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    WHAT'S INSIDE:
    Five complete, previously unreleased performances on 17CDs
    Des Moines, IA 5/13/73
    Santa Barbara, CA 5/20/73
    San Francisco, CA 5/26/73
    Washington, D.C. 6/9/73
    Washington, D.C. 6/10/73
    Recorded by Kidd Candelario, Betty Cantor-Jackson, and Owsley Stanley
    Newly restored and speed-corrected audio by Plangent Processes
    Mastered by Jeffrey Norman
    Liners featuring notes from Canadian author, Ray Robertson, The Owsley Stanley Foundation, and Legacy Manager and Audio Archivist, David Lemieux
    Art and Design by GRAMMY® Award-winning Art Director, Masaki Koike
    Custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer
     
    Limited Edition Individually Numbered To 10,000 
    Exclusively At Dead.net

     
    "There’s the simple fact that the band members were old enough and experienced enough by now to be virtuosos on their instruments (what other group—rock or jazz or any other kind of music—could boast a trio of spectacularly singular talents such as Garcia, Lesh, and Weir?) but were still young enough to want to play and play and play some more, the happy, itchy inclination of youth. As a few of the shows in the Here Comes Sunshine boxed set attest, it wasn’t unusual for a 1973 concert to exceed four hours. And within the shows themselves, there are nearly nightly examples of hour-long orgies of tune-linked songcraft and juicy jamming." - Ray Robertson, HERE COMES SUNSHINE 1973 Liners
     
    8 years in and the Grateful Dead are a little bit of everything to everyone. They are putting up textures and tones of rock, of jazz, of country, with set-morphing vibes and long stretches of improvisations that are completely keyed into the sum of their parts. Keith Godchaux is here with his cascading notes. Donna Jean too. Both finding their footing and keeping things steady in the wake of Pigpen's unfillable gap. The spring of 1973 feels transformative for the Dead - no more so than the May and early June shows, complementary yet remarkably different, soon-to-be cornerstones of everyone's tape collections, and now, 50 years later, set to be part of the band's official canon.
     
    HERE COMES SUNSHINE 1973 is a limited-edition, 17CD boxed set with five previously unreleased, highly sought-after Dead shows, including: Iowa State Fairgrounds, Des Moines, IA (5/13/73), Campus Stadium, UCSB, Santa Barbara, CA (5/20/73), Kezar Stadium, San Francisco, CA (5/26/73), and Robert F. Kennedy Memorial Stadium, Washington, D.C. (6/9/73) and (6/10/73).
     
    During the spring, the band road-tested most of the songs they would record that summer for WAKE OF THE FLOOD – their first studio album in three years – including early live versions of “Mississippi Half-Step Toodeloo,” “Row Jimmy,” “Stella Blue,” “Eyes Of The World,” and, the set’s namesake, “Here Comes Sunshine.” Also tucked into the collection are songs destined for the Dead’s 1974 studio album, FROM THE MARS HOTEL – “China Doll,” “Loose Lucy,” and “Wave That Flag,” a precursor to “U.S. Blues.”
     
    The new repertoire slipped neatly into the fluid setlists alongside songs honed on the 1972 European tour (“Jack Straw,” “Tennessee Jed,” “Brown-Eyed Women”), Chuck Berry perennials (“Promised Land,” “Around And Around”), classic country (“Big River,” “The Race Is On”), and incredible jam sequences: “He’s Gone”> “Truckin’”> “The Other One”> “Eyes Of The World.”
     
    Due June 30th, the individually-numbered, limited-edition 17CD set features vibrant graphics and custom-designed folios by GRAMMY® Award-winning Art Director Masaki Koike, a custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer, and liner notes by Canadian author Ray Robertson, The Owsley Stanley Foundation, and David Lemieux. And, of course, it features newly restored and speed-corrected audio by Plangent Processes, mastered by Jeffrey Norman.
     
    Digital convert? We've got you covered too. On the very same day you can collect your hi-definition download.

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  • DeadVikes
    Joined:
    Releases

    It doesn't appear anything is selling out this year, regardless of the year.

    I would think this box would be gone by the end of the summer, but who knows, the first two Dave's are still available as well as the last two years Box Sets.

    Put me down as wanting the full shows released. I definitely prefer to listen to full shows.

  • Oroborous
    Joined:
    Yeah, what he said..

    though I still like the Dave’s format (enough 77 though), but I understand why some folks are dialing things back.
    I agree totally otherwise.
    Really, when you think about it, most bands play THE same set every show, or damn near, often year after year!
    So comparatively, the Dead’s not so bad. Again, I think it’s just some of us have been listening to too much? Ok, blasphemy I know, but no matter what you dig, if you’ve done it a looooot over the last 50 or 60 years you might experience at least a little burnout?
    So even with hundreds of songs in the set list, after all that time, I think it natural that maybe some have grown long in the tooth? And of course it’s often situational.
    But hey that’s perhaps just me, as we know some folks here that only seem to listen to the same 2 or 3 years, and years where the set lists were significantly repetitive, and don’t seem to tire lol.
    I think earlier the band didn’t worry as much about repeats for two reasons: they wanted to get the new material out, Bob especially likes to saturate the newbies, and second, not many people were going/traveling to so many shows.
    I think they thought about the sets more later on, as so many folks “toured” or did blocks like we did.
    In my early years, I was lucky if I saw a few one off shows relatively close by. When they started playing multiple nights at one venue it was a game changer in many ways including set lists etc. You could now see 2 or 3, or even 4 shows without a repeat!
    So yeah, a box of shows from a same tour, especially from the earlier years, is likely going to have some of “those” songs repeated. But like Daverock states, it’s the jewels were after, and hey, that’s what the skip button is for lol.
    I can understand Dogon’s etc point about getting saturated and too much etc, but personally I’d rather get the whole show as a completist and just skip or delete from playlist.
    If I was younger and if the digital only, no clutter/stuff generation, I’d probably still get the sub, rip it, then give it away, or sell it to cover the cost. That way still supporting the cause, because when sales drop to a certain level it’s all over now baby blue…
    But I’m also fine if a show is smoking/must have but not complete, as long as we get the jewels! Ddddaaaawwkkk Ssttttaaaarrrrrr Jerrryyyyyyy!
    Yes sir, it’s all bout dem jewels, the weirder the better!

  • daverock
    Joined:
    All this repetition

    It seems to me that repetition is a characteristic of box sets generally. I have quite a few that have multifarious versions of songs included - here's one by Jerry Lee Lewis - 25 versions of a song called "Break Up"! This is on "At Sun Records-The Collected Works". It's clearly not for someone who just wants to hear only his best work.

    I wonder if Dead box sets, and the Daves Picks series are similar? I would expect there to be some dull moments on the upcoming 1973 box - going off what I have already heard from this year. To me it will be worth it for the jewels. A lot won't think that though - it just depends how much of a completist we are. There are definitely shows in box sets that I don't think warrant releasing in their own right - but which just seem to be there as a build up to the better shows. I listened to 6/7/77 last week - and that seems a bit like that.
    Same with Daves Picks. I have got a bit tired of that format, which is why I no longer subscribe. I now just want to cherry pick shows I think I will like, rather than buy everything. That might be a mood that is becoming more prevalent.

  • Dogon
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    Oro...

    Very good Oro!

  • Oroborous
    Joined:
    It’s not the songs…

    …it’s the listener, and this listener has perhaps just heard some of these songs too often.
    So not the songs fault it got played too much, or that I’ve listened too much!

  • Dogon
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    Joined:
    Cowboy songs

    Not wishing to rain on anybodies parade, but for me the crux of the matter is the sheer number of times these songs appear on the artifacts we listen to at home, ie not in the moment of the concert. The Dark star/ el Paso/ Dark Star is of course magnificent but very often the little songs(Cowboy or other covers) dont really go anywhere. This is the problem when the Release Everything model won over the only release the Best Stuff tendancy. Of course sometimes the best stuff does include whole concerts or even whole runs, sometimes a compilation would do just fine.
    I mean how many El Pasos do we need? Or even - sacrilige -Lovelights? ( hej, wait a minute, wait a minute...)
    For me the Europe trunk is magnificent even with the occasional longuers , sorry, mostly down to Pig, and the very best shows should be released uncut, but a fair few not exactly stellar shows have found their way into the various box sets or Daves since then, even taking into account our individual preferences for certain eras or line ups, the best bits of these shows could of course been compiled into anthology releases. Perhaps, just perhaps stuff taking so long to sell out these days might be down to the fact that so much is already out there, which appeal to the completeists and stamp collectors on Dead Net, but not the average Joe, who may just buy a wrong un, factor in the scalpers, and the notorious difficulties getting access to this stuff/ non existent customer service, and perhaps we are nearing the end of the golden road chosen back in the middle of Road Trips.
    Thanks for listening, As usual YMMV! Respectfully and
    Back to my breakfast

  • daverock
    Joined:
    Dark Star-El Paso - Dark Star

    Yes, contrasts like that are great. Another good one was when Me and My Uncle mysteriously appeared in middle of The Other One. 8/6/71, comes to mind.

  • hendrixfreak
    Joined:
    Great point, daverock, but...

    once something sticks, it's stick-y. Maybe those songs are deemed "cowboy" because they use "cowboy chords"? Getting stickier now....

    I'll say this, I think it was 8-1-73 when the GD did Dark Star and dropped into El Paso, went back into Dark Star, then Eyes. (Setlist Programs confirms this memory.) Just a brilliant example of what the band would do to f*** with our heads. And, indeed, when Dark Star resumed, we looked at each other (thank the gods we didn't go it alone) like, "What just happened?"

    Probably the best placement of an El Paso in GD history. And they had to have discussed it beforehand as the transitions were flawless.

    Just another of my patented, yet completely pointless remarks. Thank you!

  • daverock
    Joined:
    Why cowboy?

    It's always struck me as a bit odd that the Dead's country rock covers are often referred to as cowboy songs. Johnny Cash wasn't a cowboy. "Big River" is one of the great songs Sam Phillips recorded at Sun Records, and I associate it more with rockabilly than I do with cowboys. For me, the term "cowboy" reminds me of Hollywood westerns. John Wayne and all that.

  • billy the kiddd
    Joined:
    Sing Me Back Home 8/27/72

    Definetly my favorite version. It would have been very cool if Garcia would have pulled it out for an encore instead of Quinn the Eskimoe in the 80s.

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WHAT'S INSIDE:
Five complete, previously unreleased performances on 17CDs
Des Moines, IA 5/13/73
Santa Barbara, CA 5/20/73
San Francisco, CA 5/26/73
Washington, D.C. 6/9/73
Washington, D.C. 6/10/73
Recorded by Kidd Candelario, Betty Cantor-Jackson, and Owsley Stanley
Newly restored and speed-corrected audio by Plangent Processes
Mastered by Jeffrey Norman
Liners featuring notes from Canadian author, Ray Robertson, The Owsley Stanley Foundation, and Legacy Manager and Audio Archivist, David Lemieux
Art and Design by GRAMMY® Award-winning Art Director, Masaki Koike
Custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer
 
Limited Edition Individually Numbered To 10,000 
Exclusively At Dead.net

 
"There’s the simple fact that the band members were old enough and experienced enough by now to be virtuosos on their instruments (what other group—rock or jazz or any other kind of music—could boast a trio of spectacularly singular talents such as Garcia, Lesh, and Weir?) but were still young enough to want to play and play and play some more, the happy, itchy inclination of youth. As a few of the shows in the Here Comes Sunshine boxed set attest, it wasn’t unusual for a 1973 concert to exceed four hours. And within the shows themselves, there are nearly nightly examples of hour-long orgies of tune-linked songcraft and juicy jamming." - Ray Robertson, HERE COMES SUNSHINE 1973 Liners
 
8 years in and the Grateful Dead are a little bit of everything to everyone. They are putting up textures and tones of rock, of jazz, of country, with set-morphing vibes and long stretches of improvisations that are completely keyed into the sum of their parts. Keith Godchaux is here with his cascading notes. Donna Jean too. Both finding their footing and keeping things steady in the wake of Pigpen's unfillable gap. The spring of 1973 feels transformative for the Dead - no more so than the May and early June shows, complementary yet remarkably different, soon-to-be cornerstones of everyone's tape collections, and now, 50 years later, set to be part of the band's official canon.
 
HERE COMES SUNSHINE 1973 is a limited-edition, 17CD boxed set with five previously unreleased, highly sought-after Dead shows, including: Iowa State Fairgrounds, Des Moines, IA (5/13/73), Campus Stadium, UCSB, Santa Barbara, CA (5/20/73), Kezar Stadium, San Francisco, CA (5/26/73), and Robert F. Kennedy Memorial Stadium, Washington, D.C. (6/9/73) and (6/10/73).
 
During the spring, the band road-tested most of the songs they would record that summer for WAKE OF THE FLOOD – their first studio album in three years – including early live versions of “Mississippi Half-Step Toodeloo,” “Row Jimmy,” “Stella Blue,” “Eyes Of The World,” and, the set’s namesake, “Here Comes Sunshine.” Also tucked into the collection are songs destined for the Dead’s 1974 studio album, FROM THE MARS HOTEL – “China Doll,” “Loose Lucy,” and “Wave That Flag,” a precursor to “U.S. Blues.”
 
The new repertoire slipped neatly into the fluid setlists alongside songs honed on the 1972 European tour (“Jack Straw,” “Tennessee Jed,” “Brown-Eyed Women”), Chuck Berry perennials (“Promised Land,” “Around And Around”), classic country (“Big River,” “The Race Is On”), and incredible jam sequences: “He’s Gone”> “Truckin’”> “The Other One”> “Eyes Of The World.”
 
Due June 30th, the individually-numbered, limited-edition 17CD set features vibrant graphics and custom-designed folios by GRAMMY® Award-winning Art Director Masaki Koike, a custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer, and liner notes by Canadian author Ray Robertson, The Owsley Stanley Foundation, and David Lemieux. And, of course, it features newly restored and speed-corrected audio by Plangent Processes, mastered by Jeffrey Norman.
 
Digital convert? We've got you covered too. On the very same day you can collect your hi-definition download.

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live in shame die in vain feed the poor stop the war(s)!
did 6/10/73 yesterday, and now my first round of fun listening to the entire box has been completed; planned on stretching it out over several months when the order confirmation was received, and it worked out well as DaP fourty seven got mixed into the rotation several times. For round 2, I'll re-listen more critically with the Bose QC-35 headphones to hear the subtle differences each of these recordings. I'm sure I'll be hearing some surprises.
shine your shoes sing the blues

Peace All!
uncle_tripel

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Mary, belatedly can I contact you about an issue with the discs on this one, and can you remind me how I do such...

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send me a PM!
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Has anyone else received a similar email about trying to get replacement discs.

Your email has come to my attention, and I apologize for the tardiness of this response.

Unfortunately, I have been advised that we no longer have stock for the disc you need replaced.

I am very sorry that we cannot fulfill your replacement request. We will refund you 50% for this item. (Please allow up to 5 days for funds to post to your account.)

May I also offer you a digital download of the Here Comes Sunshine box set? (If you would like to pursue this offer, please let me know whether you would prefer your download files in the FLAC or ALAC format.)

I apologize again for this frustrating experience.

Sincerely,

Tashanna
WMG Specialty Customer Service

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They cannot get you replacement discs but they can put the set on sale for $140.23 in their holiday sale? Hey now on that.
Cheers

No one has offered me a refund,they just sent me more faulty discs that don't play.It will cost me even more to send this back,I can't see them refunding all the postage & import fees that I had to shell out.

Wow, given the recent comments, who would have thought that the HCS box would be available for $140, listed in the Black Friday sale. That means they should/must have shipped any replacement discs for faulty or damaged at no cost BEFORE they sell another set... Had to jump through three Hey Now hoops to post this... talk about Lost Sailor...

Sydney - why should you be expected to send faulty discs back? You have said they are faulty - that should be enough for them. Don't they believe us if we say discs are faulty? A little respect would be nice - do they think you might be trying to pull a fast one? Ridiculous.

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It's on sale, but it's not available? What's up with that?

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Purchased the ALAC digital download since the discs were unavailable. Many of the dowloaded tracks have dead air.

I have purchased many of the box sets over the years and never have I run into so many issues. Disapointed to see so many other devotees with similar issues. Hope this gets resolved soon. The set lists are awsome and I can not wait to kick back and listen.

product sku
081227847036
Product Magento URL
https://store.dead.net/en/grateful-dead/special-collections/here-comes-sunshine/here-comes-sunshine-1973-dead.net-exclusive-[17-cd]/081227847036.html