• 861 replies
    Dead Admin
    Default Avatar
    Joined:

    WHAT'S INSIDE:
    Five complete, previously unreleased performances on 17CDs
    Des Moines, IA 5/13/73
    Santa Barbara, CA 5/20/73
    San Francisco, CA 5/26/73
    Washington, D.C. 6/9/73
    Washington, D.C. 6/10/73
    Recorded by Kidd Candelario, Betty Cantor-Jackson, and Owsley Stanley
    Newly restored and speed-corrected audio by Plangent Processes
    Mastered by Jeffrey Norman
    Liners featuring notes from Canadian author, Ray Robertson, The Owsley Stanley Foundation, and Legacy Manager and Audio Archivist, David Lemieux
    Art and Design by GRAMMY® Award-winning Art Director, Masaki Koike
    Custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer
     
    Limited Edition Individually Numbered To 10,000 
    Exclusively At Dead.net

     
    "There’s the simple fact that the band members were old enough and experienced enough by now to be virtuosos on their instruments (what other group—rock or jazz or any other kind of music—could boast a trio of spectacularly singular talents such as Garcia, Lesh, and Weir?) but were still young enough to want to play and play and play some more, the happy, itchy inclination of youth. As a few of the shows in the Here Comes Sunshine boxed set attest, it wasn’t unusual for a 1973 concert to exceed four hours. And within the shows themselves, there are nearly nightly examples of hour-long orgies of tune-linked songcraft and juicy jamming." - Ray Robertson, HERE COMES SUNSHINE 1973 Liners
     
    8 years in and the Grateful Dead are a little bit of everything to everyone. They are putting up textures and tones of rock, of jazz, of country, with set-morphing vibes and long stretches of improvisations that are completely keyed into the sum of their parts. Keith Godchaux is here with his cascading notes. Donna Jean too. Both finding their footing and keeping things steady in the wake of Pigpen's unfillable gap. The spring of 1973 feels transformative for the Dead - no more so than the May and early June shows, complementary yet remarkably different, soon-to-be cornerstones of everyone's tape collections, and now, 50 years later, set to be part of the band's official canon.
     
    HERE COMES SUNSHINE 1973 is a limited-edition, 17CD boxed set with five previously unreleased, highly sought-after Dead shows, including: Iowa State Fairgrounds, Des Moines, IA (5/13/73), Campus Stadium, UCSB, Santa Barbara, CA (5/20/73), Kezar Stadium, San Francisco, CA (5/26/73), and Robert F. Kennedy Memorial Stadium, Washington, D.C. (6/9/73) and (6/10/73).
     
    During the spring, the band road-tested most of the songs they would record that summer for WAKE OF THE FLOOD – their first studio album in three years – including early live versions of “Mississippi Half-Step Toodeloo,” “Row Jimmy,” “Stella Blue,” “Eyes Of The World,” and, the set’s namesake, “Here Comes Sunshine.” Also tucked into the collection are songs destined for the Dead’s 1974 studio album, FROM THE MARS HOTEL – “China Doll,” “Loose Lucy,” and “Wave That Flag,” a precursor to “U.S. Blues.”
     
    The new repertoire slipped neatly into the fluid setlists alongside songs honed on the 1972 European tour (“Jack Straw,” “Tennessee Jed,” “Brown-Eyed Women”), Chuck Berry perennials (“Promised Land,” “Around And Around”), classic country (“Big River,” “The Race Is On”), and incredible jam sequences: “He’s Gone”> “Truckin’”> “The Other One”> “Eyes Of The World.”
     
    Due June 30th, the individually-numbered, limited-edition 17CD set features vibrant graphics and custom-designed folios by GRAMMY® Award-winning Art Director Masaki Koike, a custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer, and liner notes by Canadian author Ray Robertson, The Owsley Stanley Foundation, and David Lemieux. And, of course, it features newly restored and speed-corrected audio by Plangent Processes, mastered by Jeffrey Norman.
     
    Digital convert? We've got you covered too. On the very same day you can collect your hi-definition download.

Comments

sort by
Recent
Reset
  • Oroborous
    Joined:
    68 box

    I respectfully disagree with the suggested small format.
    We’re running outta time so there’s only so many more boxes to get released.
    Thus, I think it should be a big primal box:
    66-67: depending on what’s there, perhaps a couple discs?
    68: 8 discs of whatever’s top shelf, fragments, whatevs, release the best
    69: 6-8 discs or best quality 4 shows. Say half spring, half fall/winter
    70: best quality 3 or 4 shows

    Yeah it’s a few more discs than the usual 15 to 20, (this one’s 17, St Louie 20) but so what, the magnitude and significance of this should rival Europe, Spring 77, Spring 90, or Boxilla in its importance.
    I get some of you want it cheap, and are getting saturated on discs etc, but think of it this way, for some it might be the last box you buy, and it’s the favorite era for many of you, so why not go big, why be chintzy with such epic Dead? Make something that’ll take years to fully digest!
    Primal Baby!
    As they say on the mountain, go big or go home!

    Kiniggits looking strong!

  • daverock
    Joined:
    Primal Dead

    For me, The Dead really took off when Mickey Hart joined - about September 1967. I like listening to shows from1966 up to this date - but from then on - wow. Incredible concentration of energy which lasted from then up until the Workingmans songs started getting introduced half way through 1969. It does seem strange that there has not been a single Dave's Picks from this timespan. Even the 1969 shows that have been released have been from the end of the year. This late 1967-mid 1969 stretch was the music that turned me on to them in the first place.

  • Vguy72
    Joined:
    Can't be picky re '67-'69....

    ....I'll take fragments.

  • Gratefulhan
    Joined:
    67-68

    I would be all for a box with shows from 67-68. Or even a box full fragments since I think many of the shows are not complete in the vault. When I think of 1967, I immediately think of 3/18, and 9/3 as shows I would love to have. I am not sure if they are compete in the vault. Speaking of the vault, I think there is a little more in vault in the way of complete 1968 shows to compared to 1967, but then I don't really know. I am only inferring based on the available tapes. In any case, I think any combination of material from 1967 and 1968 would be a great box set to get put together.

    I hope it happens especially since we are getting 2 highly regarded shows in the Here Comes Sunshine box with 5/26/73 and 6/10/73. I feel Dave L and crew have really aimed at releasing many of the highly regarded shows and tours to this point and that is a credit to them. I think now would be a great time to dip into some of the "back in the day" stuff so since many of the proverbial big shows have made their way into our hands.

  • hendrixfreak
    Joined:
    Sounds like the '68 monster has awakened from its slumbers

    Love you folks! I'm thinking that mentioning '68 in a '73 thread is doing a cannonball in the deep end of the pool...

    And it turns into Cannonball City around here.

    Love it, man, love it. dmcvt has the right idea -- a modest box, even just 4-6 discs (okay, 10), with a couple shows, partials and fragments. And JimInMD has the timeframe just right. I think fall '67 to fall '68 would be the critical ignition period in question.

    Forensicdoc and I discussed the practicalities, which amounted to ... '68 shows seem to have often been 60-90 minute supernova affairs (someone has accurate data on this), perhaps due to the GD being on a multi-band roster? So a '68 DP is unlikely. Thus, a modest box would be the format. They've done the full 30 Trips thing-y, they've done the two-year regionally based '73-'74 PNW, they've done a few single year runs, like '76, '77, '78, '90. And we know they've got some '68 shows, partials, fragments still in the can (don't we?), so the questions are: When? And, How?

    Final addled thought: frankly, I don't see a ton of interest from the wider retail market for '68. So maybe it's another mini-box modeled on the FW69 output on a ltd edition basis? You know they've got to be talking about the OSF's June '68 tape discovery -- so either they put that out as a special release ala the single disc Family Dog/Great Hwy release from April '70 or they use it as a vehicle to deliver 'mo '68.

    My pitch to Dave & Co: '68 fans are getting on in years and ya gotta be young and fired up, at least in your heart, to fully appreciate the surging energy of '68. So, the famous question: "If not now, when?"

    I guess my prior post wasn't "all." Probably gonna ladle on a little '68 later today in honor of all mothers everywhere! (Not that I was personally involved, mind you...)

  • daverock
    Joined:
    8/23/68 encore

    Not forgetting the bonus tracks tucked away on the Anthem of the Sun cd included in the "Golden Road 1965-1973" box set. From 8/23/68 we have "Alligator-Caution-Feedback". Very high energy - a fantastic jam. I think these tracks were included on the digitally remastered cd of Two From The Vaults. It isn't on the vinyl version.
    A minute or so after Feedback ends, there is another track, not listed on the cover, "Born Cross Eyed".

  • fourwindsblow
    Joined:
    2 from the vault cd

    There is one on Amazon "used very good" sold by SecondSpinDisk for 9.39 or I could give you one in poor condition for free (wasn't mine someone found it and gave it to me) pm let me know.

    Note: It's not the expanded edition, sorry!

    ps. Give me my ancient shit...

  • JoeyMC
    Joined:
    Before 30 trips there was a…

    Before 30 trips there was a Road Trips, Vol 2 No 2, 2/14/68 Carousel Ballroom. 14 years ago. I've been looking for a copy of Two From The Vault on CD, I don't seem to have that in my collection these days... does anyone know if Rhino released that one on it's own?

  • JimInMD
    Joined:
    I wonder when....

    They will finally cave for the ancient shit.. just a little 1967 and 1968 please.. with a sprinkle of '69 for good measure.

    When was the last 68 release besides 30 trips anyway? Dicks Picks 22, Kings Beach Bowl?

  • fourwindsblow
    Joined:
    8.68, Bear's Choice 50th

    8.20 - 24.68 best fives days of music ever! Needs to be in a Box...

    Bear's Choice LP says "This has been re-mastered by David Glasser using Plangent Processes from the original analog 2-track tapes recorded live by Bear and has never sounded better."

    I don't think they would have just transferred the tracks used for the album, and with no CD version of Bear's Choice there has to be something else coming. Maybe a small Fillmore East Feb. '70 Box?

user picture
Default Avatar

Member for

3 years 7 months

WHAT'S INSIDE:
Five complete, previously unreleased performances on 17CDs
Des Moines, IA 5/13/73
Santa Barbara, CA 5/20/73
San Francisco, CA 5/26/73
Washington, D.C. 6/9/73
Washington, D.C. 6/10/73
Recorded by Kidd Candelario, Betty Cantor-Jackson, and Owsley Stanley
Newly restored and speed-corrected audio by Plangent Processes
Mastered by Jeffrey Norman
Liners featuring notes from Canadian author, Ray Robertson, The Owsley Stanley Foundation, and Legacy Manager and Audio Archivist, David Lemieux
Art and Design by GRAMMY® Award-winning Art Director, Masaki Koike
Custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer
 
Limited Edition Individually Numbered To 10,000 
Exclusively At Dead.net

 
"There’s the simple fact that the band members were old enough and experienced enough by now to be virtuosos on their instruments (what other group—rock or jazz or any other kind of music—could boast a trio of spectacularly singular talents such as Garcia, Lesh, and Weir?) but were still young enough to want to play and play and play some more, the happy, itchy inclination of youth. As a few of the shows in the Here Comes Sunshine boxed set attest, it wasn’t unusual for a 1973 concert to exceed four hours. And within the shows themselves, there are nearly nightly examples of hour-long orgies of tune-linked songcraft and juicy jamming." - Ray Robertson, HERE COMES SUNSHINE 1973 Liners
 
8 years in and the Grateful Dead are a little bit of everything to everyone. They are putting up textures and tones of rock, of jazz, of country, with set-morphing vibes and long stretches of improvisations that are completely keyed into the sum of their parts. Keith Godchaux is here with his cascading notes. Donna Jean too. Both finding their footing and keeping things steady in the wake of Pigpen's unfillable gap. The spring of 1973 feels transformative for the Dead - no more so than the May and early June shows, complementary yet remarkably different, soon-to-be cornerstones of everyone's tape collections, and now, 50 years later, set to be part of the band's official canon.
 
HERE COMES SUNSHINE 1973 is a limited-edition, 17CD boxed set with five previously unreleased, highly sought-after Dead shows, including: Iowa State Fairgrounds, Des Moines, IA (5/13/73), Campus Stadium, UCSB, Santa Barbara, CA (5/20/73), Kezar Stadium, San Francisco, CA (5/26/73), and Robert F. Kennedy Memorial Stadium, Washington, D.C. (6/9/73) and (6/10/73).
 
During the spring, the band road-tested most of the songs they would record that summer for WAKE OF THE FLOOD – their first studio album in three years – including early live versions of “Mississippi Half-Step Toodeloo,” “Row Jimmy,” “Stella Blue,” “Eyes Of The World,” and, the set’s namesake, “Here Comes Sunshine.” Also tucked into the collection are songs destined for the Dead’s 1974 studio album, FROM THE MARS HOTEL – “China Doll,” “Loose Lucy,” and “Wave That Flag,” a precursor to “U.S. Blues.”
 
The new repertoire slipped neatly into the fluid setlists alongside songs honed on the 1972 European tour (“Jack Straw,” “Tennessee Jed,” “Brown-Eyed Women”), Chuck Berry perennials (“Promised Land,” “Around And Around”), classic country (“Big River,” “The Race Is On”), and incredible jam sequences: “He’s Gone”> “Truckin’”> “The Other One”> “Eyes Of The World.”
 
Due June 30th, the individually-numbered, limited-edition 17CD set features vibrant graphics and custom-designed folios by GRAMMY® Award-winning Art Director Masaki Koike, a custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer, and liner notes by Canadian author Ray Robertson, The Owsley Stanley Foundation, and David Lemieux. And, of course, it features newly restored and speed-corrected audio by Plangent Processes, mastered by Jeffrey Norman.
 
Digital convert? We've got you covered too. On the very same day you can collect your hi-definition download.

user picture

Member for

1 year 2 months
Permalink

live in shame die in vain feed the poor stop the war(s)!
did 6/10/73 yesterday, and now my first round of fun listening to the entire box has been completed; planned on stretching it out over several months when the order confirmation was received, and it worked out well as DaP fourty seven got mixed into the rotation several times. For round 2, I'll re-listen more critically with the Bose QC-35 headphones to hear the subtle differences each of these recordings. I'm sure I'll be hearing some surprises.
shine your shoes sing the blues

Peace All!
uncle_tripel

user picture
Default Avatar

Member for

17 years 6 months
Permalink

Mary, belatedly can I contact you about an issue with the discs on this one, and can you remind me how I do such...

user picture

Member for

17 years 7 months
Permalink

send me a PM!
user picture

Member for

7 years 11 months
Permalink

Has anyone else received a similar email about trying to get replacement discs.

Your email has come to my attention, and I apologize for the tardiness of this response.

Unfortunately, I have been advised that we no longer have stock for the disc you need replaced.

I am very sorry that we cannot fulfill your replacement request. We will refund you 50% for this item. (Please allow up to 5 days for funds to post to your account.)

May I also offer you a digital download of the Here Comes Sunshine box set? (If you would like to pursue this offer, please let me know whether you would prefer your download files in the FLAC or ALAC format.)

I apologize again for this frustrating experience.

Sincerely,

Tashanna
WMG Specialty Customer Service

user picture

Member for

10 years 3 months
Permalink

They cannot get you replacement discs but they can put the set on sale for $140.23 in their holiday sale? Hey now on that.
Cheers

No one has offered me a refund,they just sent me more faulty discs that don't play.It will cost me even more to send this back,I can't see them refunding all the postage & import fees that I had to shell out.

Wow, given the recent comments, who would have thought that the HCS box would be available for $140, listed in the Black Friday sale. That means they should/must have shipped any replacement discs for faulty or damaged at no cost BEFORE they sell another set... Had to jump through three Hey Now hoops to post this... talk about Lost Sailor...

Sydney - why should you be expected to send faulty discs back? You have said they are faulty - that should be enough for them. Don't they believe us if we say discs are faulty? A little respect would be nice - do they think you might be trying to pull a fast one? Ridiculous.

user picture

Member for

12 years 3 months
Permalink

It's on sale, but it's not available? What's up with that?

user picture
Default Avatar

Member for

4 years 5 months
Permalink

Purchased the ALAC digital download since the discs were unavailable. Many of the dowloaded tracks have dead air.

I have purchased many of the box sets over the years and never have I run into so many issues. Disapointed to see so many other devotees with similar issues. Hope this gets resolved soon. The set lists are awsome and I can not wait to kick back and listen.

product sku
081227847036
Product Magento URL
https://store.dead.net/en/grateful-dead/special-collections/here-comes-sunshine/here-comes-sunshine-1973-dead.net-exclusive-[17-cd]/081227847036.html