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    heatherlew
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    The unexpected return of the masters of the Grateful Dead's triumphant show at the Albuquerque Civic Auditorium, November 17, 1971, yields great rewards. The Dead came in HOT for their first New Mexico show. Aided by clarity and precision and abetted by confidence and focus, they finessed old standards with definitive takes. With Keith now blending in seamlessly on keys, the first set offered up a triple shot of electric Blues, an exceptional "You Win Again," and a stellar "One More Saturday Night" to wrap things up. And the second set, well, it might just be unlike any you've ever heard. Archivist David Lemieux urges you to turn it up and do it loudly. We won't dare spoil all the surprises, but pay special attention to the rippin' "Sugar Magnolia," the aggressively monstrous "The Other One," and the highly-danceable "Not Fade>GDTRFB>Not Fade." Rounding out the 3CDs, you'll find selections from Pigpen's return tour at Ann Arbor, MI, 12/14/71. Subscribers will get nearly all of the complete show as this year's bonus disc.

    As always, Dave's Picks Volume 26 has been mastered to HDCD specs from the original analog tapes by Jeffrey Norman and is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • MinasMorgul
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    Makes No Sense
    Seth, I'm stumped by your comments because they sound contrary to reality. You said: "I do think 10-12/71 is really good stuff. The Saloon Band period with confident Barrelhouse piano added as a second lead instrument; so fine!" Isn't one show from 11/17 another from 12/14 pretty much the same thing, with the same Barrelhouse piano player? The shows you're comparing as bad vs good are a month apart. I was also surprised by this statement, and I'll tell you why I'm surprised, as it was thought provoking: "He always says/writes that their are unique qualities to the show involved. I usually don't notice those... At this point in the game such statements on his part actually annoy me and sour my expectations." I thought back as far as I could go, and he's always been spot-on with the highlights of these shows: DaP 12 - Dave mentioned how unique and cool Stella Blue was, and sure enough, it's one of the best, with a very cool spacey intro. DaP 15 - he mentioned Wharf Rat was one of the best ever, and it is. Everyone was jazzed about the ending jam (and it gets a lot of recognition on Heady Version) DaP 17 - he mentioned the awesome and unusual sounding solo in Scarlet Begonias, and it truly is bitchin. May be the best Scarlet of '74. DaP 18 - he mentioned the 8 minute instrumental ending to Comes a Time as being totally face melting, and everyone does did it (lots of great feedback about it on the message boards). DaP 19 - he touted Mason's Children as being maybe the best ever. without a doubt, and a lot of people agreed here. and it's numero uno on heady version DaP 20 - he said nothing good about this show, and he was right DaP 22 - he said Smokestack Lightning was a contender for best ever, and there's no question about it. It's certainly my favorite, and it had to topple down the Three From The Vault version. Keith's piano addition is face melting. Those are just the ones I remember, and I'm outta time. You make it sound like he makes this shit up, but everyone agrees with him after they get their hands on the release. I don't know man, I guess I just don't see what's to dislike about Dave. He's an enthusiastic Dead Head. You don't realize how bad this release program could have been with someone at the helm who is not a fan. But why even watch the release videos if you dislike them so much?
  • reijo29
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    DaveRock
    Great point on this whole Who Doors comparison. I don't get it as they are not similar at all in their approach to rock music. The Rolling Stones, The Who and Led Zeppelin. Now you are talking. I'd go with the mighty Led Zeppelin followed by the Kinks, The Stones and then the Who. Dirty old river, must you keep rolling, Flowing into the night, People so busy, makes me feel dizzy, Taxi light shines so bright... But I don’t need no friends, As long as I gaze on Waterloo sunset, I am in paradise
  • snafu
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    I agree
    With daverock comparing the who and the doors really doesn't make sense they were two essentially different bands outside of superficially silly reasons. NME's position on the 3 best in the world is a little suspect everyone being British. But the fact remains the shows of all 3 in 70/71 all kicked butt
  • daverock
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    Who 69
    Stonking good clip of The Who live in 1969. Strange that they are being compared to The Doors on here-apart from the fact that they were around at the same time, and each had 4 members, there isn't much that the two bands had in common, that I can hear. When I was a teenager, in the early 70s, the New Musical Express, which was the trend setter of the day, heralded three bands as being "the best in the world"-who they thought were head and shoulders above everyone else. They were The Stones, The Who and Led Zeppelin. Of these, the only one I saw live at the time was The Stones in 1973-and probably because of this, they were the pick of the bunch for me. I thought The Who were better than Led Zeppelin. Actually, I would still rate them in that order today.
  • alvarhanso
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    Re: Terrapin Moon Fiddle About
    Okay, Fiddle About is not the song for you. Great, think you've covered that a few times. It's like 90 seconds of a 78 min album, and was put on there because the vulnerable hero of the story is, like many children, sexually abused. This happened to Pete Townshend, and it was too close to him, so he asked John Entwistle to write it and Cousin Kevin. I get it, you don't like the theme of it. So, my advice would be to not listen to it. But that one song does not sum up The Who, nor does it really have any bearing whatsoever to a conversation that goes a bit deeper than "ewww". The End has a Oedipal conclusion in which the killer walks on down the hall and announces he wants to kill his father and screw his mother, and is one of the quintessential Doors songs, but I guess because it's based in Greek tragedy, that deserves a pass? Bad things happen in life, artists tend to memorialize those bad things through their particular medium. This one obviously bothers you, but you may not want to lay the blame on The Who for that, it's not celebratory of pedophilia, it traumatizes Tommy even further. And again, it's a 90 second song out of 24 songs on an album that was released in 1969 on their 4th album, they did do subsequent things that don't deal with pedophilia...
  • Thin
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    80s fan - re: how tapes returned
    He didn't say "which batch", but he did say he wasn't expecting this tape when it came. Knew it as a show that didn't circulate in good quality, and was glad to get it. If it's anywhere near the Q of 11/15/71 we're going to be very happy in 2 weeks!
  • fourwindsblow
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    The Who '69
    is the best to me.
  • 80sfan
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    Few things
    i've been listening to a lot of 71 lately (thanks Doc!) and even though April 71 is a different beast than nov/dec 71, my mind and mood are fully ready for this new release-thank you Dave! I didn't watch the video, but did Dave say how the masters for this show were returned?
  • carlo13
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    Daves mindset
    I believe that when Dave sets out to find the primo shows that possess to the finest parts of the elegant music of the past, he blocks out things like giving a few different era's or years into the brew to mix it up. Some people like I,believe that focusing on the sets that just send shivers through you body when listening is the true way to go about it. Also the calm before the storm of waiting for the results is just as sweet. Peace everyone!!
  • reijo29
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    Dave Unchained
    By the way I absolutely love having this subscription where every 3 months I get a show in the mail. So very Grateful for that & it's a super great deal money wise. And I most definitely love Dave. But perhaps he is running out of things to say in each video. "It's really an exceptional show. Performance wise you've never heard anything like this". I'll take that as a little bit of hyperbole coupled with genuine excitement. Rather than saying come on, Dave, give me a break. (Hey, hey, hey, hey, one break coming up!)
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The unexpected return of the masters of the Grateful Dead's triumphant show at the Albuquerque Civic Auditorium, November 17, 1971, yields great rewards. The Dead came in HOT for their first New Mexico show. Aided by clarity and precision and abetted by confidence and focus, they finessed old standards with definitive takes. With Keith now blending in seamlessly on keys, the first set offered up a triple shot of electric Blues, an exceptional "You Win Again," and a stellar "One More Saturday Night" to wrap things up. And the second set, well, it might just be unlike any you've ever heard. Archivist David Lemieux urges you to turn it up and do it loudly. We won't dare spoil all the surprises, but pay special attention to the rippin' "Sugar Magnolia," the aggressively monstrous "The Other One," and the highly-danceable "Not Fade>GDTRFB>Not Fade." Rounding out the 3CDs, you'll find selections from Pigpen's return tour at Ann Arbor, MI, 12/14/71. Subscribers will get nearly all of the complete show as this year's bonus disc.

As always, Dave's Picks Volume 26 has been mastered to HDCD specs from the original analog tapes by Jeffrey Norman and is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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80s fan that is indeed a great Peggy-o. If you haven't heard the one on 6-19-80 try that, it's like no other version. Best in the AUD version. Which reminds me... Alaska, closer to Korea than other places the Dead played... let's have it this June, "Grateful Dead in the Land of the Midnight Sun" Alaska 1980, June 19, 20, 21. Including the swingingest Peggy-o ever, the sweetest Brokedown, an intense Sugaree... all matrix like DaP 8.
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Were you actually driving when you wrote that long-ass post about 5/10/72? Because if you were, I don't know whether to be impressed or horrified.
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He's a doctor.. I'm sure he was talking to his phone (not that we shouldn't be afraid). I have never met a Peggy-O I wouldn't Marry-O. From 73 through 95, Jerry found ways to make that song his own.. Incorporating traditional songs into the mix is one of the more rewarding aspects to their music. Wikipedia traces the roots of the song back possibly as far is 1644 in Scotland. https://en.wikipedia.org/wiki/The_Bonnie_Lass_o%27_Fyvie It's been covered by countless people both before and after the GD. Songs like Peggy-O, I Know You Rider, Viola Lee Blues, and countless other borrowed gems really makes for a rich tapestry of songs they had to pull from. What a great little tune.
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Great little folklore ditty-Os. Been more into the nice looping groove of Jack-a-Roe lately, but they both bring it home.
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6/14/916/22/91 9/26/91 5/27/93 (includes Wave to the Wind) 8/21/93 8/22/93 6/17/94 6/19/94 5/26/95
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add to stoltzfus’ great list....especially would like to hear that 9-26.....only recently purchased 6-14-91 love that show! 6-9-91 6-20-91 3-21/22-92 6-22/23-92 6-25-92 7-1-92 7-31+8/1-94 6-30-95 These are the ones that stand out in my minds eye, have not heard tapes of most... I’m not a “taper” so I’m not up on all that, but I recall these shows being enjoyable and some with interesting sets...3 Rivers with the rain set was pretty wild....the 94 shows, especially his Bday, Jerry was in good form, 7-1-92 was fun, got to work production, load unload/be on stage etc, ate in the crew tent with Steve M.,
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Nice, think I like em better acoustic like that...
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Give 10/19/94 a listen, Oro. I posted about this show before. My last Jerry show, and the Dead's last show at the Garden. Charlie Miller has a stellar soundboard remaster on Archive. The energy that night was electric and consistently high (no pun intended) throughout the show. One of the best before the end, imho.
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Shut up Beavis - that's two L's, no E! I've actually been tripping out on making tapes again - that's right, cassettes! I have a real nostalgic spot for filling out j-cards! Anyhow, I just taped 10-27-79 on two TDK-SAX 100s and have this to submit to the group: What filler for Side B of the first set tape (which has Sailor>Saint>Deal on it and a little over 30 minutes of space left): 1) Half Step > Franklin's from the next night, 10-28-79 Or 2) Scarlet > Fire from a couple of nights later, 11-1-79 *All write in candidates will be considered, but the electoral college is leaning to one of these two selections.
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Started working through Before the Dead last night and some this morning, pretty cool set. You can hear his bluegrass skills (including the rest of the band) progress through the various iterations, and some great song selections. So far, I particularly like the set with just him and Hunter (solo acoustic Trouble in Mind), as well as the one with him and his wife, Sara. He does several songs acapella as well..Wagoner's Lad which is one of my favorite from the Anthology of American Folk Music, and Dylan's late 80s acoustic versions. He also does an acapella Man of Constant Sorrow. He had a legit bluegrass yarn to his voice, moreso than I realized. Weird that the dude who was doing acapella Wagoner's Lad was jamming on Dark Star maybe ~6-7 years later. Catching up on some comments, saw those on 5/2/70 awhile back. I haven't been able to get into this one like many it seems..obviously it's very good, but something about the sound doesn't hook me in like others. I do like the acoustic set, that was my primary introduction to their few appearances of acoustic sets. Watched most of the second night of Mexico that re-aired last night, looking forward to D&C to get back on the road. I caught some of 4/16/89 Milwaukee on XM today, sounded like a good show! As much as the Full Norman releases are award worthy, it's kind of nice to listen to less polished sources occasionally. Highlights different things and kind of has some of that bootleg excitement to it. Started a mini Who kick here recently, just started a biography on them and been listening to the new Fillmore East '68 release. I know very little of the Doors so as such, definitely take the Who there. Might be an interesting topic to discuss.. Finally listened to the bonus disc of Rockin' the Cradle for the first time (Dennis is the man). That Eyes from 9/15 has the weirdest vibe.. My harmonica's got a busted reed My lips are chapped and about to bleed She says, that's nothing, when she was a kid She danced with the Dead at the pyramids
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Sitting in Rethymno, Kreta drinking homemade raki. Don't get much better than this. Normal service will be resumed shortly.
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Good to hear you are enjoying your time in Greece, Simon. Life is grand..
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What a great place to watch from! Soak it up. . . . . . Do we get t-shirts?
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....i had to google raki. Sounds delish. i also street viewed Rethymno, Kreta. Was surprised that a lot of the signs are in English.
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Vguy I'm pullin' fo' ya'!!! I'm a St; Louis Blues diehard. In each of their first three seasons they made the finals, but were swept first by the Habs and then Boston - you know, the only thing the Blues are famous for; the foto of Noel Picard sending Bobby Orr flying after he's scored the game-winning goal. It's been all over but the cryin' ever since - go Knights!!!
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Yeah I was driving but like Jim said, I was talking into my phone. You know on the cellphones how you have the the Google voice translator thingy. That's actually gotten much better and more accurate, so I can go totally hands-free. But you should be horrified because I didn't always have this Google voice translator and that didn't stop me.
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I have 3 framed , but I can unframe them if you wish. :)—Three 11″ x 17″ previously unpublished archival giclee prints were produced in San Francisco under Stanley’s supervision directly from his original oil paintings and incorporated into an edition of 0nly 225. Hand signed and numbered by Stanley Mouse himself! A very rare number for a Stanley mouse artwork, usually 500 units are printered at least. Very limited!!! Hoping to find them a good home, I need to take care of some medical bills. They are very beautiful in every way. I have photos for All to see. Any more questions please feel free to contact me /message me... :) ...everyone have a grateful day, and to all the Deadhead mothers out there/here “Happy Mothers Day”!
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Make up for all your suckiness when you were in ATL
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4/4/71 another post-Brent gem: 6/17/91
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It's a party cause. Everybody's dancin' in a ring around the sun Nobody's finished, we ain't even begun. So take off your shoes, child, and take off your hat. Try on your wings and find our where it's at. Hey hey, hey, come right away Come and join the party every day.
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I'm on the post Brent binge boat blaring Branford beautifully from MSG 9-10-91. Smoking show.
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1
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7
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HOT show, indeed! An all time favorite. The band isn't fucking around and neither is Branford. Everytime they play with him, magic happens. I got to see Furthur play with him at Red Rocks and it is one of my favorite concert experiences EVER.
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1st time listening to this: fuck-ing awesome! damn why do people hate '80's Dead? must be released and I'm not even done. up to Spoonful.
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Jerry3-17-1978 Cream Magazine interview Bad recording...however... Put some decent headphones on and turn it up.You can totally hear people snorting(Jerry too) & coughing.All sorts of topics.Great stuff. Fly on the wall stuff...nice to hear his voice. oh yeah...MidnightCafe 11..."Mickey & Kruetzman language"???? 17..."not if I see ya comin',butthole"
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9/26 is a personal favorite from that year. 4/1/91 is up there too. I would be remiss not to mention 10/31/91. I attended a few in '91: 6/19 & 20/91 Pine Knob - Very good shows. There was a lot of nice music from this run not included on the Download Series Volume 11 release. A really nice first set from the first night. 6/22/91 Soldier Field - An epic show. Would love to see this one released as a CD/DVD set, or at least a CD/Meet Up At The Movies type program, like RFK '89 from last year (theatrical showing and CD box set release). 9/4-6/91 Richfield - Three almost perfectly performed and executed shows with many big moments to kick off what may have been the last truly great and consistant tour. At this point, Bruce and Vince were complimentary of each other and the Dead's music. They each found their space together. Some highlights include a Jack Straw where Phils drops a bomb that could blow out some speakers. Scarlet > Fire from the 1st show is a must hear. The Birdsong from the 3rd show just builds and builds into a raging beast. The 2nd set from the 3rd show picks up where Birdsong left off and just blows the roof off. A nice precurser to what was to come at MSG and Boston. 11/22/91 Rosemont Horizon JGB - First of two times catching JGB. 11/23/91 Bradley Center JGB - Second of two times seeing JGB. It was a real treat to experience this with what at the time felt like Grateful Dead church for the faithful. If a Grateful Dead show was Rivendell, a JGB show was Lothlorian (sorry for the Lord of the Rings analogy and reference). It really blew my mind that this was chosen for release, and every bit worthy. Rosemont was just as good. 12/31/91 Oakland - Wasn't there in person but listened to the nationally broadcast simulcast with a bunch of taper friends at a party, with many decks recording. The Bela Fleck and the Flecktones opening set was my first exposure to that band and have been a huge fan ever since. The Dead performed a nice show, even if not quite as epic as the previous NYE with Branford. Very worthwhile show though. Also saw the "In Concert" broadcast of the highlights from 6/16-17/91 Giants Stadium, including "Eye's of the World", "St. of Circumstance" and "Miracle". ...so yeah, that's how I spent part of my '91... '91 is a treasure trove with a surface that has been barely scratched as far as official releases go. While RFK 6/14/91 VFTV 2 is itself epic, and 9/25/91 Boston DP 17 and Download Series Volume 11 - 6/20/91 are great, there are plenty of other equally as great shows from this year. Would still love to see that 4/28/91 show released. That Birdsong with Santana sitting in needs to be released. I'm sure Carlos would approve. Lot of great shows from Europe and December '90 that are up there as well. Compton Terrace and Denver are a nice couple of runs. I could go on and on about the merits of post-Brent '90 and later. 7/31 & 8/1/94 were mentioned. I was there. I thought they were pretty good shows and haven't listened to them in a while.
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Cal ExpoChina->Rider...just silly. :o)
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“9/4-6/91 Richfield - Three almost perfectly performed and executed shows with many big moments to kick off what may have been the last truly great and consistant tour. At this point, Bruce and Vince were complimentary of each other and the Dead's music. They each found their space together. Some highlights include a Jack Straw where Phils drops a bomb that could blow out some speakers. Scarlet > Fire from the 1st show is a must hear. The Birdsong from the 3rd show just builds and builds into a raging beast. The 2nd set from the 3rd show picks up where Birdsong left off and just blows the roof off. A nice precurser to what was to come at MSG and Boston.” ...great post, and I would gratefuly welcome/love an official release of the Deads ‘Richfield 91’ all 3 complete shows in a mini boxset... ;)
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Good to read the reviews of shows from 1991, which I haven't listened to much over the last year or so. Maybe time to re-investigate. As Cosmicdavid, said, one of the great things about listening to The Dead is that you can dip in and out of different eras and listen to very different types of music. I have been heading backwards, myself. I listened to my old albums, Vintage and Historic Dead recently, which are from September 1966, I believe. There are some great cover versions on these albums-notably Same Thing and Midnight Hour. I then got the vinyl July 29th and 30th 1966, which sounds great-although the stereo separation is a bit basic. Cream Puff War is the standout track for me here. But the most interesting of these early artefacts may be a dvd I got a few years ago called The Acid Test. It looks a bit like a bootleg, although it was produced by Key-Z Productions. It seems to be a film of the Fillmore Acid Test from 8th January 1966. It features The Dead extensively, playing King Bee, Caution, Death Don't Have No Mercy-with lots of clips of the Pranksters dancing about to the music. The sound and picture are both really good. The actual music is primitive, with the bass and drums being very rudimentary. Jerrys guitar is bright and clear, with no sustain at all, and Pigpen is right on the money. It doesn't compare to the music they would go on to make when Mickey joined, but Its fascinating to watch them right at the beginning of their career, at one of the legendary acid tests. I would like to see more releases like this one, myself.
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Good to read the reviews of shows from 1991, which I haven't listened to much over the last year or so. Maybe time to re-investigate. As Cosmicdavid, said, one of the great things about listening to The Dead is that you can dip in and out of different eras and listen to very different types of music. I have been heading backwards, myself. I listened to my old albums, Vintage and Historic Dead recently, which are from September 1966, I believe. Their are some great cover versions on these albums-notably Same Thing and Midnight Hour. I then got the vinyl July 29th and 30th 1966, which sounds great-although the stereo separation is a bit basic. Cream Puff War is the standout track for me. But the most interesting of these early artefacts may be a dvd I got a few years ago called The Acid Test. It looks a bit like a bootleg, although it was produced by Key-Z Productions. It seems to be a film of the Fillmore Acid Test from 8th January 1966. It features The Dead extensively, playing King Bee, Caution, Death Don't Have No Mercy-with lots of clips of the Pranksters dancing about to the music. The sound and picture are both really good. The actual music is primitive, with the bass and drums being very rudimentary. Jerrys guitar is bright and clear, with no sustain at all, and Pigpen is right on the money. It doesn't compare to the music they would go on to make when Mickey joined, but Its fascinating to watch them right at the beginning of their career, at one of the legendary acid tests. It ends with then dismantling the gear, and Jerry can be seen sweeping up with a broom. I would like to see more releases like this one, myself.
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(they did 7/7/89 a few years ago...) a repeat? ok, I'm in.
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I thought I was the only one who street view shit! The area did look very nice and I too was surprised by the English signs.
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I believe this one has recordings from December 1966. Historic Dead is from September.
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a dream: remastered and re-released. :)))
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can I get an amen, brothers (and occasional sister)? the mighty mighty Grateful Dead. Acid Month (April 71). THAT would be a great release.
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....Atom Heart Mother. Back to Albuquerque. That Other One is one for the ages. Sheer power. My jaw drops every time I play it. My jaw drops a lot....the 2:10 mark of TOO part two, they seem to tease Caution and Sitting On Top Of The World at the same time. It least, that's what I hear. Every listen bring more to the table. Incredible....
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Haha. That first May '77 is the first Dead set I bought, randomly, having only heard the popular stuff to that point (Skeletons, Europe '72, etc). '77 was a strange place to start...took me awhile and still not my favorite set, but there are some strong shows in there. I had 5/12 on in the car a few weeks back..love that one, might be my favorite from that set. I went with 5/13/83 for today's show, from a run at the Greek. Near the end now..I've enjoyed it. First Hell in a Bucket I understand?
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