the long sides of the bottom of the box, you'll find your hidden treasure; just watch the video above if my direction isn't clear. Enjoy!

found it

guess I shouldn't have smoked before I opened the box. Could not see the video on other browser.

80's tapes and 30 trips selections

a few headscracthers in the box for me,, my reasoning is they had to pick something without stepping on any toes for future releases (1981 LOL !!!) And also remember the compilation looks like it has a nice flow due to some of the show selections (mere coincidence Shakedown is 1st track on one of the discs?) Could be why they went with 5.16.81 and this was the chance to release some flawed tapes that would have gotten a lot of bad reviews if it were an individual release, but buried in the box its really a mere footnote for most... For the big 30 trips box it seems they did reach a little for some years.. a few spot on picks include in Box on or would have made my top 3 1967 1969 1975 1979 1984 1987 1988 1989 1994 1995 but for 1981 are you saving the November and December shows for a box set ?? Great sounding tapes with very nice perfomances !! I would have went with Nov. or Dec. 1981 to include in big box. 1982 - without that Scarlet > Fire there is no way he would have selected it.. 8.10.82 is a better sounding tape and has a good amount of highlights, but nothing like the Scarlet > Fire

g1u2i3

Thanks for the comment. I am a little dense at times, what does that handle mean? Is it Gooey 213? I do appreciate the comment. My story telling still did not say exactly what I wanted (i.e. how the numbers really matched up). I really hesitated before I hit save. I got home last night wishing I had just deleted the post. I was concerned others would castigate me. Any way, been at the office for a while. Heading home to start the B/D celebration. The weather is awesome here today. Time to go start enjoying this beautiful green day and open this box. Hoping it is all there and in good shape...will be back in touch. Edit: Oh yeah, I have not watched the youtube video on the Jerry interview. It constantly pops up when I am watching Grateful Dead related videos there but just have not gotten around to watching it. I will definitely try to watch it in the next few days.

@Zuckfun

Thanks for the Dr. Rhino address. I'll send him an e-mail shortly.

Update of continental heads please....

Still waiting here in Austria, mmmmhhhh , no further information tooWhat about you folks from Italy , Germany , Belgium , Netherlands, France, UK ? Last time i got my Spring TOO box 8 days after it was shipped but earlier another package took six weeks to make it over here....

RSD list - Oct.27

and maybe Almanac announcement including DP2016 Edit - Neil Casal Fare Thee Well intermission music 2LP,, not sure if they will do a GD vinyl.. I am unclear if Neil Casal 2LP is under Rhino label. But its late in the game for RSD action,, this could be it

Done

Disc all ripped in. Need to edit them all and recheck labels. I use cd-ex for ripping and NONE of the disc were entered in, so I had to type all the info in. But now done.

Dennis Wilmot

What a chore. Thankful had to do none of that here.

re: mbarilla

Good analysis. The only 2 questions in my mind are why no matrix mixes for 80's tapes and why 5/16/81. I guess I will have the latter question addressed once I get to listening to the recording. Who knows, I might be able to justify it in my mind as Dead.net apparently has.

Re: Update of continental heads please....

Don't know whether all European sets have been shipped together, but DHL tracking now reports shipment has crossed the pond, cleared customs, and is now in the East Midlands ready for delivery!

80s sound

With the exception of '82, I thought they sounded acceptable ('85 has some hiccups), and the '84 show exceeded my expectations.

Arrival Outside Boston

Box #1813 landed on my stoop yesterday/Monday and it was a Holiday/off work no less so I was able to wrap myself around this bad boy in a fairly significant way. No miracle, but love the scroll and the question is do I have a wall space available to frame and hang this sucker?? it's pretty neat. Book is also a nice touch with the leather cover and of course the secret stashes for each item are cool. My 1 1/2 year old thinks those compartments are the coolest... Ticket: Cal Expo, 5/27/93 Backstage Pass: Delta Center Salt Lake City, 2/19/95 No personal ties to either so if anyone is interested in a swap, PM me.... Started out listening to '67 in most of its entirety (outstanding), then proceeded to jump all over the place, revisiting some gems from back in my cassette days. But started with the '73, then jumped to '76, then I really wanted to hear the start of the second set in Cape Cod, so naturally the '79 got some airplay. I was at the '94 show in Boston so looking forward to getting into that one formally as well. Hours of listening in front of us All.... No overall issues with the box itself in terms of construction and shipment. Inside has red felt. Interesting that there seems to be a split between red vs. blue innards. Glad we're all starting to revel in the receipt; for those who still have the acquisition to look forward to - there is no disappointment here, enjoy the anticipation! Sixtus

Gary Farseer . . .

. . . g1u2i3 doesn't stand for anything. Many years ago, I was trying to set up a new username with "guitar" in the name and kept getting it rejected over and over again. Finally, out of frustration, I just added numbers 1,2 and 3 in between the "gui" of guitar and voilà, it was accepted. Simple as that. Wish I had a more creative interpretation.

Question: The Book in the Europe '72 Box Set?

I missed out on the Europe '72 Trunk and all its goodies, but bought the music only version. For those who got the trunk, can you tell me if the Book included is worth seeking out to purchase? And now that you've had a chance to look at it, what would be the most you would pay for it? Thanks!

I love a good conspiracy theory..

Did I somehow miss yet another conspiracy theory? Damn.. Well, now that the cats out of the bag, I KNEW IT!. Jerry is alive and well, living in a guarded complex in Fuji, snorkeling by day snoring by night. He lives comfortably with two roomies, Elvis and Roy Orbison. As many of you already know.. Elvis HATES 1980's GD.. he digs that '70's sound. So there you have it. I think that explains it, no loose ends. Back to the box. _________________________________ One Edit/Add: Unlike Elvis.. I do like 80's shows. They are playing Dicks Picks 13 on SiriusXM today, man.. that Let It Grow freakin' smokes. As for my box.. it arrived yesterday. I am so overwhelmed.. I really don't know where to start. I only streamed half a show (95 at that).. I guess I will start at '66 and remember to take baby steps. Holy mother of god.. this thing is massive in scope.

@ purpleerik69

Boxilla left yesterday DHL downtown Harrisburg (Pennsylvania) to Cincinnati (Ohio). He left Cincinnati today. I am in France. DHL announces a delivery for me Thursday. I hope!

Miracle

Yes, I had a miracle yesterday but it had nothing to do with the scroll.After discovering my box had damage I was somewhat bummed. I decided not to focus on it and play some of the delicious music instead. Bam, the power goes out. I think, after all this waiting you've got to be kidding!! Must find batteries for boom box. No "c" batteries. I decide listing on computer speakers would be a buzz-kill. This quandry continues for an hour. My girlfriend says let's go for a ride so you can hear some JERRY. As soon as the sacred name is spoken the power comes on!!!! Thank You, JERRY

@ Tysonsupina

Great story!

Re: The Book in the Europe '72 Box Set?

For me, the book included in Europe '72 is really worth. For three reasons, two very personal: - It is very well done, with lots of photos of musicians on stage; - David Lemieux has published the photo of the front of the theater of Olympia (in Paris) I sent him, and he used the articles of the French rock press of the time for the text of the book I also sent him; - And in the last page of the book, my name is mentioned among the people thanked. You understand that this book was for me a far greater value than market value. I do not sell it.

Re: Alain and Tyson..

Alain and Tyson, both very cool stories, thanks for sharing.. I like the E-72 book also, and don't mind the trunk (although I am careful with it). Good coffee table book, but I bet most sit in the trunk and don't get out much.

'79 to '82 show's

Doesn't surprise me that they don't sound that great. These are the only releases in the box from cassettes and there the only show's that didn't get a proper transfer. They all run slow and the pitch is off and the '82 show was recorded with Dolby B that was left off during transfer.

@ purpleerik69 (2)

My package just arrived in Brussels (Belgium)! Tomorrow in Paris? The next day at home?

Stealing Music?

Is it illegal to post free downloads of officially released music online without permission? They're be allowed to do just that by the administrator with the 30 Trips box on that Facebook Fan page that is frequently mentioned here. If it is illegal, I would recommend the guy pull it down before he gets seriously fined and urge others not to post links to free downloads of music I had to pay $700 for. Not at all cool.

In other Facebook news...

I unfriend you! That's not how it works, that's not how any of this works.

Not at all cool..

Everyone here knows how much you dislike that guy on the Grateful Dead Facebook fan page, Spacebrother, but trying to get him in trouble with Rhino or possibly the law is just low. The other guy doesn't bring it over here so keep it out of this forum. Thank you.

Anyone Else?

Has anyone else that has ordered this box still not receive the box or some sort of shipping info? My order status still shows Backordered and no shipping email either.

Re: Brilliant

..I don't do facebook, but if I did, I would friend you (if that's how it works). That cracked me up and is almost as funny as your holding out for Super High Def comment a few months back on the Spring TOO page. Thanks Dantian.

one reason 5.16.81 was the pick

1. MSG 2 night box set - March 9, 10. Lol

Welcome to Los Angeles

my 16 pounds of gold has arrived

Serendipity

A few years ago I bought an original unused ticket from my first show, Ventura County Fairgrounds 7/22/84. Wouldn't you know it, the ticket in my 30 Trips box set is from my last show, Oakland Coliseum 10/27/91. Better than a Miracle scroll!

# 2839 Arrived in the Eastern Sierra, California

In perfect condition. The box truly is a masterpiece. Little details: hidden magnets to close the two bottom compartments. The quotes inside the 'doors'. The book is beautiful. I checked and it does have threads stitched through the binding, so hopefully it will not fall apart over time even if the glue fails. Ticket: October 30, 1991- Oakland Coliseum, Pass: August 22, 1993 Autzen Stadium, Eugene Oregon. I am very much looking forward to listening to these shows!

To TPTB...

You've got my contact info. Why not use it and give me some sort of f'n update?Completely in the dark,not a fun way to fly....

Some more notes on box....

I had mention (and others also) about veneer peeling off, I had suggested wood glue. My veneers on the two hidden flaps had just a little. Like when they opened it to put books and scroll inside it peeled a tiny bit. I got some wood glue, applied with a toothpick and clamped with a paper clip. Worked great. Since I've ripped all my disc in, I threw the box on the shelf, what really struck me was why didn't they start with Jerry's name on the front panel, now I look at the box and it says "Pen Bill Phil Mickey",,, kinda odd where they started?!? Minor complaints I know, glad I got it. The very last disc wasn't recognized in my desktop computer, but worked just fine in my wife's laptop. I've had that with lots of other disc, will not rip on drive 1, but works in drive 2. I don't know why??? But no missing disc, no cracked disc. Can always have a bad rip, will never know until I listen to them all. That may take awhile, only so much listen time available. I guess everyone was right about it looking like a case of beer, my wife came home last night and it was on the counter, finally she said, oh that's the box you bought, I thought it was a case of beer. :-) I also chuckled to myself several times while reading Dave's comments on the inside cover of each disc. Did he go to the Trump school of marketing. His use of superlatives for everything made me laugh, I could only hear "the Donald". It was a tremendously monsterest Don't Ease Me In, the like of which the world will never see again,,, and I know because people come up to me all the time and tell me I know Dead shows like no one else, but me an Jerry were personal friends. Many a time Jerry would tell me how he just couldn't keep up with me in the amount of blow I could do. And of course I only got the best blow,,,, Jer told me that all the time. Enjoy you boxes and the ones that didn't get one, their loser with low energy :-)

wilfredtjones and data entering

I sucks to do, but at least it's my way. I don't rip them in like disc 1, disc 2, disc 3 with tracks 1-8, 1-6, 1-9. I rip them into a common folder and number them 1-end. My folder will contain all the songs numbered in order. I don't care which set it is, or if it's an encore. You'll know when you listen. The worst part is adding the ">" to the id tag. Still in the air if it's easier to just type filename with out and add greater than to tag after, or rip with greater than in filename, have it turn to an "_", then change the filename. It's a buck dancers choice I guess.

UPDATE Europe '72 book?

I have the Europe '72 box set, and don't recall getting a book with it. I guess maybe I'd better open my trunk up tonight and see..... I looked. It was there......a real DOH!! moment

Ok I screwed up..

... I thought I was just deleting all my "sent" "PM"S", but I deleted all my "PM's". I know I was in touch with a couple of people about "things",, a Jeremy and a "I" guy, took care of tony F today, but now I don't have your info. I think that was Jeremy K. If you're waiting to hear from me, you may need to remail. Hit me at dennis.wilmot@verizon.net. Jeremy K, I see you in my email files.

Update from the Netherlands

DHL phoned me this evening to tell me how much I would have to pay them (import duty, tax, their charges for presenting the thing to customs), asked me how I wanted to pay (I chose to pay the delivery man when he brings it - he has a mobile PIN thang for bank and credit cards) and told me that delivery would occur on Thursday. Gotta take a day off work to be home for that. Had already arranged to take Friday off so its gonna be a long weekend. No problem with that!

How many of these shows are multi track masters?

I know the 89 show is mastered the same way Spring TOO was, but which other shows do you think have that quality?

#6429 arrives in Irvine, CA

Quick review: Damage free; red-felt; Ticket 10/30/91 Oakland, CA; Backstage Pass 8/22/93 Eugene, OR ....let's get ripping!

Europe '72 book

g1u2i3, I can't claim Alain's most excellent reasons for the Europe '72 book being dear to his heart (super cool), but I love it. The treasury of photos alone is worth it, and one section is nothing BUT photos. Plus some great reminiscences by a variety of those who were aboard. Well worth seeking out, in my opinion. The definitive document on that tour. Well, except for the audio documents, of course.....

Show quality for 83

Yeah - I can hear the kick drum as well, but when I listen to 10-15-83, I hear the kick drum, but its not so abrasive. That is disappointing since I love all the shows i've heard from late 83.

@ sfrank115

As far as I know, only the 11/10/67 L A show & 10/26/89 Miami shows were multi-track masters. the 11/10/67 show was an eight track recorder (as opposed to 2, 4, 16, 24 track analog machines), while the 89 show was 24 track analog.

Hey anrumler

I've gotten nothing either. No notice, no shipping information, no UPS tracking. I got all the notifications while we waited for months, but I'm getting impatient with the current wait.

#0040 Arrives in Kansas City MO

Arrived in great shape. Red Felt. Ticket is 10/27/91 Oakland CA. Backstage pass is 06/08/93 Auburn Hills, MI Looking forward to starting to listen tomorrow on the way to work!

Deep thoughts with mbarilla

I think mbarilla is really onto something with his analysis of the shows in the box. It's fascinating to think of how they're breaking down the vault and all the ideas and future releases floating around. In a box like this it probably is likely that they throw in a few duds. Shows that could never stand on their own as a DaP and wouldn't ever be a part of a box other than something like this. What good are they doing sitting in the vault taking up space and slowly getting older like the rest of us? Why not release them and hang onto the other shows that could possibly fit these other formats someday. I don't think they're purposely giving us stinkers but they found quality shows that are worth releasing with an audience patch and maybe less than ideal sound. This is the best format to do it.

MIRACLE in Iowa!

Show Quality

Yeah, that totally makes sense. Shows that could not stand on their own would logically end up in 30T. There are other plans for better sounding shows, or ones that would fit some smaller theme. We won't get shows like these again until a huge download plundering of the vault occurs, probably years from now. So why are people buying individual shows from this box? Oh, forgot - to fund someone's "eye operation". This reminds me, let's petition again for an Ignore button. It would cut down on feuds because you'd never even see posts from your favorite vile POS antagonist. Or the ill-advised reactions to them. Like mine!

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