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    What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

    Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

    ...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

    Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

    I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

    We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

    Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

    *2 per order. Very limited quantity available.

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  • billy the kiddd
    Joined:
    1969 or 1970 box set.....

    A 1969 or a 1970 box set would be fantastic! Also, a 1967,68, & 69 combination box set would be a knockout! If I had a choice, 1970 would also be my first choice , 9/19 & 20/70 would be included. If they had to use some audience patches to tie it all together, I'm cool with that.

  • daverock
    Joined:
    Dark Star...crashes

    I thought that was a refreshing post from Nick about not liking Dark Star. That's another of the sacred cows of Deadhead culture - a bit like Veneta and Cornell have become. It is curious how it is often held up to be their definitive piece of music, and yet it sounds like literally nothing else they ever did.
    The first time I heard it was an extract of about 23 minutes of the one played at Wembley on 4/8/72. It was donated to be one of the sides of the legendary "Glastonbury Fayre" triple album that came out about 1973, commemorating the festival of two years earlier. Nestled between heavy duty acid rock from the likes of Gong, Pink Fairies, Hawkwind, Mighty Baby et al it sounded quite weak to me . A bit fussy.
    The next time I heard it was a few years later on "Live Dead". That I really liked. It seemed almost like a concept album to me, with each track enhancing the others. "Dark Star" seemed really well positioned at the beginning, something I would imagine never happened at real time live concert.

    I also prefer Pink Floyd in the pre Dark Side of The Moon era. Although, to me, their peak was in the 1960's. I wasn't, and am not now, as keen on "Atom Heart Mother" as the ones that went before it. "Piper" and "Saucerful of Secrets" - together with the singles cut with Syd Barrett are my favourite Pink Floyd records. Horses for courses as they say.

  • Dennis
    Joined:
    First World Problems?

    John McCutcheon speaks to real world problems

    Caught in the Crossfire
    Albums
    Water From Another Time

    Her voice never trembled, her look never waned
    As she showed me the photos in the solemn black frames
    A cousin, a sister, a daughter, a son
    Lost in the night or in the sight of a gun
    The Guarda left her father, Luis, on the track
    And her son picking coffee just never came back
    On the roadside the crosses look always the same
    But each has a story and each has a name (They were...)

    CHORUS:

    Caught in the crossfire, lost in the fray
    The battle broke out and they just got in the way
    The story is always the same in the end
    Caught in the crossfire again
    Caught in the crossfire again

    Juancito, her husband had visions and plans
    Struggled his whole life to work his own lands
    His faith was a mountain, but her world would explode
    When the wheel of his truck found a mine in the road (And he was...) CHORUS

    So many stories, so many lives
    The parents, the children, the husbands, the wives
    A whole population just pawns in the game
    For the East and the West the rest is only terrain (Where they're...) CHORUS

    Now I lie in the night and I just try to resist
    But a hand that is empty soon curls to a fist
    The cry in the cradle, the knock on the door
    The blood in the speeches we've all heard before (We are...)
    CHORUS (2x)

  • Dennis
    Joined:
    75

    I still vote for the 75 box,,,, I hold no affinity for the years, but,,, there are so few lets finish them off and mark that year DONE!

    Oh lets get 1983-04-16 - Brendan Byrne Arena - Meadowlands, NJ. Greatest Looks Like Rain,,,,,EVER :-)

    Like Southside Johnny sings,,,,, all I want is everything!

  • Mr. Ones
    Joined:
    Random Thought

    What do you suppose would transpire if 1 or 2 hundred of us got together at a hotel or some such place, for a long weekend??
    I have no way of knowing of course, but I’m 99.9% sure it would be wild!!

  • Forensicdoceleven
    Joined:
    Music is moonlight in the gloomy night of life...........

    Mornin', rockers!!

    Here in the office, death awaits, birthday yesterday, pardon the rambles...............

    There is enough 1970 in the vault for a box. Some stuff from January, the Fillmore West shows from February, a couple of March & April, the May Alfred College, MIT, and Kirkwood shows, the June Fillmore West run (although that's a bit uneven, and I'm not sure all deserves releasing). I'm hoping the complete FW runs from February and April are in those banana boxes!!!

    There's also enough 69s for a box, maybe more than the 70s, although those may need a little more pre-release TLC than the 1970s. There's the two Philly shows from February, the April Ark shows, some late March shows (oh Vegas please!!!), the April Avalon shows, etc etc. Maybe more hidden treasures in those banana boxes???

    Music is intended and designed for sentient beings that have hopes and purposes and emotions......

    Rock on,

    Doc
    Newcastle 72

  • Nick1234
    Default Avatar
    Joined:
    I'm not trying to be deliberately contentious but

    I've never heard a Dark Star that didn't bore me to tears. With one exception that is, the Dark Star sandwich from 1970. I think it was Capital Theatre. I love that even though it's a pretty rough audience recording. A 1970 box would be beautiful but is there enough available for it to happen?

    We all like what we like. I have a friend who's a big post DSOM Floyd fan whilst I can't listen to any of their stuff after Dark Side. I love Atom Heart Mother, he just doesn't get it. that's how things are and I'm glad they are.

  • Vguy72
    Joined:
    I, for one....

    ....am all against the hidden fee crap. It's good to see it being called out by the douche POTUS. First world problem? Yeah. Sure. No argument there. A problem nonetheless? You bet your ass.
    F**k Ticketmaster.
    And yes. A 1969 box would be awesome. A 1970 box would be even better. Unfortunately, good recordings are hard to find, as we all know. But one can dream.

  • billy the kiddd
    Joined:
    Where is that 1969 box set.....

    Its comming, hopefully sooner then later. The new release is great.

  • DeeDeeMcTrivers
    Default Avatar
    Joined:
    Junk fees = First World…

    Junk fees = First World problems. POTUS is the douche. Selling America By The Dollar.

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3 years 7 months

What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

*2 per order. Very limited quantity available.

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10 years 5 months
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Chill with lambasting the sound quality of Dave's 45. If you only listen to the first two tracks (Promised Land & They Love Each Other), as Dave himself explains on the Seaside Chat, you're listening to Bob Menke's audience recording. There's no soundboard of those two tracks and Bob kindly provided his tape. Some have said that the Smith/Miller/Clugston aud (140589) on the Archive is a little better than the Menke. In any case, once you get past those two, you're hearing "recently" recovered Betty Boards from the stash of soundboards returned by ABCD Enterprises. The changeover to soundboard actually happens before the end of They Love Each Other. Check out Dave's Seaside Chat for more.

The two shows on Dave's 45's 4 CDs are great sounding once they reach cruising altitude.

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I get where you're coming from. My main complaint on sound on many DiPs and DaPs is the drums are too loud. I used to blame Mickey for being involved in the remastering, lol. But to have two shows for the price of one totally outweighs the defects, and frankly that's what the tone controls are for on our stereos. And I also applaud Dave for being brave enough to get us the two shows with an aud. patch at the beginning. Patches are something they don't do very often and only when it's worth it. Especially, these two shows are so worth it. Don't give up on it.
Cheers

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I remember getting this on cassette in the late 80s and loved both shows even if there was "some" missing. I have listened to this release several times and I love it. My question is: how is this still available? I've noticed the last few Dave's releases have been selling at a slower pace than just a few years ago. Just wondering, maybe the uptick to 25,000 units was a bit much? Anyway, have a safe happy holiday.

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