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    heatherlew
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    "We left with our minds sufficiently blown and still peaking..."

    We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

    DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

    Get one before they are gone, gone, gone.

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  • Sixtus_
    Joined:
    re: 2/21/91...yep
    totally agree kyle - I stumbled upon 2/21/91 a little while back looking for "more Bruce", not realizing at the moment that he hadn't started playing with the boys steadfastly until March... Even so, it's a great setlist and the playing is pretty sweet too. I truly fell for the little Space segment that then ushers in 'Eyes of the World'; I have NEVER seen an 'Eyes' come out of a later-era 'Space' like that and what a treat it is. It's a very solid version too. Rest of the show is no slouch either - at all; a Help > Slip! > Franklin's opener (and the Slipknot is totally cool); the Playin' second set opener goes way, way out there in an exquisitely jammy way; there's an AWESOME Terrapin too, with a delicious groove that comes out of the jam at the end as well. Vince had to attempt his solo liftoff somewhere... https://archive.org/details/gd91-02-21.sbd.miller.22308.sbeok.shnf Sixtus
  • icecrmcnkd
    Joined:
    Touch heads and geeks with spreadsheets
    I’m a Touch head and don’t take offense to the term.I listen to 1965-95 and am happy for all the great releases we are getting. My point about releases is that some of the older folks prefer the earlier years and are only going to buy those releases, so it’s best to sell to them now while they are still around. Us Touch heads will still be around (hopefully) down the road and will continue to buy releases which will be weighted towards the 80/90’s. I also qualify as a geek because I work in the sciences, although I suck at math. Kyle is right, schools need to focus more on math and science, and music and art, and less on sports. So what does one do with an empty 30 Trips Box and book after selling off the individual shows? Probably sell them to someone who is trying to piece together a 30 Trips Box...... Didn’t keithfan or someone a few months ago buy an empty steamer box?
  • wilfredtjones
    Joined:
    when?
    When will this monster start to hit mailboxes? I'm looking forward to this show like all y'all. Of course, I had the tapes and I have a digital version now, but this will be a fantastic sound upgrade. Reminds me more of '78 Dead than '77, but that's not always a bad thing in my book. Re: 11/2 filler, if they did squeeze it on there wouldn't there be 3 song repeats? I suppose that'd be fine...
  • icecrmcnkd
    Joined:
    D&C tour announced
    Just got the email.
  • Angry Jack Straw
    Joined:
    $
    What kind of person lays out that kind of money? Someone who owns a record store. That is who. He clearly states that in the first sentence.
  • Peachy
    Joined:
    think it’s when fans were mostly there but agree Jerry 77/89-90
    No doubt all shows are amazing brut 77 87-90 but 89/9 for my money sees Jerry the most elevated in wisdom of his playing .. that’s just when he was still mostly clean but post Brent moments were rarer n 91-94 shows -eg. in Orlando 91 - seeeung boys was hard for me - as I begged fior some divinty - Morning Dew hit me hard at end but often bands energy sagged after we lost Brent .. alas diff folks diff strokes but new fan -old fan —-all—Dead Heads- fanily —to me— —— so long as you get IT- as in baptized by the X factor or whatever it is that raised my kundalini at Radio Ciry or your crown chakras on this DvP25 on Miss half step - it’s you it’s the band it’s a stew baby! So that cookings going on in the pot in —every show- even now 50 years later Dead & C cooking some fine gumbo baby -which Mayer- has brought in some needed alchemy of his own to add to Bobs usual brew tho less shaman yells lately still got magic coarsuhg thru his veins —and the rhythm devils are crazy voodoo masters! lol can’t see my iphone glaucoma need someone to send good weed! lol ❤️—( my soap box? imho too many technophiles not enough musicians are dead heads in I am no Jerry Garcia’s- obviously.. he’s a once. no a millenium guy!in my humble opinion- . but i can stew up some sounds on my horn & sometimes I think the folks who only listen and never play get too caught up in the pure nerdiness of what year is best like drunks st. bar but it’s all in fun til it’s a brawl lol We are all in the band too so it’s subjectively objective
  • SPACEBROTHER
    Joined:
    30 Trips
    Even at $750 bucks a pop, it still sold out in a matter of weeks. What kind of a person would throw down $7,500 bucks for ten of them and destroy each set by breaking them up. Craziness. After six years, this was the first time that the subscription almost sold out. That's great news and reassuring that the rate of releases won't be slowing down anytime soon. part of that may be because of the 50th 3 years back (the year the awesome Boxilla came out-mine's staying intact thank you), and part may be because of Dead and Company helping to bring in new fans. ....speaking of which, if "TouchHeads" are a lower class of Deadhead, the original "Deader than thou" label, what does that say to new fans who have come onboard over the last 23 years since the Dead stopped touring? I wonder how many 15,000 units of July 1978 box sets are left? That one is from the seventies, came from returned Betty boards and has been available for close to a couple of years now. The RFK box sold the first 10,000 some-odd units within a matter of weeks, and seemd to have level off. Does that mean the band was "superior" in one year or the other, because they're both still available? Deadheads are a peculiar bunch when it comes to era envy. Myself, I'd like to see the love spread out a little more, but it's all good. Brent was great, keith was great. Why is that even an issue?
  • Vguy72
    Joined:
    On Mayer's Instagram today....
    https://www.instagram.com/p/BeEsWIbHpb0/....when Bertha pops up, it can only mean tour announcement!!
  • kyleharmon
    Joined:
    3/23/91 The Knick
    3 Dylan covers in one show. the most I seen in one show. and I'm not counting the Dylan & The Dead tour.
  • kyleharmon
    Joined:
    3/23/91 The Knick
    3 Dylan covers in one show. the most I seen in one show. and I'm not counting the Dylan & The Dead tour.
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"We left with our minds sufficiently blown and still peaking..."

We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

*Limited to 2 per order. Very limited quantity available.

Get one before they are gone, gone, gone.

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Hey guys & gals, New to this community but have loved the dead since introduced in the early 90's. I was only a youngster then and unfortunately I never made it to any of the Jerry shows.....but like a few others on this site have commented, my interest has grown greatly over time! Recently, I would say, that interest has blossomed into an obsession with this band that is unshakeable!! Quite frankly....I have a hard time listening to anything else????!!! Anyways, I don't ever comment, but was laughing out loud reading tonight so felt rude to not chime in.....So why I'm at it here goes my takes, as I listen to DaP22 Felt Forum for the first time: Thats_Otis.......thanks for the Cow Palace suggestion.....I've been so busy listening to Dicks Picks on Spotify and Dave's that I can get my hands on, that I didn't pay attention to some of the easier to get releases....I purchased Cow Palace tonight along with a lighting bolt ball cap to grace my ugly head and make it look beautiful! Can't wait to listen! Sixtus.....(Re to "When dead heads took over): Sound's like heaven man.....I bought the 3 day live webcast and was able to suffer through the first night.....I saw everything but it was interrupted.....Nugs sent a recording of the first night the next morning and that was good...of course the rest was cancelled......I have already spoke with the wife, and if they do it again next year, WE ARE THERE! Here's hoping we can toast to that in person! JimInMD....sounds like you are one lucky dude, taking the wife's place and all in Mexico?....good for you my friend. I enjoy reading your comments almost daily. Thank you for contributing all that you do to this site.....sounds like you guys had a great time in Mexico! The Era Wars......the fact that we can even argue this, ends the argument. It's a beautiful thing, and if I have to explain, you wouldn't understand! Dick's Picks Vinyl 8......listening party at my house on Saturday! The next box set........who cares?.....smile, smile, smile....can't wait!
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Fascinating, looking at those pictures from the recent festival in Mexico. It all looks great. But it made me think about the difference between listening to the Dead a long way from the action-like here in England-and listening in the States, where such events are more accessible. The photos underlined the difference between listening to a cd, compared to be immersed in the culture. It made me think that for a lot of people, listening to The Dead is far more than listening to the music. Its about joining in with a particular lifestyle, community and philosophy. I would say that the further away you are form the action, the less likely it is that you do this. Maybe the philosophy, as indicated in certain lyrics, travels well-but the lifestyle doesn't. You cant have a community of one! I guess that is why forums like this are so important, providing a touchstone for people like me, with people like you, who share similar tastes and attitudes. Everybody is the same here-with infinite variety. ( A quote I read somewhere once about something else.)
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While Im sure it was a hoot and ill have to wait to hear the music before I form a real opinion, that GQ article makes the whole thing seem pretty lame! Writer said it was mostly well-financed doctors, lawyers and their trustafarian kids. From the photos it looks like everyones fashion (save a few of the grey heads) is dime a dozen india/china-made chotchies from the sticker wall at the college head shop. Cue sad trombone and I'll be waiting for the states side freak fest. Now 1971 Dead shows thats for me, lately it is the Boston Music Hall run 4/7 & 4/8. But oddly enougj that Porchester run has been poping up too. Just wow on the playing, archive has some very tasty SBDs of these shows too. There is even away to download off archive.org again, but MP3 only, unfortunately can't get them FLACS again yet. PM me if dont know the new magic key!
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Morning Dew give it a listen you'll be glad you did
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Thanks for the shout-out! As far as Cow Palace, yer gonna LOVE it! Play it somewhere that you can appreciate Phil - he sounds great on this release! Plus, an EPIC Playin' (as Dave mentions in the booklet, its more 74 than 76/77,) a GREAT Scarlet that gets to some really groovy places, a fast Eyes that has Jerry ripping every solo,... and then there's the entire third disc. The show does start out a little slow, like many shows, but the sound quality is so strong that I didn't really mind. Peace
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Nope..we somehow escaped being immortalized in print. The whole thing was a lot more fun than I expected.. something about the dead playing in the lawlessness of old Mexico and having what seemed like the whole resort to ourselves made for a unique mix. I also thought they played exceptionally well and the band seemed to be having a good time themselves..
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The "Dark Star>Mind Left Body Jam>Morning Dew" triptych from this show is really sweet. Love how it all rolls into one...
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Dead of the Day: February 22, 1969http://gratefuldeadoftheday.com/02-22-1969 Dream Bowl Vallejo, California Out of a welter of concerts on this date, our Dead of the Day is February 22, 1969 at the Dream Bowl in Vallejo, California. There really are no bad 1969 Grateful Dead shows, and this one is better than most. Every single tune this night has something really special going on, from the sweet noodling at the end of Mountains of the Moon that, unbeknownst, suddenly arrives at Dark Star to the building, eventually roaring Doin' That Rag with its sharp drums, prominent organ, and awesome guitar riffs. You don't want to miss any of this show, but the Stephen> Eleven is an absolute masterpiece. And the Lovelight shines as Pig puts in another funky, bluesy rap...
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February 22, 1973http://gratefuldeadoftheday.com/02-22-1973 Assembly Hall Champaign-Urbana, Illinois What you have here is a phenomenal show from the campus of the University of Illinois. The whole thing sparkles, but the Dark Star is truly transcendent.
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February 22, 1974http://gratefuldeadoftheday.com/02-22-1974 Winterland Arena San Francisco, California This is a gnarly, epic three-set show from Winterland that is definitely worth the listen. We get the first Ship of Fools, Must Have Been the Roses, and U.S. Blues. It was the first of a three-night run at Winterland and the first show of 1974.
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2/18/71: Yes2/19/71: Yes 2/20/71: except for "Ripple" and a first set "TIFTOO > Wharf Rat", meh. 2/21/71: OK 2/23/71: Yes 2/24/71: OK Yes = 10 points OK = 5 points except, meh = 2 points 30 + 10 + 2 = 42/60 = .700 batting average. pretty, pretty good.
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David, you are right about this show. It has been one of my most listened to shows in Boxzilla!
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Ive been on a 4 month self imposed blackout from the WWW.I wandered around Florida for 8 weeks, living in a tent, only getting food from Farmers Markets (for the most part), cooking with camp stoves and alcohol stoves, using my phone only to call the wife, and staying in far removed natural settings when possible. I used solar panels to power my iPhone and iPod. Listened to jazz primarily, no rock, mostly nothing released after 1970. I purged my mind of lots of bullshit and needless worry. Met a lot of weird wild people all escaping the modern situation. Learned how to exist without many modern toys. And in a nutshelll found out that if you want it, the pre web world can still be found and enjoyed. I wrote a ton of songs and ramblings in a notebook, and ignored the news and tv. The wife handled the day to day stuff back home and dealt with all the shit for me. Now being plugged back in, Im finding that an hour a day is all that feels right. Gonna play a show tonight, the first in a long time, and indulge in some ice cream!!!! Hope y’all have been well and enjoying your days…………….
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Congrats on your walkabout. I am trying to plan one myself.. but on a smaller scale. I am very curious how you charged your IPod using solar technology.. my retirement gift to myself will involve a multi-week sea kayak trip and I want a few hours of music per day.. so how to do that, where there are no plugs?
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They used to call it, the FLA, back in the TWA days. I'm sure you remember. What a cool, interesting thing for you to do. It should be required for everyone. I respect you being able to do this, doing it, and relaying it here. It sounds like, "guerilla camping" to me. In other news, I found a - gasp! - commercially available recording of 6/21/84 Kingswood Music Theatre, Maple, Ontario. Radio broadcast. Tinny high end but good enough sound, decent really, and a great performance. Best I have ever heard Brent. He's on, playing his ass off and singing equally well. Delightful shout out to Pig and rap from Wavy Gravy, on the summer solstice. Obviously archive.org also has it. Recommended. I'm done being an era snob. Also been blasting the shit out of Nightfall of Diamonds and Crimson, White & Indigo of late. Ladies and Gentlemen, the Grateful Dead, God's house band. \m/
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That show does get some play around here. I see it's not on the bookshelf now which means it's floating around the house somewhere (I'm pretty sloppy about such things).One thing I've always been fuzzy about... Was this show recorded by Cutler? Post Healey I'm never sure who gets credit.
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Great sound.. definitely post Healy. It was recorded in multi-track, but without looking at the liner notes and flying by memory.. that doesn't necessarily mean they mixed it from the multi-track recordings. Cutler had a stereo dat copy that was 'pretty good.' I also recall this release coming out of the blue as more or less marketing support for the first Spring 90 box. So who knows if they did their due diligence or pulled from Cutlers stash. My guess is this was pulled from the multi-tracks.. lets see what the diligent and obsessive compulsive amongst us come up with. Right on Led.. embracing some later era magic. Erik.. great to know enthusiasm lives on..
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http://www.deaddisc.com/disc/Nightfall_Of_Diamonds.htm Initial release : 2001 Recording engineer - John Cutler Mixing - Jeffrey Norman Tape archivist - David Lemieux Album Coordination - Cassidy Law Archival research - Eileen Law / Grateful Dead Archives Assistant engineer - Rudson Shurtliff Cover design - Randy Tuten Mixed from original 24-track analog reels Recorded live at the Brendan Byrne Arena, East Rutherford, New Jersey, October 16, 1989
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Perfect David. But my dates don't line up. Released in 2001, clearly this doesn't line up with a marketing effort for the first Spring 90 box. I might have this confused with To Terrapin, but the dates don't magically line up for that either. One of these two was pulled out of the can to support a box set, but my memory is fuzzy.. I have concluded it was To Terrapin. Good job.. thanks so much for keeping me honest.
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....Dark Star Orchestra is hitting the stage here in Vegas within the hour. Bought a ticket a couple of weeks ago. Woke up to a head cold the size of the wall of sound this morning. If anyone wants it, I'll give it to you for free. I am sad....
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good health to all
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I personally LOVE this release; such big, full sound and the 24 track certainly doesn't suck. I also always enjoyed the prior night's show, 10/15/89. On paper it looks fairly standard, but it is a good show overall. The highlights for me are the Crazy Fingers and that Estimated > Eyes...at one point Jerry is playing what sounds like a freakin' xylophone in the Estimated jam. Milt Jackson, anyone? Worth a listen if you haven't before methinks: https://archive.org/details/gd1989-10-15.sbd.walker-scotton.miller.8329… Happy Friday, Deadland. Sixtus
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February 23, 1968http://gratefuldeadoftheday.com/02-23-1968 King's Beach Bowl Lake Tahoe, California Sadly, this show is not available on Archive. However, the band released portions of this night together with material from the 24th as Dick's Picks Volume 22. That release is just kick ass from top to bottom.
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February 23, 1971http://gratefuldeadoftheday.com/02-23-1971 Capitol Theater Port Chester, New York This is the penultimate night of the epic run at the Capitol Theater. And the Dead put in another incredible performance. It would have been absolutely mind blowing to have been there for all six nights of the run. At least the rest of us can still listen to it now.
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February 23, 1974http://gratefuldeadoftheday.com/02-23-1974 Winterland Arena San Francisco, California This is just such a phenomenal show. It kicks off with a rocking Around and Around and never loses steam, just changes tempo. The Sugaree is stupendous and the Here Comes Sunshine will just send shivers up your spine on the chorus, not to mention the jamming. The Row Jimmy and Weather Report Suite start off the second set in unbelievable fashion. And, dare I say it, the night really just keeps getting better from there.
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...I couldn't hold it in any longer, One of my top Ten Grateful Dead Dicks Picks! :)
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"2/23/71 would be a reeeeeeeally good release (+ the whole run)" Three From The Vault Limited Super Deluxe box set Bring it on!
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one thing about 2/18/71: how would they fix that unfortunate splice in St. Stephen? I reeeeeeally wish I could hear that St. Stephen in its entirety.
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who among ye spend lots and lots of your time waiting for people to "get ready" to leave the house? aaarrrrgggghhhh........... Mr. Optimist sez: it does provide time to experience more GD. "always look on the bright side of life", my friends.
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gotta hear that again soon
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Herding cats I tell you. With 2 under Four, with a third on the way...one must 'calculate every possible destination along their last known trajectory' in advance to make any reasonable headway. Allot extra time prior to your departure. As They Say. Sixtus P.S. lunchtime IPA on a work from home day suits me well
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With only nine performances, this almost sounds like a challenge.Admittedly, I am not familiar with this tune. Sad! Stats: Green, Green Grass of Home Grateful Dead Debut: 5/31/69, McArthur Court, U. of Oregon, Eugene, OR Number of Times Played: 9 It almost seems that the song title is enticing me into said challenge... Sixtus P.S. I am clearly lacking in my Tom Jones catalog.
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Best known in England as a massive hit for Tom Jones round about 1967.
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Here are the 9 times it was played.. 05/31/69- McArthur Court, University Of Oregon - Eugene, OR 06/06/69- Fillmore West - San Francisco, CA 06/11/69- California Hall - San Francisco, CA 06/21/69- Fillmore East - New York City, NY 06/27/69- Veterans Auditorium - Santa Rosa, CA 07/08/69- Rock Pile - Toronto, Canada 07/12/69- NY State Pavilion, Flushing Meadow Park - Queens, NY 02/07/70- Pacific High Recording - San Francisco, CA 02/07/70- Fillmore West - San Francisco, CA Only four are on the archive (6/6/69, 6/27/69, 7/12/69 and 2/7/70). 7/12 has some sound issues.. so it's out. 6/27/69 is by far the longest, but the sweet spot to me seems to be 6/6/69, Fillmore West.
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Grateful Dead Live at Veterans Auditorium on 1969-06-27https://archive.org/details/gd69-06-27.sbd.samaritano.20547.sbeok.shnf/… Resource DeadLists Project Slewfoot, Mama Tried-> High Time, Dupree's Diamond Blues, Me & My Uncle, Jam-> Casey Jones, Dire Wolf, Sitting On Top Of The World-> Big Boss Man, Dark Star-> Saint Stephen-> The Eleven-> Green Green Grass Of Home, It's All Over Now Baby Blue Notes 1. Known low generation lineage and transfer info. 2. Splice in Baby Blue about 4 minutes in, then clipped at the end. 3. Garcia on Pedal Steel for Slewfoot, Dire Wolf, and Green Grass. Peter Grant on Banjo for Slewfoot. Weir on vocals for Dire Wolf.
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Prime example of what I don't like about 1971 ... a show with a bunch of short songs and no serious jams ... the 12 6 disc 3 part of that release redeems it somewhat, but then the bonus disc ain't exactly 7 29 74 or 12 11 69 ... just more 1st set stuff for completion purposes, rather than primo stuff. To me, Dave's 22 (12 7 71) and Dave's 24 (8 25 72) are in the same disappointing category: final shows of a run with significantly better stuff in the shows immediately preceding them. The Dave's 24 Truckin'/Other One is superb but the rest of the release, again IMO, is nuthin' special. To have 8 21 72 and 8 24 72 (and 8 22 for that matter) Normanized would leave 8 25 in the dust. Lest I be perceived as overly negative and critical, I think Dave's 25 (11 6 77) does qualify as a great show, I'm happy with it, think the Scarlet-Fire is unique in a good and interesting way ... surprised it's being taken to task the way it has on this board. Peace.
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I had the pleasure of hearing Bob perform this with Ratdog. Bob opened up the second set with this gem on an acoustic git. I believe it was a tribute to Porter Wagoner who had passed that week.
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is one sweet 69.
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As someone who has very few shows, and nothing to compare DaP 22 and 24 to, I can tell you without reservation that these two CD sets SMOKE. I think by your comments the issue you're having with them is that you're taking them out of single release context. You're comparing them to other shows and adding context unnecessarily, and it's killing your ability to enjoy them. I guarantee if you force yourself not to listen to the dead for 6 months and you put on Dave's Picks Volume 22, you're going to be ranting and raving about smokestack lightning and the other one and Jack straw and Uncle John's Band.
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I also agree that after now almost exclusively listening to this show in the car over the past couple weeks that I think the scarlet>fire is really different and cool. I don't care about flubbed lyrics (otherwise I wouldn't have lasted long with this little hobby of ours). There are moments (especially during fire) that blow the roof off the place. I'm a fan... Funny that you mention disc 3 of daves 22-that's a disc I go back to quite often while usually ignoring the rest of the release. It's not that I don't think it's a good show-I just can't seem to get into it. I do however really enjoy all the other 71 releases (especially daves 3) and I'm also looking forward to 26.
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is available at the midnight cafe https://themidnightcafe.org/2015/07/01/lossless-bootleg-bonanza-gratefu… Grateful Dead 6/27/69 Veterans Auditorium Santa Rosa, CA. Download: FLAC, MP3 Lineage: Soundboard->Master Reel->Cassette->DAT->DAT Transfer: DAT->ZA2->Soundforge->.wav->mkw->SHN DAT seed provided by Michael P. Weitzman Transfer and SHN by Joe Samaritano
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and away we go, through all kinds of awesome GD. :)))
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