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    Anyone who has ever seen the Dead can testify that one of its shows will add quite a bit of color to the environment here at Stanford. Anyone who has not seen one of these spectacles should have the opportunity to do so. The Grateful Dead are an important part of the Bay Area's cultural history. Those of us who saw them last week can testify that the Dead are alive and well. The Concert Network would be hard-pressed to find an act which would bring Frost Amphitheatre to life as the Dead would. - The Stanford Daily

    As you know by now, we'd certainly have voted aye on this motion, so much so, that we've loaded up DAVE'S PICKS 49 with not one, but two complete Grateful Dead shows from the Frost Amphitheatre, Stanford University, Palo Alto, CA 4/27/85 and 4/28/85. The first shows from '85 in the series, these back-to-back hometown performances couldn't be more different while delivering the same level of passion and precision, five hours of it, in fact.

    In 1985, the band were celebrating "20 Years So Far," a feat that found them on these particular nights confident with invention in terms of both setlists and playing. There are old songs renewed, rare covers revived, undeniably nuanced Jerry moments, and a few surprises from Brent Mydland too. While it's impossible to select highlights, we can say with certainty that the overall clarity of these shows is unparalleled, courtesy of Dan Healy's recordings.

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 49: FROST AMPHITHEATRE, STANFORD U, PALO ALTO, CA 4/27/85 & 4/28/85 has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • ronmarley1
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    49 and…

    Shared love for the transition out of Space into Wheel. Very fluid.
    Also nice to see BÖC in the comments. My first concert was them with Aldo Nova opening, 1982. I was 15.

  • wharfrat6969
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    So many great moments!

    D>Beautiful S>Wheel!
    Truckin'>Other One transition!
    Black Peter!

    Just for starters.

    Team Dead firing on all cylinders!

    The recording, the recording!!!

  • Vguy72
    Joined:
    From personal experience....

    ....my last fives have been blocked.
    Lets see....
    Taylor Swift - Red
    Pink Floyd - Obscured By Clouds
    Pink Floyd - Meddle
    GOGD - The Second Frost Show
    Blue Oyster Cult - Tyranny And Mutation
    Hey now!! He likes it! Hey Mikey!!

  • billy the kiddd
    Joined:
    I saw Willie Dixon....

    Play at the S.F. Blues festival, he put on a great show. "I'm Ready and Hoochie Choochie Man" two great songs Willie Dixon wrote done by Muddy Waters.

  • daverock
    Joined:
    1stshow

    First hand evidence suggests you were actually right. I do like that version of "Same Thing" from 1966 that is either on "Vintage" or Historic" Dead.

  • 1stshow70878
    Joined:
    I stand corrected

    Thanks HF and others. A little knowledge is a dangerous thing and I should check my sources better. That GD cover of Same Thing from 1967 is sure rough and ready.

    Edit: I was unaware that they did that song way back in the primal era. I do remember an interview with Bob about working with Willie. I liked the song Eternity in the later era. Was that Rat Dog or GD?

    Cheers

  • daverock
    Joined:
    Who wrote what - Willie Dixon

    There's a documentary on and with Buddy Guy, in which he states that Willie Dixon routinely amended other peoples songs, changed a word here and there, and then claimed authorship. In the same film Muddy Waters agrees that such behaviour was common practice around the blues scene in the 1950's. And he should know - "Rollin' and Tumblin" is often credited to him - yet it was first recorded by Hambone Willie Newbern in 1929.

  • Gary Farseer
    Joined:
    HF

    Thanks for the warm welcome back. I spent several weeks down in Margaritaville. So away from net for the most part and phones. Holding close to my 5 oclock somewhere attitude; as well as, 420 somewhere attitude. Had some friends come down to visit at various times. Mostly welcomed the year blotto. Gulf Coast is lots of fun off season.

    And yeah, i needed a break from hey now. Think it actually raised my blood pressure. But yeah, feels good to be home again and home here again.

  • Angry Jack Straw
    Joined:
    Dmcvt

    My intention was not to demean VT in any way. I love Vermont and get back there quite often. I actually spent quite a bit of time outside of Burlington. My point was simply to illustrate the volume of traffic. When you’re hitchhiking on the New York State Thruway you have access to about 100 cars a minute. When you’re hitchhiking on the back roads of Vermont, you’re lucky to get one car every couple of minutes, often interspersed with farm equipment. That’s all.

    My apologies for any misunderstanding.

  • estimated-eyes
    Joined:
    willie dixon

    I would have to go back to some of the blues biographies in my collection to confirm, but it was pretty well established that Willie Dixon would get new, young players in Chicago Chess sessions and proceed to take writing credits for the songs artists brought in. He knew the real money was in the songwriting credits. This is why he was so prolific. He wasn't the only one doing that in the music industry of the 1950s, but it is pretty well known.

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3 years 7 months

Anyone who has ever seen the Dead can testify that one of its shows will add quite a bit of color to the environment here at Stanford. Anyone who has not seen one of these spectacles should have the opportunity to do so. The Grateful Dead are an important part of the Bay Area's cultural history. Those of us who saw them last week can testify that the Dead are alive and well. The Concert Network would be hard-pressed to find an act which would bring Frost Amphitheatre to life as the Dead would. - The Stanford Daily

As you know by now, we'd certainly have voted aye on this motion, so much so, that we've loaded up DAVE'S PICKS 49 with not one, but two complete Grateful Dead shows from the Frost Amphitheatre, Stanford University, Palo Alto, CA 4/27/85 and 4/28/85. The first shows from '85 in the series, these back-to-back hometown performances couldn't be more different while delivering the same level of passion and precision, five hours of it, in fact.

In 1985, the band were celebrating "20 Years So Far," a feat that found them on these particular nights confident with invention in terms of both setlists and playing. There are old songs renewed, rare covers revived, undeniably nuanced Jerry moments, and a few surprises from Brent Mydland too. While it's impossible to select highlights, we can say with certainty that the overall clarity of these shows is unparalleled, courtesy of Dan Healy's recordings.

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 49: FROST AMPHITHEATRE, STANFORD U, PALO ALTO, CA 4/27/85 & 4/28/85 has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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10 years 2 months
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Had to look that up.
The spoken part between:
Redemption funds,
Stocks and bonds.
Scruggs, the master of the three finger rolling style. Changed everything.
Cheers

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17 years 5 months

In reply to by 1stshow70878

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For a real good time!
Hopefully we won’t have to wait another 10 YEARS for some 85 love!

Well 49 old friend, it’s been a gas but I guess it’s happy trails for awhile.
Tanks for the memories

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8 years 1 month

In reply to by uncle_tripel

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Yes, good to see at least this one sell out. Such a great release. Just revisited this last week. Shows the depth of the vault if you like most eras, which I do.

Can't believe the others are still available. Might have to revisit #46 tomorrow.

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8 years 1 month

In reply to by DeadVikes

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Smoking 🚬

How about a big announcement tomorrow?

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1 year 1 month
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...hmm, how's about wave that flag day june 14th, great day for smokin' OUT a new box...read the signs, connect the lines, pay your fines, read the rhyme

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1 year 1 month
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...how that 49 resurfaced...

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3 weeks 2 days
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I am just wondering, since all of the early brent shows have the keyboards way too loud, is this the same? I can't listen to any of them, I have to go to audience recordings. Can't hear Weir enough, which is not the Dead as far as I am concerned. After Betty left, the soundboards are useless unless it was mult-tracked...and most are not. I was at these shows and they were very good!

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