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    WHAT'S INSIDE:
    Five complete, previously unreleased performances on 17CDs
    Des Moines, IA 5/13/73
    Santa Barbara, CA 5/20/73
    San Francisco, CA 5/26/73
    Washington, D.C. 6/9/73
    Washington, D.C. 6/10/73
    Recorded by Kidd Candelario, Betty Cantor-Jackson, and Owsley Stanley
    Newly restored and speed-corrected audio by Plangent Processes
    Mastered by Jeffrey Norman
    Liners featuring notes from Canadian author, Ray Robertson, The Owsley Stanley Foundation, and Legacy Manager and Audio Archivist, David Lemieux
    Art and Design by GRAMMY® Award-winning Art Director, Masaki Koike
    Custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer
     
    Limited Edition Individually Numbered To 10,000 
    Exclusively At Dead.net

     
    "There’s the simple fact that the band members were old enough and experienced enough by now to be virtuosos on their instruments (what other group—rock or jazz or any other kind of music—could boast a trio of spectacularly singular talents such as Garcia, Lesh, and Weir?) but were still young enough to want to play and play and play some more, the happy, itchy inclination of youth. As a few of the shows in the Here Comes Sunshine boxed set attest, it wasn’t unusual for a 1973 concert to exceed four hours. And within the shows themselves, there are nearly nightly examples of hour-long orgies of tune-linked songcraft and juicy jamming." - Ray Robertson, HERE COMES SUNSHINE 1973 Liners
     
    8 years in and the Grateful Dead are a little bit of everything to everyone. They are putting up textures and tones of rock, of jazz, of country, with set-morphing vibes and long stretches of improvisations that are completely keyed into the sum of their parts. Keith Godchaux is here with his cascading notes. Donna Jean too. Both finding their footing and keeping things steady in the wake of Pigpen's unfillable gap. The spring of 1973 feels transformative for the Dead - no more so than the May and early June shows, complementary yet remarkably different, soon-to-be cornerstones of everyone's tape collections, and now, 50 years later, set to be part of the band's official canon.
     
    HERE COMES SUNSHINE 1973 is a limited-edition, 17CD boxed set with five previously unreleased, highly sought-after Dead shows, including: Iowa State Fairgrounds, Des Moines, IA (5/13/73), Campus Stadium, UCSB, Santa Barbara, CA (5/20/73), Kezar Stadium, San Francisco, CA (5/26/73), and Robert F. Kennedy Memorial Stadium, Washington, D.C. (6/9/73) and (6/10/73).
     
    During the spring, the band road-tested most of the songs they would record that summer for WAKE OF THE FLOOD – their first studio album in three years – including early live versions of “Mississippi Half-Step Toodeloo,” “Row Jimmy,” “Stella Blue,” “Eyes Of The World,” and, the set’s namesake, “Here Comes Sunshine.” Also tucked into the collection are songs destined for the Dead’s 1974 studio album, FROM THE MARS HOTEL – “China Doll,” “Loose Lucy,” and “Wave That Flag,” a precursor to “U.S. Blues.”
     
    The new repertoire slipped neatly into the fluid setlists alongside songs honed on the 1972 European tour (“Jack Straw,” “Tennessee Jed,” “Brown-Eyed Women”), Chuck Berry perennials (“Promised Land,” “Around And Around”), classic country (“Big River,” “The Race Is On”), and incredible jam sequences: “He’s Gone”> “Truckin’”> “The Other One”> “Eyes Of The World.”
     
    Due June 30th, the individually-numbered, limited-edition 17CD set features vibrant graphics and custom-designed folios by GRAMMY® Award-winning Art Director Masaki Koike, a custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer, and liner notes by Canadian author Ray Robertson, The Owsley Stanley Foundation, and David Lemieux. And, of course, it features newly restored and speed-corrected audio by Plangent Processes, mastered by Jeffrey Norman.
     
    Digital convert? We've got you covered too. On the very same day you can collect your hi-definition download.

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  • 1stshow70878
    Joined:
    Or Not

    More or less decided to leave the analog system alone.
    Likely go to a separate 5.1 A/V receiver dedicated to some new old speakers.
    There is great stuff available for next to nothing as folks upgrade their systems.
    Have some very reliable vendor/techs I trust too.
    Esta todo bien.
    Cheers and thanks again

  • Oroborous
    Joined:
    1stshow

    Let me know what gear your trying to integrate and I can look it up and make suggestions if you like?

  • 1stshow70878
    Joined:
    Oro

    That discussion helped me figure some things out too.
    Vaguely thinking about having the TV sound through the big system.
    You are The Man on this subject. Don't need an electrician.
    Cheers and thanks!

  • Oroborous
    Joined:
    Daverock’s rig

    Hey amigo,
    Sorry for being so tardy, been busier than a one legged man in an ass kicking contest.
    I did look up your amp and it’s an integrated analog only unit. The “integrated”means it’s has both the pre amp section, and the power amp section all in one box. From looking at the back of the unit from a photo of one for sale, it appears it’s analog only. Sorry I just haven’t had time to look up specs etc.
    I’m wondering now what make and model tv you have? I’m guessing they were trying to back feed the audio from the tv to your integrated amp. Depending on years and models etc, that could be via an analog out of the tv, or optical, which is a digital connection. Like most things, to maximize profits, analog connections are often going away…

    Since your amp is all analog, it does not have a a digital section or DAC (digital to analog converter) so i would think it would have to be the former: your amp cannot connect directly to a digital source, unless it has its own DAC, which is what your CD player is doing. This is why they commented on age of the unit, not because it’s no longer usable!

    The tech probably just had to adjust some audio settings in the TV in order to output analog audio back to your amp.
    I’m not sure why they didn’t just follow suite with your cable box and Blu-ray player and run analog out of those units and into your amp like your CD player? Perhaps sync/delay issues? Sometimes the audio and video can get slightly out of sync when utilizing different paths depending on electronics?
    The switching would be an extra step but the sound would probably be better, (as long as no sync issues) though perhaps your cable or Sat box doesn’t have any analog outs. It’s unfortunately becoming more common to only have an HDMI video output?
    A increasingly more common approach to a basic TV set up is to run your sources into the tv via HDMI, and back feed audio via ARC (audio return channel via HDMI) but that requires a tv and receiver or integrated amp that supports it. This is mostly for cost and convenience so you only have to switch TV inputs and have all the video audio on one input channel of your amp. But I could walk you through wiring your video source audio direct to your amp if your interested, and depending on what kind of outputs your sources have: HDMI only or with something else i.e., optical, coax, or analog etc.
    To find out, just look at the back of your Cable or Sat box and your Blu-ray player: outputs should be labeled, but if not, you can tell by looking. RCA analog connections are what’s on the back of your integrated amp. If you see some that look like these your all set. If besides HDMI there is only optical or coax, your out of luck (digital coax is usually an orange color, at least in the states? Analog RCA are usually Red for right, and white for left). Many will only have HDMI.

    The good news is I don’t see any reason why you need to upgrade your amp if you like it and don’t want to!
    Perhaps the next best upgrade you could make if you kept the amp, would be to get an asynchronous DAC.
    That way you could utilize all your digital connections on your various digital sources, routing them into the DAC for conversion, with just one analog out of the DAC to your amp. You’d leave the amp on the same input (except turntable which being analog already would still go to directly the amps phono stage (though you could upgrade to a separate one of those also). You would do the switching of sources on the DAC instead of the amp.
    But you don’t have to do this, it would just be a nice upgrade as the DAC chip sets in most things are cheap garbage, especially TVs!! Your CD players DAC is probably at least decent?
    Right now, it sounds like your video sources are being converted in your tv, no bueno!
    The DACs they use in TVs and computers, and most lower cost electronics cost less than a dollar, a good separate DAC can range from a hundred dollars up to a hundred grand, so obviously something made to do a specific job should be an improvement over doing it the cheapest way possible…
    Another option if you do think about replacing the amp is to get a new integrated amp with digital inputs, though they might not do HDMI. Some now are utilizing the ARC technology I mentioned above. A good integrated should have a decent DAC so you could use whatever digital output your tv has to back feed from tv to the DAC, or run separate audio from the source to the DAC, and video to the tv, leaving the cheap tv electronics out of the audio chain.

    Similar, and most convenient would be a new AVR or Audio Video receiver. These usually have HDMI and analog inputs so you can run all your video sources into it with one HDMI video out to your Telly. You could run your CD digital or analog to it depending on the AVRs capabilities and preferences. You would have to make sure it has the correct phono stage for your turntable, or get a separate phono stage. AVRs, unless super high end, are usually not going to have as good components/electronics as a good integrated amp, or perhaps even a good DAC with your existing amp? Their designed for switching, convenience, a Jack of all trades but master of none if you will.
    Also, their more for surround sound etc, and I believe you have 2 channel so it would probably be money better spent on gear tailored more for your needs…but it’s a viable option…

    LOL, Yes, I wish I did live down the street, after I tweeked your system, we could go have a pint and play verbal tennis about our favorite bands etc. AND, I have a pre-pro that’d I could sell ya cheap that would probably solve your issues, Dooaahh!

    Still not quite sure what they ment about your amp effecting your CDs/player? It makes no sense?
    I have seen units that might have some brief latency between the audio and display, but that has nothing to do with what it’s connected to. I’m not sure of any audio gear that depends on everything in the chain “talking” to each other, only HDMI. Though not common there theoretically could be an all HDMI audio chain, but even then I’m not sure there’d be the same “handshake” issues that occur with HDMI video?

    Ok, sorry, that’s too much at once I suspect?
    Get me more intel and I’ll follow up with you.
    - what make/model TV do you have!
    - list all your video sources?
    - what kind of outputs does your Cable or Sat box, or other video sources have? (Please see above for instructions)
    - what is more important to you, maximizing audio, or convenience and ease of operations?

    I hope to have at least a little time this WE so if you can get back to me I might be able to figure more out.

    Sorry to rest for going on, hey, once a geek…
    besides, y’all can perhaps learn something from my tutorials that will help you maximize your GOGD audio nirvana!
    Hey, Who wouldn’t want to experience the most of all the plangent aural ecstasy lovingly provided by the likes of Norman and Glasser ; )

  • SPACEBROTHER
    Joined:
    Disc degradation

    So far all of the CDs I've purchased since the 1980s still work fine. I rip all mine and keep them stored. Some discs I bring to play in the car, but never the limited edition ones.

  • daverock
    Joined:
    set up

    Hey Oro-sorry it's taken me a while to respond to your post. This is where I show my ignorance - more than usual. I don't actually know what kind of cables I've got. When I bought my cd player, a guy from the shop came to set it up for me, and he brought these cables with him.
    This cd player, it was 2019 when I got it, is a Rega Saturn - R. The amplifier, which I got about 1997 has "Isobel 50 W solid state integrated amplifier" printed on the top.
    I bought the speakers in 1997 too. I can't remember what make they are!
    My record player is a pro ject, and I got that about 2018.

    So, a very random approach. Both the cd player and the records sound great to me though. The last Dead I played was from the PNW box - 5/17/74. A really sparkling sound-especially that of Jerry and Keith.

    I got the idea that my amplifier might not be a bit antiquated when I bought an Oled telly and blu ray player last year. For some reason, I couldn't get the sound to come out of my speakers, despite the fact that it was wired up to do so. Three people came out from the shop - and the last one managed to get it to work. I don't know what he did, but he said that because the amp was made in a way that they no longer make 'em, it couldn't pick up the signal from the tv/blu ray. He tinkered about with it ( getting a it technical here) and hey presto! Sound!

    The other thing is, when I listen to a cd - say track 3, the display panel still shows track 2 until a few seconds after track3 has started playing. This engineer who sorted it out told me that the delay was due to the amp being as old and different as it is, and that it took time to pick up the signal from the cd player. I really don't know whether what he said was correct or not.

    It's a pity you don't live down the road, really, so you could pop in and have a look. What do you mean "thank God for small mercies"!

  • Oroborous
    Joined:
    GD Discs

    I always rip them to my server immediately out of the package, then put them back and on the shelf.
    I used to also make a CD back up copy, but I’ve not been lately.
    As far as I can recall, I’ve only had problems with the music only Boxilla.
    I had a Hellava time ripping some of those discs. I think I eventually got them all, but some took hours to rip.
    Considering what that box cost, it was a stressful unpleasant experience.

    DR: your amp shouldn’t be a problem. Sounds perhaps like a sales pitch?
    A good analog amplifier can last decades, and should have nothing to do with discs being troublesome.
    Speakers and amplifiers if well built, do not need to be upgraded unless you don’t like how they sound, or obviously if they break.
    All an amplifier does is take the final, processed signal if you will, which is always eventually analog, and which is very low level, and amplifies it so it can drive the speakers. It just takes a very low level signal, and makes it loud, that’s all.
    Now this is a separate amplifier I’m speaking of, if you have an “all in one”, or receiver, those have a pre amp and often a digital processor, along with an amplifier, all in one box.
    If so, they might be talking about the front end or pre amp/processing section, but the amplifier is still just an amp like described above, it’s just lives in the same box.
    I’m curious what kind of cable or connection you have with your CD player?
    Actually, I’m curious about your whole set up…

  • wilfredtjones
    Joined:
    GD Disc Rot

    My older DaPs are physically peeling. For me it's the discs, not the player(s). YMMV

    Lesson: Check and Rip your discs immediately. -edit- And....Do NOT store them in a hot car...Slaps Head (thank God I followed my own ripping advice) :-) :-) :-)¯

  • daverock
    Joined:
    dust of time

    Interesting messages about hi fi maintenance. I am a real luddite when it come to technology. One of my friends recently suggested I try switching it off and on at the mains. That's about my level, I'm afraid.

    Apart from one cd from a 1976 Daves Picks, all mine have played well. And the ones in boxes.The ones that don't play so well are ones I have had for a while, and they always seem to play on my very cheap portable player if not my hi fi. So it seems that it's the hi fi that is at fault.
    The worst experience has been a T.Rex box set. A lot of people complained about these discs on Amazon, but mine played alright. That was last year. This year none of them will play.

    My front room can be a bit dusty - I have an open, and unused fireplace not too far from my hi fi. I keep it well dusted and have even taken to putting an old tee shirt on the system to keep the gremlins out. I think for me that could be a problem - that and the age and mismatch of my amplifier with the new stuff. I said earlier it was 20 years old-nearer 27, when I think about it .

    Not only this - I now need a new stylus. The last time I got one, the guy from the shop came to my house to attach it. His assistant came first, and he couldn't do it - so the owner of the shop came out and fitted it. Don't know how I am going to get the darn thing in place on my own. It was never a problem in the 70'-80's.

  • icecrmcnkd
    Joined:
    It’s the CD’s and the players

    My Onkyo 6-disc changer started having drop outs in random spots. I would rewind and play again and the drop out was not there. So I think it was an electronics issue and not dust. Replaced the Onkyo with a Cambridge Audio and the CD’s played fine and even sounded better.

    I have CD’s from a variety of bands where the CD’s play fine on both the Onkyo and the Cambridge Audio players, but a good copy cannot be made to a hard drive. Redoing it with the same burner, or doing it on another computer with a different burner, still gives a copy with skips, but the skips are in different locations.
    This was the case with Road Trips Fall 77 + bonus disc (which I only got a few years ago). I had to copy the discs 5 times using 3 different computers and burners in order to get a single version on a music player that didn’t have skips.

    The only defective CD I ever got from Rhino was CD3 of 6-17-76, which Rhino acknowledged was defective and sent out defective replacements, then again sent out replacements which were fixed.

    If you store your CD’s in a hot car you should expect that they will eventually start to degrade. And the slot opening of car CD players can scuff up the disc. When I previously had a car with a CD player I made CD-R copies of my CD’s and stored the CD-R’s in the car.

    I put copies of all my GD releases on a music player and don’t continue spinning the CD’s once a good copy is on the music player. The GD releases are then stored in crates, protected from dust and dog drool.

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WHAT'S INSIDE:
Five complete, previously unreleased performances on 17CDs
Des Moines, IA 5/13/73
Santa Barbara, CA 5/20/73
San Francisco, CA 5/26/73
Washington, D.C. 6/9/73
Washington, D.C. 6/10/73
Recorded by Kidd Candelario, Betty Cantor-Jackson, and Owsley Stanley
Newly restored and speed-corrected audio by Plangent Processes
Mastered by Jeffrey Norman
Liners featuring notes from Canadian author, Ray Robertson, The Owsley Stanley Foundation, and Legacy Manager and Audio Archivist, David Lemieux
Art and Design by GRAMMY® Award-winning Art Director, Masaki Koike
Custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer
 
Limited Edition Individually Numbered To 10,000 
Exclusively At Dead.net

 
"There’s the simple fact that the band members were old enough and experienced enough by now to be virtuosos on their instruments (what other group—rock or jazz or any other kind of music—could boast a trio of spectacularly singular talents such as Garcia, Lesh, and Weir?) but were still young enough to want to play and play and play some more, the happy, itchy inclination of youth. As a few of the shows in the Here Comes Sunshine boxed set attest, it wasn’t unusual for a 1973 concert to exceed four hours. And within the shows themselves, there are nearly nightly examples of hour-long orgies of tune-linked songcraft and juicy jamming." - Ray Robertson, HERE COMES SUNSHINE 1973 Liners
 
8 years in and the Grateful Dead are a little bit of everything to everyone. They are putting up textures and tones of rock, of jazz, of country, with set-morphing vibes and long stretches of improvisations that are completely keyed into the sum of their parts. Keith Godchaux is here with his cascading notes. Donna Jean too. Both finding their footing and keeping things steady in the wake of Pigpen's unfillable gap. The spring of 1973 feels transformative for the Dead - no more so than the May and early June shows, complementary yet remarkably different, soon-to-be cornerstones of everyone's tape collections, and now, 50 years later, set to be part of the band's official canon.
 
HERE COMES SUNSHINE 1973 is a limited-edition, 17CD boxed set with five previously unreleased, highly sought-after Dead shows, including: Iowa State Fairgrounds, Des Moines, IA (5/13/73), Campus Stadium, UCSB, Santa Barbara, CA (5/20/73), Kezar Stadium, San Francisco, CA (5/26/73), and Robert F. Kennedy Memorial Stadium, Washington, D.C. (6/9/73) and (6/10/73).
 
During the spring, the band road-tested most of the songs they would record that summer for WAKE OF THE FLOOD – their first studio album in three years – including early live versions of “Mississippi Half-Step Toodeloo,” “Row Jimmy,” “Stella Blue,” “Eyes Of The World,” and, the set’s namesake, “Here Comes Sunshine.” Also tucked into the collection are songs destined for the Dead’s 1974 studio album, FROM THE MARS HOTEL – “China Doll,” “Loose Lucy,” and “Wave That Flag,” a precursor to “U.S. Blues.”
 
The new repertoire slipped neatly into the fluid setlists alongside songs honed on the 1972 European tour (“Jack Straw,” “Tennessee Jed,” “Brown-Eyed Women”), Chuck Berry perennials (“Promised Land,” “Around And Around”), classic country (“Big River,” “The Race Is On”), and incredible jam sequences: “He’s Gone”> “Truckin’”> “The Other One”> “Eyes Of The World.”
 
Due June 30th, the individually-numbered, limited-edition 17CD set features vibrant graphics and custom-designed folios by GRAMMY® Award-winning Art Director Masaki Koike, a custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer, and liner notes by Canadian author Ray Robertson, The Owsley Stanley Foundation, and David Lemieux. And, of course, it features newly restored and speed-corrected audio by Plangent Processes, mastered by Jeffrey Norman.
 
Digital convert? We've got you covered too. On the very same day you can collect your hi-definition download.

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live in shame die in vain feed the poor stop the war(s)!
did 6/10/73 yesterday, and now my first round of fun listening to the entire box has been completed; planned on stretching it out over several months when the order confirmation was received, and it worked out well as DaP fourty seven got mixed into the rotation several times. For round 2, I'll re-listen more critically with the Bose QC-35 headphones to hear the subtle differences each of these recordings. I'm sure I'll be hearing some surprises.
shine your shoes sing the blues

Peace All!
uncle_tripel

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Mary, belatedly can I contact you about an issue with the discs on this one, and can you remind me how I do such...

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send me a PM!
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Has anyone else received a similar email about trying to get replacement discs.

Your email has come to my attention, and I apologize for the tardiness of this response.

Unfortunately, I have been advised that we no longer have stock for the disc you need replaced.

I am very sorry that we cannot fulfill your replacement request. We will refund you 50% for this item. (Please allow up to 5 days for funds to post to your account.)

May I also offer you a digital download of the Here Comes Sunshine box set? (If you would like to pursue this offer, please let me know whether you would prefer your download files in the FLAC or ALAC format.)

I apologize again for this frustrating experience.

Sincerely,

Tashanna
WMG Specialty Customer Service

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They cannot get you replacement discs but they can put the set on sale for $140.23 in their holiday sale? Hey now on that.
Cheers

No one has offered me a refund,they just sent me more faulty discs that don't play.It will cost me even more to send this back,I can't see them refunding all the postage & import fees that I had to shell out.

Wow, given the recent comments, who would have thought that the HCS box would be available for $140, listed in the Black Friday sale. That means they should/must have shipped any replacement discs for faulty or damaged at no cost BEFORE they sell another set... Had to jump through three Hey Now hoops to post this... talk about Lost Sailor...

Sydney - why should you be expected to send faulty discs back? You have said they are faulty - that should be enough for them. Don't they believe us if we say discs are faulty? A little respect would be nice - do they think you might be trying to pull a fast one? Ridiculous.

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It's on sale, but it's not available? What's up with that?

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4 years 5 months
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Purchased the ALAC digital download since the discs were unavailable. Many of the dowloaded tracks have dead air.

I have purchased many of the box sets over the years and never have I run into so many issues. Disapointed to see so many other devotees with similar issues. Hope this gets resolved soon. The set lists are awsome and I can not wait to kick back and listen.

product sku
081227847036
Product Magento URL
https://store.dead.net/en/grateful-dead/special-collections/here-comes-sunshine/here-comes-sunshine-1973-dead.net-exclusive-[17-cd]/081227847036.html