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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • outpost
    Joined:
    11/14/73 on the Bolt USB
    The track order is the same as the CD's, which is just plain laziness on their part. I've corrected it when uploading to iTunes, and my back-up contains the original FLAC files along with the book etc. and also my Apple Lossless files in correct set order.
  • nab
    Joined:
    RE: Media generation gap
    Sorry if I was unclear, but I don't think that there is a 1:1 ratio between generation and media preference. I'm only interested in if a correlation exists at all and how that manifests. As far as cd vs. usb goes as a storage medium, the assumption rests on the physical object being the only copy of a given data set. If you control for digital archiving of copies, even without knowing if future systems will be able to read either cds or digital files (a possibility for both mediums), digital files have much more flexibility in respect to both corruptibility and longevity at present. This is especially true when you consider the risk of loosing a particular set of information (from a strictly exists/doesn't exist standpoint and not a product standpoint) can be spread among more users than can be with a physical medium.
  • Vguy72
    Joined:
    Re; 420bandito....
    ....going to the prom with one date ('76 Cobo) and catching a pretty eye and leaving with another (Jan '72 Winterland ) is like playing fire with fire. Who did you pin the corsage to? Cobo. You will long for her once the sparkle of the new apple to your eye fades.... ....kidding. I love 1972 (hence, part of my nametag). Have not heard that show. Maybe my eye (and ears) will wander as well. Good luck. Cobo is indeed a stunner. Proud to have her in the crook of my arm at this time....8.3.82 was fluttering her lashes at me a couple of days ago. Shame on her....slut ...btw nab. Are you arguing with yourself? Awesome! They have self-help classes for that. Lol. Cool comments tho....
  • Ziffle
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    Media generation gap?
    I generally agree with nab. I shudder at the thought of a box of 80 CDs. In truth, I would personally have been happy to dispense with the USB as well and take it as a download. I also agree with LoveJerry about archival storage media. The USB has a limited life span. High quality optical media in dead storage (no pun intended), maintained properly can last decades, USB, maybe ten years, with luck. Both the Library of Congress and British Museum have good information on this issue. But the best storage is continuously backing up and copying to whatever happens to be current. I leave indefinite long term archives to the Library of Congress, universities and similar institutions. I bought the USB version for the higher quality files and sparing me the annoyance of yet another stack of CDs. The only physical media that I voluntarily purchase are now blu ray discs. Unfortunately, because of piracy, I doubt we will get those as download files. I take issue with nab on one particular point, and that is the insistence that this is generational. Little doubt that I am in the "older" segment here. It is not a generational issue, it is an esthetic or mindset issue. Some folks enjoy physical media. This is legitimate. I have many LPs purchased decades ago, and a significant number of those have cover art that has value independent of the music on the LP. But from the point of view of the music, higher resolution digital files beat the pants off of LPs and CDs. In that regard, I believe that the transfers done for this set are superb, given the available sources, and I am quite certain that purely considering audio quality, the files on the USB are the best available audio, equal to the sources from which they are derived. It was generous of GDM to make these available, in effect selling us (who bought the USB), the master tapes. I also do not care a bit about investment value. I bought this set for listening, not selling. On that, I am with nab, but this is a personal matter.
  • nab
    Joined:
    RE: nab
    We'll start with the unsolicited moral lesson: "At this point, I know you're probably feeling a little bad about the snark you delivered, but truly I say!" - No, I'm not. The snark in my comment was directed at another bit of snark I was responding to directly. That would probably be more apparent if a reply was posted under a comment, but working with what we have here, I did the best I could by putting "RE:Enjoy, USB guys" in the subject line. That should direct a reader back to "Enjoy, USB guys", the way "RE:nab"lets everyone know I'm speaking to your comment. Now on the the other bits: "I think you're overstating the quality of the product you purchased." - No again. I have not purchased either product and don't have a financial dog in this fight. I can't speak directly to the quality of either product, but I am speaking to the "USB vs. CD" discussion which is interesting to me, especially the generational aspects which were alluded to in the comment I was responding to. That said, I bet that getting a copy of the digital files from the store might be a bit easier than a whole set after the presses haven't been set to print that product for five years. "From my point of view, by purchasing the CDs, I've eliminated a single point of failure for my product,and diversified it out to 80 components." - At first this comment was an interesting take to me. Then I remembered, short of the entire usb failing (and having no other backup of the files) this take applies to data corruption on a drive as well. The data isn't one file but many inside many folders. Yes, a file may corrupt, maybe even a whole folder, but they're not all going to go from the entire usb failing. Just think of that file as the skipping track. The rest are all good. Additionally, you have not eliminated a single point of failure. Natural disaster, theft, any number of things could excise the set from your possession. Maybe you have a digital copy to fall back on, in which case your're really in the same boat as all the other usb users, only now you're talking about your personal data storage system. Maybe you have another physical back up (cd-r or some other disc), but then you're entering into the realm of "considerable effort" I was talking about, and if you don't have the original box, you don't have an investment to speak of. "Since the Box Set and the USB Drive were the same price, I figured I would go with the medium that gave me more value for my money" - From an investment value, I believe you are probably right, but I could care less about the investment value and was speaking only about the storage medium. "Age and durability. CDs last longer..." - There is enough serious debate about this to make declarative statements like this seriously unhelpful to anyone interested in understanding the subject. The rest that follows is anecdotal. The rest: Thanks for the lesson, but I know my way to the Google search bar. To close: Eliminating a single point of failure should not be the most important consideration for buying one product or the other. Both products can fail and multiple backup options exist for both products; it's just easier if the raw material you are working with is a digital file to begin with. While it may be advantageous to choose one product over another from a investment prospective, that isn't a single consideration for purchasing one product over another for all consumers (not to mention that the usb is advertised as a different digital product than the cd). The durability of each product as a storage medium is still a matter of debate without a declarative answer.
  • the420bandito
    Joined:
    keep ramblin'
    Well I was all in love with the '76 Cobo - Ramble on Rose until I heard them play it 1972-01-02 Winterland, San Fran, CA. Searing!! Jerry's voice sounds very different when you hear them both.
  • Born Cross Eye…
    Joined:
    11/14/73 on the Bolt USB
    Has the playing order of this show been corrected on the Bolt? It seems to be quite a problem that you have to go back and forward with this show. I'm glad I didn't buy this "thing" as per LoveJerry's and others comments about the fragility of USB drives. I have "corrected" the CD problem by burning 4 CD-Rs of this show and while doing that, I've invested the time to burn CD-Rs for the whole box of discs, including the 45 r.p.m. 7" single vinyl disc, which is filler on disc 3 of 2/21/95. Totally "old-school". 81 CD-Rs. If I still had a cassette player in my car, I'd record the shows to tape to play in my car. Real Old School, totally.
  • TheDude77
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    Joined:
    Book
    They said hard book and not hardcover. Maybe they were talking about a hard copy on the hard drive. The book we received with the box is not really a hardcover book. Read it enough and it will probably fall apart.
  • Roscoe R
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    Joined:
    USB/Hard copy Book
    According to customer service at dead.net; Rhino will not be sending hard cover books to those like myself who bought the USB.Very disappointing. Not that I am looking for something that I didn't pay for but the broken promise.If they never offered the book, I would have been cool with the delay. Shit happens. I didn't expect the broken promise to happen with a company associated to the dead.
  • outpost
    Joined:
    Happy with the USB
    After all the issues with the USB, I'm happy that I went for this option. It's a cool design, and even though I feel they could have taken this opportunity to make the shows seamless, I'm not complaining. Hope they make this an option for future releases, but just need to get their act together with the logistics. I've just finished uploading everything into iTunes, into correct set order, and can spend the holiday enjoying the music.
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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went over this thing with a fine tooth comb, can't find access to the book anywhere, I see the 45 in lid and I can see the scroll, but can't get to it, so far, what I can see, looks ok, now, how do I get this thing open
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Apropos of nothing to do with the decision on what to release and not release, which is not a preference decision but a quality and sales viability issue, Dave's comments would suggest he is a big fan of 1980 and the late 1980s, 87-89. He does not speak as glowingly about the mid-80s and the reasons are obvious and certainly not unique to him. On the 10/21/83 show, there is a matrix out there that is hands down better than the quality of what was released.
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14 years 9 months
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Mr. Jack Straw, you are right on! Unkle Sam, if you pull down on the name rims on the long sides of the bottom of the box, you'll find your hidden treasure; just watch the video above if my direction isn't clear. Enjoy!
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guess I shouldn't have smoked before I opened the box. Could not see the video on other browser.
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11 years 3 months
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a few headscracthers in the box for me,, my reasoning is they had to pick something without stepping on any toes for future releases (1981 LOL !!!) And also remember the compilation looks like it has a nice flow due to some of the show selections (mere coincidence Shakedown is 1st track on one of the discs?) Could be why they went with 5.16.81 and this was the chance to release some flawed tapes that would have gotten a lot of bad reviews if it were an individual release, but buried in the box its really a mere footnote for most... For the big 30 trips box it seems they did reach a little for some years.. a few spot on picks include in Box on or would have made my top 3 1967 1969 1975 1979 1984 1987 1988 1989 1994 1995 but for 1981 are you saving the November and December shows for a box set ?? Great sounding tapes with very nice perfomances !! I would have went with Nov. or Dec. 1981 to include in big box. 1982 - without that Scarlet > Fire there is no way he would have selected it.. 8.10.82 is a better sounding tape and has a good amount of highlights, but nothing like the Scarlet > Fire
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Thanks for the comment. I am a little dense at times, what does that handle mean? Is it Gooey 213? I do appreciate the comment. My story telling still did not say exactly what I wanted (i.e. how the numbers really matched up). I really hesitated before I hit save. I got home last night wishing I had just deleted the post. I was concerned others would castigate me. Any way, been at the office for a while. Heading home to start the B/D celebration. The weather is awesome here today. Time to go start enjoying this beautiful green day and open this box. Hoping it is all there and in good shape...will be back in touch. Edit: Oh yeah, I have not watched the youtube video on the Jerry interview. It constantly pops up when I am watching Grateful Dead related videos there but just have not gotten around to watching it. I will definitely try to watch it in the next few days.
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11 years
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Thanks for the Dr. Rhino address. I'll send him an e-mail shortly.
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9 years 5 months
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Still waiting here in Austria, mmmmhhhh , no further information tooWhat about you folks from Italy , Germany , Belgium , Netherlands, France, UK ? Last time i got my Spring TOO box 8 days after it was shipped but earlier another package took six weeks to make it over here....
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and maybe Almanac announcement including DP2016 Edit - Neil Casal Fare Thee Well intermission music 2LP,, not sure if they will do a GD vinyl.. I am unclear if Neil Casal 2LP is under Rhino label. But its late in the game for RSD action,, this could be it
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Disc all ripped in. Need to edit them all and recheck labels. I use cd-ex for ripping and NONE of the disc were entered in, so I had to type all the info in. But now done.
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What a chore. Thankful had to do none of that here.
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Good analysis. The only 2 questions in my mind are why no matrix mixes for 80's tapes and why 5/16/81. I guess I will have the latter question addressed once I get to listening to the recording. Who knows, I might be able to justify it in my mind as Dead.net apparently has.
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Don't know whether all European sets have been shipped together, but DHL tracking now reports shipment has crossed the pond, cleared customs, and is now in the East Midlands ready for delivery!
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With the exception of '82, I thought they sounded acceptable ('85 has some hiccups), and the '84 show exceeded my expectations.
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Box #1813 landed on my stoop yesterday/Monday and it was a Holiday/off work no less so I was able to wrap myself around this bad boy in a fairly significant way. No miracle, but love the scroll and the question is do I have a wall space available to frame and hang this sucker?? it's pretty neat. Book is also a nice touch with the leather cover and of course the secret stashes for each item are cool. My 1 1/2 year old thinks those compartments are the coolest... Ticket: Cal Expo, 5/27/93 Backstage Pass: Delta Center Salt Lake City, 2/19/95 No personal ties to either so if anyone is interested in a swap, PM me.... Started out listening to '67 in most of its entirety (outstanding), then proceeded to jump all over the place, revisiting some gems from back in my cassette days. But started with the '73, then jumped to '76, then I really wanted to hear the start of the second set in Cape Cod, so naturally the '79 got some airplay. I was at the '94 show in Boston so looking forward to getting into that one formally as well. Hours of listening in front of us All.... No overall issues with the box itself in terms of construction and shipment. Inside has red felt. Interesting that there seems to be a split between red vs. blue innards. Glad we're all starting to revel in the receipt; for those who still have the acquisition to look forward to - there is no disappointment here, enjoy the anticipation! Sixtus
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. . . g1u2i3 doesn't stand for anything. Many years ago, I was trying to set up a new username with "guitar" in the name and kept getting it rejected over and over again. Finally, out of frustration, I just added numbers 1,2 and 3 in between the "gui" of guitar and voilà, it was accepted. Simple as that. Wish I had a more creative interpretation.
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I missed out on the Europe '72 Trunk and all its goodies, but bought the music only version. For those who got the trunk, can you tell me if the Book included is worth seeking out to purchase? And now that you've had a chance to look at it, what would be the most you would pay for it? Thanks!
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Did I somehow miss yet another conspiracy theory? Damn.. Well, now that the cats out of the bag, I KNEW IT!. Jerry is alive and well, living in a guarded complex in Fuji, snorkeling by day snoring by night. He lives comfortably with two roomies, Elvis and Roy Orbison. As many of you already know.. Elvis HATES 1980's GD.. he digs that '70's sound. So there you have it. I think that explains it, no loose ends. Back to the box. _________________________________ One Edit/Add: Unlike Elvis.. I do like 80's shows. They are playing Dicks Picks 13 on SiriusXM today, man.. that Let It Grow freakin' smokes. As for my box.. it arrived yesterday. I am so overwhelmed.. I really don't know where to start. I only streamed half a show (95 at that).. I guess I will start at '66 and remember to take baby steps. Holy mother of god.. this thing is massive in scope.
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Boxilla left yesterday DHL downtown Harrisburg (Pennsylvania) to Cincinnati (Ohio). He left Cincinnati today. I am in France. DHL announces a delivery for me Thursday. I hope!
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Yes, I had a miracle yesterday but it had nothing to do with the scroll.After discovering my box had damage I was somewhat bummed. I decided not to focus on it and play some of the delicious music instead. Bam, the power goes out. I think, after all this waiting you've got to be kidding!! Must find batteries for boom box. No "c" batteries. I decide listing on computer speakers would be a buzz-kill. This quandry continues for an hour. My girlfriend says let's go for a ride so you can hear some JERRY. As soon as the sacred name is spoken the power comes on!!!! Thank You, JERRY
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For me, the book included in Europe '72 is really worth. For three reasons, two very personal: - It is very well done, with lots of photos of musicians on stage; - David Lemieux has published the photo of the front of the theater of Olympia (in Paris) I sent him, and he used the articles of the French rock press of the time for the text of the book I also sent him; - And in the last page of the book, my name is mentioned among the people thanked. You understand that this book was for me a far greater value than market value. I do not sell it.
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Alain and Tyson, both very cool stories, thanks for sharing.. I like the E-72 book also, and don't mind the trunk (although I am careful with it). Good coffee table book, but I bet most sit in the trunk and don't get out much.
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Doesn't surprise me that they don't sound that great. These are the only releases in the box from cassettes and there the only show's that didn't get a proper transfer. They all run slow and the pitch is off and the '82 show was recorded with Dolby B that was left off during transfer.
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My package just arrived in Brussels (Belgium)! Tomorrow in Paris? The next day at home?
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Is it illegal to post free downloads of officially released music online without permission? They're be allowed to do just that by the administrator with the 30 Trips box on that Facebook Fan page that is frequently mentioned here. If it is illegal, I would recommend the guy pull it down before he gets seriously fined and urge others not to post links to free downloads of music I had to pay $700 for. Not at all cool.
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Everyone here knows how much you dislike that guy on the Grateful Dead Facebook fan page, Spacebrother, but trying to get him in trouble with Rhino or possibly the law is just low. The other guy doesn't bring it over here so keep it out of this forum. Thank you.
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16 years 7 months
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Has anyone else that has ordered this box still not receive the box or some sort of shipping info? My order status still shows Backordered and no shipping email either.
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13 years 4 months
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..I don't do facebook, but if I did, I would friend you (if that's how it works). That cracked me up and is almost as funny as your holding out for Super High Def comment a few months back on the Spring TOO page. Thanks Dantian.
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A few years ago I bought an original unused ticket from my first show, Ventura County Fairgrounds 7/22/84. Wouldn't you know it, the ticket in my 30 Trips box set is from my last show, Oakland Coliseum 10/27/91. Better than a Miracle scroll!
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In perfect condition. The box truly is a masterpiece. Little details: hidden magnets to close the two bottom compartments. The quotes inside the 'doors'. The book is beautiful. I checked and it does have threads stitched through the binding, so hopefully it will not fall apart over time even if the glue fails. Ticket: October 30, 1991- Oakland Coliseum, Pass: August 22, 1993 Autzen Stadium, Eugene Oregon. I am very much looking forward to listening to these shows!
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You've got my contact info. Why not use it and give me some sort of f'n update?Completely in the dark,not a fun way to fly....
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I had mention (and others also) about veneer peeling off, I had suggested wood glue. My veneers on the two hidden flaps had just a little. Like when they opened it to put books and scroll inside it peeled a tiny bit. I got some wood glue, applied with a toothpick and clamped with a paper clip. Worked great. Since I've ripped all my disc in, I threw the box on the shelf, what really struck me was why didn't they start with Jerry's name on the front panel, now I look at the box and it says "Pen Bill Phil Mickey",,, kinda odd where they started?!? Minor complaints I know, glad I got it. The very last disc wasn't recognized in my desktop computer, but worked just fine in my wife's laptop. I've had that with lots of other disc, will not rip on drive 1, but works in drive 2. I don't know why??? But no missing disc, no cracked disc. Can always have a bad rip, will never know until I listen to them all. That may take awhile, only so much listen time available. I guess everyone was right about it looking like a case of beer, my wife came home last night and it was on the counter, finally she said, oh that's the box you bought, I thought it was a case of beer. :-) I also chuckled to myself several times while reading Dave's comments on the inside cover of each disc. Did he go to the Trump school of marketing. His use of superlatives for everything made me laugh, I could only hear "the Donald". It was a tremendously monsterest Don't Ease Me In, the like of which the world will never see again,,, and I know because people come up to me all the time and tell me I know Dead shows like no one else, but me an Jerry were personal friends. Many a time Jerry would tell me how he just couldn't keep up with me in the amount of blow I could do. And of course I only got the best blow,,,, Jer told me that all the time. Enjoy you boxes and the ones that didn't get one, their loser with low energy :-)
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12 years
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I sucks to do, but at least it's my way. I don't rip them in like disc 1, disc 2, disc 3 with tracks 1-8, 1-6, 1-9. I rip them into a common folder and number them 1-end. My folder will contain all the songs numbered in order. I don't care which set it is, or if it's an encore. You'll know when you listen. The worst part is adding the ">" to the id tag. Still in the air if it's easier to just type filename with out and add greater than to tag after, or rip with greater than in filename, have it turn to an "_", then change the filename. It's a buck dancers choice I guess.
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17 years 5 months
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I have the Europe '72 box set, and don't recall getting a book with it. I guess maybe I'd better open my trunk up tonight and see..... I looked. It was there......a real DOH!! moment
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12 years
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... I thought I was just deleting all my "sent" "PM"S", but I deleted all my "PM's". I know I was in touch with a couple of people about "things",, a Jeremy and a "I" guy, took care of tony F today, but now I don't have your info. I think that was Jeremy K. If you're waiting to hear from me, you may need to remail. Hit me at dennis.wilmot@verizon.net. Jeremy K, I see you in my email files.
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17 years 5 months
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DHL phoned me this evening to tell me how much I would have to pay them (import duty, tax, their charges for presenting the thing to customs), asked me how I wanted to pay (I chose to pay the delivery man when he brings it - he has a mobile PIN thang for bank and credit cards) and told me that delivery would occur on Thursday. Gotta take a day off work to be home for that. Had already arranged to take Friday off so its gonna be a long weekend. No problem with that!
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16 years 6 months
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Quick review: Damage free; red-felt; Ticket 10/30/91 Oakland, CA; Backstage Pass 8/22/93 Eugene, OR ....let's get ripping!

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17 years 5 months
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g1u2i3, I can't claim Alain's most excellent reasons for the Europe '72 book being dear to his heart (super cool), but I love it. The treasury of photos alone is worth it, and one section is nothing BUT photos. Plus some great reminiscences by a variety of those who were aboard. Well worth seeking out, in my opinion. The definitive document on that tour. Well, except for the audio documents, of course.....
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11 years 5 months
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Yeah - I can hear the kick drum as well, but when I listen to 10-15-83, I hear the kick drum, but its not so abrasive. That is disappointing since I love all the shows i've heard from late 83.
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16 years 2 months
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As far as I know, only the 11/10/67 L A show & 10/26/89 Miami shows were multi-track masters. the 11/10/67 show was an eight track recorder (as opposed to 2, 4, 16, 24 track analog machines), while the 89 show was 24 track analog.
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9 years 8 months
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I've gotten nothing either. No notice, no shipping information, no UPS tracking. I got all the notifications while we waited for months, but I'm getting impatient with the current wait.
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15 years 10 months
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Arrived in great shape. Red Felt. Ticket is 10/27/91 Oakland CA. Backstage pass is 06/08/93 Auburn Hills, MI Looking forward to starting to listen tomorrow on the way to work!
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9 years 1 month
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I think mbarilla is really onto something with his analysis of the shows in the box. It's fascinating to think of how they're breaking down the vault and all the ideas and future releases floating around. In a box like this it probably is likely that they throw in a few duds. Shows that could never stand on their own as a DaP and wouldn't ever be a part of a box other than something like this. What good are they doing sitting in the vault taking up space and slowly getting older like the rest of us? Why not release them and hang onto the other shows that could possibly fit these other formats someday. I don't think they're purposely giving us stinkers but they found quality shows that are worth releasing with an audience patch and maybe less than ideal sound. This is the best format to do it.
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13 years 6 months
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Yeah, that totally makes sense. Shows that could not stand on their own would logically end up in 30T. There are other plans for better sounding shows, or ones that would fit some smaller theme. We won't get shows like these again until a huge download plundering of the vault occurs, probably years from now. So why are people buying individual shows from this box? Oh, forgot - to fund someone's "eye operation". This reminds me, let's petition again for an Ignore button. It would cut down on feuds because you'd never even see posts from your favorite vile POS antagonist. Or the ill-advised reactions to them. Like mine!
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