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    heatherlew
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    The unexpected return of the masters of the Grateful Dead's triumphant show at the Albuquerque Civic Auditorium, November 17, 1971, yields great rewards. The Dead came in HOT for their first New Mexico show. Aided by clarity and precision and abetted by confidence and focus, they finessed old standards with definitive takes. With Keith now blending in seamlessly on keys, the first set offered up a triple shot of electric Blues, an exceptional "You Win Again," and a stellar "One More Saturday Night" to wrap things up. And the second set, well, it might just be unlike any you've ever heard. Archivist David Lemieux urges you to turn it up and do it loudly. We won't dare spoil all the surprises, but pay special attention to the rippin' "Sugar Magnolia," the aggressively monstrous "The Other One," and the highly-danceable "Not Fade>GDTRFB>Not Fade." Rounding out the 3CDs, you'll find selections from Pigpen's return tour at Ann Arbor, MI, 12/14/71. Subscribers will get nearly all of the complete show as this year's bonus disc.

    As always, Dave's Picks Volume 26 has been mastered to HDCD specs from the original analog tapes by Jeffrey Norman and is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • Guss West
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    Estimated>Eyes
    Looking forward to that E>E as I rewatch the show to figure out what the hell happened in that monstrous second set Jam. So Buttery...
  • Sydney Prentice
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    Failures
    Simonrob, you have not failed as such, your daughter is listening to music, even though some of us may not be appreciative of the genre. A lot of people I know do not have any interest in investing their time in listening to music. On another note the UK VISA payment system has crashed, thank goodness there is no Box Set announcement.
  • JimInMD
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    Re: Failed
    Sounds bad Simon, Rap? Hip Hop?? Would you like me to second assist with the Seppuku? (kidding) It's a battle most of us lose.. it is encouraging to hear apples not falling too far from the tree from time to time. I believe mhammond's kids are seeing shows for example.. but these seem to be the exceptions, not the rules.
  • simonrob
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    Fail
    When I hear the types of music that my daughter (23) listens to, then I can only conclude that I have failed as a father.
  • Thin
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    80's fan re: son liking rap
    1) If you REALLY want him to stop listening to rap, start listening to it yourself and quoting it. If you tell him what's "wrong" with it, or even politely tell him you don't think it has any merit, he will sprint toward it like a moth to a flame. 2) Music is in the eye of the beholder, and anyone who judges or talks down to ANY music just looks like an a-hole - Kinda like telling someone "You're hair looks stupid!".... ("Ya, f you too..."). We all have negatively judged music that we later enjoyed. Example 1: My dad (ex-Marine) HATED the whole Dead/Pink Floyd/hippie music thing so bad that it became a VERY hot topic at the dinner table and in our family in general. He used to spit at the ground and rage against the "g-damn hippie music" like a haughty, judgmental bore. Fast forward 15 years and I bring over some Garcia/Grisman CD's. "Hey, now THAT's music!" Reckoning: "Who is this? This is great stuff". Jorma's Quah album - "can you leave this CD here?" Today he actually enjoys hearing the Dead! Example 2: I recently spoke about how when I was 14 I fell in love with the GD songs but HATED the jams - I faded out Truckin' on my Europe' '72 Maxell cassette after the final lyrics because I thought the jam afterward was an embarrassing, self-indulgent example of the perils of drug use. Fast forward 25 years and suddenly I was creating CD's that ONLY contained the best JAMS from each year, editing out the vocals! 3) I like rap. Certainly not all of it. But its expressive. There have been some rap songs that have had me grooving' with my fist in the air in a way I never have with the Dead, or jazz, or pop or anything. Eminem, Tribe, NWA, Snoop, Dre, Lamar... There's something there for everyone - you just have to have an open mind and find what you like.
  • marye
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    good advice, thin...
    And kudos to Jim's dad for sneaking out the window to see those acts. From one who still regrets that there was no chance in hell my parents would let me go see Ike and Tina Turner and didn't even try.
  • Sixtus_
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    D& C Kickoff
    Appreciate the couple of shout outs here from the D&C Tour Opener. Thin, it sounds like you were right down in front of Gus and me; we were in the middle/left two rows under the roof. Bummah we missed you... As Gus alluded, the cosmos definitely aligned and at several points opened up for us given the magic that Gus hand-delivered. I always enjoy a strong Shakedown opener; a couple of out-of-the-gate bust outs with Alabama Getaway and It's All Over Now; it was a cool Bird Song> Loose Lucy> Bird Song in there too to end 1st set. But that start of the second set through drums was the true delivery mechanism. The transition following Scarlet Begonias was pure burre....so drippy and melty. One of the best I've witnessed live. Love Oteil singing on Fire on the Mtn btw; then the flip to Althea was awesome and was that telling. They jam hard on that one. The true highlight for me though was the Estimated > TOO Tease > Eyes. For whatever reason in all of my dozen+ GD shows, I NEVER saw an Estimated > Eyes, nor an Eyes outright for that matter; yet at D&C shows I've seen them play Eyes of the World so many times that it has made up for it and then some. Makes me so so happy as Jimmy alluded to on Wed. night. The drums had me jumping around and literally pulling drips of beats from the band with my hands and delivering them back out to the masses. I also had this amazing recurring vision/feeling like I could sled down the tops of all of the heads of the people in front of me and end up on the stage. I shoulda done that for reals. It was a little bummer they had an 11 PM hard stop so it did leave things feeling a little hanging. But, that's what the rest of summer tour is for. Big Giant shout out to Gus West for the inspiration and camaraderie. And Happy Friday in Deadland to All. Sixtus
  • JimInMD
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    generation gaps
    ..so true. My parents had a particular dislike for Jimi Hendrix. I had a particular dislike for some of their music.. Glen Campbell comes to mind. Now that we're all old.. those red lines have faded a lot.. I took my father to two Jazz and Heritage Festivals in New Orleans.. some of his legends were on stage (Fats Domino was on the main stage and others) and some of mine (Santana comes to mind). Like I said.. those red lines of dislike faded and the generation gap closed a bit. My dad is pretty straight laced.. but he told a story of how he used to sneak out of his bedroom window a lot in the 50's and head to downtown Baltimore to see R&B acts like Ray Charles, Fats Domino and others).. he had to sneak out because most of the bands he was seeing were black and racism was mainstream back then. I had no idea and my pop became less of a nerd that day. After a while the generation gap begins to close at least in that direction. Great posts.. rings true on many levels.. but don't expect me to warm up to Rap anytime soon. You set a good example, 80sfan.. we can all learn something from that approach. Gotta go, the hipsters are beginning to congregate out front. Get off my lawn hippies.. get a haircut. Over and out.
  • daverock
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    Generation gaps-80s fan
    I like your attitude to your son liking rap music. Surely-hopefully-each generation has a music that speaks to them specifically. If they are lucky enough to have this the chances are that older generations won't "get it". My parents hated most of the music I liked as a teenager-which was to be expected. They grew up in the big band era- the likes of Deep Purple, Black Sabbath, Pink Floyd (Interstellar Overdrive) et al sounded like a godawful racket to them. That was alright by me-they weren't supposed to like it. The music reflected a lifestyle and experience that they had no idea about. How could they see hear the same things in "Anthem of the Sun " that I did? I went off a lot of rock music in the 80s-by the late 80s, with the development of rave/acid house etc I was left at home. I never took ecstasy or went to a rave-I turned 30 in 1987-dance music was aimed at teens and early 20s. I had become, even though it seems quite young now, a member of the older generation. Which doesn't mean that that music is/was invalid-just that my views on it were.
  • JimInMD
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    We're Not Worried
    We all pitched in and miracled you an XL Capitals jersey. The woman at the store recommended #8, Alex Ovechkin. You should have it tomorrow so you can wear it for the next game.
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The unexpected return of the masters of the Grateful Dead's triumphant show at the Albuquerque Civic Auditorium, November 17, 1971, yields great rewards. The Dead came in HOT for their first New Mexico show. Aided by clarity and precision and abetted by confidence and focus, they finessed old standards with definitive takes. With Keith now blending in seamlessly on keys, the first set offered up a triple shot of electric Blues, an exceptional "You Win Again," and a stellar "One More Saturday Night" to wrap things up. And the second set, well, it might just be unlike any you've ever heard. Archivist David Lemieux urges you to turn it up and do it loudly. We won't dare spoil all the surprises, but pay special attention to the rippin' "Sugar Magnolia," the aggressively monstrous "The Other One," and the highly-danceable "Not Fade>GDTRFB>Not Fade." Rounding out the 3CDs, you'll find selections from Pigpen's return tour at Ann Arbor, MI, 12/14/71. Subscribers will get nearly all of the complete show as this year's bonus disc.

As always, Dave's Picks Volume 26 has been mastered to HDCD specs from the original analog tapes by Jeffrey Norman and is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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Wasn’t a huge fan of that stuff, but again, by today’s standards they still rock!Like Ozzy cause he cracks me up; road trip show with Jack, his books etc But if you’ve seen the farewell concert/documentary The End, I think on showtime, they were awesome. It’s a shame touring sucks so much because a lot of these old goats still have it, like Phil!
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In fact, there have been a bunch of great docs and concert vids on the Telly the last few years...Sabbath, Clapton; life in 12 bars, Hendrix, Stones rellesead a few, Rush, know I still have a few others on DVR but forget?....and of course the F.T.W. shows, The Dead, and Weirs excellent T.O.O....
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There was a good one on telly here on Jeff Beck last week. Lots of clips from The Yardbirds up to recent concerts. He is as vital now as he ever was. I haven't bought his latest studio cd, Loud Hailer, but the blu ray Live At The Hollywood Bowl summer 2016 is superb. He is joined by various people on different tracks. All great, but the music played with Jan Hammer is dazzling. High hopes for London next month!
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-Grateful Dead Live at Madison Square Garden on 1988-09-18 Feel Like A Stranger-> Franklin's Tower, Good Time Blues, Big Railroad Blues, Memphis Blues, Stagger Lee, Promised Land Not Fade Away-> Scarlet Begonias-> Fire On The Mountain-> Women Are Smarter-> Drums-> Space-> The Other One-> Wharf Rat-> Throwin' Stones, E: Black Muddy River ...I always dig listening to this show, being from the garden and all, and it’s well know acoustics..., ...or how about these three shows in April 7,8 & 9th. :) https://www.discogs.com/Grateful-Dead-The-Centrum-Worcester-Massachuset…
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winner winner chicken dinner! oh, thats the song, not a movie....
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get another quarter outdrop in the meter mama try me on for size the guitar solo in that track is cool
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Two Oro's how can that be. From now on I will be known as Sir Garret Farseer... Dang lovin the conversation. Don Airey, seems I remember a documentary explaining a battle with him and Sharon Osbourne. I know Bob Daisley is credited now with helping write Diary of a Madman, but it seems like he Randy Rhodes and Don Airey wrote all the music to Diary. Seem to recall there was a dispute about royalties and such so Airey and Daisley and Kerslake the drummer were released. I know Sharon helped some with helping Ozzy deal, but I put her in the same category as Gail Zappa. The theme of this story is purely fictional and should not be confused with actual people places and events, real or fictional. Or something like that...
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Sweats be bangin.
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Yeah Gary, now we’re talking.Where’s my milk?
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No meet up at the movies this year?
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I have had the tape FOREVER and I, of course, bought the official release....I am going to have to go back and listen. That Jack Straw when I was in High School would get me so revved up because Jer just takes it, and takes it, and takes it. Higher, Higher, Higher, then BANG! Jack Straw from Wichita! Why would they swap them? and for which show is the Jack from GSTL 5/8/77 ACTUALLY swapped with?
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AcrosstheRio Definitely want to meet up for the ABQ Dead n Co show. I sent you a PM seeing if you wanted to meet up for Phil but you might not have read it. Get a hold of me! PM me and I will shoot you my number. Also, any other Colorado deadheads trolling around on here...PM me. I love an excuse for a meet up and why wait till show time? Strangers stopping strangers...
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Keep asking.. eventually someone will say yes. Gets harder and harder each year for me too. ...I'm bet they will crank out a meet up at the movies again. So what's it gonna be this year? There are some prime 89's yet to be plucked and I, for one, would be happy with a repeat of the Beat, 72. or how's this? 4/17 Amsterdam and the Beat. Or how about 71 Chateau d'Herouville? Wouldn't it be grand to announce the Box Set the same day? And what about Gainesville? Is Dave still feeling a bit under the weather?
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I always liked 5/9 the most of the three.. simply for the Help/Slip/Franks and the second set Other One, NFA, Comes a Time jam. In fact, on my drive home tonight I was listening to the Playing, NFA, Comes a Time Playing from 5/12/77 Auditorium Theatre, Chicago. It could be my favorite sequence from the Spring 77 Box v. 1. I honestly don't listen to that much 77 GD these days, primarily because I have listened to it to death decades ago.. but that doesn't mean I don't really like it. So many tapes, so little time. Edit: oh.. VGuy, I had 35 mm film of all the 77 shows, but my last gf tossed them at the same time she tossed all my ticket stubs. Ain't that a shame...
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That's not what she told me.
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Give them to me.. my ticket stubs and my 35 mm tapes of GD shows. I knew you had them all along.
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I sold them all to buy a Steal Your Face barstool from dead.net.
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When have you ever seen or heard a show opener like this H>S>F? Oh yeah. We forgot to play this last night at Cornell, so here you go. Unreal. I maintain that 5/7 has the best Bertha, Peggy-O and 1/2 Step ever played, but Buffalo is my favorite of the three.
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.... apparently Jimbo overdosed on Spring '77 awhile back. Sucks to be him. I was thoroughly in an Estimated vibe when a Spanish lady came by with a rose and took my hand out of nowhere. The rest is 5.9.18 history....
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I know Cornell gets all the hype, but Buffalo is my favorite show out of the sacred three. Gets regular play, especially on those scenic drives along the coast or out to the desert.
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...yeah but what’s gonna happen if ol Jimhas one of those flashbacks they warned about... Carful vguy, I’ve heard some things about her!
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Hey icecrmcnkd: Can you (or somebody), explain the story behind your comment that "the GSTL ‘5-8-77’ Jack Straw isn’t actually from 5-8-77."? I couldn't find an answer and can't stop wondering. . . Thanks!
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Good choices, and what about Hampton 89, that still kinda frosts my ass.We all know they had vid from all those tours. For the box price, you think they could of tossed in some vid. I still like how they did crimson, white and indigo; discs and vid in relatively simple package at reasonable price...... Like I was saying the other day; why don’t they have us pre-pay before they run production, that way they don’t lose money, and we don’t get shut out?
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Yeah, I’d like to hear that also Jeff! Your back, we were worried, last time you said things were starting to be contained etc, but weren’t outta the proverbial woods yet. Hope things have worked out?
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Wham bam thank you man, down on me in Amsterdam! Hey I'm listening to Bertha and I don't hear Keith. Did he sit songs out? Or is he playing the organ and Pigpen is sitting out?
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Whoooosh, always liked this one the best, but I’m no 77 expert, listed through Ship o last night, man what a solid first set,that H-S-F is definitely one for the ages. Like that the Franks doesn’t drone on too long, sometimes happens IMHO....
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Hey Oroborous....a Franklin's that DRONES ON???? I actually don't think that's possible. The licks are bouncy and happy and upbeat from start to finish! Add-in some pianer-tinkling and bass bombs and it only adds to nuance and happiness all the way to the final coda. I challenge you to rethink this borderline blasphemous statement. :D Sixtus
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Release the hounds.:D Is it the weekend yet? Aren't they going to announce the box set soon? Has Dave been replaced by a cyborg or vampire? Feels like Funky Thursday.
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Good morning Sir! First, I did qualify my premise with “ IMHO” which that and a dollar miiight get ya a cup of coffee. Second, I can certainly time some of the looooooooongish end choruses of Franks that never seem to end to make my point, not so much the song body proper...but why bother, the main thing is YOU Dig It, and enough so to call me out, so like someone (sorry, not much memory left ; ) so wonderfully said the other day, that’s what’s trully important, that makes YOU happy. Who gives a rats ass what I think! I’m just an old dog who misses shootin’ the breeze about the boys and the “good ol days” and perhaps, occasionally one of you nice folks will scratch my ears or rub my prodigious belly Wooof!
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Yeah, Jim’s right (again), what’s the new box, or Dave’s even, we need something new to wrestle with ; )
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It's always great to scratch that itch my friend. I'm just razzin' you anyway. I completely concur this is all just opinions and likes being shared, which gives wonderful insight across the ether into each kind soul on here who wishes to participate. And now that you are getting a little more precise, I can understand your point of view on the outros in there from time to time. It is perhaps in the same vein as 'Deal' from, say, '78, where they go on and on and on with the vocal coda - sometimes to the point where Donna's attempts to hit a higher vocal pitch ends up sounding like a banshee at midnight - but again just an opinion! I say, let the music play. And kick it off with a fine Help > Slip > Franklin's. Happy day to All. Sixtus
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It's all part of the delicate negotiations to free the North Korean "detainees." OK, hostages. Now that our citizens are joyously back on U.S. soil, other critical international business can soon follow. I ask you, what can be more critical than unleashing more transcendent GD music to soothe the pervasive bitterness, anger and anxieties currently floating around the globe? As Joseph Campbell once said, "the Grateful Dead are the best answer today to the atom bomb." And perhaps lots of other bad stuff. Carry on.
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...Great post!... :) ...pigpen 12/14/71 , ‘Mr. Charlie’ —- Love it! Then the, ‘Loser’ > ‘Next Time You See Me’ ... ;) ...sweet Suzy ;). ....
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By George old man I think you might be on to something there.....Perhaps when the revolution starts, they should lock all the power elite in a room with some high powered speakers, air-dose em, and not let em out until they listen to 30 trips, or E72, Spring 77 or ???.... Hell, they can bring em nothing but kind veggie burritos, falafel, PBJ and other usual tour chow.... Who needs the U.N. we got Bolo and the gang on it!!!
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5/9 was always my favorite of the three as well, mostly due to the H>S>F. However, I firmly believe this is the greatest version of Peggy-O of all time. Back in the day, I used to rewind my tape repeatedly just to hear that song.
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Ok, you almost have it, a little down to the, aaaaaaaaaa, that’s the spotHowwwwwrrrrrrrllllllluuuuuufffffff, pant, pant, Ok, time for a nap....
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Get the rope.. I love it. Nothing like a good old fashioned lynching to steer / keep the discourse on point. Burning and a Looting Tonight... _______________________________________________ Makes perfect sense. The North Korea connection to Dave and this Box Set. That explains the basement Release Video, Dave being in exile and Dave's strange change in appearance of late. It also helps explain some of the delivery times.. They are using Kim Jong Un's (Uni for short) 30 mph max, heavily armored train to deliver these things. My question is.. who has the master reels, or at least what country are they in?
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Complete 1980 September/October Warfield Theatre run. There were 15, three set shows, at the Warfield. If memory serves, much of the run was lost (or rather taped over) The box will consist of shows that fully remain intact. Probably a bad guess; just going with the 1980 Iran "hostages" clue or not clue from Bolo. Sam T
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Taking bolo's comment to mean that box set order date announcement is imminent. Avoiding political quagmire discussion, the proverbial olive branch... is dead.net ready to send Kim Jong-un a promo copy of DaP27? He could use more than a few miracles. Back to music. Let's warm up Jim's mower, shall we? Put in some high test, go back a ways? Thanks, Jim! A Korean War vet (connecting some dots here) rocked the world with his guitar, gets cred for surf music influence, moves to San Fran in the early 70s, jams out with John Cipollina of Quicksilver, he had to have been at some early Dead shows... It might get loud: Jimmy P chortles and plays air guitar to that vet's music. Pete Townsend said this guy was responsible for him taking up guitar. thanks for that sweet little sister Elvis clip (note James Burton there with his then rad red paisley telecaster!) brought to mind a Shawnee genius, so geezer or not, dial that mower back to '59... intro by Dick Clark, seemingly a cowboy tune with a 31 fret bizarre cutaway Danelectro: https://www.youtube.com/watch?v=Fn5hl2IA7_s
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Thanks dmcvt. Link Wray! When you mentioned surf music (I know- I'll never hear surf music again) I immediately thought Dick Dale, forgetting about Link. So thanks for the Link. I'm a huge surf guitar fan....we recently (March 2018) lost Nokie Edwards, the Ventures guitarist. (But maybe the Ventures considered themselves an instrumental rock band more than a surf band...) Regarding the Elvis clip - I assume that's Ron Tutt playing drums for Elvis? I never saw Jerry with Ron, but I wish I had. Ron Tutt...backed up Elvis, then Garcia, then Neil Diamond. Wow. That's a lot of talented entertainers.
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Old man??? I resemble that remark!!!!
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Jerry plays some nice pedal steel on his "Guitar Preacher" album (All cried out, Tuscon, Riverbend)
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