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    heatherlew
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    The unexpected return of the masters of the Grateful Dead's triumphant show at the Albuquerque Civic Auditorium, November 17, 1971, yields great rewards. The Dead came in HOT for their first New Mexico show. Aided by clarity and precision and abetted by confidence and focus, they finessed old standards with definitive takes. With Keith now blending in seamlessly on keys, the first set offered up a triple shot of electric Blues, an exceptional "You Win Again," and a stellar "One More Saturday Night" to wrap things up. And the second set, well, it might just be unlike any you've ever heard. Archivist David Lemieux urges you to turn it up and do it loudly. We won't dare spoil all the surprises, but pay special attention to the rippin' "Sugar Magnolia," the aggressively monstrous "The Other One," and the highly-danceable "Not Fade>GDTRFB>Not Fade." Rounding out the 3CDs, you'll find selections from Pigpen's return tour at Ann Arbor, MI, 12/14/71. Subscribers will get nearly all of the complete show as this year's bonus disc.

    As always, Dave's Picks Volume 26 has been mastered to HDCD specs from the original analog tapes by Jeffrey Norman and is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • bohlint
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    Box set
    I have been a break from the dead lately. I tend to take a couple months off every so often to enjoy other music and to help keep fresh ears. Honestly the last few Dave’s Picks haven’t done much for me. I love it all but lately it has felt like more of the same when recieving them. While driving today I had a thought and I felt the GD juices beginning to flow again. That thought gentleman and Mary was some primal dead. That down and dirty mid to late 69 goodness. Then it all came into focus...... WE NEED THE ARC BOX! Now is the time Dave!
  • Born Cross Eye…
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    Dick's Picks 3 misprint
    Is it Mucic or Muclc? Until now, almost 23 years later, I was sure the mis-print was Muclc. Now I know and I used a magnifying lens to really see the "correct" mis-print. Thank you all for bringing this obscure detail to light. I remember calling the 1-800 number on the (printed) Grateful Dead Almanac and ordering this release. I was put on hold and Dark Star from Live/Dead was the on-hold Muzak playing in the background. When the operator got my call, I said to her after I placed my order, "I sorta wished I was kept on hold, I love that background music." We both laughed.
  • Oroborous
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    AJS vs Vguy/ RE: Daverock
    First, has anyone thought how fun this next week or so might be; not only do we get to WATCH the cup finals...we get a ring side seat for what I hope will be some amazingly entertaining “cup talk” between our very own Angry Jack Straw (Caps), and Vguy (Knights)..... Daverock, I think I was thinking lol, that musically, perhaps some of the bands then, could be considered to have been at their peaks?....I know crazy subjective nonsense, but just a thought. And of course we have recordings, as limited as they are comparatively, that influence this theory for many. So to see in cool venues at band peaks is I guess what I meant. i.e., 73 Winterland.....As lucky as I was to see/hear what I did, I’m sure shows like that would stand out? I think I have experienced and heard about enough of the venues/vibe thing to get that part. Perhaps one of the great parts of Phil and Bob getting back at it in the late 90s was everything was able to get small again. Seeing Further for the fist time at Broomfield made me think I was at a new, clean Rochester War Memorial. The place seemed half empty, everyone was on the floor, you could sit almost anywhere. The vibe was amazing. The venues, the tech, the vide, probably the stress etc, all got real small and laid back, so for us “youngin’s” Seeing say P&F at the Denver Philmore, gave us perhaps a glimpse of what it was like scene/venue wise waaay back. Obviously, “culturally”, ahem, there would be a big difference between 69 and 99.... And I saw enough and heard first hand about those old drafty 10k “war memorials” etc. To me, the ultimate vibe was portrayed in the Dead Movie....wanted to be that dude in the front row every night and have a intimate knowdlege of the music like that, not just some causal fan who came just to get high and dance. Not that there is anything wrong with that. It’s just we were young fans as well as budding musicians and sound techs etc, so getting in the front row was like going to college! “What pre amp is he using this tour?” ”Oh, that’s how he plays that.” Yeah know, that kind of stuff. It was on a whole different level for us, and of course I cannot begin to describe the connection with the band when you were up there.....phew, still gives me shivers.... The letting go, freaking out and dancing phase came later ; ) Hell, shows didn’t always sell out then, so often larger venues would be kinda empty. But to be at like winter land with 5k or what ever uncle Bilbo packed in, and just the lay out etc. And the vibe, seemed sooooo laid back. The band that era, and the Wall, to me that might of been up there at the top, well, let’s not go down the “favorite” dead end road again.... But it’s all Yin/Yang. Yeah the scene got too big etc, and general admission mostly became a thing of the past, and the crowds did change drastically, no offense to the Touchers etc., but it did. On the other hand they played some great venues, they got tight, the sound and lights got way better, they for a while became a tight knit, and dare I say professional working unit. Hell, for a while it was even cool/popular to be a Dead Head! So like everything else in the whole Dead equation, it constantly was changing for good or for ill....and one can find good and bad at any point, any era, any configuration. Luckily, with the right kind of eyes, there’s usually more of the former, than the latter! “In the strangest of places if you look at it right” Anyway, mostly just love R&R stories, so keep em coming all y’all.... Dave, love your insightful and detailed reviews/posts. How the hell do you have that kind of time to not only listen so intently, analyze and then write for us. You must be a lucky dog! Wuff!
  • Mr. Ones
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    You've nailed it, Daverock!!
    I've always felt EXACTLY the same!! Every concert from'74 back to '68 was better than the 1,000+ shows I've seen since '75!! It's crazy how that goes. Also, if I didn't start listening to a band until album 3 or 4, I was hopelessly out of touch & behind the times. Even if the artist now has 15 or 20 releases. Case in point, the first Springsteen album I bought was "Darkness on the Edge of Town', #4. I believed I was so out of touch because I missed the first 3 albums. And now it turns out that after album #6, I pretty much don't like anything else. We music nuts have a lot in common with weird little minutiae like this. It's the beauty of sharing with like minded people!!
  • daverock
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    Missing out-Oroborous
    From what you write, I get the impression that you started going to gigs in the late 1970s, and that you regard the early 70s as being a better period for seeing gigs. I started going to gigs in 1972, and I always felt that the same way about late 60s - that they were better, and that I had joined a party just as it was ending. I wonder if this is a bit of a mis-perception-that things were always better before we arrived, which is usually the opinion of those who were participants during the earlier era. If you stared going to gigs in the late 70s-that was probably the best time for going to gigs-for you.
  • Vguy72
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    Decided to check out 5.26.95 today....
    ....now I have never listened to this show before. Not bad for '95, but I'm scratching my head at the FOTM. I don't want to say it's the worst version I've ever heard, but it's up there. https://archive.org/details/gd1995-05-26.sbd.larson.35169.flac16/gd95-0… ....Jerry is plucking his magic twanger for sure, but I'm not a fan of this twang...the vocals during the final coda are also cringe worthy. Moving on.
  • daverock
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    Dicks 3 etc
    Its spelt Mucic on my copy, although I have only noticed, now since it has been pointed out. Just shows how we sometimes see what we expect to see-not what's actually there. I agree that its a great show. Help-Slipknot-Franklins is my favourite 1977 jam, although it didn't crop up that often. I have always considered the one played on 9th June at Winterland to be the greatest-but I haven't played it this year yet-and they are all good. You sure listened to 18th June 1974 in more favourable conditions than I did, Jim! Not that there's anything wrong with my front room-but it doesn't sound as expansive as where you heard it.
  • Oroborous
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    Uncle/10-26-89
    You are correct, 10-26-89 has been released, bummer. Sorry, not overly familiar, since I didn’t get Boxilla... I did happen to go through list of shows (Wikipedia?) last night since I’ve seen so much here about it.....cursing myself, though it was a lot of scratch for me at the time... Always been a tad obsessed with those Miami shows as I had tix, but had to sell since I went to Hampton instead...(went to Philly also, but that was planned). Enjoyed Fla. 88 shows, and saw more shows at Spectrum than any other venue (13 I t think?) so the plan was to do Philly/Miami, but then Hampton happened.......Glad to hear the first night of Miami was good too, perhaps that will end up on something? Always thought perhaps not all, but a nice representation/sample of remaining unreleased 89 fall shows would make a nice box, especially since there are multi-tracks etc...perhaps that 9/29/89 also if it’s as good as it looks? I will have to get 10-26 copy elsewhere.... Really enjoyed your Floyd comments, especially the 73 show stuff. It must of been amazing to see all these great bands in perhaps their primes..... Personally, I really enjoy the posts by you folks that were a bit ahead of the curve age wise regarding early 70s, and sixties shows that you were at etc. I know how I remeber how much things changed from late 70s when I became concert goer, over the ensuing years. So using comparitve analysis in reverse, can only imagine what it was like back then; probably even more laid back, smaller scenes, with bands in their prime? Thanks to all who recall here their early experiences for those of us to young to have been there, so we can use these visions to enhance our imaginations etc., At least we have much of the fantastic music made in those days to enjoy!
  • stoltzfus
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    a tip of the hat to those for whom Memorial Day was created
    braver, stronger people than me.
  • JimInMD
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    Re: daverock, bob t
    Bob t.. Couldn't agree more. daverock, funny you brought up 6/18/74 Louisville. I had a busy day planned.. needed to start my day early, change the oil in the truck and get on the river early. So just after reading your post I go to move my truck to the oil changing spot, the radio was last on SiriusXM 23, The Grateful Dead Channel and that remarkable eyes of the world was playing. I recognized it immediately.. and it gave me a chuckle. Seeing how serendipity was already interfering with my plans.. after I changed the oil I made sure to grab my waterproof shuffle that had 6/18/74 already loaded and enjoyed most of the show on what turned out be a spectacular sunny day carving turns through the beautiful mountain canyon just upstream of my home. 11 miles of Class IV and V whitewater.. didn't see another soul except the buddy I was paddling with and even spotted a bald eagle in the top part of the run, which doesn't happen every day. Thanks for that post, you tilted karma my way and set in play what turned out to be a most enjoyable Saturday morning. Happy holidays all. 5/25..yes, I think that's what I will listen to on my bike ride up to get my truck. It's a stunner and the ride will likely take almost a couple hours. Just enough for the second set. Nice ramble, unkle.. a few nice little bits of history you got to attend.
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The unexpected return of the masters of the Grateful Dead's triumphant show at the Albuquerque Civic Auditorium, November 17, 1971, yields great rewards. The Dead came in HOT for their first New Mexico show. Aided by clarity and precision and abetted by confidence and focus, they finessed old standards with definitive takes. With Keith now blending in seamlessly on keys, the first set offered up a triple shot of electric Blues, an exceptional "You Win Again," and a stellar "One More Saturday Night" to wrap things up. And the second set, well, it might just be unlike any you've ever heard. Archivist David Lemieux urges you to turn it up and do it loudly. We won't dare spoil all the surprises, but pay special attention to the rippin' "Sugar Magnolia," the aggressively monstrous "The Other One," and the highly-danceable "Not Fade>GDTRFB>Not Fade." Rounding out the 3CDs, you'll find selections from Pigpen's return tour at Ann Arbor, MI, 12/14/71. Subscribers will get nearly all of the complete show as this year's bonus disc.

As always, Dave's Picks Volume 26 has been mastered to HDCD specs from the original analog tapes by Jeffrey Norman and is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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80s fan that is indeed a great Peggy-o. If you haven't heard the one on 6-19-80 try that, it's like no other version. Best in the AUD version. Which reminds me... Alaska, closer to Korea than other places the Dead played... let's have it this June, "Grateful Dead in the Land of the Midnight Sun" Alaska 1980, June 19, 20, 21. Including the swingingest Peggy-o ever, the sweetest Brokedown, an intense Sugaree... all matrix like DaP 8.
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Were you actually driving when you wrote that long-ass post about 5/10/72? Because if you were, I don't know whether to be impressed or horrified.
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He's a doctor.. I'm sure he was talking to his phone (not that we shouldn't be afraid). I have never met a Peggy-O I wouldn't Marry-O. From 73 through 95, Jerry found ways to make that song his own.. Incorporating traditional songs into the mix is one of the more rewarding aspects to their music. Wikipedia traces the roots of the song back possibly as far is 1644 in Scotland. https://en.wikipedia.org/wiki/The_Bonnie_Lass_o%27_Fyvie It's been covered by countless people both before and after the GD. Songs like Peggy-O, I Know You Rider, Viola Lee Blues, and countless other borrowed gems really makes for a rich tapestry of songs they had to pull from. What a great little tune.
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Great little folklore ditty-Os. Been more into the nice looping groove of Jack-a-Roe lately, but they both bring it home.
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6/14/916/22/91 9/26/91 5/27/93 (includes Wave to the Wind) 8/21/93 8/22/93 6/17/94 6/19/94 5/26/95
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add to stoltzfus’ great list....especially would like to hear that 9-26.....only recently purchased 6-14-91 love that show! 6-9-91 6-20-91 3-21/22-92 6-22/23-92 6-25-92 7-1-92 7-31+8/1-94 6-30-95 These are the ones that stand out in my minds eye, have not heard tapes of most... I’m not a “taper” so I’m not up on all that, but I recall these shows being enjoyable and some with interesting sets...3 Rivers with the rain set was pretty wild....the 94 shows, especially his Bday, Jerry was in good form, 7-1-92 was fun, got to work production, load unload/be on stage etc, ate in the crew tent with Steve M.,
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Nice, think I like em better acoustic like that...
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Give 10/19/94 a listen, Oro. I posted about this show before. My last Jerry show, and the Dead's last show at the Garden. Charlie Miller has a stellar soundboard remaster on Archive. The energy that night was electric and consistently high (no pun intended) throughout the show. One of the best before the end, imho.
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Shut up Beavis - that's two L's, no E! I've actually been tripping out on making tapes again - that's right, cassettes! I have a real nostalgic spot for filling out j-cards! Anyhow, I just taped 10-27-79 on two TDK-SAX 100s and have this to submit to the group: What filler for Side B of the first set tape (which has Sailor>Saint>Deal on it and a little over 30 minutes of space left): 1) Half Step > Franklin's from the next night, 10-28-79 Or 2) Scarlet > Fire from a couple of nights later, 11-1-79 *All write in candidates will be considered, but the electoral college is leaning to one of these two selections.
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Started working through Before the Dead last night and some this morning, pretty cool set. You can hear his bluegrass skills (including the rest of the band) progress through the various iterations, and some great song selections. So far, I particularly like the set with just him and Hunter (solo acoustic Trouble in Mind), as well as the one with him and his wife, Sara. He does several songs acapella as well..Wagoner's Lad which is one of my favorite from the Anthology of American Folk Music, and Dylan's late 80s acoustic versions. He also does an acapella Man of Constant Sorrow. He had a legit bluegrass yarn to his voice, moreso than I realized. Weird that the dude who was doing acapella Wagoner's Lad was jamming on Dark Star maybe ~6-7 years later. Catching up on some comments, saw those on 5/2/70 awhile back. I haven't been able to get into this one like many it seems..obviously it's very good, but something about the sound doesn't hook me in like others. I do like the acoustic set, that was my primary introduction to their few appearances of acoustic sets. Watched most of the second night of Mexico that re-aired last night, looking forward to D&C to get back on the road. I caught some of 4/16/89 Milwaukee on XM today, sounded like a good show! As much as the Full Norman releases are award worthy, it's kind of nice to listen to less polished sources occasionally. Highlights different things and kind of has some of that bootleg excitement to it. Started a mini Who kick here recently, just started a biography on them and been listening to the new Fillmore East '68 release. I know very little of the Doors so as such, definitely take the Who there. Might be an interesting topic to discuss.. Finally listened to the bonus disc of Rockin' the Cradle for the first time (Dennis is the man). That Eyes from 9/15 has the weirdest vibe.. My harmonica's got a busted reed My lips are chapped and about to bleed She says, that's nothing, when she was a kid She danced with the Dead at the pyramids
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Sitting in Rethymno, Kreta drinking homemade raki. Don't get much better than this. Normal service will be resumed shortly.
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Good to hear you are enjoying your time in Greece, Simon. Life is grand..
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What a great place to watch from! Soak it up. . . . . . Do we get t-shirts?
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....i had to google raki. Sounds delish. i also street viewed Rethymno, Kreta. Was surprised that a lot of the signs are in English.
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Vguy I'm pullin' fo' ya'!!! I'm a St; Louis Blues diehard. In each of their first three seasons they made the finals, but were swept first by the Habs and then Boston - you know, the only thing the Blues are famous for; the foto of Noel Picard sending Bobby Orr flying after he's scored the game-winning goal. It's been all over but the cryin' ever since - go Knights!!!
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Yeah I was driving but like Jim said, I was talking into my phone. You know on the cellphones how you have the the Google voice translator thingy. That's actually gotten much better and more accurate, so I can go totally hands-free. But you should be horrified because I didn't always have this Google voice translator and that didn't stop me.
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I have 3 framed , but I can unframe them if you wish. :)—Three 11″ x 17″ previously unpublished archival giclee prints were produced in San Francisco under Stanley’s supervision directly from his original oil paintings and incorporated into an edition of 0nly 225. Hand signed and numbered by Stanley Mouse himself! A very rare number for a Stanley mouse artwork, usually 500 units are printered at least. Very limited!!! Hoping to find them a good home, I need to take care of some medical bills. They are very beautiful in every way. I have photos for All to see. Any more questions please feel free to contact me /message me... :) ...everyone have a grateful day, and to all the Deadhead mothers out there/here “Happy Mothers Day”!
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Make up for all your suckiness when you were in ATL
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4/4/71 another post-Brent gem: 6/17/91
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It's a party cause. Everybody's dancin' in a ring around the sun Nobody's finished, we ain't even begun. So take off your shoes, child, and take off your hat. Try on your wings and find our where it's at. Hey hey, hey, come right away Come and join the party every day.
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I'm on the post Brent binge boat blaring Branford beautifully from MSG 9-10-91. Smoking show.
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HOT show, indeed! An all time favorite. The band isn't fucking around and neither is Branford. Everytime they play with him, magic happens. I got to see Furthur play with him at Red Rocks and it is one of my favorite concert experiences EVER.
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1st time listening to this: fuck-ing awesome! damn why do people hate '80's Dead? must be released and I'm not even done. up to Spoonful.
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Jerry3-17-1978 Cream Magazine interview Bad recording...however... Put some decent headphones on and turn it up.You can totally hear people snorting(Jerry too) & coughing.All sorts of topics.Great stuff. Fly on the wall stuff...nice to hear his voice. oh yeah...MidnightCafe 11..."Mickey & Kruetzman language"???? 17..."not if I see ya comin',butthole"
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9/26 is a personal favorite from that year. 4/1/91 is up there too. I would be remiss not to mention 10/31/91. I attended a few in '91: 6/19 & 20/91 Pine Knob - Very good shows. There was a lot of nice music from this run not included on the Download Series Volume 11 release. A really nice first set from the first night. 6/22/91 Soldier Field - An epic show. Would love to see this one released as a CD/DVD set, or at least a CD/Meet Up At The Movies type program, like RFK '89 from last year (theatrical showing and CD box set release). 9/4-6/91 Richfield - Three almost perfectly performed and executed shows with many big moments to kick off what may have been the last truly great and consistant tour. At this point, Bruce and Vince were complimentary of each other and the Dead's music. They each found their space together. Some highlights include a Jack Straw where Phils drops a bomb that could blow out some speakers. Scarlet > Fire from the 1st show is a must hear. The Birdsong from the 3rd show just builds and builds into a raging beast. The 2nd set from the 3rd show picks up where Birdsong left off and just blows the roof off. A nice precurser to what was to come at MSG and Boston. 11/22/91 Rosemont Horizon JGB - First of two times catching JGB. 11/23/91 Bradley Center JGB - Second of two times seeing JGB. It was a real treat to experience this with what at the time felt like Grateful Dead church for the faithful. If a Grateful Dead show was Rivendell, a JGB show was Lothlorian (sorry for the Lord of the Rings analogy and reference). It really blew my mind that this was chosen for release, and every bit worthy. Rosemont was just as good. 12/31/91 Oakland - Wasn't there in person but listened to the nationally broadcast simulcast with a bunch of taper friends at a party, with many decks recording. The Bela Fleck and the Flecktones opening set was my first exposure to that band and have been a huge fan ever since. The Dead performed a nice show, even if not quite as epic as the previous NYE with Branford. Very worthwhile show though. Also saw the "In Concert" broadcast of the highlights from 6/16-17/91 Giants Stadium, including "Eye's of the World", "St. of Circumstance" and "Miracle". ...so yeah, that's how I spent part of my '91... '91 is a treasure trove with a surface that has been barely scratched as far as official releases go. While RFK 6/14/91 VFTV 2 is itself epic, and 9/25/91 Boston DP 17 and Download Series Volume 11 - 6/20/91 are great, there are plenty of other equally as great shows from this year. Would still love to see that 4/28/91 show released. That Birdsong with Santana sitting in needs to be released. I'm sure Carlos would approve. Lot of great shows from Europe and December '90 that are up there as well. Compton Terrace and Denver are a nice couple of runs. I could go on and on about the merits of post-Brent '90 and later. 7/31 & 8/1/94 were mentioned. I was there. I thought they were pretty good shows and haven't listened to them in a while.
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Cal ExpoChina->Rider...just silly. :o)
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“9/4-6/91 Richfield - Three almost perfectly performed and executed shows with many big moments to kick off what may have been the last truly great and consistant tour. At this point, Bruce and Vince were complimentary of each other and the Dead's music. They each found their space together. Some highlights include a Jack Straw where Phils drops a bomb that could blow out some speakers. Scarlet > Fire from the 1st show is a must hear. The Birdsong from the 3rd show just builds and builds into a raging beast. The 2nd set from the 3rd show picks up where Birdsong left off and just blows the roof off. A nice precurser to what was to come at MSG and Boston.” ...great post, and I would gratefuly welcome/love an official release of the Deads ‘Richfield 91’ all 3 complete shows in a mini boxset... ;)
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Good to read the reviews of shows from 1991, which I haven't listened to much over the last year or so. Maybe time to re-investigate. As Cosmicdavid, said, one of the great things about listening to The Dead is that you can dip in and out of different eras and listen to very different types of music. I have been heading backwards, myself. I listened to my old albums, Vintage and Historic Dead recently, which are from September 1966, I believe. There are some great cover versions on these albums-notably Same Thing and Midnight Hour. I then got the vinyl July 29th and 30th 1966, which sounds great-although the stereo separation is a bit basic. Cream Puff War is the standout track for me here. But the most interesting of these early artefacts may be a dvd I got a few years ago called The Acid Test. It looks a bit like a bootleg, although it was produced by Key-Z Productions. It seems to be a film of the Fillmore Acid Test from 8th January 1966. It features The Dead extensively, playing King Bee, Caution, Death Don't Have No Mercy-with lots of clips of the Pranksters dancing about to the music. The sound and picture are both really good. The actual music is primitive, with the bass and drums being very rudimentary. Jerrys guitar is bright and clear, with no sustain at all, and Pigpen is right on the money. It doesn't compare to the music they would go on to make when Mickey joined, but Its fascinating to watch them right at the beginning of their career, at one of the legendary acid tests. I would like to see more releases like this one, myself.
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Good to read the reviews of shows from 1991, which I haven't listened to much over the last year or so. Maybe time to re-investigate. As Cosmicdavid, said, one of the great things about listening to The Dead is that you can dip in and out of different eras and listen to very different types of music. I have been heading backwards, myself. I listened to my old albums, Vintage and Historic Dead recently, which are from September 1966, I believe. Their are some great cover versions on these albums-notably Same Thing and Midnight Hour. I then got the vinyl July 29th and 30th 1966, which sounds great-although the stereo separation is a bit basic. Cream Puff War is the standout track for me. But the most interesting of these early artefacts may be a dvd I got a few years ago called The Acid Test. It looks a bit like a bootleg, although it was produced by Key-Z Productions. It seems to be a film of the Fillmore Acid Test from 8th January 1966. It features The Dead extensively, playing King Bee, Caution, Death Don't Have No Mercy-with lots of clips of the Pranksters dancing about to the music. The sound and picture are both really good. The actual music is primitive, with the bass and drums being very rudimentary. Jerrys guitar is bright and clear, with no sustain at all, and Pigpen is right on the money. It doesn't compare to the music they would go on to make when Mickey joined, but Its fascinating to watch them right at the beginning of their career, at one of the legendary acid tests. It ends with then dismantling the gear, and Jerry can be seen sweeping up with a broom. I would like to see more releases like this one, myself.
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(they did 7/7/89 a few years ago...) a repeat? ok, I'm in.
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I thought I was the only one who street view shit! The area did look very nice and I too was surprised by the English signs.
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I believe this one has recordings from December 1966. Historic Dead is from September.
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a dream: remastered and re-released. :)))
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can I get an amen, brothers (and occasional sister)? the mighty mighty Grateful Dead. Acid Month (April 71). THAT would be a great release.
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17 years 2 months
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....Atom Heart Mother. Back to Albuquerque. That Other One is one for the ages. Sheer power. My jaw drops every time I play it. My jaw drops a lot....the 2:10 mark of TOO part two, they seem to tease Caution and Sitting On Top Of The World at the same time. It least, that's what I hear. Every listen bring more to the table. Incredible....
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10 years
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Haha. That first May '77 is the first Dead set I bought, randomly, having only heard the popular stuff to that point (Skeletons, Europe '72, etc). '77 was a strange place to start...took me awhile and still not my favorite set, but there are some strong shows in there. I had 5/12 on in the car a few weeks back..love that one, might be my favorite from that set. I went with 5/13/83 for today's show, from a run at the Greek. Near the end now..I've enjoyed it. First Hell in a Bucket I understand?
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