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    WHAT'S INSIDE:
    Five complete, previously unreleased performances on 17CDs
    Des Moines, IA 5/13/73
    Santa Barbara, CA 5/20/73
    San Francisco, CA 5/26/73
    Washington, D.C. 6/9/73
    Washington, D.C. 6/10/73
    Recorded by Kidd Candelario, Betty Cantor-Jackson, and Owsley Stanley
    Newly restored and speed-corrected audio by Plangent Processes
    Mastered by Jeffrey Norman
    Liners featuring notes from Canadian author, Ray Robertson, The Owsley Stanley Foundation, and Legacy Manager and Audio Archivist, David Lemieux
    Art and Design by GRAMMY® Award-winning Art Director, Masaki Koike
    Custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer
     
    Limited Edition Individually Numbered To 10,000 
    Exclusively At Dead.net

     
    "There’s the simple fact that the band members were old enough and experienced enough by now to be virtuosos on their instruments (what other group—rock or jazz or any other kind of music—could boast a trio of spectacularly singular talents such as Garcia, Lesh, and Weir?) but were still young enough to want to play and play and play some more, the happy, itchy inclination of youth. As a few of the shows in the Here Comes Sunshine boxed set attest, it wasn’t unusual for a 1973 concert to exceed four hours. And within the shows themselves, there are nearly nightly examples of hour-long orgies of tune-linked songcraft and juicy jamming." - Ray Robertson, HERE COMES SUNSHINE 1973 Liners
     
    8 years in and the Grateful Dead are a little bit of everything to everyone. They are putting up textures and tones of rock, of jazz, of country, with set-morphing vibes and long stretches of improvisations that are completely keyed into the sum of their parts. Keith Godchaux is here with his cascading notes. Donna Jean too. Both finding their footing and keeping things steady in the wake of Pigpen's unfillable gap. The spring of 1973 feels transformative for the Dead - no more so than the May and early June shows, complementary yet remarkably different, soon-to-be cornerstones of everyone's tape collections, and now, 50 years later, set to be part of the band's official canon.
     
    HERE COMES SUNSHINE 1973 is a limited-edition, 17CD boxed set with five previously unreleased, highly sought-after Dead shows, including: Iowa State Fairgrounds, Des Moines, IA (5/13/73), Campus Stadium, UCSB, Santa Barbara, CA (5/20/73), Kezar Stadium, San Francisco, CA (5/26/73), and Robert F. Kennedy Memorial Stadium, Washington, D.C. (6/9/73) and (6/10/73).
     
    During the spring, the band road-tested most of the songs they would record that summer for WAKE OF THE FLOOD – their first studio album in three years – including early live versions of “Mississippi Half-Step Toodeloo,” “Row Jimmy,” “Stella Blue,” “Eyes Of The World,” and, the set’s namesake, “Here Comes Sunshine.” Also tucked into the collection are songs destined for the Dead’s 1974 studio album, FROM THE MARS HOTEL – “China Doll,” “Loose Lucy,” and “Wave That Flag,” a precursor to “U.S. Blues.”
     
    The new repertoire slipped neatly into the fluid setlists alongside songs honed on the 1972 European tour (“Jack Straw,” “Tennessee Jed,” “Brown-Eyed Women”), Chuck Berry perennials (“Promised Land,” “Around And Around”), classic country (“Big River,” “The Race Is On”), and incredible jam sequences: “He’s Gone”> “Truckin’”> “The Other One”> “Eyes Of The World.”
     
    Due June 30th, the individually-numbered, limited-edition 17CD set features vibrant graphics and custom-designed folios by GRAMMY® Award-winning Art Director Masaki Koike, a custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer, and liner notes by Canadian author Ray Robertson, The Owsley Stanley Foundation, and David Lemieux. And, of course, it features newly restored and speed-corrected audio by Plangent Processes, mastered by Jeffrey Norman.
     
    Digital convert? We've got you covered too. On the very same day you can collect your hi-definition download.

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  • BedHead77
    Joined:
    Spirit of 76

    Really dig the 76 Dead vibe.
    In fact, I’ve had the June 76 box in regular rotation since it was released.
    Not to everyone’s liking, I know.
    But it sounds just right by the pool at sunset in the high desert.

    Loving the new HCS box as well.
    On par with the November 73 release, if not a slight bit above.
    Definitely in my top 5.

  • marye
    Joined:
    Joey
    Send me a PM and I'll see if we can straighten this out.
  • Gary Farseer
    Joined:
    For those in the know pt 2

    Thanks for all the help from those on which D&C shows to look around.

    BlueCrow: Went with your option for Folsom Field night 1. Know others recommended also. Really enjoyed it. This was a really good band. I still I would not change one night with Jerry and the dead, for one D&C show. The show started out slow, even think I saw a couple of yawns onstage but the improvising became awesome. Jay Lane did a great job filling in for Billy. Watched it 3 times to squeeze out all of the entertainment juice.

    Now I am trying to figure out what show to watch this weekend, or do I peak over at some Phish. A friend of mine texted me with "What's Next?" I texted back that I hope John and Oteil continue on with a new group, The Grateful Brothers (or the Grateful Brothers and Sister, or Brothers and Sisters or The Family!) I think it would be great to get Jay Lane and then maybe Jaimoe (ABB) along with John & Oteil, maybe Jeff Chimenti, would partner with Derek Trucks, maybe Susan and Derek, and maybe Trey Anastasia (rotating players to include Billy and Mickey, just to perform drums). The Grateful Brothers, indeed. New music, old music, improv between both bands. I heard ABB teases thruout July 1 D&C show. They could create a new entity, a great entity, to welcome in the new brothers and sisters. Makes my heart warm thinking about it. Not asking Trey to stop Phish (no damn was) or Susan and Derek to stop TTB (again no way), but maybe just a new extremely fluid (like liquid and fractals) musical structure.

    Back to D&C: I was searching around on Meyer Sound's sight looking for any other writings on the lasting partnership between Meyer and Ultrasound. Was reading about Derek Featherstone (FOH Engineer for D&C) is also the CEO of Ultrasound, WOW, what a revelation into how tight those companies are. I wrote back a month or two ago about seeing 2 killer YES shows back in the 1980's. Turns out they were using Meyer/Ultrasound also. So I got my answer on why those sound systems were so good. What is noticeable about Jay Lane & Featherstone is the mixing has much more traditional formula than the normal dead mix. He really leaned on the bass drum. Took my ear a little bit to get used to that but then I noticed, by having the bass drum more in the mix, you get a much stronger pocket. That is, gives Oteil another instrument to hook with and improvise with. Bobby did such a great job leading while onstage, and getting out of the way of John and Oteil.

    More on this later, gotta fix lunch, blood sugar dropping. But hell yeah, Grateful Brothers (as in Grateful Dead instead of the Grateful Dead - for those that know that history) or The Grateful Brothers - just has a nice ring to it. Sorry if I rambled on, might need to edit, but wanted to get it posted before computer lost it.

    Hope all world wide are getting answers to their box set issues...Peace to the brothers and sisters globally!

    Edit1: And of course, include Bobby and Phil into this gumbo of Grateful Brothers. Goes well with the HCS box write-up and Brother's Brothers.

  • daverock
    Joined:
    Best year - this month

    Well I've moved on to the PNW box, and that first show 22/6/73 is one for the ages. The jam from Truckin' to Wharf Rat, glancing by The Other One as though it barely exists is amazing. That' some bass playing there.

    I was thinking, listening to all these great shows from May/June 1973 that it seems a bit strange that most, if not all of them, were played at massive outdoor events, in front of thousands. The music to me sound as though it was conceived in a more intimate setting - like a jazz club in front of a few hundred.

    It's also a very subtle form of energy, when I think of the shows I saw myself in 1973 - The Stones, Bowie, Sabbath, Hawkwind.....very dramatic and in your face. Nothing like what The Dead were concocting.

  • Oroborous
    Joined:
    Twice through

    and besides the obvious, ahem, this box is “Huuuugggee”
    Thought the book and shwag was a tad chincy, comparatively. The art was cool, the packaging we won’t discuss ahem, but the music is beautiful! Magnifico!
    There’s just too much to fully digest though at this juncture. So many good versions and big jamskis!!
    But I still think 6/10 is slightly overrated, great set list, good show, but, well, listen to Ramble on Rose for just one example, there’s more…Don’t get me wrong, I love it, but I don’t think it’s the strongest playing in the box, and I still think the first six shows of 73 are better!…just to be picky and make conversation ; )

    Yeah, thank goodness we don’t have these hassles with GFP!

    DV, what up Doggie! You digging the box, or bet your anxiously waiting for some more of that fine 79!

  • Bartomeu Ramis
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    Joined:
    Box set

    I received the box set today after having to pay 79,90 euros to customs here in Spain.
    Just one disc with some glue. The second disc from June 10. I decided that even if I had a replacement I would have to pay again to customs. Some of you talked about isopropyl and I remembered that I still had some liquid to remove wax from the inside of my ear. Applied to the disc it worked very well. Now I can listen perfectly to the last 3 songs.
    Greetings to everyone from Majorca, Spain

  • JoeyMC
    Joined:
    The Jerry people definitely…

    The Jerry people definitely have their shit together! I love the new artwork on Garcia Live 20.
    Thank you DEADVIKES.

    I should add, I have gotten another reply from a human in customer service.

  • Sydney Prentice
    Default Avatar
    Joined:
    I have had the same…

    I have had the same treatment as well JOEYMC,it would seem we are not alone. On a lighter note the new Garcialive20 plays & sounds superb.

  • DeadVikes
    Joined:
    JoeyMC

    Sorry to hear about the issues you are having. Operations were much different when Grateful Dead Productions still had a hand in the music and customer service operations. Those days are clearly gone. If you haven't already you should reach out to Marye and she and Mac should be able to help you.

  • JoeyMC
    Joined:
    They want pictures.

    I got a request to rate the support I've received dated for 7/24. In that email there was a reply from customer service dated for 7/22 that i never actually received. So, the first time I saw their reply to my request was when they asked me to "tell them how they did". Man, that really gives me a bad feeling about all of this. And so, anyway, in the reply that I never actually got they asked for pictures of the damaged discs... yup. (which is most of them) This whole thing is ridiculous.

    I declare shenanigans!

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3 years 4 months

WHAT'S INSIDE:
Five complete, previously unreleased performances on 17CDs
Des Moines, IA 5/13/73
Santa Barbara, CA 5/20/73
San Francisco, CA 5/26/73
Washington, D.C. 6/9/73
Washington, D.C. 6/10/73
Recorded by Kidd Candelario, Betty Cantor-Jackson, and Owsley Stanley
Newly restored and speed-corrected audio by Plangent Processes
Mastered by Jeffrey Norman
Liners featuring notes from Canadian author, Ray Robertson, The Owsley Stanley Foundation, and Legacy Manager and Audio Archivist, David Lemieux
Art and Design by GRAMMY® Award-winning Art Director, Masaki Koike
Custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer
 
Limited Edition Individually Numbered To 10,000 
Exclusively At Dead.net

 
"There’s the simple fact that the band members were old enough and experienced enough by now to be virtuosos on their instruments (what other group—rock or jazz or any other kind of music—could boast a trio of spectacularly singular talents such as Garcia, Lesh, and Weir?) but were still young enough to want to play and play and play some more, the happy, itchy inclination of youth. As a few of the shows in the Here Comes Sunshine boxed set attest, it wasn’t unusual for a 1973 concert to exceed four hours. And within the shows themselves, there are nearly nightly examples of hour-long orgies of tune-linked songcraft and juicy jamming." - Ray Robertson, HERE COMES SUNSHINE 1973 Liners
 
8 years in and the Grateful Dead are a little bit of everything to everyone. They are putting up textures and tones of rock, of jazz, of country, with set-morphing vibes and long stretches of improvisations that are completely keyed into the sum of their parts. Keith Godchaux is here with his cascading notes. Donna Jean too. Both finding their footing and keeping things steady in the wake of Pigpen's unfillable gap. The spring of 1973 feels transformative for the Dead - no more so than the May and early June shows, complementary yet remarkably different, soon-to-be cornerstones of everyone's tape collections, and now, 50 years later, set to be part of the band's official canon.
 
HERE COMES SUNSHINE 1973 is a limited-edition, 17CD boxed set with five previously unreleased, highly sought-after Dead shows, including: Iowa State Fairgrounds, Des Moines, IA (5/13/73), Campus Stadium, UCSB, Santa Barbara, CA (5/20/73), Kezar Stadium, San Francisco, CA (5/26/73), and Robert F. Kennedy Memorial Stadium, Washington, D.C. (6/9/73) and (6/10/73).
 
During the spring, the band road-tested most of the songs they would record that summer for WAKE OF THE FLOOD – their first studio album in three years – including early live versions of “Mississippi Half-Step Toodeloo,” “Row Jimmy,” “Stella Blue,” “Eyes Of The World,” and, the set’s namesake, “Here Comes Sunshine.” Also tucked into the collection are songs destined for the Dead’s 1974 studio album, FROM THE MARS HOTEL – “China Doll,” “Loose Lucy,” and “Wave That Flag,” a precursor to “U.S. Blues.”
 
The new repertoire slipped neatly into the fluid setlists alongside songs honed on the 1972 European tour (“Jack Straw,” “Tennessee Jed,” “Brown-Eyed Women”), Chuck Berry perennials (“Promised Land,” “Around And Around”), classic country (“Big River,” “The Race Is On”), and incredible jam sequences: “He’s Gone”> “Truckin’”> “The Other One”> “Eyes Of The World.”
 
Due June 30th, the individually-numbered, limited-edition 17CD set features vibrant graphics and custom-designed folios by GRAMMY® Award-winning Art Director Masaki Koike, a custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer, and liner notes by Canadian author Ray Robertson, The Owsley Stanley Foundation, and David Lemieux. And, of course, it features newly restored and speed-corrected audio by Plangent Processes, mastered by Jeffrey Norman.
 
Digital convert? We've got you covered too. On the very same day you can collect your hi-definition download.

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live in shame die in vain feed the poor stop the war(s)!
did 6/10/73 yesterday, and now my first round of fun listening to the entire box has been completed; planned on stretching it out over several months when the order confirmation was received, and it worked out well as DaP fourty seven got mixed into the rotation several times. For round 2, I'll re-listen more critically with the Bose QC-35 headphones to hear the subtle differences each of these recordings. I'm sure I'll be hearing some surprises.
shine your shoes sing the blues

Peace All!
uncle_tripel

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17 years 2 months
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Mary, belatedly can I contact you about an issue with the discs on this one, and can you remind me how I do such...

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17 years 3 months
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send me a PM!
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7 years 8 months
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Has anyone else received a similar email about trying to get replacement discs.

Your email has come to my attention, and I apologize for the tardiness of this response.

Unfortunately, I have been advised that we no longer have stock for the disc you need replaced.

I am very sorry that we cannot fulfill your replacement request. We will refund you 50% for this item. (Please allow up to 5 days for funds to post to your account.)

May I also offer you a digital download of the Here Comes Sunshine box set? (If you would like to pursue this offer, please let me know whether you would prefer your download files in the FLAC or ALAC format.)

I apologize again for this frustrating experience.

Sincerely,

Tashanna
WMG Specialty Customer Service

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9 years 11 months
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They cannot get you replacement discs but they can put the set on sale for $140.23 in their holiday sale? Hey now on that.
Cheers

No one has offered me a refund,they just sent me more faulty discs that don't play.It will cost me even more to send this back,I can't see them refunding all the postage & import fees that I had to shell out.

Wow, given the recent comments, who would have thought that the HCS box would be available for $140, listed in the Black Friday sale. That means they should/must have shipped any replacement discs for faulty or damaged at no cost BEFORE they sell another set... Had to jump through three Hey Now hoops to post this... talk about Lost Sailor...

Sydney - why should you be expected to send faulty discs back? You have said they are faulty - that should be enough for them. Don't they believe us if we say discs are faulty? A little respect would be nice - do they think you might be trying to pull a fast one? Ridiculous.

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It's on sale, but it's not available? What's up with that?

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Purchased the ALAC digital download since the discs were unavailable. Many of the dowloaded tracks have dead air.

I have purchased many of the box sets over the years and never have I run into so many issues. Disapointed to see so many other devotees with similar issues. Hope this gets resolved soon. The set lists are awsome and I can not wait to kick back and listen.

product sku
081227847036
Product Magento URL
https://store.dead.net/en/grateful-dead/special-collections/here-comes-sunshine/here-comes-sunshine-1973-dead.net-exclusive-[17-cd]/081227847036.html