• 7,852 replies
    admin
    Joined:

    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

Comments

sort by
Recent
Reset
  • mbarilla
    Joined:
    Packaging and Tracklist ,, where's the product reveal
    Rhino Cat got your tongue ? I don't really care when the box ships,, because I am under the impression it's going to happen,, but the email they sent a few days ago stating delays was a scramble and that one was to cover their butt, so nobody went Legal on them.. I would suggest from Upper Tier Rhinos that you provide more info (video trailer of Box reveal) before this thing ships. What's with the Blank Stare? and I thought when this was announced they had already seen a final product? Such as,, Product dimensions, credit to Artist, how's CDS, and 7 inch will be packaged,, are a few things to address.. Tracklist, I wasn't expecting really any surprises, most of the shows I have heard,, Disc 15 (9.24.72) looks to be one of the top for me,, it has the Dark Star > China > Rider. And I believe it's followed up by a Super Skull Splitter attack from Garcia on the next disc (11.14.73) Here Comes Sunshine,, this should melt a lot of faces Rhino what's the plans for Black Friday ??? Deadline is coming soon,, please no revisits on released material.. Would love a Mono Recording for the Black Friday Grateful Dead release. And my guess for Dave's Picks 16 is a show from 1971 MG stash or a November / December 1981 show. To finish the year with an 80's pick would be a nice gesture and then get everybody fired up for 2016 Subscription by teasing the MG stash 1971 show for the first pick of 2016.. RSD suggestions 4.24.66 5.6.70 Or Avalon October 1968 !!! Order up
  • DJMac520
    Default Avatar
    Joined:
    allmusic
    Well, they credit "Salt Lake City" to being written by Brian Wilson and Mike Love which is an entirely different song altogether and highly unlikely to be an error on the box set CDs or liner notes themselves. That alone gives me pause for concern as to the accuracy of any of it.
  • Zuckfun
    Default Avatar
    Joined:
    Packaging
    I also tend to agree that the All Music listing is accurate, and that it doesn't reveal in any way how the shows are packaged. And yeah Claney, I don't think anyone wants a big binder full of 80 discs as the packaging. If this is to be the Box to Rule Them All, then individual Digi-Paks please.
  • rrot
    Joined:
    Sorry, forgot I surrendered
    The crank is gone. You positive thinkers, take the field!
  • reijo29
    Joined:
    I agree with Shakespeare
    I think his post that the handling of this snafu is unprofessional was Dead on. If you are one of 6000 plus people that committed to probably one of the most expensive music box sets ever, you deserve a little bit more of an explanation than what was given. It came off unprofessional & everyone is simply left guessing as to what is the issue. Yes people can wait to ensure that they get the product as close to perfect as it should be. But how about a little more public relations? In the grand scheme of things it is not such a big deal. The unbearable humidity has finally broken here in NYC, 1st NFL Sunday coming up, Jewish New Year as well. So life is still pretty good, enjoy the weekend & maybe feed off this famous Shakespeare quote: Love all, trust a few, do wrong to none.
  • Mr. Jack Straw
    Default Avatar
    Joined:
    rrot
    Don't have to be so cranky...no one is suggesting that this is proof that the shows won't be individually stored in the box...in fact, it's quite the opposite. If you look at their listing of The Golden Road set (http://www.allmusic.com/album/the-golden-road-1965-1973-mw0000011100), they do the exact same thing; its a 12-disc listing. As we all know, the albums were still stored individually on that set. However, it's clear that Allmusic has seen more of the box than we have, given the presence the complete 7/3/66 on their list.
  • claney
    Joined:
    good points rrot
    As usual, rrot you make good points. You wrote: "Is there really any doubt that the shows will be treated individually?" Not long ago I would have replied - "Of course there's no doubt." But that was before they systematically refused to respond to my queries on the subject. I have yet to see a single person in this forum say they wish the shows were all in a giant folder or something. Not one. But many have said they want the shows to be in individual cases of some kind. So, if they did plan it as one big folder, my explanation for their silence is that they've realized they'd better keep it under wraps until after credit cards are charged. That is, of course, crazy talk and totally baseless, but it stems from being ignored. So I'm going for the crazy talk all the way, hahahahaha. If they would like to answer my simple question, perhaps I'll see things differently. EDIT - Marye - are you reading this? Any chance you can help get an answer?
  • LoveJerry
    Joined:
    maybe I'm wrong...
    maybe the special widget that's not ready for the box set is some kind of lightning bolt and skull device to help someone get that stick out of their ass.
  • rrot
    Joined:
    If you want to think it's an accurate
    reflection of the box, then you've got to believe there will be no indication where one show begins and another ends, that there will be no sign whatsoever that disc 52 belongs to one show or another. Because that's what allmusic is showing.
  • rrot
    Joined:
    got that info from dead.net
    yes, and then, transcribing it, removed all the show data and labelled it only disc 1 through disc 80. And I'm actually explaining how that probably, most likely, to a near f@cking certainty, has nothing to do with dead.net or how the box is really constituted?? I surrender. Some will still choose to believe that it is. The world is stranger than we can suppose.
user picture

Member for

17 years 7 months

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

user picture

Member for

9 years 9 months
Permalink

I had been waiting for the legendary 1973 San Diego show, going in order of the box set. I get in my car this morning to put in disc one and go for a cruise but, low and behold, DISC 1 IS MISSING!!! I'm so upset. I spent $750 for a box set with a missing disc. I contacted customer service who forwarded my complaint to the appropriate person. I'm told that I might not get a response back until next week. Are you freakin' kidding me??? Over a week to hear back? Signed, DEPRESSED AS HELL
user picture

Member for

9 years 3 months
Permalink

Much to my surprise, I scored a Miracle in NY. Any idea how many of these were issued? This box is insanely good...
user picture

Member for

13 years 3 months
Permalink

I'm certainly glad they have more film.. I just wish they had more footage of the show. Two songs? At this point I am thankful for what we have.. I believe the scuttlebutt regarding the filming of the festival itself involves a camera and production crew that got into the kool aid, whether on purpose or by accident. Bet that put more than a couple people in a situation they were not prepared for...
user picture

Member for

15 years
Permalink

Now that we've got all the facts aired (again), I want to say that this pick was really the furthest thing from a travesty. There really are not any tracks out of order at all. What we got in DP4 was essentially the complete second electric sets from the late shows on both the 13th and the 14th, missing only the AWBYG encore from the 13th. The only deviations from this both-second-sets format are quite minor and reasonable: we got one extra (you might say bonus) song, Casey Jones, from the opening electric set on the 14th, intro'd by Zacherle. Laudable. The only other deviation is that the material from the 14th, while it is complete and in proper running order, is interrupted by the material from the 13th. That, IMO, was also eminently sensible: how else to get all this stuff onto three discs without glaring breaks in the jam segments? [I did weep (a little) that a disc break had to come between Dark Star and TIFTOO, because that is one of my absolute favorite segues in the band's performance history -- just synapse searing stuff; the audience silence and reaction mirrors my own slack-jawed admiration as those last gentle notes and a cymbal wash open a perfect instant where nothing can happen, no applause, no whoops or cheers from the crowd, just a microsecond of awe and... into Cryptical at which point the attendees can't hold back their glee any longer -- but given the limitations of CDs I don't think there was another valid option. I have long since edited the tracks together for seamless playback of the entire 13th second set.] DP4 is a fantastic release. We could only wish for more of the material that was played on both nights (a virtual impossibility given the state of thinking on what disc buyers would accept at the time of the release, for reasons pointed out below).
user picture

Member for

9 years 4 months
Permalink

Thanks for the link to donate to Kevin's new PC. Kevin has been doing great work for over 15 years in bringing lost GD video to circulation and freely sharing it with anyone that wanted it. He is a great resource and lavishes time on syncing the best source audio in circulation and the bits of video that circulate for the shows, often with crappy original audio. Mr. Tobin is one of the behind the scene faces that brings the past to life with his work that inspires and entertains us all. I'm proud to help him get a new workstation, so he can continue his personal quest in sharing rare GD video to the deadhead community. Check out his past work here. http://db.etree.org/ktvids
user picture

Member for

13 years 11 months
Permalink

I haven't had the time to dig into the new box yet, but wanted to state my digits #1882 Ticket: 5/27/93 Pass: 3/22/95
user picture

Member for

13 years 3 months
Permalink

The release itself is one my favorites, a classic and a true giant. I don't think comments indicated the release was a travesty.. to the contrary, that it is so good it deserved full show treatment. The use of the word travesty was as much a play on the word itself and that it has come up on these threads a good bit over the last six months. I guess I am a completest and love the acoustic portions that have been released. My comments were more that I wish the whole shows (acoustic and electric, early and late - whatever exists) were released. There was also a good big of dialogue about the history of Dicks Picks, one disc vs. two vs. three, etc. that is pertinent. I wouldn't consider this a negative comment, or at least it wasn't meant as such. Hope that helps clarify.. Dicks 4 is special as were the shows themselves.
user picture

Member for

12 years 3 months
Permalink

Ticket stub: 10/27/91Backstage pass: 6/9/93 red velvet lining Everything is all there as far as cds and goodies. Scroll had some damage at the top of it. Not sure what happened here. It looks like someone had issues with rolling up the scroll. Like they had to force it or something. Must have got in a hurry. So far, I love I love this box. I held out on listening to the entire shows while waiting for delivery. The highlights so far for me have been the 4/15/70, 10/21/83, 10/26/89, 3/18/71, and 11/10/67 shows. I still have quite a bit left to dive into. Things are lookin good in deadhead land. Here in a couple weeks we'll have DaP16 from 3/28/73. Can't wait!!
user picture

Member for

12 years 3 months
Permalink

I'm with Judysparty on this. Are the multitracks from this box 11/10/67 and 10/26/89? I've seen 10/26/89 noted, but the only other one that makes sense to me is 11/10/67?
user picture

Member for

13 years 3 months
Permalink

Yep, you have that right only two are sourced from multi-tracks; 11/10/67 and 10/26/89.
user picture
Default Avatar

Member for

9 years
Permalink

I've started ripping the discs to iTunes. So far, there are no ">" on the track listings, indicating that one song goes seamlessly into the next. I use those markings to join tracks, so that adds a lot of extra work. Would have been nice if they showed the ">"!
user picture

Member for

15 years
Permalink

I think we agree completely there. Misinterpretation (one of my specialties!) does happen sometimes. Couldn't resist adding my own 2 cents to the only slightly-stale DP4 discussion.
user picture
Default Avatar

Member for

9 years
Permalink

Kayak Guy: I'm looking at 10/30/68. Per Deadlists, tracks 3 - 7 (Dark Star, St. Stephen, The Eleven, Caution, Feedback) flow seamlessly. No ">" on back cover. Maybe I'll see some as I continue ripping. OK, I see ">" for the 1969 set. So maybe they just missed 68.
user picture
Default Avatar

Member for

16 years
Permalink

Heard a comment regarding the receipt of a USB "30 Trips" stick. Anybody know if these are being shipped? Anybody get one yet?
user picture
Default Avatar

Member for

17 years 4 months
Permalink

Not a knock on the 1968 selection but it reminds me of Dick's Pick's Vol 2. Did the cats down at Rhino run out of the multi CD sleeves? I'm sure there were many meatier choices that they could have used for that year.
user picture

Member for

11 years 11 months
Permalink

Good catch, corrected mine, but I think you meant 10/20/68
user picture

Member for

17 years 4 months
Permalink

If your missing disc situation isn't getting resolved, lemme know so I can make sure someone's on the case. Thanks and sorry for the problem.
user picture

Member for

11 years 11 months
Permalink

Figure I throw this out,,, both these shows are available as a soundboard from Charlie Miller on the archive and you don't have that break between dark star -> That's it for the Other One.
user picture
Default Avatar

Member for

17 years 3 months
Permalink

I waited with great anticipation to see what was coming from '68. I'm a little bummed to find out there is one CD devoted to '68, one of the very best years of the Grateful Dead in my opinion. I want my '68 boxed set. ;-)
user picture

Member for

10 years 6 months
Permalink

Yeah it does seem kinda blazed that a one disc show is what they chose to represent such an awesome year in the box, though the quality is certainly there it just seems really short. I second the 68 boxset, maybe some of those august shows!
user picture

Member for

15 years
Permalink

...and the 50th Anniversary edition of DeadBase wants me to know that there is really no such thing as "the second electric set" on either the 13th or the 14th. There were late and early shows, but, per DeadBase, those late shows had only 1 electric set each. This is what happens when I open my mouth...
user picture
Default Avatar

Member for

9 years 2 months
Permalink

No I think that you were right in the first place & DeadBase is mistaken. On 2/13 there was an early and a late, but it looks like for the late show, the Dead played an electric set, an acoustic set, and a second electric set, if you look at the internet archive (I didn't go to 2/13, I went the next night, but just the kiddie show at 8, 'cause I was just a kid).
user picture

Member for

16 years 1 month
Permalink

After reading several comments about this show, I agree that a longer show should have been selected. Yet, I am very happy with what was selected. About a month ago I listened to Live/Dead and this '68 show reminds me of that album very much. I now call this 10/20/68 show, "Proto - LIVE / DEAD" Maybe we will get treated to more, and longer, music from 1968.

Member for

17 years 4 months
Permalink

Wha-??? You attended one of the 2/14 shows??? No wonder you're so vested in this! (The hits just keep on comin' on these boards...just waiting for a 4/25/69 or Big Rock Pow Wow attendee to chime in....) I do remember Bear posting about this run a few years back and arguing there couldn't possibly have been enough time for an early show, an acoustic set, and two more electric sets from the GD ~ along with a New Riders set ~ in a single night. But I'd thought he was proven wrong with the emergence of some additional tapes in recent years (?)
user picture
Default Avatar

Member for

17 years 4 months
Permalink

I'd love to see a 1968 boxset, theres plenty of multi night stands for them to choose from. And with Bear recording I'm sure the quality is top notch.
user picture

Member for

15 years
Permalink

Maybe I previously misrepresented what DeadBase is saying. To be scrupulous, they have put a note for each of these late shows, which says, on 2/14: "This is all one set" presumably referring to the acoustic AND electric material together. I guess the meaning of that might be: the band didn't leave the stage and take a break at all during the late show??? On 2/13 late show, the note even says, "China Cat through Lovelight is all one set. Monkey and The Engineer through Katie Mae are acoustic." I have not listened to the archive material. Can anyone comment whether there is obviously set breaks within the material? What I know of the "first electric set" on 2/14 suggests a *very* short "set" indeed. Maybe they did play these whole late shows without any breaks, electric to acoustic and back to electric?? Maybe that comports with Bear's recollection as well.
user picture

Member for

17 years 4 months
Permalink

What an awesome and zany show this is, and excellent recording. I really love the groove they fall into during He's Gone > Smokestack > Cryptical. There's a quality to '85 Healy mixes that I really dig. He truly becomes the 7th member of the band. 3/20/92, the one show from the box I attended is a bit of a revelation of sorts. At the time, I thought it was a really good show, but compared them to the Richfield shows I attended the previous September in '91 as feeling like a considerably more laid back approach. Hearing it now, I've completely changed my view of this show, and it's even better than I remembered. I also checked out the '89 Miami show, and wow...way too awesome to comment on now. This should have been a stand alone release. Essential.
user picture

Member for

11 years 11 months
Permalink

>>>>I do remember Bear posting about this run a few years back >>>>and arguing there couldn't possibly have been enough time >>>>for an early show, an acoustic set, and two more electric >>>>sets from the GD ~ along with a New Riders set ~ in a >>>>single night. Quick note - the 2/14/70 show seems to be 1hr 15 min 1st set electric, followed by a hour of acoustic, followed by 90 minutes of second set electric. There is an introduction before first set. There is a second intro before acoustic (by Zacherle) where from his comments I take it to be after midnight, since he mentions good morning and Sunday, the 2/14 show was a Saturday,,, so maybe Bear is wrong. Hell I can't remember yesterday half the time, so unless Bear is quoting from written notes.... :-)
user picture

Member for

12 years 3 months
Permalink

"The lucky winner of the raffle... get's to hold the rhythm section hostage...." Great show!!
user picture

Member for

17 years 2 months
Permalink

Mitheral - Though was not what you meant, I'd say comparing the 1968 show in this box to Dick's Picks 2 is high praise - that is a nearly perfect release IMO. One disc of perfection, with a top Dark Star. Tonight I'm finally getting to said 68 show (taking my sweet time, in chrono order). Can't wait! I think what this 30 Trips box tells us, among other things, is: Hey folks, we have lots and lots of great stuff still in the vault!
user picture
Default Avatar

Member for

9 years 2 months
Permalink

Memory is tricky, but a trip to archive.org plus memory, plus the Google Village Voice archive answers the question. Bear mixed up a series of shows at the Fillmore and the Capitol Port Chester (and probably elsewhere) that were advertised as "An Evening With the Grateful Dead featuring the New Riders of the Purple Sage" - but those started in the late spring (5/15 Fillmore, I think). Some of these winter 1970 shows (e.g. 2/13 Fillmore, March Capitol) had a late show with a short electric set, a short acoustic set, and another electric set with more extended music (e.g. Dark Star/Cryptical etc. that's on DP4).
user picture
Default Avatar

Member for

10 years 5 months
Permalink

What is on Dick's 4 is explained well in the Deadlists' writeups on this series of shows, including early and late shows. The Dark Star on DiP 4 is from 2/13 late show and transitions into TIFTOO. There is no cut or rearrangement. The 2/14 early show had a Dark Star>St. Stephen, not included on DiP 4.
user picture

Member for

17 years 3 months
Permalink

5/15/70 was the first time the N.R.P.S. appeared in N.Y.C. I was at the early show as a long haired hippy punk of 16. The first time I remember seeing them as "An Evening With the Grateful Dead" was my next and third Dead show, 9/17/70. By the way a reviewer in Dead-Base 50 seems to have one of the nights for the February 71 Capitol Theater Dead shows mixed up. But then maybe its me who's mixed up. I like Mr. Ziffles take on the rearranging of song order during the February 71 shows. The gears are already shifting from the fall of 1970. Keep em guessing. Onward through the fog, Vote Oat.
user picture

Member for

13 years 3 months
Permalink

I am beginning to think, much like Cornell, these shows might have either (a) not happened at all or (b) occurred on the same stage in Hollywood where they staged the moon landing a little more than six months earlier.
user picture
Default Avatar

Member for

13 years 8 months
Permalink

Where do you think they got the idea for Standing On The Moon, huh?
user picture

Member for

9 years 5 months
Permalink

Is that my Deadbolt UPS attempted to deliver today, note on door 2nd attempt tomorrow.Could it be? Did the Boxzilla need signature for delivery? Anyone?
user picture

Member for

11 years 2 months
Permalink

enthusiastic comments for the '77 show in this box. I enjoyed it very much (well, at least the 2nd set from what I've heard so far). Only 2 days after the 4/23 Springfield show that was my "sleeper" pick for '77 (near and dear to my heart), I do hear some of those interesting (what I believe to be) Polymoog sounds most evident on the Playin' (such as on the 4/23 Slipknot!), that makes this an interesting pick. I would have chose 4/23, or (thanks Claney) 5/4 for the amazing Playin'>Comes A Time sequence, but feel this is a solid pick nonetheless. Perhaps with the wealth of Spring '77 shows already released, we've become a little spoiled?
user picture

Member for

9 years 5 months
Permalink

Thought they would arrive on Halloween(Built To Last release) note on door has me wondering if The Lightning Bolts are being shipped.
user picture

Member for

17 years 2 months
Permalink

Spoiled? Perish the thought. I look forward to this 77 show. Only on 68 right now. Phil. God. Trying to do this in sequence. Lindley will be all the sweeter.
user picture

Member for

11 years 2 months
Permalink

guilty of the crime of burning one-disk "compilations" or "highlights" of shows? For example, this is what I did for 4/23/77 Springfield: Loser Scarlet> Fire Estimated Bertha The Music Never Stopped Help> Slip> Franklin's The above fits on one disc, and is an oh, so sweet disc, if I say so myself. I do this all the time, so sue me ;)
user picture
Default Avatar

Member for

11 years
Permalink

Has anyone else from Georgia had any luck with getting the box yet? Is anyone else starting to get irate about the wait? Marye - can you help with this at all?
user picture

Member for

13 years 3 months
Permalink

I wonder whats up? Seems strange.. My guess is partial shipment was made to their warehouse and they are waiting on the rest. Either that or they caught the box cutter bandit but only after he slashed a few of the product, so they are waiting for them to be replaced. But who knows.. it does seem like something's up though. Probably not much you can do but wait.
user picture

Member for

11 years 2 months
Permalink

Burn that one disc as described below for 4/23, and tell me it isn't the best one disc of GD you've ever heard ;) This, or course, invites your own one-disc submissions (must be from same show) for our listening pleasure...
user picture

Member for

13 years 3 months
Permalink

I load mixed discs for the car. I am beginning to load flash drives though.. love the USB plug in that comes on the newer vehicles.
user picture

Member for

11 years 2 months
Permalink

Check your PM's.You've probably already tried,but if not.... :)
user picture

Member for

11 years 2 months
Permalink

Mixed discs? You're blowing my mind, and going way beyond the scope of my premise. Multiple selections from different shows on one disc? You're stretching the boundaries there, my friend, and making a quantum leap before it's time ;) OK, I've done that too, but not often...
user picture

Member for

13 years 3 months
Permalink

but mixed flash drives, yes. For discs, I am doing what you are doing, condensing a three disc show to two discs or one disc. Something portable. I just got a new truck about six months ago that has a USB port that the stereo reads.. so I have one of those in that has about 15 shows. The problem is, it doesn't read ALAC's and I gave up on MP3's long ago.. so I have to go back in time to get any mp3s at all. or I can just plug my phone in.
product sku
081227955892