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    heatherlew
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    "We left with our minds sufficiently blown and still peaking..."

    We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

    DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

    Get one before they are gone, gone, gone.

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  • deadegad
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    Jerry on Pete and setlists/ The Doors live
    I read an interview with Jerry talking about how Pete T was telling Jerry how depressed he was with having to play the same show and setlist night after night. Yet Pete did not know how to stop doing that. I guess, obviously, that is what the fans wanted so The Who delivered it over and over. The Who watching The Dead at those joint Day on The Green shows showed them outside the box musical-thinking. How do they do that? And of course The Who always delivered The Power while The Dead delivered The Magic with a few Train Wrecks here and there. What's your pleasure? Hey SimonRob I know Jerry thought that The Doors music sounded too thin and brittle live. He was right, but, I do love their Absolutely Live disc. Were The Doors too 'thin' sounding live for you? Perhaps kind of a 'dinky' sound rather like some here hear 'dinky' 'plinky' keys from Brent here and there? Jerry mentioned that The Doors did not impress initially and Jim seemed like a Mick Jagger clone.Jerry did, however, likeThe Doors ir later stuff. I guess Jerry liked Morrison Hotel and LA Woman with their blues influence. Come to think of it: The song LA Woman has a guitar tone similar sounding to what what Jerry liked and played? No? Or am I tripping? I love The Doors but I think that if I were to have seen them live then what Jerry described regarding their sound being to thin would have been confirmed. And if Uncle JimBo had been too drunk then it may have been a disaster and a waste of time. The Doors seemed to be self-aware of this problem. Jim thought that their music does not work in day light. Likewise, after LA Woman they were going to have Elvis bass player Jerry Sheff join them on tour but without dropping Manzarek's bass-line keys which was a very unique part of their sound. I do not know if they were also going to add a second rhythm guitarist but that would have fattened their sound considerably. The what ifs of music history! Just one more thing: The Who's Sparks song sequence and playing was 'just exactly perfect.' Love it!
  • deadegad
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    Jerry on Pete and setlists/ The Doors live
    I read an interview with Jerry talking about how Pete T was telling Jerry how depressed he was with having to play the same show and setlist night after night. Yet Pete did not know how to stop doing that. I guess, obviously, that is what the fans wanted so The Who delivered it over and over. The Who watching The Dead at those joint Day on The Green shows showed them outside the box musical-thinking. How do they do that? And of course The Who always delivered The Power while The Dead delivered The Magic with a few Train Wrecks here and there. What's your pleasure? Hey SimonRob I know Jerry thought that The Doors music sounded too thin and brittle live. He was right, but, I do love their Absolutely Live disc. Were The Doors too 'thin' sounding live for you? Perhaps kind of a 'dinky' sound rather like some here hear 'dinky' 'plinky' keys from Brent here and there? Jerry mentioned that The Doors did not impress initially and Jim seemed like a Mick Jagger clone.Jerry did, however, likeThe Doors ir later stuff. I guess Jerry liked Morrison Hotel and LA Woman with their blues influence. Come to think of it: The song LA Woman has a guitar tone similar sounding to what what Jerry liked and played? No? Or am I tripping? I love The Doors but I think that if I were to have seen them live then what Jerry described regarding their sound being to thin would have been confirmed. And if Uncle JimBo had been too drunk then it may have been a disaster and a waste of time. The Doors seemed to be self-aware of this problem. Jim thought that their music does not work in day light. Likewise, after LA Woman they were going to have Elvis bass player Jerry Sheff join them on tour but without dropping Manzarek's bass-line keys which was a very unique part of their sound. I do not know if they were also going to add a second rhythm guitarist but that would have fattened their sound considerably. The what ifs of music history! Just one more thing: The Who's Sparks song sequence and playing was 'just exactly perfect.' Love it!
  • Mr.Dc
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    The Who, The Doors, live recordings
    While I haven't listened to very many live shows from the who, I personally have found the few I have to be quite jarring and sloppy sounding. Surprising for a band that played the same songs the same way all the time, right down to the smashing of their instruments every night. They were a great studio band, and probably cool to see in person, but their live recordings are in my opinion, for the die hard fans or those that are looking for a rawer, punk, lofi sound to their favorite who songs which at times can get old from being overplayed on the radio. The Doors live is hit or miss for me, there are definitely shows worth checking out for their performances, setlists, and I have found some great sounding recordings of them. The Isle of Wight recording is one that up until very recently I had always seen at the top of the lists for worst/laziest Doors show, funny how its now being marketed as the last great performance and being hyped up. I actually find the Doors at the Isle of Wight to be a chill show, that while not very memorable is certainly not even close to the worst Doors recording available. Enjoyed that Beefheart video, the Captain was definitely worth seeing live and though the recordings of him are usually very poor sounding, there are more than a few shows out there worth one's time. Also mentioned where the Almond bros and LedZep, both are bands with great live recordings available that are as good or better than their studio work in my opinion.
  • Forensicdoceleven
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    82 deserves some good lovin' too!!
    Yo, rockers!!!! First & foremost, I have not fallen and hit my head. Second, way big thanks to Frank Streeter, Tim Dalton, Charlie Miller, Scott Clugston, and everybody else who has made this possible. Yes, Frank Streeter's excellent tapes from the Summer of 1982 have finally started to circulate widely. Released so far: 7/27/82 7/31/82 8/1/82 8/4/82 (my favorite) 8/8/82 8/10/82 Used to listen to these quite a bit back in the day. Whether you like the 80s or not, these sure sound good!! Time to share. You know where to find me............ Rock on, Doc P.S. You forgot 4/8/71 P.P.S. Excellent copy of 10/10/82 is out as well.......... P.P.P.S. The Who, Boston Garden 4/1/76, 20 rows back, dead center, best rock n roll show I ever saw...............
  • lebowski99
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    Live at Leeds, Fillmore East, The Concorde and a time machine
    2-14-70. Always amazed that Leeds show happened the same day as one of my favorite Dead shows. A time machine could get me to one, but which one? Would have to be Fillmore, but a part of me would always be wondering if I made the right choice. But then I remember the time difference between continents and I imagine I could close out the Leeds show, jump on the Concord to cross the Atlantic and parachute into New York in time for the Cold Rain opener at the Fillmore. (Perhaps inspired by Phil Collins traveling across the pond during Live Aid to drum for Zep??? Never mind the quality of said performance.) Anyway, I think I could make it work. And my mind is somehow eased by not having to make that choice.
  • 80sfan
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    4/8
    Happy 4/8 indeed. 4/8 1971 and 4/8 1972 are two of my favorite shows so will certainly be doing some listening today. I'm in NJ so feeling the pain of an extended winter as well. Been a long cold lonely winter in more ways than one. Thank god for the dead who have been keeping me in good spirits since I was 13. No idea what my life would have been like without them.
  • fourwindsblow
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    Re: Where is spring?
    Yea sometimes it snows but it's just been cold not even a mild day anywhere and they just said below normal temp's for and other week after a brief warm up I take a couple days of above normal temp's before it drops again. It's been a long cold lonely winter. haha p.s. It's been warmer in Alaska than in the northeast. Darn global warming.
  • iGrateful
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    ...Where is Spring?
    Sometimes it snows in April O(+>
  • Gratefulhan
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    The Who and others.
    Hi all, interesting discussion about other bands. Once I got into downloading Dead shows, I eventually found my way into sites that had a treasure trove of bootlegs from everybody. I got some great shows, everything from Floyd to Zappa, even Lou Reed and Derek and The Dominos. I am sure a lot of you are way ahead of me on this. Now I can say I am not well versed in all of these bands live shows, but looking at the British band being mentioned - Floyd Stones, Who, Beatles, and Zeppelin, I think Zeppelin had some jam-improved shows. Now it is true their set lists were almost identical, but Zep seemed to have their own jam launching songs. Dazed and Confused, Whole Lotta Love, Moby Dick (drums) are few. IN later years, No Quarter was a jam vehicle for them. Again this is what I came across, but I may not be so accurate. I believe we have few resident Zeppelin fans who can shed light on this. However I feel like I listened to a lot of these bands live shows, and even when I include the Allmans and Phish, The Grateful Dead are the apex for me. To quote Booby they are "just exactly perfect". You know variety is the spice of life though.
  • fourwindsblow
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    Happy 4/8...Where the He11 is Spring?
    Lotta poor man make a five dollar bill, Keep him happy all the time...Dark Star -> Sugar Magnolia -> Caution (Do Not Stop On Tracks) April 8, 1972, Wembley Empire Pool, London Long distance runner, what you standin' there for... https://archive.org/details/gd1978-04-08.140922.sbd.miller.sirmick.flac… Baby's back all dressed in black. Silver buttons all down her back... https://archive.org/details/gd1985-04-08.sbd.miller.118375.flac16 Put your gold money where your love is baby... https://archive.org/details/gd1989-04-08.sbd.walker-scotton.miller.8351… Wake up to find out... https://archive.org/details/gd1991-04-08.137103.sbd.miller.flac16
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"We left with our minds sufficiently blown and still peaking..."

We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

*Limited to 2 per order. Very limited quantity available.

Get one before they are gone, gone, gone.

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Hey guys & gals, New to this community but have loved the dead since introduced in the early 90's. I was only a youngster then and unfortunately I never made it to any of the Jerry shows.....but like a few others on this site have commented, my interest has grown greatly over time! Recently, I would say, that interest has blossomed into an obsession with this band that is unshakeable!! Quite frankly....I have a hard time listening to anything else????!!! Anyways, I don't ever comment, but was laughing out loud reading tonight so felt rude to not chime in.....So why I'm at it here goes my takes, as I listen to DaP22 Felt Forum for the first time: Thats_Otis.......thanks for the Cow Palace suggestion.....I've been so busy listening to Dicks Picks on Spotify and Dave's that I can get my hands on, that I didn't pay attention to some of the easier to get releases....I purchased Cow Palace tonight along with a lighting bolt ball cap to grace my ugly head and make it look beautiful! Can't wait to listen! Sixtus.....(Re to "When dead heads took over): Sound's like heaven man.....I bought the 3 day live webcast and was able to suffer through the first night.....I saw everything but it was interrupted.....Nugs sent a recording of the first night the next morning and that was good...of course the rest was cancelled......I have already spoke with the wife, and if they do it again next year, WE ARE THERE! Here's hoping we can toast to that in person! JimInMD....sounds like you are one lucky dude, taking the wife's place and all in Mexico?....good for you my friend. I enjoy reading your comments almost daily. Thank you for contributing all that you do to this site.....sounds like you guys had a great time in Mexico! The Era Wars......the fact that we can even argue this, ends the argument. It's a beautiful thing, and if I have to explain, you wouldn't understand! Dick's Picks Vinyl 8......listening party at my house on Saturday! The next box set........who cares?.....smile, smile, smile....can't wait!
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Fascinating, looking at those pictures from the recent festival in Mexico. It all looks great. But it made me think about the difference between listening to the Dead a long way from the action-like here in England-and listening in the States, where such events are more accessible. The photos underlined the difference between listening to a cd, compared to be immersed in the culture. It made me think that for a lot of people, listening to The Dead is far more than listening to the music. Its about joining in with a particular lifestyle, community and philosophy. I would say that the further away you are form the action, the less likely it is that you do this. Maybe the philosophy, as indicated in certain lyrics, travels well-but the lifestyle doesn't. You cant have a community of one! I guess that is why forums like this are so important, providing a touchstone for people like me, with people like you, who share similar tastes and attitudes. Everybody is the same here-with infinite variety. ( A quote I read somewhere once about something else.)
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While Im sure it was a hoot and ill have to wait to hear the music before I form a real opinion, that GQ article makes the whole thing seem pretty lame! Writer said it was mostly well-financed doctors, lawyers and their trustafarian kids. From the photos it looks like everyones fashion (save a few of the grey heads) is dime a dozen india/china-made chotchies from the sticker wall at the college head shop. Cue sad trombone and I'll be waiting for the states side freak fest. Now 1971 Dead shows thats for me, lately it is the Boston Music Hall run 4/7 & 4/8. But oddly enougj that Porchester run has been poping up too. Just wow on the playing, archive has some very tasty SBDs of these shows too. There is even away to download off archive.org again, but MP3 only, unfortunately can't get them FLACS again yet. PM me if dont know the new magic key!
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Morning Dew give it a listen you'll be glad you did
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Thanks for the shout-out! As far as Cow Palace, yer gonna LOVE it! Play it somewhere that you can appreciate Phil - he sounds great on this release! Plus, an EPIC Playin' (as Dave mentions in the booklet, its more 74 than 76/77,) a GREAT Scarlet that gets to some really groovy places, a fast Eyes that has Jerry ripping every solo,... and then there's the entire third disc. The show does start out a little slow, like many shows, but the sound quality is so strong that I didn't really mind. Peace
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Nope..we somehow escaped being immortalized in print. The whole thing was a lot more fun than I expected.. something about the dead playing in the lawlessness of old Mexico and having what seemed like the whole resort to ourselves made for a unique mix. I also thought they played exceptionally well and the band seemed to be having a good time themselves..
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The "Dark Star>Mind Left Body Jam>Morning Dew" triptych from this show is really sweet. Love how it all rolls into one...
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Dead of the Day: February 22, 1969http://gratefuldeadoftheday.com/02-22-1969 Dream Bowl Vallejo, California Out of a welter of concerts on this date, our Dead of the Day is February 22, 1969 at the Dream Bowl in Vallejo, California. There really are no bad 1969 Grateful Dead shows, and this one is better than most. Every single tune this night has something really special going on, from the sweet noodling at the end of Mountains of the Moon that, unbeknownst, suddenly arrives at Dark Star to the building, eventually roaring Doin' That Rag with its sharp drums, prominent organ, and awesome guitar riffs. You don't want to miss any of this show, but the Stephen> Eleven is an absolute masterpiece. And the Lovelight shines as Pig puts in another funky, bluesy rap...
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February 22, 1973http://gratefuldeadoftheday.com/02-22-1973 Assembly Hall Champaign-Urbana, Illinois What you have here is a phenomenal show from the campus of the University of Illinois. The whole thing sparkles, but the Dark Star is truly transcendent.
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February 22, 1974http://gratefuldeadoftheday.com/02-22-1974 Winterland Arena San Francisco, California This is a gnarly, epic three-set show from Winterland that is definitely worth the listen. We get the first Ship of Fools, Must Have Been the Roses, and U.S. Blues. It was the first of a three-night run at Winterland and the first show of 1974.
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2/18/71: Yes2/19/71: Yes 2/20/71: except for "Ripple" and a first set "TIFTOO > Wharf Rat", meh. 2/21/71: OK 2/23/71: Yes 2/24/71: OK Yes = 10 points OK = 5 points except, meh = 2 points 30 + 10 + 2 = 42/60 = .700 batting average. pretty, pretty good.
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David, you are right about this show. It has been one of my most listened to shows in Boxzilla!
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Ive been on a 4 month self imposed blackout from the WWW.I wandered around Florida for 8 weeks, living in a tent, only getting food from Farmers Markets (for the most part), cooking with camp stoves and alcohol stoves, using my phone only to call the wife, and staying in far removed natural settings when possible. I used solar panels to power my iPhone and iPod. Listened to jazz primarily, no rock, mostly nothing released after 1970. I purged my mind of lots of bullshit and needless worry. Met a lot of weird wild people all escaping the modern situation. Learned how to exist without many modern toys. And in a nutshelll found out that if you want it, the pre web world can still be found and enjoyed. I wrote a ton of songs and ramblings in a notebook, and ignored the news and tv. The wife handled the day to day stuff back home and dealt with all the shit for me. Now being plugged back in, Im finding that an hour a day is all that feels right. Gonna play a show tonight, the first in a long time, and indulge in some ice cream!!!! Hope y’all have been well and enjoying your days…………….
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Congrats on your walkabout. I am trying to plan one myself.. but on a smaller scale. I am very curious how you charged your IPod using solar technology.. my retirement gift to myself will involve a multi-week sea kayak trip and I want a few hours of music per day.. so how to do that, where there are no plugs?
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They used to call it, the FLA, back in the TWA days. I'm sure you remember. What a cool, interesting thing for you to do. It should be required for everyone. I respect you being able to do this, doing it, and relaying it here. It sounds like, "guerilla camping" to me. In other news, I found a - gasp! - commercially available recording of 6/21/84 Kingswood Music Theatre, Maple, Ontario. Radio broadcast. Tinny high end but good enough sound, decent really, and a great performance. Best I have ever heard Brent. He's on, playing his ass off and singing equally well. Delightful shout out to Pig and rap from Wavy Gravy, on the summer solstice. Obviously archive.org also has it. Recommended. I'm done being an era snob. Also been blasting the shit out of Nightfall of Diamonds and Crimson, White & Indigo of late. Ladies and Gentlemen, the Grateful Dead, God's house band. \m/
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That show does get some play around here. I see it's not on the bookshelf now which means it's floating around the house somewhere (I'm pretty sloppy about such things).One thing I've always been fuzzy about... Was this show recorded by Cutler? Post Healey I'm never sure who gets credit.
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Great sound.. definitely post Healy. It was recorded in multi-track, but without looking at the liner notes and flying by memory.. that doesn't necessarily mean they mixed it from the multi-track recordings. Cutler had a stereo dat copy that was 'pretty good.' I also recall this release coming out of the blue as more or less marketing support for the first Spring 90 box. So who knows if they did their due diligence or pulled from Cutlers stash. My guess is this was pulled from the multi-tracks.. lets see what the diligent and obsessive compulsive amongst us come up with. Right on Led.. embracing some later era magic. Erik.. great to know enthusiasm lives on..
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http://www.deaddisc.com/disc/Nightfall_Of_Diamonds.htm Initial release : 2001 Recording engineer - John Cutler Mixing - Jeffrey Norman Tape archivist - David Lemieux Album Coordination - Cassidy Law Archival research - Eileen Law / Grateful Dead Archives Assistant engineer - Rudson Shurtliff Cover design - Randy Tuten Mixed from original 24-track analog reels Recorded live at the Brendan Byrne Arena, East Rutherford, New Jersey, October 16, 1989
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Perfect David. But my dates don't line up. Released in 2001, clearly this doesn't line up with a marketing effort for the first Spring 90 box. I might have this confused with To Terrapin, but the dates don't magically line up for that either. One of these two was pulled out of the can to support a box set, but my memory is fuzzy.. I have concluded it was To Terrapin. Good job.. thanks so much for keeping me honest.
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....Dark Star Orchestra is hitting the stage here in Vegas within the hour. Bought a ticket a couple of weeks ago. Woke up to a head cold the size of the wall of sound this morning. If anyone wants it, I'll give it to you for free. I am sad....
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good health to all
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I personally LOVE this release; such big, full sound and the 24 track certainly doesn't suck. I also always enjoyed the prior night's show, 10/15/89. On paper it looks fairly standard, but it is a good show overall. The highlights for me are the Crazy Fingers and that Estimated > Eyes...at one point Jerry is playing what sounds like a freakin' xylophone in the Estimated jam. Milt Jackson, anyone? Worth a listen if you haven't before methinks: https://archive.org/details/gd1989-10-15.sbd.walker-scotton.miller.8329… Happy Friday, Deadland. Sixtus
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February 23, 1968http://gratefuldeadoftheday.com/02-23-1968 King's Beach Bowl Lake Tahoe, California Sadly, this show is not available on Archive. However, the band released portions of this night together with material from the 24th as Dick's Picks Volume 22. That release is just kick ass from top to bottom.
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February 23, 1971http://gratefuldeadoftheday.com/02-23-1971 Capitol Theater Port Chester, New York This is the penultimate night of the epic run at the Capitol Theater. And the Dead put in another incredible performance. It would have been absolutely mind blowing to have been there for all six nights of the run. At least the rest of us can still listen to it now.
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February 23, 1974http://gratefuldeadoftheday.com/02-23-1974 Winterland Arena San Francisco, California This is just such a phenomenal show. It kicks off with a rocking Around and Around and never loses steam, just changes tempo. The Sugaree is stupendous and the Here Comes Sunshine will just send shivers up your spine on the chorus, not to mention the jamming. The Row Jimmy and Weather Report Suite start off the second set in unbelievable fashion. And, dare I say it, the night really just keeps getting better from there.
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...I couldn't hold it in any longer, One of my top Ten Grateful Dead Dicks Picks! :)
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"2/23/71 would be a reeeeeeeally good release (+ the whole run)" Three From The Vault Limited Super Deluxe box set Bring it on!
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one thing about 2/18/71: how would they fix that unfortunate splice in St. Stephen? I reeeeeeally wish I could hear that St. Stephen in its entirety.
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who among ye spend lots and lots of your time waiting for people to "get ready" to leave the house? aaarrrrgggghhhh........... Mr. Optimist sez: it does provide time to experience more GD. "always look on the bright side of life", my friends.
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gotta hear that again soon
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Herding cats I tell you. With 2 under Four, with a third on the way...one must 'calculate every possible destination along their last known trajectory' in advance to make any reasonable headway. Allot extra time prior to your departure. As They Say. Sixtus P.S. lunchtime IPA on a work from home day suits me well
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With only nine performances, this almost sounds like a challenge.Admittedly, I am not familiar with this tune. Sad! Stats: Green, Green Grass of Home Grateful Dead Debut: 5/31/69, McArthur Court, U. of Oregon, Eugene, OR Number of Times Played: 9 It almost seems that the song title is enticing me into said challenge... Sixtus P.S. I am clearly lacking in my Tom Jones catalog.
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Best known in England as a massive hit for Tom Jones round about 1967.
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Here are the 9 times it was played.. 05/31/69- McArthur Court, University Of Oregon - Eugene, OR 06/06/69- Fillmore West - San Francisco, CA 06/11/69- California Hall - San Francisco, CA 06/21/69- Fillmore East - New York City, NY 06/27/69- Veterans Auditorium - Santa Rosa, CA 07/08/69- Rock Pile - Toronto, Canada 07/12/69- NY State Pavilion, Flushing Meadow Park - Queens, NY 02/07/70- Pacific High Recording - San Francisco, CA 02/07/70- Fillmore West - San Francisco, CA Only four are on the archive (6/6/69, 6/27/69, 7/12/69 and 2/7/70). 7/12 has some sound issues.. so it's out. 6/27/69 is by far the longest, but the sweet spot to me seems to be 6/6/69, Fillmore West.
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Grateful Dead Live at Veterans Auditorium on 1969-06-27https://archive.org/details/gd69-06-27.sbd.samaritano.20547.sbeok.shnf/… Resource DeadLists Project Slewfoot, Mama Tried-> High Time, Dupree's Diamond Blues, Me & My Uncle, Jam-> Casey Jones, Dire Wolf, Sitting On Top Of The World-> Big Boss Man, Dark Star-> Saint Stephen-> The Eleven-> Green Green Grass Of Home, It's All Over Now Baby Blue Notes 1. Known low generation lineage and transfer info. 2. Splice in Baby Blue about 4 minutes in, then clipped at the end. 3. Garcia on Pedal Steel for Slewfoot, Dire Wolf, and Green Grass. Peter Grant on Banjo for Slewfoot. Weir on vocals for Dire Wolf.
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Prime example of what I don't like about 1971 ... a show with a bunch of short songs and no serious jams ... the 12 6 disc 3 part of that release redeems it somewhat, but then the bonus disc ain't exactly 7 29 74 or 12 11 69 ... just more 1st set stuff for completion purposes, rather than primo stuff. To me, Dave's 22 (12 7 71) and Dave's 24 (8 25 72) are in the same disappointing category: final shows of a run with significantly better stuff in the shows immediately preceding them. The Dave's 24 Truckin'/Other One is superb but the rest of the release, again IMO, is nuthin' special. To have 8 21 72 and 8 24 72 (and 8 22 for that matter) Normanized would leave 8 25 in the dust. Lest I be perceived as overly negative and critical, I think Dave's 25 (11 6 77) does qualify as a great show, I'm happy with it, think the Scarlet-Fire is unique in a good and interesting way ... surprised it's being taken to task the way it has on this board. Peace.
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I had the pleasure of hearing Bob perform this with Ratdog. Bob opened up the second set with this gem on an acoustic git. I believe it was a tribute to Porter Wagoner who had passed that week.
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is one sweet 69.
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As someone who has very few shows, and nothing to compare DaP 22 and 24 to, I can tell you without reservation that these two CD sets SMOKE. I think by your comments the issue you're having with them is that you're taking them out of single release context. You're comparing them to other shows and adding context unnecessarily, and it's killing your ability to enjoy them. I guarantee if you force yourself not to listen to the dead for 6 months and you put on Dave's Picks Volume 22, you're going to be ranting and raving about smokestack lightning and the other one and Jack straw and Uncle John's Band.
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9 years 8 months
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I also agree that after now almost exclusively listening to this show in the car over the past couple weeks that I think the scarlet>fire is really different and cool. I don't care about flubbed lyrics (otherwise I wouldn't have lasted long with this little hobby of ours). There are moments (especially during fire) that blow the roof off the place. I'm a fan... Funny that you mention disc 3 of daves 22-that's a disc I go back to quite often while usually ignoring the rest of the release. It's not that I don't think it's a good show-I just can't seem to get into it. I do however really enjoy all the other 71 releases (especially daves 3) and I'm also looking forward to 26.
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15 years 3 months
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is available at the midnight cafe https://themidnightcafe.org/2015/07/01/lossless-bootleg-bonanza-gratefu… Grateful Dead 6/27/69 Veterans Auditorium Santa Rosa, CA. Download: FLAC, MP3 Lineage: Soundboard->Master Reel->Cassette->DAT->DAT Transfer: DAT->ZA2->Soundforge->.wav->mkw->SHN DAT seed provided by Michael P. Weitzman Transfer and SHN by Joe Samaritano
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14 years 11 months
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and away we go, through all kinds of awesome GD. :)))
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081227931742