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    heatherlew
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    "We left with our minds sufficiently blown and still peaking..."

    We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

    DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

    Get one before they are gone, gone, gone.

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  • simonrob
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    Nuts
    My asian friend Wun Hung Loh thinks someone is taking the piss here.
  • dissident1980
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    Mustin:
    It went on sale ... and it sold out.
  • icecrmcnkd
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    If you have 2.....
    One should hang lower than the other.A psychologist I know claims that the side that hangs lower indicates that the opposite sided brain lobe is the dominant lobe. Quackery? Sounds like it to me. But what do I know, I rub ice cream on my forehead. On the other hand (nut), you’d be amazed at the clairvoyance one can obtain by rubbing ice cream on one’s head.
  • evilyn2003@hot…
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    Is it odd to have a right nut?
    I have two balls and since I'm left handed I guess I'm a bit more partial to my left nut...Makes sense doesn't it?
  • evilyn2003@hot…
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    For me, it was lucky 11/6/77 wasn't in the Vault years ago...
    First off, I could not agree with KeithFan2112 any more: The Waterbury, CT 9/24/72 gig from the 30 Trips Boxset is an absolute gem and Garcia throws down some of the most explosive leads of his career! I believe that show is SO unbelievably mind blowing that I seriously consider the price of the WHOLE boxset worth it just for that show (of course thankfully it's filled with many other killer shows as well, especially the always classic Cape Cod gig from 10/27/79). The "Dark Star" from 9/24/72 is simply astounding and the show as a whole rivals ANY previously released show from the amazing month of September '72 (in my humble opinion). It is a show I did NOT have prior to 30 Trips and I am still in awe that a show of that level had previously existed in relative obscurity. However, the main thing I wanted to bring up is how fortunate the accidents of history can some times be. This pertains to the fact that until recently the soon to arrive Dave's Picks 25, the absolute monster rock-a-thon that is Binghamton, NY 11/6/77, was NOT in the vault. I am a rabid fan of 11/6/77 and I remember when Dick's Picks Vol. 34 was released (featuring the gig from the night before in Rochester, NY 11/5/77) I was truly kind of pissed off! It was like what the fuck? Why was this Rochester show chosen over Binghamton? Being much younger I was unaware that the masters for the 11/6 Binghamton show I'd loved so much (via my CDRs) was NOT in the Vault. In the end however, this was a HUGE stroke of luck for me, as HAD 11/6 been available and released as Dick's Vol. 34, I may have (though I doubt it, but one never knows for sure) somehow overlooked 11/5/77 in Rochester, a gig which over the years I've grown to greatly cherish (to basically an equal extent as 11/6 in Binghamton). Both shows are simply phenomenal! Like Dave brought up in his video intro for Dave's Vol. 25, had 11/6 been in the Vault years ago, there would have been all the makings for quite a ferocious boxset! Personally I'd start it with 11/1 at Cobo Hall in Detroit (just a fantastic gig and start to Nov. '77), then include the 11/2 Seneca College gig in Toronto (which is nearly complete if you own Dick's 34 and Dave's 12), and the already released 11/4 Colgate University-Hamilton, NY (Dave's 12), 11/5 Rochester, NY (Dicks Vol. 34), and the soon to be released Dave's Picks 25 featuring the blisteringly beautiful performance in Binghamton, NY from 11/6/77. Wow, what a boxset those 5 shows would've made!!!! I look forward to this November and listening to each show on the appropriate date! But again I go back to the bizarre vagaries of history. The quite well-known 11/6 Binghamton tapes weren't in the Vault, so the folks in charge wisely chose the slightly lesser known gig from the night before in Rochester (and tossed in a nice chunk of the 11/2 show from Toronto). Dick's Picks 34 is probably second ONLY to Dick's Picks Vol. 10 (one of my Top 10 favorite shows of all-time: the lysergic, powder-power that is "The Nine", 12/29/77 at Winterland) as my favorite Dick's Pick from 1977 (which is saying a lot when one considers the majesty present on Dick's Picks 29 particularly, but also found on Dick's Volumes 3 and 15). So the lack of tapes for 11/6 allowed me to be introduced to 11/5 in Rochester, a different (but in many great ways VERY similar) show which I at the time did not have a copy of. A show which I absolutely adore and listen to EVERY 11/5, just as I do with 11/6 in Binghamton. It's great that the imaginary boxset discussed above will now (with the exception of 11/1/77 in Detroit, a show which is certainly available with a bit of exploration or through the kind favor of a friend) be virtually complete (with the upcoming release of Dave's Picks Vol. 25, of course). It was well worth the wait and I'm glad that Binghamton's unavailability at the time may have played a role in introducing me (and likely many others) to another show that exhibits its own similar brand of magic sparks: 11/5 in Rochester (aka Dick's Picks 34)! Keep up the GREAT work Mr. Lemieux and Co., I'm super excited to retire my 11/6 Binghamton CDRs in favor of what I'm sure will be (as always) a major league upgrade! Thanks for bringing these amazing recordings back to life and to all who have a hand in making them available! Also for presenting them in the respectful manner they deserve... I am an obsessive heavy metal and hardcore punk (of the 70's-80's), as well as prog/post-psych/Krautrock/acid jazz (of the late-60's & 70's) collector who just happens to believe the Grateful Dead were the single greatest vessels of rock 'n' roll expression the human species has yet produced. I am not deifying them as individuals but rather crediting them for their efforts in their particular corner of time and space. They are the one rock 'n' roll group whom I feel transcend all genres, as their "genre" is the sound of their (and our) existence in all its emotive range. From a historical perspective they entered their time and fulfilled a tremendous task simply by a constant yearning for experience, a sufficient degree of musical skill and just enough ambition to steadily improve and grow, and a intense desire to be themselves and have fun while avoiding (to the extent reasonably possible) the pitfalls of ego caused by success. For me, and many others, they shall forever remain the most fascinating musical (or if you wish to be broad: artistic) phenomena of 20th Century American culture. P.S.: IF you're ever running short on ideas for DP releases (haha), it'd be amazing to have 7/18/72 restored, the intensity of 8/12/72 from Sacramento, 10/25/73 in Madison, WI, 6/23/74-Miami, 7/25/74-Chicago (a endlessly fascinating gig which has flown far too long beneath the average fan's radar), and the epic 9/11/74 final London Alexandra Palace gig in its entirety. A collection dealing strictly with Ned Lagin and "Seastones" would also be rad! Just a few suggestions, lord knows you don't get enough already I'm sure! Best of luck and best wishes...
  • mustin321
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    McFly?
    I'm not an Irish bug...
  • SkullTrip
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    Re: On Sale?
    Um -- hello? McFly?
  • SkullTrip
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    Re: 5/26/72
    Damn! That is a hard stop. I rarely listen past '78 myself, except for the occasional '89 or '90 show (Sorry, gang -- Brent still hurts my ears even after all these years). But drawing the line at the end of the E72 tour? 'Tis a bit flummoxing.
  • mustin321
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    On Sale?
    I can't wait to hear Dave's Picks 25...when is this gonna go on sale?
  • Thin
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    Evilyn
    "Evilyn" has a right nut??? OK... So this is THAT kind of board! First I'm talking to a Deadhead who doesn't listen to '73-'95 AT ALL, then its Evilyn with a right nut... it's the island of misfit deadheads! I love the passion - Peachy-esque. Yah, after 5/26/72 he probably thought "it ain't gonna get better than THAT!" I'd introduce you, but honestly many of the people he meets can't say a single nice thing about him....
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"We left with our minds sufficiently blown and still peaking..."

We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

*Limited to 2 per order. Very limited quantity available.

Get one before they are gone, gone, gone.

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Hey guys & gals, New to this community but have loved the dead since introduced in the early 90's. I was only a youngster then and unfortunately I never made it to any of the Jerry shows.....but like a few others on this site have commented, my interest has grown greatly over time! Recently, I would say, that interest has blossomed into an obsession with this band that is unshakeable!! Quite frankly....I have a hard time listening to anything else????!!! Anyways, I don't ever comment, but was laughing out loud reading tonight so felt rude to not chime in.....So why I'm at it here goes my takes, as I listen to DaP22 Felt Forum for the first time: Thats_Otis.......thanks for the Cow Palace suggestion.....I've been so busy listening to Dicks Picks on Spotify and Dave's that I can get my hands on, that I didn't pay attention to some of the easier to get releases....I purchased Cow Palace tonight along with a lighting bolt ball cap to grace my ugly head and make it look beautiful! Can't wait to listen! Sixtus.....(Re to "When dead heads took over): Sound's like heaven man.....I bought the 3 day live webcast and was able to suffer through the first night.....I saw everything but it was interrupted.....Nugs sent a recording of the first night the next morning and that was good...of course the rest was cancelled......I have already spoke with the wife, and if they do it again next year, WE ARE THERE! Here's hoping we can toast to that in person! JimInMD....sounds like you are one lucky dude, taking the wife's place and all in Mexico?....good for you my friend. I enjoy reading your comments almost daily. Thank you for contributing all that you do to this site.....sounds like you guys had a great time in Mexico! The Era Wars......the fact that we can even argue this, ends the argument. It's a beautiful thing, and if I have to explain, you wouldn't understand! Dick's Picks Vinyl 8......listening party at my house on Saturday! The next box set........who cares?.....smile, smile, smile....can't wait!
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Fascinating, looking at those pictures from the recent festival in Mexico. It all looks great. But it made me think about the difference between listening to the Dead a long way from the action-like here in England-and listening in the States, where such events are more accessible. The photos underlined the difference between listening to a cd, compared to be immersed in the culture. It made me think that for a lot of people, listening to The Dead is far more than listening to the music. Its about joining in with a particular lifestyle, community and philosophy. I would say that the further away you are form the action, the less likely it is that you do this. Maybe the philosophy, as indicated in certain lyrics, travels well-but the lifestyle doesn't. You cant have a community of one! I guess that is why forums like this are so important, providing a touchstone for people like me, with people like you, who share similar tastes and attitudes. Everybody is the same here-with infinite variety. ( A quote I read somewhere once about something else.)
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While Im sure it was a hoot and ill have to wait to hear the music before I form a real opinion, that GQ article makes the whole thing seem pretty lame! Writer said it was mostly well-financed doctors, lawyers and their trustafarian kids. From the photos it looks like everyones fashion (save a few of the grey heads) is dime a dozen india/china-made chotchies from the sticker wall at the college head shop. Cue sad trombone and I'll be waiting for the states side freak fest. Now 1971 Dead shows thats for me, lately it is the Boston Music Hall run 4/7 & 4/8. But oddly enougj that Porchester run has been poping up too. Just wow on the playing, archive has some very tasty SBDs of these shows too. There is even away to download off archive.org again, but MP3 only, unfortunately can't get them FLACS again yet. PM me if dont know the new magic key!
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Morning Dew give it a listen you'll be glad you did
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Thanks for the shout-out! As far as Cow Palace, yer gonna LOVE it! Play it somewhere that you can appreciate Phil - he sounds great on this release! Plus, an EPIC Playin' (as Dave mentions in the booklet, its more 74 than 76/77,) a GREAT Scarlet that gets to some really groovy places, a fast Eyes that has Jerry ripping every solo,... and then there's the entire third disc. The show does start out a little slow, like many shows, but the sound quality is so strong that I didn't really mind. Peace
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Nope..we somehow escaped being immortalized in print. The whole thing was a lot more fun than I expected.. something about the dead playing in the lawlessness of old Mexico and having what seemed like the whole resort to ourselves made for a unique mix. I also thought they played exceptionally well and the band seemed to be having a good time themselves..
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The "Dark Star>Mind Left Body Jam>Morning Dew" triptych from this show is really sweet. Love how it all rolls into one...
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Dead of the Day: February 22, 1969http://gratefuldeadoftheday.com/02-22-1969 Dream Bowl Vallejo, California Out of a welter of concerts on this date, our Dead of the Day is February 22, 1969 at the Dream Bowl in Vallejo, California. There really are no bad 1969 Grateful Dead shows, and this one is better than most. Every single tune this night has something really special going on, from the sweet noodling at the end of Mountains of the Moon that, unbeknownst, suddenly arrives at Dark Star to the building, eventually roaring Doin' That Rag with its sharp drums, prominent organ, and awesome guitar riffs. You don't want to miss any of this show, but the Stephen> Eleven is an absolute masterpiece. And the Lovelight shines as Pig puts in another funky, bluesy rap...
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February 22, 1973http://gratefuldeadoftheday.com/02-22-1973 Assembly Hall Champaign-Urbana, Illinois What you have here is a phenomenal show from the campus of the University of Illinois. The whole thing sparkles, but the Dark Star is truly transcendent.
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February 22, 1974http://gratefuldeadoftheday.com/02-22-1974 Winterland Arena San Francisco, California This is a gnarly, epic three-set show from Winterland that is definitely worth the listen. We get the first Ship of Fools, Must Have Been the Roses, and U.S. Blues. It was the first of a three-night run at Winterland and the first show of 1974.
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2/18/71: Yes2/19/71: Yes 2/20/71: except for "Ripple" and a first set "TIFTOO > Wharf Rat", meh. 2/21/71: OK 2/23/71: Yes 2/24/71: OK Yes = 10 points OK = 5 points except, meh = 2 points 30 + 10 + 2 = 42/60 = .700 batting average. pretty, pretty good.
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David, you are right about this show. It has been one of my most listened to shows in Boxzilla!
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Ive been on a 4 month self imposed blackout from the WWW.I wandered around Florida for 8 weeks, living in a tent, only getting food from Farmers Markets (for the most part), cooking with camp stoves and alcohol stoves, using my phone only to call the wife, and staying in far removed natural settings when possible. I used solar panels to power my iPhone and iPod. Listened to jazz primarily, no rock, mostly nothing released after 1970. I purged my mind of lots of bullshit and needless worry. Met a lot of weird wild people all escaping the modern situation. Learned how to exist without many modern toys. And in a nutshelll found out that if you want it, the pre web world can still be found and enjoyed. I wrote a ton of songs and ramblings in a notebook, and ignored the news and tv. The wife handled the day to day stuff back home and dealt with all the shit for me. Now being plugged back in, Im finding that an hour a day is all that feels right. Gonna play a show tonight, the first in a long time, and indulge in some ice cream!!!! Hope y’all have been well and enjoying your days…………….
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Congrats on your walkabout. I am trying to plan one myself.. but on a smaller scale. I am very curious how you charged your IPod using solar technology.. my retirement gift to myself will involve a multi-week sea kayak trip and I want a few hours of music per day.. so how to do that, where there are no plugs?
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They used to call it, the FLA, back in the TWA days. I'm sure you remember. What a cool, interesting thing for you to do. It should be required for everyone. I respect you being able to do this, doing it, and relaying it here. It sounds like, "guerilla camping" to me. In other news, I found a - gasp! - commercially available recording of 6/21/84 Kingswood Music Theatre, Maple, Ontario. Radio broadcast. Tinny high end but good enough sound, decent really, and a great performance. Best I have ever heard Brent. He's on, playing his ass off and singing equally well. Delightful shout out to Pig and rap from Wavy Gravy, on the summer solstice. Obviously archive.org also has it. Recommended. I'm done being an era snob. Also been blasting the shit out of Nightfall of Diamonds and Crimson, White & Indigo of late. Ladies and Gentlemen, the Grateful Dead, God's house band. \m/
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That show does get some play around here. I see it's not on the bookshelf now which means it's floating around the house somewhere (I'm pretty sloppy about such things).One thing I've always been fuzzy about... Was this show recorded by Cutler? Post Healey I'm never sure who gets credit.
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Great sound.. definitely post Healy. It was recorded in multi-track, but without looking at the liner notes and flying by memory.. that doesn't necessarily mean they mixed it from the multi-track recordings. Cutler had a stereo dat copy that was 'pretty good.' I also recall this release coming out of the blue as more or less marketing support for the first Spring 90 box. So who knows if they did their due diligence or pulled from Cutlers stash. My guess is this was pulled from the multi-tracks.. lets see what the diligent and obsessive compulsive amongst us come up with. Right on Led.. embracing some later era magic. Erik.. great to know enthusiasm lives on..
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http://www.deaddisc.com/disc/Nightfall_Of_Diamonds.htm Initial release : 2001 Recording engineer - John Cutler Mixing - Jeffrey Norman Tape archivist - David Lemieux Album Coordination - Cassidy Law Archival research - Eileen Law / Grateful Dead Archives Assistant engineer - Rudson Shurtliff Cover design - Randy Tuten Mixed from original 24-track analog reels Recorded live at the Brendan Byrne Arena, East Rutherford, New Jersey, October 16, 1989
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Perfect David. But my dates don't line up. Released in 2001, clearly this doesn't line up with a marketing effort for the first Spring 90 box. I might have this confused with To Terrapin, but the dates don't magically line up for that either. One of these two was pulled out of the can to support a box set, but my memory is fuzzy.. I have concluded it was To Terrapin. Good job.. thanks so much for keeping me honest.
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....Dark Star Orchestra is hitting the stage here in Vegas within the hour. Bought a ticket a couple of weeks ago. Woke up to a head cold the size of the wall of sound this morning. If anyone wants it, I'll give it to you for free. I am sad....
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good health to all
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I personally LOVE this release; such big, full sound and the 24 track certainly doesn't suck. I also always enjoyed the prior night's show, 10/15/89. On paper it looks fairly standard, but it is a good show overall. The highlights for me are the Crazy Fingers and that Estimated > Eyes...at one point Jerry is playing what sounds like a freakin' xylophone in the Estimated jam. Milt Jackson, anyone? Worth a listen if you haven't before methinks: https://archive.org/details/gd1989-10-15.sbd.walker-scotton.miller.8329… Happy Friday, Deadland. Sixtus
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February 23, 1968http://gratefuldeadoftheday.com/02-23-1968 King's Beach Bowl Lake Tahoe, California Sadly, this show is not available on Archive. However, the band released portions of this night together with material from the 24th as Dick's Picks Volume 22. That release is just kick ass from top to bottom.
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February 23, 1971http://gratefuldeadoftheday.com/02-23-1971 Capitol Theater Port Chester, New York This is the penultimate night of the epic run at the Capitol Theater. And the Dead put in another incredible performance. It would have been absolutely mind blowing to have been there for all six nights of the run. At least the rest of us can still listen to it now.
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February 23, 1974http://gratefuldeadoftheday.com/02-23-1974 Winterland Arena San Francisco, California This is just such a phenomenal show. It kicks off with a rocking Around and Around and never loses steam, just changes tempo. The Sugaree is stupendous and the Here Comes Sunshine will just send shivers up your spine on the chorus, not to mention the jamming. The Row Jimmy and Weather Report Suite start off the second set in unbelievable fashion. And, dare I say it, the night really just keeps getting better from there.
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...I couldn't hold it in any longer, One of my top Ten Grateful Dead Dicks Picks! :)
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"2/23/71 would be a reeeeeeeally good release (+ the whole run)" Three From The Vault Limited Super Deluxe box set Bring it on!
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one thing about 2/18/71: how would they fix that unfortunate splice in St. Stephen? I reeeeeeally wish I could hear that St. Stephen in its entirety.
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who among ye spend lots and lots of your time waiting for people to "get ready" to leave the house? aaarrrrgggghhhh........... Mr. Optimist sez: it does provide time to experience more GD. "always look on the bright side of life", my friends.
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gotta hear that again soon
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Herding cats I tell you. With 2 under Four, with a third on the way...one must 'calculate every possible destination along their last known trajectory' in advance to make any reasonable headway. Allot extra time prior to your departure. As They Say. Sixtus P.S. lunchtime IPA on a work from home day suits me well
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With only nine performances, this almost sounds like a challenge.Admittedly, I am not familiar with this tune. Sad! Stats: Green, Green Grass of Home Grateful Dead Debut: 5/31/69, McArthur Court, U. of Oregon, Eugene, OR Number of Times Played: 9 It almost seems that the song title is enticing me into said challenge... Sixtus P.S. I am clearly lacking in my Tom Jones catalog.
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Best known in England as a massive hit for Tom Jones round about 1967.
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Here are the 9 times it was played.. 05/31/69- McArthur Court, University Of Oregon - Eugene, OR 06/06/69- Fillmore West - San Francisco, CA 06/11/69- California Hall - San Francisco, CA 06/21/69- Fillmore East - New York City, NY 06/27/69- Veterans Auditorium - Santa Rosa, CA 07/08/69- Rock Pile - Toronto, Canada 07/12/69- NY State Pavilion, Flushing Meadow Park - Queens, NY 02/07/70- Pacific High Recording - San Francisco, CA 02/07/70- Fillmore West - San Francisco, CA Only four are on the archive (6/6/69, 6/27/69, 7/12/69 and 2/7/70). 7/12 has some sound issues.. so it's out. 6/27/69 is by far the longest, but the sweet spot to me seems to be 6/6/69, Fillmore West.
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Grateful Dead Live at Veterans Auditorium on 1969-06-27https://archive.org/details/gd69-06-27.sbd.samaritano.20547.sbeok.shnf/… Resource DeadLists Project Slewfoot, Mama Tried-> High Time, Dupree's Diamond Blues, Me & My Uncle, Jam-> Casey Jones, Dire Wolf, Sitting On Top Of The World-> Big Boss Man, Dark Star-> Saint Stephen-> The Eleven-> Green Green Grass Of Home, It's All Over Now Baby Blue Notes 1. Known low generation lineage and transfer info. 2. Splice in Baby Blue about 4 minutes in, then clipped at the end. 3. Garcia on Pedal Steel for Slewfoot, Dire Wolf, and Green Grass. Peter Grant on Banjo for Slewfoot. Weir on vocals for Dire Wolf.
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Prime example of what I don't like about 1971 ... a show with a bunch of short songs and no serious jams ... the 12 6 disc 3 part of that release redeems it somewhat, but then the bonus disc ain't exactly 7 29 74 or 12 11 69 ... just more 1st set stuff for completion purposes, rather than primo stuff. To me, Dave's 22 (12 7 71) and Dave's 24 (8 25 72) are in the same disappointing category: final shows of a run with significantly better stuff in the shows immediately preceding them. The Dave's 24 Truckin'/Other One is superb but the rest of the release, again IMO, is nuthin' special. To have 8 21 72 and 8 24 72 (and 8 22 for that matter) Normanized would leave 8 25 in the dust. Lest I be perceived as overly negative and critical, I think Dave's 25 (11 6 77) does qualify as a great show, I'm happy with it, think the Scarlet-Fire is unique in a good and interesting way ... surprised it's being taken to task the way it has on this board. Peace.
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I had the pleasure of hearing Bob perform this with Ratdog. Bob opened up the second set with this gem on an acoustic git. I believe it was a tribute to Porter Wagoner who had passed that week.
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is one sweet 69.
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As someone who has very few shows, and nothing to compare DaP 22 and 24 to, I can tell you without reservation that these two CD sets SMOKE. I think by your comments the issue you're having with them is that you're taking them out of single release context. You're comparing them to other shows and adding context unnecessarily, and it's killing your ability to enjoy them. I guarantee if you force yourself not to listen to the dead for 6 months and you put on Dave's Picks Volume 22, you're going to be ranting and raving about smokestack lightning and the other one and Jack straw and Uncle John's Band.
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I also agree that after now almost exclusively listening to this show in the car over the past couple weeks that I think the scarlet>fire is really different and cool. I don't care about flubbed lyrics (otherwise I wouldn't have lasted long with this little hobby of ours). There are moments (especially during fire) that blow the roof off the place. I'm a fan... Funny that you mention disc 3 of daves 22-that's a disc I go back to quite often while usually ignoring the rest of the release. It's not that I don't think it's a good show-I just can't seem to get into it. I do however really enjoy all the other 71 releases (especially daves 3) and I'm also looking forward to 26.
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is available at the midnight cafe https://themidnightcafe.org/2015/07/01/lossless-bootleg-bonanza-gratefu… Grateful Dead 6/27/69 Veterans Auditorium Santa Rosa, CA. Download: FLAC, MP3 Lineage: Soundboard->Master Reel->Cassette->DAT->DAT Transfer: DAT->ZA2->Soundforge->.wav->mkw->SHN DAT seed provided by Michael P. Weitzman Transfer and SHN by Joe Samaritano
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and away we go, through all kinds of awesome GD. :)))
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