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    Friend of The Devils: April 1978 (Dead.net Exclusive) [19 CD]

     

    WHAT'S INSIDE:
    Curtis Hixon Convention Hall, Tampa, FL 4/6/78
    Sportatorium, Pembroke Pines, FL 4/7/78
    Veterans Memorial Coliseum, Jacksonville, FL 4/8/78
    Fox Theatre, Atlanta, GA 4/10/78
    Fox Theatre, Atlanta, GA 4/11/78
    Cameron Indoor Stadium, Duke University, Durham, NC 4/12/78
    Cassell Coliseum, Virginia Polytechnic Institute, Blacksburg, VA 4/14/78
    Huntington Civic Center, Huntington, WV 4/16/78

    Recorded By Betty Cantor-Jackson
    Newly restored and speed-corrected audio by Plangent Processes
    Mastered by Jeffrey Norman
    Liners By Author Steve Silberman
    Artwork By Acclaimed Artist Matthew Brannon

    Limited To 10,000 Individually Numbered Copies
    Dead.net Exclusive

    It’s been said before but April ‘78 was an incredible month for the Dead. Like May ‘77, you could throw a dart and guarantee you hit a stellar show. - KyloRensPecs, r/gratefuldead, Reddit

    .... April/May '78 has a lot of the same qualities of Spring '77 but with some extra edge and a much bigger sound from the Rhythm Devils. A really special era that often gets neglected. - viewtiful_alan, r/gratefuldead, Reddit

    Sportatorium - April 7, 1989

    when drums started I thought, oh s*#!, i hate drum solos and Billy and Mickey stopped me in my tracks. Wow, these guys are really good. Little did I know the pervasive influence this phenomena would have on my life. - pearlybakerbest, Dead.net

    Huntington Civic Centre, West Virginia – 16 April 1978

    This is another must-hear concert by The Grateful Dead. The sound and mix are almost ‘absolutely perfect'... It’s difficult to pick out highlights because everything is played so well; the band are tight, Donna is great and the set list is strong. - Grateful Ted, gratefulted.co.uk

    We're hitting the bullseye with the eight previously unreleased stellar shows that make up FRIEND OF THE DEVILS: APRIL 1978. Filled to the brim with peak performances from the Grateful Dead's post-hiatus period, this collection captures the historic tour where "Drums" begat "Space," morphed into "Drums">"Space" and cemented the Rhythm Devils' second-set power move from the music business to the "transportation business."

    Spring 1978 finds the Dead consistently weaving spontaneous magic, showing signs of great promise and potential - from the no-nonsense rock'n'roll in Tampa, where scholars cite the first "Drumz" leading into "Space," to the lengthy communal get down in Pembroke Pines to Jacksonville where the twain emerge fully formed, offering the primordial opportunity for "soul retrieval." It's evident in the dynamic range delivered on back-to-back nights at the intimate Fox Theatre and through the laid-back unity of the band's performance in Durham at Duke, a comfort that carries over to Virginia and West Virginia where the playing is unbridled, bursting with momentum, threatening to carry itself away. And nowhere can you hear that more clearly than through Betty Cantor-Jackson's original recordings, reliably crisp, bright, and vivid.

    Individually numbered to 10,000 copies and exclusive to Dead.net, FRIEND OF THE DEVILS: APRIL 1978 has been mastered by Audio Engineer Jeffrey Norman using Plangent Processes tape restoration and speed correction. Steve Vance designed the collection’s custom box, which features a removable wave drum. (We invite you to unleash your inner Rhythm Devil.) Acclaimed artist Matthew Brannon created the set’s original artwork. The collection also includes a 48-page book with original liner notes by author Steve Silberman and photos by James Anderson, Bob Minkin, and more.

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  • billy the kiddd
    Joined:
    Garcia/ Grisman. Bare Bones

    My order is in. The Garcia/Grisman shows I saw at the Warfield Theatre were the absolute best!

  • Gary Farseer
    Joined:
    checking in/sorry for change of subject

    Latest on Meyer Sound - almost as many speakers as wall of sound...

    Meyer Sound Delivers For Metallica In The Round

    October 12, 2024

    Picture of PSW Staff PSW Staff

    Stadium performances in North America for the latest leg of the M72 World Tour supported by 522 Meyer Sound loudspeakers, including PANTHER large-format linear line arrays and 2100-LFC low-frequency control elements.

    Rock icons Metallica came to North America this fall for the latest leg of the M72 World Tour, with stadium performances in the round supported by 522 Meyer Sound loudspeakers, including PANTHER large-format linear line arrays and 2100-LFC low-frequency control elements.

    The tour, which began in April 2023, stops for two nights in each city, presenting two sets on “no repeat weekends.” Fans are provided stereo mix in every seat, one that’s faithful to 40 years of studio recordings, explains front of house engineer Greg Price. “Our goal was to bring that intimate environment into a stadium.”

    The system, supplied by Clair Global, is comprised of 288 PANTHER line array loudspeakers, 96 2100-LFC LFC elements, 48 VLFC very low‑frequency control elements, 16 1100-LFC low-frequency control elements, 22 ULTRA-X40 compact loudspeakers, and eight UPQ-D2 full-size loudspeakers. These components are configured in three concentric rings.

    Outer ring arrays are suspended from eight towers, with two PANTHER arrays on each tower. Each tower carries six VLFC elements; 2100-LFC and 1100-LFC elements provide sub support from the ground. An inner system comprises eight hung arrays of PANTHER loudspeakers. The “Snake Pit” fan section in the center of the stage is covered by inward-firing UPQ-D2 loudspeakers, while the outer side of the ring employs 22 ULTRA-X40 compact loudspeakers as front fills. Wedges comprise 36 MJF-210 and 8 MJF-212A stage monitors. The system is controlled by 35 Galileo GALAXY network platforms.

    The team swapped out 96 1100-LFC elements with 96 2100-LFC elements when the tour returned Stateside in August. “I was the catalyst for making the change to the 2100-LFCs,” says Metallica creative director Dan Braun. “The results of the PANTHER arrays have been stunning from the moment we deployed them, so it wasn’t a big leap for me to think that we could make some serious gains in low frequencies as well. And the tighter end-fire array that we’re able to put together allows us to steer this thing and get higher fidelity into more seats. It’s not about turning up the bass. It’s about creating more seats that have that nearfield monitor experience.”

    Price adds, “When we showed up at Gillette Stadium in Massachusetts, we put all of my 96 1100-LFCs on a ship, shipped the entire PA without subs, and had 96 2100-LFCs show up. I put them in place where the 1100-LFCs were, and turned it on. I swapped out subs in the middle of a six-month tour and I didn’t touch a thing in my mix and it was absolutely jaw dropping.”

  • proudfoot
    Joined:
    Three things that suck

    Vasectomies
    Prostate exams
    Going through TSA

  • daverock
    Joined:
    Box fatigue

    Oro - thanks for that heads up - I might check that out later. Maybe a little more imagination on my behalf as suggested - playing the same song from different shows to hear the changes, or even do a Road Trips style comp. - although I'm a bit too lazy for that.
    I also enjoyed the 1st show in the box the best. Maybe listening to 8 shows that follow on, one after the other, is a big ask from any year. Especially one that is more song based like 1978.
    I can do it with Europe 72 - but that has the big second set jams. Interesting though drumz is, it's a poor substitute for Dark Star.

  • Deadheadbrewer
    Joined:
    1967--Joni and Grateful Dead

    Sitting here, having my mind melted by the live Joni Mitchell show from the Canterbury House in Ann Arbor, Michigan, recorded October 27th, 1967, before switching to the second show from the Devils box (just getting around to it . . . ). Checking my Deadbase, I see that the Dead played Ann Arbor on August 13th of '67, in a free outdoor afternoon concert. I'm now trying to imagine being back in those days, what with tremendous music being created and performed everywhere, with little money or effort required of the interested.

  • 1stshow70878
    Joined:
    Bare Bones

    I looked at that when the email came in this morning and I'm waffling on this one. Looking at the listing there are a lot of alternate takes and versions of songs I may already have in my extensive G & G collection which I started buying when DG started Acoustic Disc. Maybe I'll wait for a sale, yeah that's it! I can always justify buying something when it's on sale. This site is like a support group for addicted buyers, lol, only we aren't looking to be cured.

    DR - Me too, done 4 of the 8 shows and taking a break. 1st one was the best so far IMO.
    Cheers

  • Vguy72
    Joined:
    Garcia/Grisman Bare Bones Vol 1....

    ....up for preorder at Garcia Family Provisions.

  • rasta5ziggy
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    Joined:
    daverock

    I know what you mean by your latest post. My first-ever boxset purchase was HCSS, because I love '73, and also love '78. The main thing that I noticed is the repetition of the tunes, on both of these boxes, which is why I lean more toward enjoying the individual DaP releases more, which allows for a wider range of playing/era differences. What I have been doing on the FOTD box is comparing the same tune played on different dates and listening to them one after the other. That makes for fun listening, as then I can hear the real differences from show-to-show. It also helps to play the wave drum while listening to get a complete vibe, but it must be played loudly.

  • Dennis
    Joined:
    Birchwood

    on my screen in the top right corner is a down pointer, click that and one option is "message"

  • RyXs
    Joined:
    Chop~Show Crazy!

    First off thank you to Orobo.... for the video reference to check out. I love to see the light sometimes versus just hearing it! Also I think this box was a lot to consume at once {8 shows} and especially for those that listen to the Dead show to show.
    {Call me sacrilegious for this}
    Me personally, after ripping the CDs to my iTunes and officially logging it down in proper order to a section of Dead show playlists I start cutting it up to pieces. I add them to other playlists with various themes and sometimes make complete new ones.

    For this Big Debels box I made a special section just for it! One playlist is just the "Rhythm Devils" songs from all shows woven together with their corresponding surrounding tunes. On another I separated the 3 Florida, 2 Georgia, 3 college shows {Dave#37 included}, and the WV show with Pittsburg extras{Daves#37} and then mixed together all the first set music from the bunches of shows and wove them together like one great big set list. Sort of like my own personal "ROAD TRIPS" series. I also did the same bit for the second sets, though them playlists are many more hours longer. I get kinda crazy with the making of these playlists on my computer, and probably have thousands of them.
    Kinda hella crazy is more accurate! Though it's one way I never tire of all this Dead.

    {{{reEdited the titled more appropriately}}}

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3 years 6 months

Friend of The Devils: April 1978 (Dead.net Exclusive) [19 CD]

 

WHAT'S INSIDE:
Curtis Hixon Convention Hall, Tampa, FL 4/6/78
Sportatorium, Pembroke Pines, FL 4/7/78
Veterans Memorial Coliseum, Jacksonville, FL 4/8/78
Fox Theatre, Atlanta, GA 4/10/78
Fox Theatre, Atlanta, GA 4/11/78
Cameron Indoor Stadium, Duke University, Durham, NC 4/12/78
Cassell Coliseum, Virginia Polytechnic Institute, Blacksburg, VA 4/14/78
Huntington Civic Center, Huntington, WV 4/16/78

Recorded By Betty Cantor-Jackson
Newly restored and speed-corrected audio by Plangent Processes
Mastered by Jeffrey Norman
Liners By Author Steve Silberman
Artwork By Acclaimed Artist Matthew Brannon

Limited To 10,000 Individually Numbered Copies
Dead.net Exclusive

It’s been said before but April ‘78 was an incredible month for the Dead. Like May ‘77, you could throw a dart and guarantee you hit a stellar show. - KyloRensPecs, r/gratefuldead, Reddit

.... April/May '78 has a lot of the same qualities of Spring '77 but with some extra edge and a much bigger sound from the Rhythm Devils. A really special era that often gets neglected. - viewtiful_alan, r/gratefuldead, Reddit

Sportatorium - April 7, 1989

when drums started I thought, oh s*#!, i hate drum solos and Billy and Mickey stopped me in my tracks. Wow, these guys are really good. Little did I know the pervasive influence this phenomena would have on my life. - pearlybakerbest, Dead.net

Huntington Civic Centre, West Virginia – 16 April 1978

This is another must-hear concert by The Grateful Dead. The sound and mix are almost ‘absolutely perfect'... It’s difficult to pick out highlights because everything is played so well; the band are tight, Donna is great and the set list is strong. - Grateful Ted, gratefulted.co.uk

We're hitting the bullseye with the eight previously unreleased stellar shows that make up FRIEND OF THE DEVILS: APRIL 1978. Filled to the brim with peak performances from the Grateful Dead's post-hiatus period, this collection captures the historic tour where "Drums" begat "Space," morphed into "Drums">"Space" and cemented the Rhythm Devils' second-set power move from the music business to the "transportation business."

Spring 1978 finds the Dead consistently weaving spontaneous magic, showing signs of great promise and potential - from the no-nonsense rock'n'roll in Tampa, where scholars cite the first "Drumz" leading into "Space," to the lengthy communal get down in Pembroke Pines to Jacksonville where the twain emerge fully formed, offering the primordial opportunity for "soul retrieval." It's evident in the dynamic range delivered on back-to-back nights at the intimate Fox Theatre and through the laid-back unity of the band's performance in Durham at Duke, a comfort that carries over to Virginia and West Virginia where the playing is unbridled, bursting with momentum, threatening to carry itself away. And nowhere can you hear that more clearly than through Betty Cantor-Jackson's original recordings, reliably crisp, bright, and vivid.

Individually numbered to 10,000 copies and exclusive to Dead.net, FRIEND OF THE DEVILS: APRIL 1978 has been mastered by Audio Engineer Jeffrey Norman using Plangent Processes tape restoration and speed correction. Steve Vance designed the collection’s custom box, which features a removable wave drum. (We invite you to unleash your inner Rhythm Devil.) Acclaimed artist Matthew Brannon created the set’s original artwork. The collection also includes a 48-page book with original liner notes by author Steve Silberman and photos by James Anderson, Bob Minkin, and more.

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TN John or anyone else, I'm just curious what program you use to rip your CDs. Me, I'm using EAC. But I usually wait a few days so a few people can submit their data first so that there's data for my own rips to be compared against. Selfish of me, but there it is...

(asking bc you mentioned a potential problem with that Around n Around)

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7 years 9 months
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Lawdrone I hope you get your miracle today! Mine showed up yesterday and I was genuinely but happily surprised.

Separately -- sometimes I think #10000 (or 12000 or 13000 or whatever the "last" box in the run is numbered) is a unicorn, a myth, a fever dream. No one ever seems to acknowledge being the person in receipt; I've never seen one offered for sale. So if you're out there with such a box - hey, I'll broaden the inquiry to ANY Grateful Dead box going back roughly 20 years now - please step forward to satisfy my gratuitous curiosity. Thankee

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17 years 4 months
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Listening to my set, so far two discs have had problems. Disc one dropped the sound a couple of times. On Disc 3, Peggy-O became a garbled mess (for lack of a better description) and then jumped to the following track. Has anyone else had problems? There isn’t a physical problem I can see on either disc.

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In reply to by richmo

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About an hour ago. Was supposed to be yesterday.
Glad FedEx now does Sunday delivery.

First listen will be tonight.

I play all CD’s first with a Cambridge Audio AXC35 CD player to make sure they play.
I then copy to a HD and check those files since there have been many instances where the same CD plays in a player but then has defects after ripping. Sometimes I get different ripping results with different burners.
I no longer use ripping software as I’ve found that to also introduce errors.
Using a Mac I mount the CD on the desktop then just drag the files to a folder. I then play those files with a portable music player to confirm an accurate copy.

I did see a #6789 May 77 box.

How the heck are you guys getting weekend delivery? My box blew right on by to Syracuse on Friday and is just sitting there.

There was a #2 Dave's Picks 3 on Ebay for a long time.

which is not #1 or 10,000

On CD1.
Will go in order.

Betty
Plangent
Norman
!!!!!

Glad I upgraded my speakers and subwoofer this week.
I hear stuff with these Klipsch speakers that I never heard with my Bose 301’s that are 12 years old.
And a 12-inch sub. I was on my deck last night while the sub was thumping inside and the siding on my house was vibrating.

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10 years 5 months
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Day 29: Jam from September 1, 1968.

This sounds like some of the Clementine jams I've heard. Anyone have any further info on this wonderful little jam?

Cone Kid has a better setup than me. I'm just using Windows Media Player.

The issue with Around And Around on the 4-6 show appears to have been on stage that night, as it is present on all versions of the show that are on the archive.

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17 years 5 months
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I just converted all eight concerts to mp3's and am finding out that every concert has corrupted flac files. I have a list of over 28 songs over the eight concerts that sound like they ripped them from a CD that was damaged and skipping.

Agree. Problem is at 1030 AM they knew there was a problem why is anybody still able at 434 PM to still purchase known defective product? glitches all over these files and straight up starts and stops mid songs like someone hits pause.

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4-6-78 Tampa. Must have been the headphones, or the Indica/Sativa hybrid, but this was way better than I expected. The band was a cohesive unit with no one detracting in any way. Jerry was somewhat reserved which came off as just exactly perfect with what everyone else was doing. Bob especially was fitting in so well and not going off on his own thing. Great sound quality too after the 1st song glitches were cleared up. I hope the rest of the box can live up to this start and from what I've read Duke is stellar. Onward!
Cheers
Speaking of stereos (I know, wrong thread, that's over on listening to now) the headphones verified what I have feared for a couple years now. The vintage killer ESS speakers need recapped for sure. Been wishfully thinking the muddy sound was possibly a component but I tried the headphones straight out of both the CD player (too loud, no variable output) and the pre-amp and they both sounded phenomenal. Main problem is there is no tech anywhere near me and the floor standing speakers weigh 60 lbs. each (more than my lifting limits, previous hernias). Think I need some spares until I can get them recapped. No room so I'm thinking some 8" woofer two-way bookshelfs can fit somewhere. Here I go down the audio rabbit hole again, lol.

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9 years 3 months

In reply to by 1stshow70878

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check out simply speakers, one word and dot something.

They offer different speaker materials and instructions or you can simply send the speakers to them and they will come back cherry! Of course, remove speaker from cabinet to ship.

G

Edit:

Checked they do have ESS speaker components. I have some old Canon-TLS speakers that need refoam and rear passive radiator kits. The Canon's were made by ESS. My speakers runneth over. Should I re-do the Canon's, not sure. Pyt Pyle-Driver woofers in them in 1987. Been using all JBL for 20 years.

Hope that helps.

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10 years 1 month
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I've seen them before as a parts house. Problem is the caps are attached to the circuit board on the crossover network that is inside behind the speaker binding posts and the mfg. didn't mount it from the outside. Someone will have to remove the woofer, and the insulation just to get to it. Not a fun or easy job. Soldering and spec-ing new caps is well beyond me. So, I will keep searching for that old guy who still does bench work in his spare time hobby.
Then I'll get a helper to get them in my car, lol. It's worth it as I can't buy new for what that repair will cost and any used vintage may have the same issue as capacitors have a useful life of as little as 10-20 years and these are almost 50 now. But boy do they sound good when working well. Shipping speakers is expensive when they are this size so many sellers of refurbished ones only offer local pick-up. Temporary bookshelf speakers will also fit into a possible 5.1 surround if I ever go there. And who doesn't need more toys?
Thanks and cheers

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9 years 3 months

In reply to by 1stshow70878

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Gotcha. Sux though

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5 years 6 months
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Package has been sitting in OH since the 20th. Was scheduled for delivery on the 21st but now just says "we'll update delivery information when package starts moving". Can't get through to anyone at FedEx who can tell me what is happening w it. Delivery on these box sets is always stressful. Going on vacation in 2 weeks and would love to have it before then to listen on the 12 hour plane ride. Hope y'all been enjoying it so far and hopefully I'll be joining soon!

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2 years 3 months
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Has arrived in the Mohawk Valley, one day ahead of schedule and early in the day, but still not on Friday.

I did not know there was another "T" in SporTatorium, which makes a lot more sense now.

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17 years 4 months
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Anyone have a link to digital cover art? CDs played fine, iTunes extraction went fine, sorry to hear there are issues, is it just downloads?

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Just posting to second Icecrmcnkd's praise of Klipsch speakers. Picked up a pair of RP280 floorstanding speakers at the end of 2017 or so and have been using them hard since. Crystal clear sound at any volume, bass sounds solid even at low volumes, and no distortion even at extreme volumes when coupled with a good receiver with low distortion (currently paired with a Yamaha Aventage RX-A1060). No subwoofer as they bother my ears, and with the range of the speakers it is not necessary as they put out deep bass tones effortlessly. They replaced a pair of vintage 1970s Genesis Speakers that had the woofers re-coned once in the '90s and the inverted dome tweeters eventually just disintegrated by 2017. I got them when my father upgraded in the early '80s and I used them up until 2017, pretty good lifespan for a pair of speakers. I liked the Genesis speakers a lot, but the Klipsch just take it to another level. Your appreciation may differ.
Eagerly watching this box creep towards delivery.

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16 years
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Someone posted the front and back scans to the Grateful Dead Reddit page. I just Googled Friend of the Devils cover art and it was the first link.

EDIT: strike that. The colors of the posted scans don’t match what’s in the box set.

I’ll eventually get around to scanning the covers. Probable not til this weekend though.

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17 years 4 months
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My box has now arrived in Germany, sez the DHL tracking. Hopefully it'll be delivered this week.

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14 years
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We watched the Duke 78 Video on deadnet youtube last night, that was fun. It seemed like a student production, poor camera work, and an annoying directorial tendency to create messy supers frequently during the first set. They layed off this super business in the second set which made it more enjoyable visually. Video is my background, so I'm familiar with creating this kind of effect. Jerry was really excited during the end of the second set dancing around and doing windmills. That was enjoyable. I never saw him do that in 1978.

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10 years 4 months
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Hey Gary & Everybody, Kinda bad timing. We're leaving for a long-postponed & long-saved-up-for, three week odyssey from Athens to Rome. Unless Copperdomebodhi hooks me up with his always excellent cover art while we're gone, I won't be able to send links until mid October. My box may not arrive until after we leave, but I'll take the flacs along thanks to a longstanding and "must-remain-un-named" benefactor. Onward!

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15 years 1 month

In reply to by simonrob

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Mine has arrived in the UK but is currently being assessed by customs. I’ll probably get a letter in a couple of days and have to pay tax before the Parcelforce lottery begins. My Neil Young box should have arrived yesterday but it is sitting in the Parcelforce local depot not moving. I ‘phoned and was told that they should have delivered it that day, I said ‘I know’! Let’s hope it arrives today and that customs are efficient in getting their post out so I don’t wait over another weekend for the GD box. Best wishes to the others still waiting.

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17 years 4 months

In reply to by Colin Gould

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.....very nice Jeff. My cousin and his wife are heading to Rome to see David Gilmour. I'm jealous on both fronts.
Be safe.

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17 years 5 months
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Yes, it's on.
Oktoberfest No. 189.
Cheers
G.

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17 years 5 months

In reply to by simonrob

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"The Waiting Is The Hardest Part".
Could the waiting be shortened with one or more of that specially brewed tasty Oktoberfestbier?
Yes!
Cheers

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2 years 3 months

In reply to by Colin Gould

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I made artwork with my phone, I hold it over the cover and press the little scan thing. I have no idea what I'm doing but they come out ok I guess.

Man, if I were Colin I'd have been arrested at the post office.... ;/

Edit: In case anyone is wondering, I grew up in that part of New Jersey that's like a spit from NYC, I think this explains my lack of patience and aggressiveness.
I am at least aware of it... :)

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…#9151, which is located on the back cover of the booklet - the new 2024 Boxsets have landed in NJ,on the outskirts of NYC. Bergen County! I received both the CD Boxset as well as the Vinyl Boxset! Once again the art production is primo! The Grateful Dead has done it again! A real work of art and it’s made up from premium quality materials. CD art work is also fantastic! All my CD look perfect except for one disc,#5 has scratches all over the CD. I pray and Hope i can get a replacement CD. I’ll settle for a copy if they aren’t available to mail a replacement. I’m going to try to get help. Otherwise, this year’s box is beautiful in every way! Time to dig in , I always play the music in order for reasons of my own. I enjoy exploring the music as it was originally recorded date wise! I love 1978! Let the magic begin to fill the air with sweet songs & lyrics! Long live the good Ol Grateful Dead!

The Art Production is beyond beautiful, it’s actually a Drum! The box itself is a Drum!!! Totally mind blowing! And also comes with a drum like tambourine rattle!

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17 years 5 months
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My copy is in a ‘secure facility’ at a UPS warehouse. Crumbs.

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I love that they released this - but I am very disappointed that digital noise reduction was used - there was absolutely NO reason to do so and it takes away from these perfect Betty Boards.

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14 years
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Box was delivered before lunch, which made the rest of my work day excruciatingly long. I opened it at dinner. My wife was patient & made sure we took good care of the wave drum. My daughter was over the moon to hear about a 16+ minute Franklin’s Tower. I guarantee this will get a lot of play time around here.
Thanks Dave! Thanks Steve!
Thanks Jerry, Bobby, Phil, Billy, Mickey, Keith & Donna!

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8 years

In reply to by jjc

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#5468 is in the house. Won't have a chance to start to listen to it until Thursday.
Tapes provided through the assistance of ABCD LLC. They are back. 👍 Such a great story!

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1 year 9 months
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Lowest number I’ve gotten on any of the boxes or the Dave’s.

Makes me feel sorta kinda warmish.

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10 years
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gettin hey now'd again...thought that had been disposed of.

guess not.

sucky

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17 years 4 months
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It doesn't like the colon punctuation mark, that is two dots above each other, as is sometimes used between hours and minutes. I discovered that last week.

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10 years 1 month
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The packaging fits into a standard book shelf. Standard slip cases for the discs. All of it well made and designed. That alone makes me glad I didn't go with the all digital.

For the artwork, it now makes sense to me and it works. There's a backwoods swamp feel in the imagery that's appropriate for most of the shows being from the deep south during springtime. The devils remind me of what can be found in folk art from that region- just do a google image search 'Florida Georgia folk art devils'. All that Baptist influence on the subconscious, I guess. And then with the drum actually being a rain stick every time you move the box? That's when your imagination pulls all the pieces together to make it come alive! Pretty cool how that happens.

For the music, I've only listened to the first Tampa show but I'm hearing what I heard when listening to some of the DaP releases from the tour after this release was announced. It's a GD where everyone is rhythmically in synch and magically knows how to follow where the beast wants to go. And primarily from having a centering weight through Phil, Mickey and Bill-- which then allows Keith, Jerry and Bob to easily find room to freely do their stuff. Donna too (who does sound great). Quite often I find grateful dead playing to be like a big drum circle and that's indeed the case what's found here.

If all the shows hold to that style, for me personally, I'll place this at the same level as E '72, May '77 and Spring '90. I think the playing is that good and that unique to the GD vault. Case in point, after listening to one of those prior DaP releases this summer, I put in Veneta right afterward and my ears went, nope, better get back to April '78.

Magically showed up at the post office this am.

Spinning Tampa 4/6 right now - In the timbers of Fennario . . .

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13 years 4 months

In reply to by Sixtus_

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I know what you mean.. every time I try to launch my new crypto currency and advertise my new Crypto exchange here, I get Hey Now'd.

It's so unfair.

Box is in, haven't opened it yet but that's where I will be going in exactly.... now.

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