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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • One Man
    Joined:
    And May I Add...
    1973 - This one is simply monstrous. It sputters a bit getting started, but by the time of China/Rider, there is no turning back. Yes, that TOO jam segment looks great on paper and it lives up to your wishes. There are a couple of aud patches and neither one is pitch corrected. These are minor blemishes, and this show will enjoy much play around here.
  • Younger_than_Y…
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    More Listening Required
    Listened to the first 4-5 shows last year and think I went in to much. Just listened to '68 and found it amazing! Jerry's guitar sounds so happy and bouncy. Rough sound at first and Phil is to high in the mix and Bobby to far back, but it gets better. 1967 is crazy good. No doubt primal Dead. The sound is very fresh. Has there ever been music like that since? No band could match these guys live.
  • One Man
    Joined:
    1966-1972
    Who scared away Kate? Stop doing that. I really miss her posts. Did she erase one below? Here are some thoughts thus far. I also have song-by-song notes, too long for here: 1966 – As you would expect, this show features embryonic versions of many songs that grew to much greater proportions in later years. It also contains a bunch of relative rarities, and it all sounds pretty good. I think this is a great choice to open the box, even if a couple of songs are incomplete. The vibe is very pizza parlor. 1967 – As expected again, our heroes have audibly expanded their musical talents by this time and have incorporated more original tunes into their act. The sound quality here is as good as possible, since it was mixed from an archived 8-track source tape, only one of two multi-tracks in the whole box. Pig is big on this show. I like his songs best, plus “New Potato Caboose”. “Viola Lee Blues” also got a lot of love from listeners, and while I think it’s grand, you could probably find a hotter one or two. 1968 – This is a short show, and it really takes off about halfway through, with the early rendition of “Dark Star”. The sound is a little rough, and probably would have prevented release in a stand-alone context. So we are lucky to have this little unpolished gem, and I for one will certainly give it an occasional spin. The jams are big, big, big. 1969 – There was some chatter about this show being in the same league as the famous Fillmore West run of just a few days hence. But it is not of that caliber, and because it shares so many songs with that more snazzy series of shows, I probably won’t be listening much to this one. I do particularly like the take on “Death Don’t Have No Mercy”. 1970 – This is the clear winner thus far. The sound is fuzzy at times, and the organ is but a shadow, but the playing makes up for any audio slights. Do not miss the jam out of “Drums”, nor the jam in “Dancing in the Street”. In fact, do not miss any of this show. 1971 – As much as I love the 1970 show, I find this one somewhat spotty, mainly due to under-rehearsed new songs and one inexcusable cut in “Goin’ Down the Road Feeling Bad”. The good stuff is good, however. Again, there is little chance this show would ever have seen the light of day if not for this giant thematic collection of goodies. 1972 – Are there any truly bad shows from this year? I think not. This one is marvelous, with only a couple of rough spots and two big jam vehicles to make up for any transgressions. I could see this as a Dave’s Pick, or whatever series you name. It will take its rightful place alongside all other official releases from 1972. You know what to expect here, and you get it.
  • Mr.Dc
    Joined:
    KYtrips
    I have enjoyed your 30trips show write ups, thanks for posting.
  • ladwasur
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    Nice
    good thing you dont have to pay to watch your seaside chats,, the audio is awful, a little thing called wind makes it worse than listening to an awful audience tape. For somebody who is always picky about sound quality, ya might want to get those things fixed, so its not painful to watch. http://www.worldworx.tv
  • KYTrips
    Joined:
    1971
    This is just a REALLY solid show, from beginning to end. There aren't a lot of super highlights, nor are there any clunkers, in my opinion. The Casey Jones opener is really strong, and the rest of the first set just continues in it's footsteps. Again, nothing stand-out, but everything is just really, really good. I particularly enjoyed "Me and Bobby McGee" (which I'm not normally big on) and "Ain't It Crazy (The Rub)". The shortened PITB near the end of the first set is also a nice change from the longer, jammy PITBs that would become the band's norm. The second set also is a good one, with my personal highlights being Truckin', The Other One and NFA. I hate to sound so repetitive, but really, there's nothing bad to say about this show and there are really no stand-out, blow your mind moments. It's just a really good show. Show rating: B+
  • KYTrips
    Joined:
    1970 (WOOOOOO!!!!)
    Moving into a new decade, the Dead don't miss a beat. The first time I listened to this show I was driving my car to work early in the morning. I thought... "Wow... this is a nice "Cold Rain & Snow" opener as it came to a delicious conclusion. Little did I know I was about to be ripped from my peaceful, easy, early-morning bliss by a sound which can only be described as the shriek of a banshee following the opening number. Woooooooo!!!! Ahh... Bobby Weir welcomes us all to Winterland. Let me just say... this show is a GEM. It's got everything I want in a GD show... energy, an interesting setlist, and some top-notch performances. CR&S opener, as mentioned, is a very nice version. It's followed by a great China Cat > Rider, which would only be better if Jerry hadn't screwed up the lyrics at what I believe to be the most critical point of this pairing. "Technical Difficulties" then ensue, which provide for some entertaining on-stage banter, followed by some more blood-curdling screams from Mr. Weir. "Mama Tried" is straight-forward as always, and done well here. Then, the show REALLY starts for me when they break out "It's A Man's World", with Pig laying down the vocals. A song I wish they'd played more often. A very early "Candyman" follows, and you can tell that the boys are still working this one out a bit. A great "Hard to Handle" and an unremarkable "Cumberland Blues" close out the first disc. The second disc starts with a big, fat, tasty "Cryptical Envelopment" sandwich, with "Drums" and some jamming leading into an awesome "The Other One" as the filler in that sandwich. Nicely done, boys! A great version of "Dire Wolf" follows and then the boys stretch their legs and get into "jam mode" and kick into a high-energy "Dancing in the Street". The show closes with an absolutely high-energy, delightful Lovelight > NFA > Lovelight which goes on for about 20 minutes! Overall, a fantastic show with very few "boring" moments for me. High point for me is definitely the first half of the second disc, but it's followed closely by the final 20 minutes of the show. Show grade: A-
  • Sixtus_
    Joined:
    re: The Eleven/75
    Thanks LoveJerry, glad I'm not the only one this has bothered and that others have noticed. It could have been a fun romp through the melody especially after the absence. We still have our beloved '68's and 69's when there's a hankerin'.... Sixtus
  • LoveJerry
    Joined:
    The Eleven / '75
    Sixtus, I was disapointed as well. The 30 Trips 1975 Eleven Jam is not the actual melody that underlies the vocal portion of the The Eleven, it's the bass line that they all jam to during the second part of the Eleven (so for example if you tune into the 10 minute mark of the Two From the Vault version, that's what they're playing on the 30 Trips 1975 Eleven Jam).
  • jrf68@hotmail.com
    Joined:
    Fish On!
    First brown of the year today in tha John D. Rockefeller,Jr. Memorial Parkway.(A little slice-o-heaven in between GT & Jellystone) ;0)
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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Merci, Vguy72 ! Highly tomorrow, for you, for me and others.
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.
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Why are we bombarded every day with sales posts from a certain overseas member, who is using this space for personal gain through commodification. The Terms of Use for this site states it is forbidden to: "Use the Site to advertise or offer to sell or buy any goods or services without our express prior written consent." So why is this continually allowed to go on here? It's unethical and an abuse of what this space is for. Do we need moderators? Or do they need more help? This needs to be addressed. Who do we need to contact to communicate this to the management of this site?
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Although I only comprehend 1/3 of your knowledge, I hear ya about blind loyalty to purchase. But since this isn't technically Rhino selling this anymore you should see if anyone on this site may have some 90's shows for sale. Who knows you may get lucky and someone posts they have these available to purchase. I doubt it though. Good Luck
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Concerning the worst sounding shows on USB vs CD, when they said they used different masters I expect for the USB they didn't do any fadeouts and the slight overlaps that they do for the CD's, plus in order to do the HDCD encoding, the peak amplitude must be under -6db because the HDCD adds 6db (or decoding reduces by 6db - amounting to the same thing). Maybe they applied some dynamic range compression to the CD masters, but if so I bet it would be a very small amount. In the past I posted how it appears they did some dynamic range compression on spring 90 TOO because I compared the 3/29/90 show hi res download to the CD. I realize now that I didn't decode the CD version using hdcd.exe before analyzing those, so it's possible they used absolutely no dynamic range compression on the CD's, I will need to recheck that. In any case, the sound quality of the worst sounding shows (or any of the others) will not be any different on USB vs CD. The hiss on the '82 show and the multi-song aud patch on the '81 show will sound exactly the same. I'd bet the "different masters" only refers to the fadeouts/overlapping, and maybe peak volume level and that's it. I think it's highly unlikely the masters are any different in any other respect at all. Edit: the double blind testing a friend and I were going to do last weekend or this weekend will have to wait a little while. Highly unexpected success of the cubbies (and a couple of other things) has intervened ;)
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"... A few drops of Mr. Ed...." The imagery was nauseatingly hilarious. Also, do NOT repeat over and over and over in your mind the following: I cannot live without Spring '90 TOO, I cannot live without Spring '90 TOO, I cannot live without Spring '90 TOO, I cannot live without Spring '90 TOO, I cannot live without Spring '90 TOO, I cannot live without Spring '90 TOO, I cannot live without Spring '90 TOO, I cannot live without Spring '90 TOO, .......
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I got mine today in the UK. Very nice package. The only negative is that the segues aren't indicated on the packaging, or in the book. When I rip CDs, I join the tracks for all the jams, so I'll have to look up each show elsewhere. But I'm looking forward to listening. I'm going to take this slowly, one show a day. I assume my scroll doesn't say MIRACLE; I guess it would be printed pretty big, but I don't see it anywhere. Has anyone gotten a miracle scroll?
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I promise y'all, this is the LAST time I will acknowledge this problem many of us have called saintstephen1971 (aka thebanditisback on eBay, aka Stephen Gilmore from some hole down under). Let's do this: Simply send a PM to MaryE, our patient moderator, saying something along the lines of: "Despite many, many pleas to stop his commercial posts on this message board, member saintstephen1971 not only has not stopped, he has antagonized everyone who complains. He is blatantly violating the Terms of Use with his advertisements of product purchased on this site expressly for resale at a profit. Many of us find this (and him) offensive. Please moderate his activities on this board if you would be so kind. Thank you." All you have to do is log in, go to your profile, and hit "Write Message". Type "MaryE" in the "To" box and fire away. Thank you to all who take the time to do this. And my apologies to any supporters of saintstephen1971 (if any).
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Number 5759 has landed on my doorstep,red velvet interior and ticket Oakland Coliseum 28th October, 1991,Backstage passs Eugene, Oregon,22nd August,1993. I intend to start listening from the 7" single,through to the rest in order of ascending year,even the wife is beaming!
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Kate's post reminded me of a funny convergence of sorts between Mr Ed and the Grateful Dead (beyond the obvious rhyming.). East Troy, WI that is home to the Alpine Valley Music Theatre, on the weekend of 6/28-29/86 hosted both the Grateful Dead AND a Mr. Ed convention. Did you know there were EdHeads? I bet references to "a few drops of Mr. Ed" would be frowned upon.
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Hi WorldDeadHeads,nice to meet you.I live in JAPAN. DHL called me today that they deliver me Dead BOX tomorrow morning. DHL said please pay 8% consumption tax. I'm SO Excited about recieving BOX tomorrow. maybe I Can't sleep tonight. Thank you very much Dead Staffs to send me BOX so early. I appciciate it from bottom of my heart.
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30 Trips has been scanned into Portland as of 12:41am PST. I can practically smell the balsa wood and globs of "Mr. Ed". Now time to get some sleep for a few hours in bed before I move down to the couch/living room for less comfortable daytime sleep. 3rd shift is uncool.. except being home during package deliveries.
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The good news, my box arrived in Sweden this morning.The bad news, I arrived in Istanbul this morning!
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Besides the funny glue reference (and who doesn't like funny glue references).. I think I used to have a Grateful Ed T Shirt years ago.. but I could be wrong, perhaps I just saw one.
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Wow! Today I received the box (much earlier than I expected it).It's a true wonder. Normally I don't care about the package, but this time I first had to look at this beautiful wooden box in amazement before opening it. The pictures of the four seasons are lovely. And the book is even more beautiful than the pdf file we received on 9/18. What I like especially about this box is the fact that all the CD's have a normal format, so I can put them in my Grateful Dead shelves ordered by date. (With the May 77 box that was not possible). Now there are about 660 Grateful Dead CD's on my shelves, most of them officially released! And finally the content, the heart of the box: All the concerts I had the time to listen to until now are exceptional. This box is a labour of some years and we the fans can do the harvest; thank you David Lemieux and all others involved in this project! So.....da nnn da da, dadahhh ripple in still waters Music is Love Romeo Nathan Bumann (alias Mr. RNB)
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I am also in Japan waiting for the box! And I have no call from DHL today what is going on with my order?? I chose standard shipping when I ordered it what is your shipping method you chose? Anyway it will arrive soon and I hope we both get the miracle scroll beacause I guess we deserve the most distance buyer award.
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My box arrived here one hour, one day before scheduled date. I'll leave my office as soon as possible to finally take possession. I do not know if I'll be able to work this afternoon…
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I wonder if the reason the boxset was priced so high was to offset the stud fee... ...He's no American Pharoah but he's still a celebrity, isn't he?
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11 years 3 months
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looking for 1. Dave's Picks 1 - won't pay more than $75 ,, maybe a $100 ,, Dicks Picks 3 is better anyway Lol 2. Road Trips Denver 1973 - I pay $50 max,, 3. Pure Jerry - both 1978 releases,, Lots to trade, but cash offer will be low.... - Just scored Allman Brothers Band Fillmore East February 1970 recorded by Bear.. Wow !!! What a find !!! Long out of print killer recording from a fantastic venue,, and currently Not for trade,, but lots of other goodness
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comes by DHL half an hour ago and have to pay 155,50 Euro .... Number 4937 ticket 10-28-1991 pass 02-19-1995 undamaged and red velvet inner ... wow
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16 years 2 months
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Box arrived in Zagreb,Croatia!
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17 years 5 months
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My ticket - 5/27/93 General AdmissionMy Backstage pass - 3/22/95 Looks like BertDert has the same combo as me.
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17 years 5 months
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check PM re: Pure Jerry
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I'm curious if any of you serious collectors have compared the sound quality of the shows on 30 Trips to the better boards of the shows in circulation. I gave a quick listen to 2/22/69 Vallejo (one of my favorite shows) and compared it against the Charlie Miller board I have and I'm not convinced the 30 Trips one sounds better. There's a nasty quality glitch between Mountains and Dark Star a dn Dark Star sounds a bit muffled, though less hiss. Anyone else?
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I think Rhino Records or GDP should hire Charlie Miller to work on the Grateful Dead vault for the official releases. The young man with "golden ears". Agree or disagree?
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All my children are named Charlie Miller, even the girls. Goldfish and cat too. Its a bit confusing at times, but the least I could do. He seems to do a better job with the cassette masters, that's for sure. ..but Norman and company have come a long way too, I mean no disrespect.
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12 years 11 months
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IT's concerning to me that within in the 30 TRIPS box set of the 1980s shows, the 1986 show sounds better than any other show in the 1980s decade other than 1989(which has to sound the best, it was multi-tracked)...I'm not a big fan of the 10/26/89 1st set. Anyway, 1986 is often regarded as the "worst" year played by the band, and this show sounds phenomenally played & recorded.....ima a little suspect of the effort than went into the rest on the 1980s decade on this BOX.....Haven't listened yet to any year before 1979, but I bet they sound perfectly recorded & mastered, jus sayn
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Does anyone possibly have 90's shows for sale? I heard they sound great on the stream.....(I've been silent for a while just taking in all the posts but it's hard to take the New Yorker out of me. So forgive me Stephen if you are offended)
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I got one and no I am not selling it. Wondering how many they sent out? Mailing the scroll back today. Let's see what I get.
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Box landed this morning, a day earlier than previously advised. It is sitting unopened in another room while I try and get a full day's work done at my desk. How's that for superhuman restraint?
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I've said here before and will say again, there are times I swear Rhino just goes to the archive and downloads a Miller board and releases it as "official". Even the run times are close. In reality, the official ones "most" of the times seem to have a little more "presence", the sound seems a little closer and wider. But I always check against what I've downloaded. I know one of the shows I checked against the streaming stuff sounded a lot better than what I had. Even when some here post about some "great" soundboard on the archive I go check against my copy to see if it's a newer, better copy. But Charlie the man! Anyone remember or have a copy of that youtube cartoon, where the guy is raving to his wife about a new Charlie miller soundboard he just downloaded? When the video of "i married a deadhead" came out I went looking for it and couldn't find.
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I'm sorry but this is even better than the Europe Box Set, I think out of all the box sets ever released this is as good as it gets, thank you Dave for having this idea, and Rhino for supporting it. And if you don't agree that is cool (no need to start some crazy this box set is better than that one), just my thoughts and I felt it so much I wanted to thank the folks for making it happen. I love it even down to the red velvet, leather bound book, etc....just cool all the way. But looking at all 30 shows lined up in the box, looking through them and picking a year and giving it a spin, that is where the real majic is happening. Downtown
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Boxzilla has landed in Paris. Am currently admiring the nifty cardboard box it's sent in. I shall open it at seven bells with a gin and tonic.
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The boxes are out for delivery. Time to move my sleeping carcass down to the living room couch. Will let you all know what I get and what condition it's in. Hopefully it comes before work.
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So why are some getting red velvet and others getting blue? I got blue myself. Is it a Bolos / Bozos thing?
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Charlie is indeed the man. St. Charlie? This one? https://www.youtube.com/watch?v=yfy3uJrfVWo "Charlie Miller is releasing new soundboard sources for a number shows from 1972. I need to download these shows from etree as soon as they are seeded." Classic. In I married a deadhead, the wife says she would rather gargle with drano and shove broken glass and needles in her eyes than listen to more shows. In this one it ends with his wife asking for a divorce. Someone needs to do one of these depicting the moment Boxzilla gets delivered on the doorstep.
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14 years 11 months
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I probably would not return a 'Golden/Miracle/Special' scroll. Are you kidding me? 2 years from now, if I open a sealed shipping box with a 'Golden/Miracle/Special scroll? Cool Beans! It seems as if someone had the idea to make sure all shipping boxes were opened, as they were never sealed beyond the actual shipping box (Many of the shipping boxes have UPS/USPS writing on the boxes, as well, so between the shipping stickers and writing the shipping boxes won't be as pristine/collectible. So, a Golden/Miracle scroll or a 'made up something' to make sure, and I totally get the idea, less resale for $$$$ is what the powers that be wanted, and rightfully so. I dig that. Gratefully, Scroll #3625
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12 years 2 months
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#6314 (I think). I love every square inch of it's blue velvet lined box. Hours of great music waiting for me. I didn't go to the '95 show, though. I was living in Idaho at the time.
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17 years 5 months
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/mod on We have a designated vending area in the Your Own Storefront thread. http://www.dead.net/forum/your-own-storefront Please advertise your wares in that venue and not in other threads. As for cannibalizing OUR wares and hawking them in our house? Really? Please cut it out, as it's a clear TOS violation. Also please refrain from slinging insults at your fellow Heads, as this is not the venue. Thanks. /mod off
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11 years 3 months
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It's gonna be another looong day.
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13 years 4 months
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Thanks MaryE. You rock, and much like my very own mom.. I'm not sure why you put up with us :D
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11 years 5 months
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This issues I am hearing on both the 82 and 83 shows will be worse in hi-res, which is a huge disappointment. The kick drum in 83 will most likely be more prominent. That 89 show will sound incredible though. That's the trade off. I think we all have to take into consideration how we are listening to these shows. If we hear, say, the 89 show, then immediately listen to the 82 show - the difference will be obvious, but if you just listen to the 82 show without hearing any other show the it is quite listenable (even with the hiss). It would be very disappointing if they just put 80s shows in the set that they knew weren't up to par quality wise because they knew those shows wouldn't sell on their own. I mean, for 83 especially - they could have done 10/15 or 10/17.
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12 years
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yes that was the one, I came it across it originally when I was downloading everything from the archive. Drove people crazy with email's saying "you gotta hear this miller".
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11 years
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I have seen some people mention that the song segues are not denoted with the '>' symbol on the disk sleeves. I put those in as well when entering the info in Google Play. I was a little bummed at first but then noticed that they are denoted on the disks themselves. Hope this helps a few Heads out.
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