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    WHAT'S INSIDE:
    Five complete, previously unreleased performances on 17CDs
    Des Moines, IA 5/13/73
    Santa Barbara, CA 5/20/73
    San Francisco, CA 5/26/73
    Washington, D.C. 6/9/73
    Washington, D.C. 6/10/73
    Recorded by Kidd Candelario, Betty Cantor-Jackson, and Owsley Stanley
    Newly restored and speed-corrected audio by Plangent Processes
    Mastered by Jeffrey Norman
    Liners featuring notes from Canadian author, Ray Robertson, The Owsley Stanley Foundation, and Legacy Manager and Audio Archivist, David Lemieux
    Art and Design by GRAMMY® Award-winning Art Director, Masaki Koike
    Custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer
     
    Limited Edition Individually Numbered To 10,000 
    Exclusively At Dead.net

     
    "There’s the simple fact that the band members were old enough and experienced enough by now to be virtuosos on their instruments (what other group—rock or jazz or any other kind of music—could boast a trio of spectacularly singular talents such as Garcia, Lesh, and Weir?) but were still young enough to want to play and play and play some more, the happy, itchy inclination of youth. As a few of the shows in the Here Comes Sunshine boxed set attest, it wasn’t unusual for a 1973 concert to exceed four hours. And within the shows themselves, there are nearly nightly examples of hour-long orgies of tune-linked songcraft and juicy jamming." - Ray Robertson, HERE COMES SUNSHINE 1973 Liners
     
    8 years in and the Grateful Dead are a little bit of everything to everyone. They are putting up textures and tones of rock, of jazz, of country, with set-morphing vibes and long stretches of improvisations that are completely keyed into the sum of their parts. Keith Godchaux is here with his cascading notes. Donna Jean too. Both finding their footing and keeping things steady in the wake of Pigpen's unfillable gap. The spring of 1973 feels transformative for the Dead - no more so than the May and early June shows, complementary yet remarkably different, soon-to-be cornerstones of everyone's tape collections, and now, 50 years later, set to be part of the band's official canon.
     
    HERE COMES SUNSHINE 1973 is a limited-edition, 17CD boxed set with five previously unreleased, highly sought-after Dead shows, including: Iowa State Fairgrounds, Des Moines, IA (5/13/73), Campus Stadium, UCSB, Santa Barbara, CA (5/20/73), Kezar Stadium, San Francisco, CA (5/26/73), and Robert F. Kennedy Memorial Stadium, Washington, D.C. (6/9/73) and (6/10/73).
     
    During the spring, the band road-tested most of the songs they would record that summer for WAKE OF THE FLOOD – their first studio album in three years – including early live versions of “Mississippi Half-Step Toodeloo,” “Row Jimmy,” “Stella Blue,” “Eyes Of The World,” and, the set’s namesake, “Here Comes Sunshine.” Also tucked into the collection are songs destined for the Dead’s 1974 studio album, FROM THE MARS HOTEL – “China Doll,” “Loose Lucy,” and “Wave That Flag,” a precursor to “U.S. Blues.”
     
    The new repertoire slipped neatly into the fluid setlists alongside songs honed on the 1972 European tour (“Jack Straw,” “Tennessee Jed,” “Brown-Eyed Women”), Chuck Berry perennials (“Promised Land,” “Around And Around”), classic country (“Big River,” “The Race Is On”), and incredible jam sequences: “He’s Gone”> “Truckin’”> “The Other One”> “Eyes Of The World.”
     
    Due June 30th, the individually-numbered, limited-edition 17CD set features vibrant graphics and custom-designed folios by GRAMMY® Award-winning Art Director Masaki Koike, a custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer, and liner notes by Canadian author Ray Robertson, The Owsley Stanley Foundation, and David Lemieux. And, of course, it features newly restored and speed-corrected audio by Plangent Processes, mastered by Jeffrey Norman.
     
    Digital convert? We've got you covered too. On the very same day you can collect your hi-definition download.

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  • nuclearabbit
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    HERE COMES SUNSHINE 1973 (17CD SET)

    I'm glad to see that there are people other than me who hate El Paso. Easily one of the worst songs of all time, the guy is dead at the end of the song, so how can he be telling this story ! ? !

    For me, whenever I get a new box set or Dave's Picks, I Iisten to the version(s) of El Paso once, simply to make sure the disc plays properly. After that, it's hit the skip button whenever I listen to the disc again.

    STAT OF THE DAY: Over 46 Dave's Picks, there are 22 versions of El Paso. There is one version of Shakedown Street.

  • Dogon
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    Joined:
    Tape Quality again

    Thanks for your replies.
    A clarification perhaps.
    I know these releases where never meant to be released and are as such audio artifacts with glitches and occasional drop outs I ve been buying releases for long enough to have seen the caveat emptor warnings!
    I have enough Dead to last the rest of my life! I also like Wake...I think I maybe got the first available copy in the UK, I was waiting at the shop Musicland in Berwick st, Soho, when the first box of imports arrived and I grabbed the first one.
    I am not one of those who need every last note to be released, I was actually disappointed when the Roadtrips abandoned its original focus. So to me, the release of a aud/substandard El Paso, was pointless and spoiled the listening experiance. Anyway thanks for the responses, perhaps we can revisit the subject when the boxes begin to land.
    Onwards and upwards!

  • wharfrat6969
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    Why wait? Release for order…

    Why wait? Release for order Watkins Glen soundcheck and show in July for August delivery.

    Got Iowa in earl 2000's, umh good show. Read it was a windy day and towers were a concern.

    USCB never heard, excited

    Kezar grew up on an xl90 with 3rd set, love it.

    DC had parts of 9th, all of 10th grew up on it, yes. I believe on my old tapes Phil says before Dark Start something like we're gonna get real weird or stretch out? Yes indeed.
    Side note caught the rare Dew set opener at Giants 87' as a junior h.s., also best Dylan set I ever caught out of like 10 shows over the years. Sher sold way low amount of floor tix, at showtime 100's to 1000's or so jumped down to flood floor. Great crispy video exists pro shot.

  • bluecrow
    Joined:
    patches

    I seem to remember that a recent episode of the GOGDeadcast said there were 2 decks running, both Betty and Kidd(?), for one of the first shows in the box, I'm thinking it was the first at Des Moines. First I had ever heard of anything like that. So hopefully any patches in that case would be one reel source for another. In the end, so thirsty for this box that even an audience patch or 3 don't matter all that much. Seconding the advice of my compadres here - buy the box, tons of great music and hard to believe any regrets.

    (Bluecrow checking in on a1bar LTE personal hot spot from the "wilds" east of the Capitan Mtns.)

  • icecrmcnkd
    Joined:
    AUD Patches

    Make up how much of the STL Box, 1% maybe 2%?

    Read the caveat emptor on Dick’s Picks.
    “This live recording is not a professionally made studio recording……”
    Or something like that.

    Buy it Dogon.
    It will sound better than what’s currently available.

  • Oroborous
    Joined:
    Like the morning sun he comes

    and like the wind he goes ; )

  • hendrixfreak
    Joined:
    Well, dogon, the answer is.........

    I know nothing about the tapes. What I do know is that within minutes of this box announcement I had purchased it.

    Now, I may be biased, because I caught six shows in '73 and thought the band and the new Wake of the Flood material was (is) fantastic. So this era is really what hooked me on the band.

    I guess a few patches won't impact me much. Especially if they occur during an El Paso. Eyes of the World or Stella Blue or Mississippi Half-Step? I would hope not. But ~$11 per disc for '73 GD and five complete shows? C'mon! Buy it!

    I should add that, generally, I try to support archival releases for the GD, Jerry, the ABB and Hendrix, to keep the releases coming. After completely not studying the matter, I'd say that GD boxes are 90 percent what you want.

    Okay, felt like doing a little raving over vintage GD here this afternoon. Ta ta!

  • Dogon
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    Joined:
    Box set, likely tape quality?

    So, I am still prevaricating about getting this set, having been increasingly disapointed by the need for, and presence of, aud patches, on recent sets. Anybody who knows these shows have an idea what we might expect? I mean El paso on the waiting for the river really sank my enjoyment!

  • daverock
    Joined:
    Oro

    Thanks for that great response. Iv'e been out and about a bit today, so I think I'll leave it now, and have a good look tomorrow ansd see what I can find out. Cheers!

  • Oroborous
    Joined:
    FYI

    If you have a power amp, I have an Integra DTC 9.8 pre pro in mint condition only used for about 2 years.
    Top of the line back in like 09. Still in box etc. just a thought…
    Does 1080p, DTS master audio, Dolby HD etc, just no 4K or Dolby Atmos etc.
    only reason I stopped using it was I was able to get a McIntosh.

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WHAT'S INSIDE:
Five complete, previously unreleased performances on 17CDs
Des Moines, IA 5/13/73
Santa Barbara, CA 5/20/73
San Francisco, CA 5/26/73
Washington, D.C. 6/9/73
Washington, D.C. 6/10/73
Recorded by Kidd Candelario, Betty Cantor-Jackson, and Owsley Stanley
Newly restored and speed-corrected audio by Plangent Processes
Mastered by Jeffrey Norman
Liners featuring notes from Canadian author, Ray Robertson, The Owsley Stanley Foundation, and Legacy Manager and Audio Archivist, David Lemieux
Art and Design by GRAMMY® Award-winning Art Director, Masaki Koike
Custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer
 
Limited Edition Individually Numbered To 10,000 
Exclusively At Dead.net

 
"There’s the simple fact that the band members were old enough and experienced enough by now to be virtuosos on their instruments (what other group—rock or jazz or any other kind of music—could boast a trio of spectacularly singular talents such as Garcia, Lesh, and Weir?) but were still young enough to want to play and play and play some more, the happy, itchy inclination of youth. As a few of the shows in the Here Comes Sunshine boxed set attest, it wasn’t unusual for a 1973 concert to exceed four hours. And within the shows themselves, there are nearly nightly examples of hour-long orgies of tune-linked songcraft and juicy jamming." - Ray Robertson, HERE COMES SUNSHINE 1973 Liners
 
8 years in and the Grateful Dead are a little bit of everything to everyone. They are putting up textures and tones of rock, of jazz, of country, with set-morphing vibes and long stretches of improvisations that are completely keyed into the sum of their parts. Keith Godchaux is here with his cascading notes. Donna Jean too. Both finding their footing and keeping things steady in the wake of Pigpen's unfillable gap. The spring of 1973 feels transformative for the Dead - no more so than the May and early June shows, complementary yet remarkably different, soon-to-be cornerstones of everyone's tape collections, and now, 50 years later, set to be part of the band's official canon.
 
HERE COMES SUNSHINE 1973 is a limited-edition, 17CD boxed set with five previously unreleased, highly sought-after Dead shows, including: Iowa State Fairgrounds, Des Moines, IA (5/13/73), Campus Stadium, UCSB, Santa Barbara, CA (5/20/73), Kezar Stadium, San Francisco, CA (5/26/73), and Robert F. Kennedy Memorial Stadium, Washington, D.C. (6/9/73) and (6/10/73).
 
During the spring, the band road-tested most of the songs they would record that summer for WAKE OF THE FLOOD – their first studio album in three years – including early live versions of “Mississippi Half-Step Toodeloo,” “Row Jimmy,” “Stella Blue,” “Eyes Of The World,” and, the set’s namesake, “Here Comes Sunshine.” Also tucked into the collection are songs destined for the Dead’s 1974 studio album, FROM THE MARS HOTEL – “China Doll,” “Loose Lucy,” and “Wave That Flag,” a precursor to “U.S. Blues.”
 
The new repertoire slipped neatly into the fluid setlists alongside songs honed on the 1972 European tour (“Jack Straw,” “Tennessee Jed,” “Brown-Eyed Women”), Chuck Berry perennials (“Promised Land,” “Around And Around”), classic country (“Big River,” “The Race Is On”), and incredible jam sequences: “He’s Gone”> “Truckin’”> “The Other One”> “Eyes Of The World.”
 
Due June 30th, the individually-numbered, limited-edition 17CD set features vibrant graphics and custom-designed folios by GRAMMY® Award-winning Art Director Masaki Koike, a custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer, and liner notes by Canadian author Ray Robertson, The Owsley Stanley Foundation, and David Lemieux. And, of course, it features newly restored and speed-corrected audio by Plangent Processes, mastered by Jeffrey Norman.
 
Digital convert? We've got you covered too. On the very same day you can collect your hi-definition download.

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live in shame die in vain feed the poor stop the war(s)!
did 6/10/73 yesterday, and now my first round of fun listening to the entire box has been completed; planned on stretching it out over several months when the order confirmation was received, and it worked out well as DaP fourty seven got mixed into the rotation several times. For round 2, I'll re-listen more critically with the Bose QC-35 headphones to hear the subtle differences each of these recordings. I'm sure I'll be hearing some surprises.
shine your shoes sing the blues

Peace All!
uncle_tripel

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Mary, belatedly can I contact you about an issue with the discs on this one, and can you remind me how I do such...

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send me a PM!
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Has anyone else received a similar email about trying to get replacement discs.

Your email has come to my attention, and I apologize for the tardiness of this response.

Unfortunately, I have been advised that we no longer have stock for the disc you need replaced.

I am very sorry that we cannot fulfill your replacement request. We will refund you 50% for this item. (Please allow up to 5 days for funds to post to your account.)

May I also offer you a digital download of the Here Comes Sunshine box set? (If you would like to pursue this offer, please let me know whether you would prefer your download files in the FLAC or ALAC format.)

I apologize again for this frustrating experience.

Sincerely,

Tashanna
WMG Specialty Customer Service

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They cannot get you replacement discs but they can put the set on sale for $140.23 in their holiday sale? Hey now on that.
Cheers

No one has offered me a refund,they just sent me more faulty discs that don't play.It will cost me even more to send this back,I can't see them refunding all the postage & import fees that I had to shell out.

Wow, given the recent comments, who would have thought that the HCS box would be available for $140, listed in the Black Friday sale. That means they should/must have shipped any replacement discs for faulty or damaged at no cost BEFORE they sell another set... Had to jump through three Hey Now hoops to post this... talk about Lost Sailor...

Sydney - why should you be expected to send faulty discs back? You have said they are faulty - that should be enough for them. Don't they believe us if we say discs are faulty? A little respect would be nice - do they think you might be trying to pull a fast one? Ridiculous.

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It's on sale, but it's not available? What's up with that?

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Purchased the ALAC digital download since the discs were unavailable. Many of the dowloaded tracks have dead air.

I have purchased many of the box sets over the years and never have I run into so many issues. Disapointed to see so many other devotees with similar issues. Hope this gets resolved soon. The set lists are awsome and I can not wait to kick back and listen.

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081227847036
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https://store.dead.net/en/grateful-dead/special-collections/here-comes-sunshine/here-comes-sunshine-1973-dead.net-exclusive-[17-cd]/081227847036.html