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    What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

    Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

    ...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

    Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

    I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

    We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

    Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

    *2 per order. Very limited quantity available.

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  • daverock
    Joined:
    Welcome to the future

    Gary -those were great visions of the future that you mentioned people had in the 1960's. The idea that robots would replace humans in the work place, and increased, improved technology would mean we wouldn't have to work so much. They went on to assume that when this happened, we would all be living in some kind of Utopia. Walking round my home town yesterday - it's very evident that people are working much less than they were 50 years ago partly as a result of improved technology. It's also very evident that the 1960's vision as to what would happen socially as a result of this hasn't come to pass.
    Just this week a friends neighbour died following a botched attempt to burgle her home. Yesterday we saw a security guard smash a woman to the ground after he had apparently caught her leaving one of the poorest shops in town with something she hadn't paid for. Welcome to Utopia !

  • Jake R
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    84/85

    I’m still waiting on any Merriweather shows from 84 or 85 to come out. Some great playing and interesting set lists there for sure.

  • Angry Jack Straw
    Joined:
    Traffic revisited

    All of the discussions a few weeks ago, got me into listening to a lot of their material again. Man, that band was really good. For those of you who are interested, use your Google machine to look up Traffic Live 1973. There’s a half a dozen or so, high quality videos. Great stuff.

  • billy the kiddd
    Joined:
    Anniversary show 3/29/83. Warfield Theatre

    40 years ago today I was up at the Warfield Theatre for another fun night with the Good old Grateful . The Dead could have played at the 20,000 seat Oakland Coliseum and sold it out, but they played the 2,000 seat Warfield Theatre for a much cooler experience. Fun times!

  • Gary Farseer
    Joined:
    BTW, Sixtus Great Post & Voo Doo Nola!

    You sort of almost comment on it but from my myopic thinking, I always looked at changes in their styles over the years was always based on one factor. That factor being: We have to entertain ourselves first, then the crowd will follow. Of course, it always did.

    Just finished my 5th listen thru the MSG box. Great Box. Also ran thru some tube videos.

    Voodoo Nola!!! If you see this thanks so much for your incredible work!!! Check out his 8-9-89 of the Greek and 9-12-85 from Kaiser/AO. Was at the Greek show but the 1985 show, I finally got to see the 20th Anniversary Screen behind them in full bloom. Wow good stuff. I had seen pictures of the screen but never it coming to life, animated. Just love it, and the boards are crispy.

    G

  • Gary Farseer
    Joined:
    DaveRox!

    I think that is the same Haight Ashbury documentary made in March 1967. There is a moment in there where a gentleman is speaking and he is so prescient. He is discussing the massive changes to the world coming as computers (think AI) and robots will eventually do all work for mankind. Interesting (recent: think last 5 years) the calls for a universal income and how do we live without work. He discusses universal income back in March 1967. Just WOW. Not sure it is the same documentary but think it is. I think I watched on Amazon a few years back.

    Cheers!!! More Beer, Less Work.

    G

  • Gary Farseer
    Joined:
    Moon Times & Vault Lists

    Moon Times R Good Times, and Vault List heck yeah.

    Just a quick update:

    I just scored this, after several years of hunting:

    9-disc Fleetwood Mac / Grateful Dead 1970 Opening The Warehouse Live CD Series

    It finally was released. Cant wait. I was posting to alert, but as of now sold out again.

    And for The ABB: This looks great!

    Please spread the word and join us on Munck Music Radio everyday this month at 12 & 6 pm (cst) as we welcome spring with some of our hottest Allman Brothers Band shows.
    Today's show: 3-23-2009
    with Jimmy Herring, John Bell, Susan Tedeschi and more!
    Buy Now
    Even after the epic Clapton shows and a Beacon run full of special guests and surprises, this show stands out from the crowd! This may be the most guest-packed show of all, with everyone from harmonica master Thom Doucette and saxophonist supreme Ron Holloway to Susan Tedeschi and the Kingpins of King Curtis fame joined the fun, and that was just the first set! As always, some of the best highlights belonged to a recharged Gregg Allman, who sang his heart out on "Desdemona," which also featured some tasty sax licks from Holloway.

    Thom "Ace" Doucette played harmonica on the classic Live At Fillmore East album, so it's only fitting that he joined the band for "Done Somebody Wrong" and "You Don't Love Me." This Ace still has a few tricks up his sleeve! It was also a great tribute to Duane to feature the members of the Kingpins (Jerry Jemmott - bass, Bernard Purdie - drums and Jimmy Smith - keys), on the King Curtis classic "Soul Serenade," which took the whole Beacon to church. "Memphis Soul Stew" added Mike Mattison to the mix and took it even higher. Have mercy!

    As if determined to outdo the remarkable first set, the second set opened with a "Little Martha>Blue Sky>Little Martha" sandwich jam that showcased some of the prettiest guitar playing of the entire run. John Bell of Widespread Panic added soulful vocals to the Blind Faith classic "Can't Find My Way Home" and a downright nasty "Walk On Gilded Splinters," and WSP guitarist Jimmy Herring was on fire all through the second set. Check out this extended jamathon of a "Les Brers In A Minor," which shows Derek and Jimmy playing together with the special telepathy only they have. Did we mention the extended "Statesboro Blues" encore, Ludlow Garage style?

    What are you waiting for? Get this one today!

    1. Don't Want You No More (2:49)
    2. It's Not My Cross To Bear (5:25)
    3. Done Somebody Wrong (6:53) @
    4. Can't Lose What You Never Had (6:11)
    5. Announcements (0:22)
    6. Desdemona (15:10) &
    7. New Instrumental (10:46)

    1. Announcements (2:25)
    2. Soul Serenade (9:42) *#^
    3. Memphis Soul Stew (5:33) *#
    4. Them Changes (9:20) *#
    5. You Don’t Love Me (6:27) @
    6. Little Martha (8:08)
    7. I Walk On Gilded Splinters (6:54) $%
    8. And It Stoned Me (5:22) $%
    9. Can't Find My Way Home (6:31) $%

    1. Leave My Blues At Home (2:33)
    2. JaMaBuBu (8:49)
    3. Leave My Blues At Home - reprise (4:51)
    4. Les Brers In A Minor (16:31) %
    5. Crowd Noise (4:23)
    6. Statesboro Blues (12:45)

    @ = w/ Thom Doucette, harmonica
    & = w/ Ron Holloway, saxophone
    *= w/ Jimmy Smith, organ; Bernard Purdie, drums; Jerry Jemmott, bass
    # = w/ Susan Tedeschi, vocals
    ^ = w/ Mike Mattison, vocals
    $ = w/ John Bell, vocals
    % = w/ Jimmy Herring, guitar
    Check out the Best of the Beacon Section and Sets Section on our homepage. We have added some previously unavailable shows in our Hidden Gems Section.

    From the guys at Munck Music.
    I Post because last month when all the postings on Weather Report (love), and drummers, I dont think anyone mentioned Bernard Purdie. An incredible drummer, inventor of the Purdie Shuffle, and the master of ghost notes. The easiest way to recognize him is think in your head "Babylon Sisters" by Stealy Dan. He played his shuffle on that track. Always have way more than I can post, hope I can do better. Has the new Dave's rumors come forth yet?

    \/

    Edit: the 1970 Warehouse show is brand new. It is listed every so often on ebay, but you have to hunt a little bit. Guessing they are batch processing small runs of it new.

  • billy the kiddd
    Joined:
    DMCVT. Vault List

    I'm with you 100% on this one, lets get that vault list out, it will make for great conversations on here. For the people who don't want to know what's on the list, you don't have to look at it.

  • daverock
    Joined:
    Much joy

    Sixtus - good stuff, I also like noticing the the ups and downs ( more the ups) as the Dead wended their way through the years. I was listening to the Newcastle show from 4/11/72 last night, with that incredible Truckin'-Drums-Other One jam. It's amazing how they redeveloped The Other One around this time. And it was not as though it ever sounded as though it needed redeveloping in it's earlier incarnations. The first side of "Anthem Of The Sun" is a psychedelic masterpiece. If you watch a documentary of the Haight Ashbury in the mid 60s', you could turn off the commentary and listen to anyone of The Other Ones from 1968 in it's place. On through it's maturation during 1969 to the rock powerhouse of 1970, and then this one I heard yesterday in 1972, which defies categorisation. So far away from how it sounded in 1968. It's even got a Feeling Groovy jam in it !

    It would be great if/when the final FW69 show comes out on vinyl. I also wondered yesterday if 4/11/72 would ever come out on vinyl - a nice complement to the two Wembley shows that preceded it. After that - Bickershaw. And then look to Germany.

  • hb672
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    Dave's 46

    First things first...

    Sixtus...great post. Years vs. eras (vs tours...)...spot on! Top companies re-invent themselves over time to remain relevant. During different years/eras, listening to different interpretations of the same song has attracted me to the band since.

    I digress.

    Dave's 46 September 9, 1972. Well, I cannot say I was there but I was for the following night. I started to see the Grateful Dead late one night (or, actually, early one morning) after I went to a party in early 1971 and a friend of mine offered me something small and orange ...said I would like it ( I did!)...and a bunch of hours later i'm home and put on Live Dead...Dark Star. That was the real introduction for me .

    First time I actually saw the Dead was June 17, 1972 at the Hollywood Bowl...Pig's last performance. (I think some of you who post were there too!). While it was a fine show, it really had not fully hit me. Here comes the Hollywood Palladium shows in September. A couple of friends of mine and I went to the 9/10/72 show. Wow!!!

    IF my memory serves me...opening act was a bluegrass band called High Country. They came on at 7:00 pm and they were great. The Dead come on somewheres around 8:15-8:30 or so with a wonderful first set. A long, fabulous Bird Song is about all i can recall. We were towards the back of the floor at the Palladium...festival "seating". During the break, we moved up front and ended up around 10 feet from the stage in front of where Garcia would be. Second set started. As the music played the band, Garcia just seemed to be smiling, looking into the audience. We would smile, Garcia would grin, nod his head and, I'd swear, look at each of us directly on the eye. Probably too may recreationals but i know he was looking at us. (actually, all of us) We noticed behind the speaker bank on our left was a crew member rolling joints. One of my friends said, upon closer inspection, "doesn't that look like David Crosby?" Hmmm...couldn't be.

    Well, as we all know now, during that "era", one nights The Other One was the next nights Dark Star. And it was. The band went into Dark Star and a bit into it, some other musician was on stage...between Bill and Keith with Phil bobbing around. It was David Crosby! The band did not mention his presence to the crowd, he left the stage before the end of Dark Star...geez. Garcia smiled all the way through it!

    Show ended at 1:00 am. Staggering out, we all looked at each other and wondered if what we just experienced really happened. The bus really came by and I really got on...

    I will be looking for the September 9, 1972 Hollywood Palladium show...and my order will be in.

    Thanks, Dave. And, thank you, to the other regular posters who generate such wonderful content. I do not post often, but I do check the site daily.

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What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

*2 per order. Very limited quantity available.

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In reply to by 1stshow70878

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....site is up. Lottery currently underway.
psst.....Buffalo is the better show.

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Just checked, you can order it again. Don't know how they manage inventory...

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I wonder why they never did a 50th anniversary release for Live Dead, one of their greatest albums.

Can't believe it's 50 years.
Privileged enough to see and hear him twice during Europe 72., my first Dead shows.
First was Wembley 8th April. I was amazed how thin an frail he looked, but the voice was still there and we got Mr Charlie, Next Time, Good Lovin', Hurts Me Too and Caution.
Next up was Bickershaw Festival on 7th May. This is widely regarded as the set they should have played at Woodstock. It was wet, it was cold, it was magnificent.
Pigpen sang Mr Charlie, Chinatown Shuffle, Next Time, Big Boss Man, and a quite wonderful Lovelight.
On a very personal note I turned 18 on May 8th. Despite coming on at 19.30 on the 7th they were still playing at midnight and they were playing Lovelight. Talk about a dream come true!

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In reply to by Vguy72

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Good luck in your quest for Cornell tickets.

I was having a bad day until I looked at the prices for tickets and hotel packages. I got a pretty good chuckle out of it.

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Gouge
(Verb)
/gouj/
To overcharge; swindle.

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In reply to by Vguy72

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Your answer is in the email:

“CORNELL 5LP set and a handful of MAY 1977: GET SHOWN THE LIGHT (ALL MUSIC EDITION) 11CD sets that we recently unearthed at the warehouse.”

They don’t have very good warehouse management skills.
Similar happened several years ago but I don’t remember what release it was.

Maybe DaP45 is in fact sold out but they don’t realize it.

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Got our tickets today for Dark Side of the Mule at Red Rocks. For those not in the know (assuming one cares), Google it. Jason Bonham's Led Zeppelin Experience opening. I saw Warren the last time he brought the Dark Side to the Rocks and it was fucking fantastic, inasmuch as I can remember. We had a pow-wow in the parking lot up top. My friend has a handicapped parking pass, and they waived our car into a coned off area as we broke out the camping chairs and coolers. Bruce brought THC infused vodka jello shots... I distinctly remember sitting in the sun with my car trunk open, blasting Aerosmith's "Toys in the Attic" followed by Zeppelin's best of "Mothership."

It felt like high school... we were fucked up and riotous. One thing about the crowds at Red Rocks, I swear to God it is always the friendliest bunch of people you'll ever meet. Like, everyone is kind.

I'm sick tired of getting fucked over by TicketBastard for these shows. Today, I hit back. I don't mind sharing this. I was at work and I fired up three different computers and opened both Chrome and Edge on them all, so I had six browsers open and got them all into the waiting room. The room where I usually go to die... I missed Tom Petty's last tour due to this evil! Anyway, there was a limit of 4 tickets per purchase and we have five going including two flying in from California so I could not fuck this up. I got in for four in Row 27 and then again for one more in Row 25.

I feel truly blessed. The 3rd best concert ticket buying experience of my life, after drawing spot #2 in line outside Macy's for Rolling Stones tickets in the mid 90s, and showing up with beers and joints in front of a Colorado Springs music store at 4am prior to SRV's final tour with Joe Cocker. We were first.

Last 5:

ELO - The Essential Electric Light Orchestra
Elvis Presley - Elvis: 30 #1 Hits
Mark Lanegan - The Winding Sheet
Apocalypse Now - Soundtrack, 1979
AC/DC - Powerage

\m/

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If they "found" new inventory now, why are they a pre order with a May shipping date? Don't you think TPTB would want to get rid of the remaining stock, immediately? it just doesn't add up to me.

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In reply to by wissinomingdeadhead

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Maybe they are trying to cover up their mistake by pretending it's something new, which you have to pre-order so you don't miss out. It's the Holy Grail of Dead shows now, according to the blurb.

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I read that as them saying the Get Shown the Light was the "found inventory" not the vinyl. But it doesn't really explain why they thought to press more vinyl of Cornell. Wasn't that a limited numbered one when last put out?
Cheers

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It would be great if they came up with a bunch of copies of the Fillmore West Box set that were stashed away in the whearhouse, now that would be something..

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Billythekid, I wish too some more copies were available. I missed out on that one. Resale prices are just too rich for my blood.

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Buy the records of of the FW box set, if you have a turn table, (I dont), but I would go out and buy one just to get that music. You can still get all the records brand new at reasonable prices. I Ibought the box when it first came out, 2 copies, one for me and one for.my brother. I also have bought the records even without a turntable.

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OK, let's talk conspiracies. We know that: a) the current DaP isn't selling very well, and b) Rhino suddenly discovers more copies of the very popular May 77 box and puts 'em on sale, AND c) out of the clear blue sky they also suddenly decide to reissue the very popular Cornell vinyl.

Coincidence, you say? Ha. Ha ha. Ha ha ha ha. I could tell you more, but then I'd have to kill you.

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This sudden deluge of 77 items has prompted me to go and watch some episodes of 77 Sunset Strip. Maybe it's great, maybe not - when the series originally aired I was too young to decide objectively if it was awesome or crap.

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In reply to by simonrob

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41 million albums vs 33 million CD’s.

Although streaming makes up 84% of revenue.

As for me, I’m going to keep buying GD CD’s from Rhino and maybe a little vinyl here and there.
No need for streaming.

....promised to make tickets affordable to fans. Albeit, they will be non-transferable according to what I read.
Last Five....
The Cure - Wish
Trey & Page - January
Day Of The Dead Compilation - discs 1 & 2 (I count that as one).
Jethro Tull - Heavy Horses
Widespread Panic - Ball

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In reply to by proudfoot

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Producer for Husker Du and others

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Joy Division unknown pleasures
JD closer
Megadeth rust in peace
Clash london calling
Motorhead inferno
Funkytown
Double Dutch Bus
Archies sugar sugar
Big Country big country
Men Without Hats safety dance
Come on, Eileen

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7 years 4 months
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Pink Floyd-The Endless River
David Gilmour-About Face
Pink Floyd-The Final Cut
McCoy Tyner-Sahara
GD-Dave’s Picks Vol. 11

That’s all I got…

…Music is the Best!!

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Interesting article in Business Insider about MG and her new memoir. Great pix, too.
Google MG and memoir.

I see you posted The Cure's Wish as a last 5.

Do they come any better then "From the Edge of the Deep Green Sea"?

The man can sing "hurt" better than anyone else.

"Slips her dress like a flag to the floor, And hands in the sky surrenders it all"

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In reply to by Dennis

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Cream
My virgin listens to Fresh Cream and Wheels of Fire

Also
Last evening on PBS nitty gritty dirt band in nashville
Covering a bunch of bob dylan and other stuff
A very pleasant surprise

Yes I searched and searched for MG's book, I don't think it has been published yet. That was kind of suggested in the article when she was reading from her pages from a box. I also came across the book "Mountain Girl" which has nothing to do with MG.

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In reply to by proudfoot

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Mention of "Wheels Of Fire" always puts me in mind of it's stunning cover by Martin Sharp. It's worth getting both this and "Disraeli Gears" on vinyl so you get the full effect of the visuals.

So all the parties are generally held the weekend before March 17. I can always go for some traditional Irish music, especially if it’s sung by Iarla ó lionáird. So after a nice first set of Gaelic songs, the band returns and opens with a Bertha into a Shakedown to the bewilderment of the revelers. Nice.

Thank you for the heads up on the 3/1/69 vinyl. I grabbed a copy at a very reasonable price and hope to enjoy it whenever I get around to purchasing a turntable.

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Feedback. I was also listening to the first set on Dave's 35. Pretty hot.

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In reply to by carlo13

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That's a great late period album by The Electric Prunes. The 60's with attitude. Another unexpectedly great late period release by an original psych band is "Wake Up Where You Are" by The Strawberry Alarm Clock, which again came out this century some time.

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Seems Floyd releasing a live Dark Side (Wembley Pool).

Order cd and lp.

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In reply to by Dennis

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Should be a good one for those having difficulty sleeping. Only jesting - "Wish You Were Here" would be better for that.

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What a blast! Along with Nappy, Nite Cat, and my brother Cousins, we all had a knockout of a weekend, entertainment provided by the Good ole Grateful Dead. Of course they did Friend of The Devil. Wow, 41 years ago, where does the time go.

It's a shame they didn't release the whole show, instead of just the run through "Dark Side of the Moon". They opened with "Shine On.." then played "Raving and Drooling" ( Sheep on "Animals") and "You Gotta Be Crazy" ( Dogs on "Animals") Then "Dark Side of The Moon", with "Echoes" for the encore.
"Echoes" from this show ( I think) was included in the Early Years box - the final section called "Continu/ation 1967-1972". But it will cost you - I don't think you can buy that without getting the whole box. Why it was included there, out of it's timespan, is a bit of a mystery.

Makes no sense why they release half the show. Was surprised about that Echoes, I had forgotten there was more cds in the actual box than the individual sets, which is what I went for and finally completed 18 months ago. I guess since I had first been gifted an mp3 copy, I never noticed the missing music the way the damn things are laid out. It has to be one of the most confusingly tracked and labeled box sets ever. The first run of boxes included a hidden 5.1 Meddle mix that was scrapped last minute as they hadn't let Roger Waters hear the mix yet. Then they screwed up and put a 2016 cd remix of Live at Pompeii in instead of the planned 2016 remix of Obscured by Clouds. Luckily, the 1972 individual box contains both, however, sadly, they cottoned on to the hidden Meddle, and subsequent boxes were bereft of this still unreleased, officially, epic mix of some incredible music. There is a 1971 quadrophonic mix of Echoes on the DVD/BluRay. Can never have enough Echoes. Never. Or Raving and Drooling and You Gotta Be Crazy and Shine On...

I am not looking forward to Roger Waters's reconceptualization of Dark Side, complete with spoken word over On the Run and Great Gig and Any Colour You Like apparently. He also plays an instrument on just one track on it, so one has to wonder why in the hell he's re-recorded it, if he didn't really re-record it? I get petty band relationships, but the feud between Waters and Gilmour is childish, and maybe that's the problem, they've known each other since they were kids before any bands to even join.

Though, I am looking very much forward to Peter Gabriel (and Tony Levin) in seven short months' time in Boston. That will be a hoot, I am sure. I think it was Vguy that alerted me to the tour announcement a week ago, thanks for that. My wife will thank you in seven months, for now she's skeptical.

Edited to add: I forgot that I did a search on The Early Years Box because of my having forgotten that last little bit Continu/ation, and on Amazon right now, there are 12 copies available new at $363. Don't know why, or for how long, but thought I'd pass that along. For frame of reference, it was $550 on release.

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In reply to by alvarhanso

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I assume that it’s the same recording that was on CD2 of the recently released DSOTM reissue.

I passed on the Early Years Box but got the individual mini Boxes for half the price (at that time). I figured that I could pass on the bonus Box since I didn’t need the two movies and already had the Echoes. Just went to Wikipedia to see what else was in that bonus Box and the article mentioned that some of the Blu-ray’s from the whole Box were defective and there was a recall from 2019-2020. Hope mine aren’t bad now, guess I’ll have to watch them all to check. Put that on the to do list.

David and Roger fighting.
DLR and Eddie VH fighting.
Inflated egos ruining good bands.

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In reply to by alvarhanso

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Alvarhanaso - you probably know - I had forgotten yesterday - but the first three tracks from the Wembley 1974 show, "Shine On.." "Raving and "Drooling" and "You Gotta Be Crazy" were included in the second disc of the "Wish You Were Here" set that came out a few years ago. Which does make this new "Dark Side" live portion that's coming out a bit more desirable, as it's possible for me to piece together the whole show.

My copy of "Early Years" included a cd of "Live at Pompeii" but not "Obscured By Clouds". I contacted "the authorities", and they sent me a cd of " Obscured Through Clouds." I didn't get the new mix of "Meddle" - though it occurs to me that if it's hidden, I may have it somewhere and not know about it.
The other anomaly with this box is that the film "La Vallee" ( Obscured By Clouds) is in French with no sub titles.

CNKD -the best thing about the Contin/uation set for me are the 10 BBC recordings from September and December 1967, with Syd Barrett still at the helm. The September set includes "Set The Controls For The Heart of The Sun" - which is great to have even if it is only about 3 minutes long. It's not that well recorded - it sounds as though someone taped it off a small mono radio by holding a microphone in front of the speaker. But what the heck.
I also like the alternative promo film for "Arnold Layne". But if you aren't that fussed about the Syd era, it's probably not worth getting. It's a long way, for better or worse, from the Dave Gilmour lineup of the band.

That re-recorded version of DSOTM you, mentioned , Alvarhanso, by Roger Waters sounds a bit of a travesty to me. Maybe he thinks of it as more of a solo album than one by Pink Floyd .

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In reply to by daverock

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In my Pink Floyd folder, shows. I have two shows from "Wembley". 11/15/74 and 11/16/74. One is labeled Wembley Stadium and the other is "Wembley Empire Pool".

Are these the same place or two different venues?

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