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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #2371
    JimInMD
    Joined:
    More on GD/Amps/US Navy

    I was close... if you google it you will get an answer pretty quick. Here is a quick quote from my first google land.

    Rosie McGee was cracking up at her desk when Dennis "Wiz" Leonard walked in from lunch.

    "What's the story?" Wiz asked McGee, then a receptionist and bookkeeper at Alembic, a California-based custom electric guitar, bass, and pre-amp company where Wiz worked as an audio engineer.

    "Well, the Department of Defense just called me," she told him. "They were asking if we could defer the purchase of our next four 3500s, so they could get four."

    Those amps were in high demand at Alembic. The 3500s, in particular, would be used in the Wall of Sound's vocal array tweeters, drum tweeters, and for Jerry Garcia's guitars. But was it just Alembic buying them up? A rumor was going around—a "urban myth," Wiz told me—that the US military was using Mac 3500s for sonar, specifically to listen for Soviet submarines.

  • #2372
    Gary Farseer
    Joined:
    Passing the Test

    Isn't the goal here to be lighthearted? I try my best to not let the craziness of the world/media not get to me here? Isn't the goal here to be a kind prankster? They ask, "Are you kind?" Most of the flamers I look like as children, either actual age or not. Many are so deep in social media and issues that result thereof, they cannot see what it is doing to them. They are being handled, manipulated, and unwittingly abused by the profiteers. I try to stay away.

    Jim, had no idea of the McIntosh amp issues. Thanks for that piece of info. As much as I love the music, it is just how they were. So real and fun which someone wrote, "creating their own iconography." The richness of their traditions and internal musical dialog that we love is an unending source of comfort as they lived it everyday for 30 years. I wish I had a shot at hearing even 50% of their music, but as I have written before, my OCD makes me wear out a great jam over and over instead of looking for the next one. Need to work on that for sure.

    So Jim and Oro and many others, thanks for passing the test.

    G

  • #2373
    JimInMD
    Joined:
    GFar

    You are kind soul.. I appreciate all you provide here. Same goes to Oro. I think it would take a face to face to catch me up on all the technology (old or new) that the two of you bring for me to truly understand. As for old.. and I am sure you both know.. in either late 73 or early 74 (I think 73).. the GD got into a scuffle with DOD over equipment they were ordering that was desperately needed for national security. Apparently, the Macintosh amps they were buying in unprecedented numbers were needed both in general and more specifically by special, top secret subs that needed the clean sound and amplification to either detect enemy interference or better hear and make stealth the noise they were making. So they called the GD and tried to work out a way to either stall, postpone or barter a purchasing arrangement that would not jeopardize national security.

    I think this is well known, and I apologize in advance for going on memory and surely confusing some of the information listed above as fact. ..but what is written is pretty close, if someone can clarify and correct it would not offend me in the least.

    Hope I didn't write anything that was incorrect or in any way interpreted as insulting or offensive.

    As for chainsaws and sawzaws to clear way for our living room WOS.. what could possibly be more fun.

  • #2374
    Gary Farseer
    Joined:
    Sawzaw

    Ah the sounds of my earliest fun dentist. "You dont need no gas!"

    All my stereo stuff is old, always fussy. Running all old Yamaha into JBL (plus svs). Trying to get stuff cleaned and parts replaced. When it is on, it is quite the stereo indeed. I have an old yamaha eq that I hooked up when Dave's first show was released. Goes into Pre amp, then to a yamaha mx-830. The MX-830 is powering 4 jbl g300's and 2 jbl LX 600's. Running 6 speakers means the amp is running at 550 watts at 2 ohms. It cooks. The speakers all have same tweeters and mid ranges. The 300s run 8" woofers and the 600s have 10 inch woofers. It is old but as you say "in budget." Smile.

    edit:
    Then the svs has a 550 watt continous, 850 watt peak sledge. The svs I picked up a few years back for $399. I had to have a sub with an internal crossover. So out of preamp to svs (rca cables), then back into the preamp, then to amp. Having old yamaha means older connection points. Modern amps control the crossover themself and pump sub out already crossed over. I happen to run my internal sub amp at a cutoff of 82 hz. George Lucas uses 80 hz crossover in his THX sound systems. So I am slightly above that. I did some sampling of the room using the preamp features.

    G

  • #2375
    JimInMD
    Joined:
    Do you have any '74 Dijon?

    Neanderthal's use chain saws.. a sophisticated audiophile attacks their living rooms delicately with a sawzaw.

    I'm totally jealous.. I am blasting with my 20 year old Denon, similar age speakers with no intents on upgrading anytime soon. Budgets be budgets..

  • #2376
    Gary Farseer
    Joined:
    Yeah

    Can you imagine writing the real equipment book? With the constant upgrading of the system, that book would be multiple enormous volumes. Hope the Meyers have logged a lot of their research.

    No 18's here. Of course not needed.

    Back last year, Oro, you asked if I was running multiple subs. I am not. I have a 12" SVS Systems sub with built in Sledge D amp. It is like the rabbit, it is a thumper. Goes down to 13 or 15hz, so below the 20hz of human hearing. That is, if all memories about frequency response are still good. Starting to get the old enough to question my own thoughts at times.

    I am still hoping for the day when we can listen to WoS through a system that takes us to the "Fare the Well" P.A.. Would have to be software based, but I look at it like 4K upcoding an HDTV signal.

    Wow, FTW PA is now 7 years ago. Bet the Meyers' have gone way beyond that. I almost applied for a job at Meyer 7 years ago. Was in my career field. POTHead.

    That 2015 system had multiple flying 18's. It also had a load balancing system. This was done by having 2 systems, intake and outake. That is, they had 100 microphones throughout the stadium to push into the analytics software. Of course, the output systems was not connected except thru analytics, to the input system to avoid feedback. Brilliant. The analytic input system could then be used to balance the PA by section of the of the stadium.

    Sorry for interruption but I wanted find the article on pro sound web about 2015 FTW PA.

    I did actually find it, but not by searching pro sound web, but by searching internet at large and it found it on the pro sound web site, even though pro sound web could not find it in its own search.

    Let me know, maybe I can send lynk thru PM here, not sure if they cut that off.

    Any way need to do a little work after lunch. I mean a little work.

    G

  • #2377
    Oroborous
    Joined:
    Ha

    That’s what chain saws are for!

    Gary, I think besides trying to keep up with Garcia, Phil was using that big system on stage to help fill in those near field areas (up front etc) we were discussing, the areas that didn’t get proper coverage from the PA?
    What some refer to as the Phil Zone, though to me that’s was where both his stage sound and the PA sound merged and acoustically coupled.
    But yeah, My spine tingles and can still feel rather than hear those sub frequencies in my DNA. (By sub I mean below the threshold of hearing, not a subwoofer). Those Meyers 18”s in the PA were ridiculous in the right spot, in the right venue etc.
    Plus, it’s the Grateful Fucking Dead so why not go big!

    PS, that Grateful Dead gear book is great, though a little dialed down.

  • #2378
    JimInMD
    Joined:
    I want what Phil's having...

    Home version. 18"'s and 4"'s. If I move some things around, they should fit.

  • #2379
    Gary Farseer
    Joined:
    Oro

    thanks for the write-up, input. Need a little time to read again and ponder. Think again we are speaking the same language but as 90% of communication is non verbal, some times the written language let's us down.

    It seems I have the dead's equipment book, need to track that down. Not necessarily for this discussion but just to find it again...

    Should have figured Phil would use Meyer systems. Using 18's onstage, wow!

    Hope all well your way!

    G

  • #2380
    Oroborous
    Joined:
    Phil’s Rig

    As of late 82 or early 83 Phil was using 4 Meyers cabinets: (4 -18”, 4 -15”), 2 per cabinet powered by custom PIE amps, until they started not using speakers on stage in 92. (Which I didn’t like).

    Not sure I get all what your saying? I agree that Soundboards do not sound natural for many reasons.
    Perhaps your referring to the phenomena of Microphones not having frequency response to accurately record bass waves combing sub sonic frequencies at those kind of SPL levels?
    Mic location can also make a big difference and was partly why Dan started the tapers section. Unless you have the right knowledge and equipment chances are a recording made too close will mot sound good.
    Plus you have the physics: the lower the frequency, the longer the sound wave. If your too close you’ll not hear the fully formed bass note etc.
    In fact if your too close much of the PA sound will blow right by you. You’ll also not properly experience stereo imaging. That’s why usually, the sound board or just before it was THE place to be. It was a trade off going up front: yeah you were up close and could see and hear their stage sound, but the PA mix was so above and beyond you that you missed a lot of info. Eventually they added little Meyers boxes, usually sitting on the front of the stage to add some vocals etc for those up close.
    Nothing comes for free! Personally, like Bear, I didn’t like the stereo set up because of this. Unless you were in the right spot, you missed a lot of info, especially if you were sitting on the side!
    This was the main reason Reserved seating sucked: nobody could sit where they wanted so if you were a sound nut like us, you often had to endure less than perfect sound/mixes.

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Submitted by marye on
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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Submitted by bob t on Sun, 01/03/2021 - 16:59

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I've been going through them the past few days, rearranged my office at home for the start of the year. I have to say for no reason I have only listened to the 2017 Felt Forum 12/6/71 disc only once when I received it. This year's Jai Alai Fronton bonus disc I have played the most, the 2 December 69 Bonus Discs, the July 76 Orpehum, and Academy of Music.. Bob t

Listening to these two shows back to back contrasts dare I say two of the better DS's ever performed, classics in their respective years.

Winterland is so relaxed.. notes and chord progressions fall into place peacefully, all perfectly timed, seemingly unhurried with lots of space for everyone to stretch out. .. even the usually post apocalyptic part has an unrushed melodic peaceful quality to it. So relaxed. Then a moving transition into a wonderfully emotive Morning Dew. Wowwow stuff.

The Fillmore version is energetic and purposeful. Every note and chord progression is laid out to bare with much forethought and exactness. Aggressive, purposeful and on time. It isn't until after the first verse until they relax and the second jam proceeds.. and by then they are out of the cosmos and in strange territories.. they reel us back in good time for St Stephen/The Eleven/Lovelight. Powerful with purpose.

A tale of two Dark Stars, and two of the great ones at that. What a great sequence of shows to listen to back to back. What a great juxtaposition of the two great Dark Star jams.

Many thanks for those that suggested these two shows get listened to. ok.. Back to your normally scheduled Dark Star / Morning Dew, as you were.

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Submitted by prmtyms on Sun, 01/03/2021 - 22:04

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This is the best Pick of all of them. These performances of "Deal," "The Music Never Stopped," "Eyes," and "Scarlet/Fire" are true highlights in the career of a great band.

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Submitted by Strider 808808 on Mon, 01/04/2021 - 06:18

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Jim , that’s both hilarious and brilliant. I think I just had my best laugh of the new year.
Who writes this stuff?

“Searchlight casting for faults in the clouds of delusion”

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Submitted by Vguy72 on Mon, 01/04/2021 - 09:55

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....how about Portland 6.12.80. The Mt. St. Helen's eruption show. Fire On The Mountain y'all.
https://relisten.net/grateful-dead/1980/06/12
Alabama Getaway ->
Promised Land
Peggy-O
El Paso
Brown-Eyed women
Far From Me
Althea
Lost Sailor ->
Saint Of Circumstance ->
Deal
---------
Drumz ->
Scarlet Begonias ->
Fire On The Mountain ->
Estimated Prophet ->
Drumz ->
Space ->
Not Fade Away ->
Black Peter ->
Around & Around ->
Good Lovin'
-------
Johnny B. Goode
.
I wonder if Mary E checks these out from time to time.

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Submitted by Thats_Otis on Mon, 01/04/2021 - 12:26

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Whooo hoooo!!!

For those of you who are unfamiliar with 71, let the good Doc show you the way! A few years ago, I took him up on his incredibly generous offer for some 71 goodness, and I am so glad that I did! 1971 is a top-shelf year for me now, thanks in large part to that kind man! It might not be everyone's "cup of tea," but who really likes tea? It's more like a shot of bourbon!

Welcome back, brother! I look forward to reading your thoughts and learning of / rediscovering more 71 gems!

Now, 6/12/80 - sounds right up my alley! Oh, look, I'd already favorited VGuy's suggested recording (the Miller transfer) on Archive! Nice!

Peace

They should give him his own page. It would be much easier to follow and keep track of.

Something like they did with Blairs Golden Road and David Dodds Greatest Stories Ever Told.

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Submitted by icecrmcnkd on Mon, 01/04/2021 - 17:33

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Not really any different than Bolo’s Pick Of The Day page.

And considering that Doc provided photos from Jai-Alai for the release, he probably deserves to get a page devoted to his favorite year.

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Submitted by sheik yerbones on Tue, 01/05/2021 - 03:30

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yes 71 is a very good year between primal dead and the best era 72-74 and is nnow well documented with the final shows at Fillmore East, 3 shows from the Capitol Port Chester, Albuquerque, Ann Arbor, Chicago, San Diego, Hollywood, and the unforgettable Skull and roses. I wishyou all a happy new year. and maybe have a cup of tea?

https://www.youtube.com/watch?v=m9pLpREHh10

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Submitted by The Good Ole G… on Tue, 01/05/2021 - 06:46

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Yo Doc! Looking forward to some 1971.

Figure I'll start with a question you might have some info on.

Do you know if the rest of 1/21/71 SBD is around?

So far I've come across the last 3 songs of Set 1.

But curious if you have any input on that show and if the rest of the SBD exists / circulates?

Feels like a Reddit AMA with Doc '71!

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Submitted by Dennis on Tue, 01/05/2021 - 07:46

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I didn't have this in stock!!! I downloaded both copies off the archive. Both may have problems with order and label. I will investigate. I too will be looking to Doc's reply to you about 1/21.

Once again glad to get info about "things" here.

I thought I had ALL the shows!

It's like the old Doctor Who's, you think you have them all and bam! Some joe from katmandu finds an old copy of some lost show. (or they animate them! Hard to imagine Jerry animated :-) )

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Submitted by DeadVikes on Tue, 01/05/2021 - 07:48

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Okay, I will throw out a show from 8/6/82 at the St. Paul Civic Center. There is good recording available. I have it going now. Nice New Minglewood Blues, Bob goes with it is tea right here in Minneapolis. I can tell you the St. Paul natives at that show didn't care for that.

If any of you check it out, let me know.

Stay well.

Always happy to turn someone on to a show!

Yeah, this Freeborn Hall show flies under the radar, probably due to the lack of SBD.

I don't think I say this very often but, Great Around And Around!
That tune, Cumberland & Casey Jones SBD tracks float around out there.
But I haven't been able to locate anymore of the SBD.
For 1971, the Audience is pretty darn good.
TIFTOO is smoking.
And check out the poster for this show!

Tight Pigpen Artwork.

And I hear you on collecting the Dead.
Just when you think you're done, they pull you back in!

Good Stuff.

I don't think they played this twice that night, this looks like filler of some sort, perhaps from the same show???

Somebody should be able to clear this up for us.. or should I fire up the John Deere and find out what happened to the soundboard master reels while I am at it

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Submitted by Dennis on Tue, 01/05/2021 - 08:13

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RIP to Claude Bolling. Jazz pianist, tell truth I didn't know he was still alive, but that 75 album for piano & flute is great!

Dave Rock & 45's.
A short while back 45's were talked about and i think you mentioned Elvis & Do the Clam, I think?.?.

Anyway went thru all old 45's and I actually have 3 Elvis 45's from the early 60's, in the full print and picture sleeves.

Do the Clam/You'll Be Gone (off the "Girl Happy" LP)
Ask Me/Ain't That Loving You Baby (off the "Roustabout" LP)
Blue Christmas/Wooden Heart (both by "Popular Request")

Bought by my brother in about 63/64,,,, cost 66 cents. Today, highest asking price 25 bucks. Good return on investment? I will say the damn things are pretty damn mint, they've been their paper sleeves in a 45 record box (yes the type you'd take to a sock hop), only played a handful of times since bought!!!

I'd tell ya about my Grand Funk Railroad 45, in gold plastic, in a picture sleeve, with the band members looking out a hotel window,,,,, but that would be a third thing.

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Submitted by The Good Ole G… on Tue, 01/05/2021 - 08:23

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Do the Double take.
One is from the Audience and the other is the SBD filler.

It appears they tacked on the Around And Around, Cumberland & Casey Jones SBD at the end ;)
Track listings are one off for songs after Set 1 Casey Jones

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Submitted by daverock on Tue, 01/05/2021 - 10:51

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Dennis-I think it was Blue Hawaii I mentioned-but the three Elvis singles you have eclipse that one by some distance. I can remember The Cramps covering "Do the Clam" on the Date With Elvis tour around 1986.

Grand Funk Railroad too - my sole record of theirs back in the day was the "Do The Locomotion" single. I wasn't too impressed, I have to say, and it took about 40 years before I got something else by them-the so called Red Album. Much more like it!

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Submitted by bolo24 on Tue, 01/05/2021 - 11:01

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Heard through a friend that I've been reported as AWOL around here. Sorry.

We had a COVID outbreak up here at the North Pole, the elves went on strike, the Mrs. left me for the Tooth Fairy, and Dancer, Vixen and Blitzen all had food poisoning on Christmas Eve, so I wasn't able to make my complete rounds - missed Madagascar and Lithuania. Needless to say, a crappy way to cap off a crappy year. On to 2021!

Glad to see y'all keeping the embers stoked around here. I'm a bit behind on the picks, only missed the last 26 or so.

To commemorate Doc's emergence from hibernation and his love of all things 1971, here's a video pick for sometime this week:

https://www.youtube.com/watch?v=KWbzmRBU6Lg&list=RDKWbzmRBU6Lg&start_ra…

Cheers and keep smiling!

Good to see you back in the mix Bolo. Looking forward to hearing about the next boxset.

Now it is time for Oroborous to check in.

I am digging this 82 show!

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Submitted by JimInMD on Tue, 01/05/2021 - 16:26

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Looking for a Chateau
21 Tunes and a Morning Dew..

Funny.. Carlo asked about older videos on the other thread the day after I watched Festival express.. then this post. Chateau d' HerouvilIe is my favorite 'older' video. What a quirky, cool event captured on decent film.

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Submitted by icecrmcnkd on Tue, 01/05/2021 - 17:24

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Will make it easier to access by having a bookmark to it.

A window to a better year with the dumpster fire in the rear view mirror.

....give Doc a page.
I'll upvote the shit out of it.
Good to hear from you Bolo. Peace. This psychedelic corner of the internet helped me last year quite a bit.

He's done the work an is willing to post it here. It would be eminently more useful if it had its own place to live instead of buried somewhere.

If it had to live on an existing thread, probably better here than Dave's picks, but we would be listening to a lot of '71 (not that that's a bad thing). For what it's worth I was listening to Road Trips Volume 1 Number 3, Summer '71. A complete coincidinks.

Still, I vote for a separate thread.

I might have to check out January 6, 1978 today.

laryngitis and voice is gone by Deal but Jerry focuses his powers into his guitar playing.

Look at that Set 2.

Think I gotta dust this one off.

Yes, it certainly is nice to be back in San Bernardino...

PS - I'll try and circle back to 8/6/82 wasn't able to fit that in yesterday.
Love some August '82, August 1st Zoo show & 8/3 Starlight Theatre show are worth a nice trip back too.
Too Much, really man, too much!

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Submitted by Thats_Otis on Wed, 01/06/2021 - 06:40

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Sounds like another great way to grow the community! Of course, that is if the Good Doctor is up for it :)

Peace

EDIT: 1/6/78 - The first Larynjerry show? FIERCE Truckin'! Terrible Bob joke, spacey Playin'! This show has everything, except Jerry singing in set 2 :) Good pick!

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Submitted by unkle sam on Wed, 01/06/2021 - 07:59

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Let the Doc have a page of his own, we need 71 Dead highlighted and the good doctor has the goods. Hey Bolo, long time...... what's happenin' Daverock, that Red lp is the best Grand funk out there, also, closer to home and the survival lp are also good ones. Happy new year all, thank you Georgia for putting the final nail in the coffin, now, onward 2021, let's make it the best year ever.

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Submitted by Slow Dog Noodle on Wed, 01/06/2021 - 10:53

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Yes! Give the good doctor his own page for everything '71.

And while we're at it, maybe drag this forum into the 18th century and allow anyone to start a topic, like 99% of all message boards. 😜

Unkle Sam-yes, that Red Album is great. Grand Funk were a bit of an unknown quantity in mid 70s Britain-but if we had come across them in 1973, they would have been right up there with Purple, Sabbath, Uriah Heep etc in my circle. Pity they never toured here - to my knowledge.

2/14/68 is also hotter than hell. The energy the Dead put out at that time was phenomenal.

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Submitted by DeadVikes on Wed, 01/06/2021 - 14:40

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Not really sure what you mean??

You can post anything you want on any of these threads, but most of us come here for music and the Dead. I will stress most of us.

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Submitted by carlo13 on Wed, 01/06/2021 - 17:28

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I have a feeling the next box will be coming in the next week. I stress that it is only an inkling and not an insider info technique to become popular. P.S.- "It came to me in a dream." That's a George carlin quote. Ha!

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Submitted by DeadVikes on Wed, 01/06/2021 - 18:36

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Sweet Carlo, what is it going to be?

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Submitted by JimInMD on Wed, 01/06/2021 - 18:37

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Lemieux mentioned the 2021 box in yesterday's "Today in Grateful Dead History."

Spoiler alert..
He said he was very excited about this years Box, and that it is very special.

Well, that certainly narrows it down.

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Submitted by carlo13 on Wed, 01/06/2021 - 19:49

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No clue. It has been a while since the 76' box. I want it to be an ark box like a lot of you dudes keep hinting at. Dave's ark.

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Submitted by DeadVikes on Wed, 01/06/2021 - 21:37

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Okay, that makes at least two of us, I am very excited as well Jim.

Of course............

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Submitted by daverock on Thu, 01/07/2021 - 04:59

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Given what's going on in the world, maybe we could do with something that has a bit of fire power.

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13 years 6 months

Submitted by JimInMD on Thu, 01/07/2021 - 05:56

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Ark Ark..

Actually... wouldn't it be nice and a good time for one of those surprises.. an OLD master freed from the tyranny of the vault that is magically restored to a sound quality that far exceeds the versions that circulate. I don't care so much what show.. just release one of those treasures that we know must exist in an obscure, rarely visited shelf in the vault.

(ark.. arkark. ark)

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Submitted by Dennis on Thu, 01/07/2021 - 06:51

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I have it on very good authority the new box will be a dozen shows Dennis has been to.

Good enough for Dennis, good enough for me! Can't wait!

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Submitted by billy the kid on Thu, 01/07/2021 - 08:37

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I hope we get a big 1969 box ,10 shows. or the complete Winterland Oct. 1974 run with audio and video, that sells out in minutes.

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Submitted by Slow Dog Noodle on Thu, 01/07/2021 - 09:50

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I mean on most message boards a member can create a new topic, like a "Doc's '71" thread, and anyone can go in there are read about that topic and post like we do here. The difference here is that only admin can start a new thread, and they are ostensibly about whatever a new release is, but soon veer off in various directions. So we have 3 threads going that cover everything instead of more focused discussion in purposefully created threads.

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Submitted by DeadVikes on Thu, 01/07/2021 - 10:07

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Yes, that makes sense. I get it, but I don't think they will loosen the strings on this site anytime soon.

Billy, yes the 74 Winterland complete box would be unreal, just don't know if they would do it since the work they did in 2005-2006 with the Movie and the Soundtrack.

But we can hope.

I am sticking with a 1980 box release for this year.

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Submitted by The Good Ole G… on Thu, 01/07/2021 - 10:57

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What'll it be..

Any picks today?
If not I'll catch up on 8/6/82.
8/1/82 is worth a re-visit for any and all '82 lovers out there, non-lovers might enjoy it too.

Meanwhile..
Box set anticipation fun. I'd be hip to hear about a box set.
I was so off with my guess on Dave's final pick, not sure it's worth it for me to speculate.
That being said, the Pac NW tour of '68 especially if there was some uncirculating stuff, would tickle me to no end.
Or whatever hasn't been released from November '72.
But.. I hope whatever it is, it's budget minded :)

I guess time will tell. Something to look forward to.

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Submitted by DeadVikes on Thu, 01/07/2021 - 11:51

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Okay, 8/1/82, I will hit it up this afternoon. After the great St. Paul Civic Center show of 8/6/82, looking forward to checking your suggestion out. Thanks.